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1.2.3 11.......................................................................
1.2.4 - " "12.............................

1.3 : Timbre -
14.......................................................................................................
1.3.1 " "14...................................................
1.3.2 15.....................................................
1.3.317............................................................................................
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1.3.5'' 19...............................................................................
1.3.6 19...............................................................................
1.3.7' 21.................................................................................
1.4 - 23...................................
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1.5.1 24.........................................60
1.5.2-; -25................................
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2.1.1 30..............................................................
2.1.2 )(32........................................................
2.1.3 33.................................................................
2.1.4 33...........................................
" 2.1.5" )36............................................................(Modulations
2.1.6 38...................................................FFT

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2.2.1 40....................................................................
2.2.2 42..........................................................................
2.2.3 : 49...........................................
2.2.4 - 51...........................
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3.1 53.............................................:
3.2 Ethers 56..........................................................................
3.3 Ethers59................................................................................
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 19- ,20-
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10

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12

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14

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10

15

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)Perspectives of New Music, Vol. 12, No. 1/2 (Autumn, 1973 - Summer, 1974): (141- 172

16

11

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17

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)Music, Vol. 5, No. 1, 1966: (11-19

18

13

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19

14

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Prom Concert in 2004 at which Benjamin conducted a performance of Des canyons aux ?toiles...

15

Messiaen, Technique de mon langage musical ("The technique of my musical language"). Paris:
Leduc, 1944

16

20

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21

17
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22

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19

Anthony Cornicello, Timbral Organization in Tristan Murails D?sint?grations,

www.anthonycrnicello.com
20
'

23

 1.5 ,

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Eric Drott, Timbre and the cultural politics of french spectralism,

www.oicm.umontreal.ca/cim05

24


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Vincent Descombe, Modern French Philosophy, Cambridge University Press, 1980

Jacques Derida, De la Grammatologie, Les Edition de Minuit 1967. English translation by Gayatri
Chakravorty Spivak, Of Grammatology, Johns Hopkins University Press, 1976
24
Gilles Deleuze, Logique du sens, Les ? ditions de Minuit, 1969. English translation by Mark Lester,
Logic of Sense, 1990
25
Gilles Deleuze, F?lix Guattari, Capitalisme et schizophr?nie L'anti-? dipe, Les ? ditions de Minuit,
1972
23

26

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27

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Edmund Husserl, On the Phenomenology of the Consciousness of internal Time, Trans. J.B.
Brough, Kluwer Academic Publishers 2008
28

28

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CMR, 2000, vol. 19, part 2: (81-113).

32

30

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49

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57

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62

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Music Pub. 1942

64

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After Jeremiah Goyette, The Linear and the non-Linear in Tristan Murails Ethers,
(www.jeremiahgoyette.com)

74

 ,F .
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Contemporary Music Review, 2000 ,

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.Horatiu Radulescu

42

.
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)Murail, After-Thoughts, CMR 2000, 19: (5-9

Ibid
42
)Julian Anderson, A Provisional History of Spectral Music, CMR 2000,19: (7-22
41

77

 . ' ,
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Timbre .

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43

Damien Pusset, The Works of Kaija Saariaho, Phillipe Hurel, Mark Andre Dalbavie, CMR 2000,19:
)(67-110
44
)Jonathan Harvey, Spectralism, CMR 2001,19: (11-14

78

Julian Anderson, A Provisional History of Spectral Music, Contemporary

Music Review, 2000, 19: (7-22)
Julian Anderson, Messiaen and the notion of influence, Tempo 63, 2009

Julian Anderson, In Harmony: Introduces the Music and Ideas of Tristan

Murail The Musical Times, Vol. 134, No. 1804. 1993: (321-323).

Pierre Boulez, Notes of an Apprenticeship, Alfred A. Knopf, 1968.

Charles Bukhart, Schoenberg's Farben: An Analysis of op. 16, No.3,

Perspectives of New Music, Vol. 12, No. 1 2, 1973 1974: ( pp. 141- 172)
Anthony Cornicello, Timbral Organization in Tristan Murails D?sint?grations
(www.anthonycornicello.com)
Gilles Deleuze, F?lix Guattari, Capitalisme et schizophr?nie L'anti-? dipe,
Les ? ditions de Minuit, 1972
Gilles Deleuze,Logique du sens, Les ? ditions de Minuit, 1969. English
translation by Mark Lester, Logic of Sense, 1990
Jacques Derrida, Writing and Difference, Chicago University Press, 1967

Vincent Descombe, Modern French Philosophy, Cambridge University

Press, 1980
Eric Drott, Timbre and the cultural politics of french spectralism,
www.oicm.umontreal.ca/cim05
Dominic Garant, Tristan Murail: une expression musicale modelis?e,
L'Harmattan inc.2001
Bob Gilmore, On Claude Viviers Lonely Child Tempo, vol. 61, 2007: (217)

Gerard Grisey, Did you say spectral, Contemporary music review, Vol.19,
2000
Gerrad Grisey, Tempus Ex Machina, CMR, Vol.2, 1987: (239-275)
79

Jeremiah Goyette, The Linear and the non-Linear in Tristan Murails Ethers,
(www.jeremiahgoyette.com)
Jeffrey J. Hennessy, Beneath The Skin of Time Alternative Temporalities in
Grisey's Prologue for Solo Viola, Perspectives of New Music, 2010: (37-38)
Jonathan Harvey, Spectralism, CMR vol.19, 2001: (11-14)

Hindemith, The Craft of Musical Composition, English Translation Arthur

Mendel, Associated Music Pub. 1942
Edmund Husserl, On the Phenomenology of the Consciousness of Internal
Time (1893-1917), Husserliana: Edmund Husserl Collected Works, trans.
J.B. Brough. Kluwer Academic Publishers 2008
Dermot Moran,Introduction to Phenomenology, Routeledge 1996

Messiaen, Technique de mon langage musical ("The technique of my musical

language"). Paris: Leduc, 1944
.
Viviana Moskovich, French Spectral Music: an Introduction, Tempo, no.200,
1997: (21-27)

Dermot Moran, Introduction to Phenomenology, Routeledge 1996

Tristan Murail, After-Thoughts, CMR 2000, 19: (5-9)

Tristan Murail, Target Practice, CMR, Vol. 24, No. 2/3, 2005: (149 171)

Tristan Murail, The Revolution of Complex Sound, CMR, Vol.24, 2005: (121135)
Tristan Murail, Scelsi, De-composer, CMR, Vol. 24, 2005: (173 180)

www.tristanmurail.com

80

Damien Pusset, The Works of Kaija Saariaho, Phillipe Hurel, Mark Andre
Dalbavie, CMR 2000, 19: (67-110)
Fran?ois Rose, Introduction to the Pitch Organization of French Spectral
Music Perspectives of New Music, Vol. 34, No. 2 (Summer, 1996): (6-39)
Arnold Schoenberg, Harmonielehre Universal Edition. (1911)

Edgard Varese and Chou Wen-chung, The Liberation of Sound,

Perspectives of New Music, Vol. 5, No. 1,1966: ( pp. 11-19)
73-74 ',1992, ", ,

81