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No Typical Love Story

lo v e c a n
…Where e
as a c o m pl et
co m e
surprise
Animatic
Shots/Editing

S h o ts: ts:
ra h o
Came a S
Camegr:
n g S h ot Editin o t
1. Lo ium Shot g Sh
n Cut ot
M ed 1. asLtoCutu/m S h
2 .
se – Up F
1. 2. Med i
lo om se –io
3. C nt-of-View 2. Zo CloM o t Unp
P oi 3 . o w
4 .
ve r-t h e - 3. Sl / D is solve
5. O ulder de
4. Fa
Sho n g le
ide A
6 . W
Shot
Shots Analysis
continued

ld
Long shots wou
er
used in the teas
to place the
subject so they
take up almost
the full frame
e
height or to plac
the subjects in
nt.
their environme
Shots Analysis

Medium shots
would be used in
w
the teaser to sho
t
part of the subjec
in more detail
whilst still giving
an impression of
t.
the whole subjec
Shots Analysis continued

Close up shots
would be used
in the teaser to
show facial
expression,
emotion and
reactions.
Shots Analysis continued

Point-of-View
shots would be
used in the
teaser to show a
view from the
subject's
perspective.
Shots Analysis
continued

in
OTS would be used
s
the teaser as it help
to establish the
positions of each
person, and get the
e
feel of looking at on
person from the
.
other's point of view
Shots Analysis continued

Wide angle
shots would be
used in the
teaser to show
a broad field of
action taken.
Editing Analysis
A slow fade-in w
ould Dissolve would
be used as a qu
iet Fast cuts would be used be used in the
e
introduction; an
da in the teaser to teaser to give th
ra
slow fade-out fo
. Also
deliberately make a impression of
peaceful ending scene more dramatic. differences in
time
used to suggest .
the time and place
lapses through Slow motion is used to
de-
use of a slow fa emphasise a dramatic
out and fade-in. moment and can have a
romantic quality.

Zoom is used to focus


on the subject, and
attention is
concentrated on details
previously invisible as
the shot comes into
focus.
The End

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