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kifrequs% xzUFkekyk
vDsiIFhakDvyakaKFhagaKapatimuneU granthamDlD
COLLECTED WORKS OF
VASISHTHA KAVYAKANTHA GANAPATI MUNI
VOLUME THREE
Editor
K. Natesan
Associate Editor
Dr. Sampadananda Mishra
Published by
V. S. Ramanan
President, Board of Trustees
Sri Ramanasramam
Thiruvannamalai
Tamil Nadu - 606603
Researched and Edited by
Kavyakantha Ganapati Muni Project
Guru Nayana and Maharshi: The Call and the Grace Trust
1, 8th cross, Tagore Nagar
Pondicherry - 605008
Copyright
Sri Ramanasramam
Thiruvannamalai
Tamil Nadu - 606603
Printed in India by
All India Press
Kennedy Nagar
Pondicherry - 605001
PUBLISHERS NOTE
The current volume marks the end of stotragranthamDlD of
the Collected Works of Vasishtha Ganapati Muni. The Muni was,
indeed, one of the greatest poets of the twentieth century. His
contribution to the stotra literature in Sanskrit is beyond comparison.
In this volume the stotras dedicated to different gods are compiled together. The major works here are QrnramaKacatvDriWQat
and indrasahasranDma. Another major section gntamDlD has a
number of stotras dedicated to different God-heads. The Roman
transliteration of the entire text provided as a part of the volume is
a great help for many readers who are not well acquainted with
Devanagari script. To read and recite these beautiful stotras composed by the Muni, is, indeed, a joy, a happy experience.
We are happy to know that the work of editing the Collected
Works of the Muni in twelve volumes has been progressing very
well. So far ten volumes are ready and are going to be published
by Sri Ramanasramam one after another. Hopefully, by another
one year all the volumes will have been published. We ensure Sri
K. Natesan, who has dedicated himself for the compilation and
editing of all the works of the Muni, has Sri Bhagavans blessings
in abundant measure and will continue to be the inspiring force
towards the publication of all the volumes.
We are sure that the third volume of The Collected Works of
Ganapati Muni too, like the first and second volumes, will be
equally useful and inspiring for the spiritual aspirants.
Sri Ramanasramam
Thiruvannamalai
08. 03. 2005
EDITORIAL
oUns Jhje.kksZjkpk;ZL; inkCte~ A
;ks esnkZ;nhka HkkUra /okUrerhR; AA*
vande QrnramaKarIerDcDryasya padDbjam
yo medarQayadnQaW bhDntaW dhvDntamatntya.
I bow down at the Lotus-Feet of Sage Sri Ramana, the great
Teacher, who has shown me the Self-effulgent Supreme Lord
beyond nescience.
vkskjonua oU|a dohukekfnea dfoe~ A
oUns x.kir nsoa ujosk/kja xq#e~ AA
oOkDravadanaW vandyaW kavnnDmDdimaW kavim
vande gaKapatiW devaW naraveIadharaW gurum.
I bow to the adorable God Ganapati, Pranava-faced, the original Poet of poets, the Guru in human disguise.
osnScksZ/kors fxjka foyflrS% lEeksneqkors
/khjSHkkZjrlwfjfHkcZyors iwoSZ% izfrkors A
eU=kS% fe=kors egkpj.kS% vkpk;Zy{ehors
dkO;S% d.Bors f/k;k /kuors dLeSfpnLeS ue% AA
vedairbodhavate girDW vilasitaiU sammodamudrDvate
dhnrairbhDratasuribhirbalavate purvaiU pratiIFhDvate
mantraiU mitravate maharIicaranaiU DcDryalakshmnvate
kDvyaiU kaKFhavate dhiyD dhanavate kasmaicidasmai namaU.
His wisdom is founded on the Vedas. With scintillating speech
he is poised in Bliss. His strength has its foundation on the
steadfast seers of this sacred land of Bharata.
*The first verse here is by Ganapati Muni and the remaining three are by
Sri Kapali Sastriar.
ii
He stands firm by the realisations of the ancients. The mantras are his close companions. It is his good fortune to have
the Maharshi as his guru. His voice reverberates with poetry.
His intellect is his wealth. Salutations to him, the Ineffable.
nsgsu nwjksfi nk u nwj% izh.kkfr ;ks u% Lej.ksu fl)% A
dFka uq fp=ka rfnna p ;Lekr~ fojktls Roa n;kluLFk% AA
dehena duropi hrdD na duraU prnKDti yo naU smaraKena siddhaU
kathaW nu citraW tadidaW ca yasmDt virDjase tvaW hrdayDsanasthaU.
Though physically not near to us, thou art close to our hearts.
Thy presence is intense by the mere remembrance that makes
us happy. No wonder for thou reignest shining in our hearts.
Bowing down to all my gurus, I am indeed very happy
that I have been chosen as an instrument to carry out the most
heart-fulfilling work of editing the Sanskrit writings of my beloved
guru, Vasishtha Kavyakantha Ganapati Muni, most affectionately known as Nayana (as called by Bhagavan Sri Ramana
Maharshi). I am very certain and also feel strongly that it is only
the Divine grace and power of the Maharshi and Nayana that
have guided me to undertake this work, whatever the outer circumstances might appear to be. Besides, I am also clear that it is
the Divine Grace which has prepared me over many long years
for this work. Therefore, with utmost humility, I would like to
write these few lines as an editorial for the Collected Works of
the Muni.
Vasishtha Ganapati Muni was a colossal figure of wisdom and tapas, and there is no doubt that he was the most prolific author of spiritual writings in Sanskrit in the 20th century. His
writings reflected the depth and vastness echoing Vedic spirituality, encompassing varied topics, like verses of adoration to differiii
as the dates of many writings are not available. For the sake of the
totality of presentation, I have included several of revised versions
and incomplete writings of the Muni.
I understand the need for an English transliteration and
translation, which most readers look forward to. But for the time
being, I have decided to compile the Collected Works of the Muni
concentrating on the original Sanskrit texts with only the Roman
transliteration. However, I feel that the translation of the work will
take its own time, as it is well understood that the translation of
any spiritual writing is not an easy task.
Dr. Sampadananda Mishra of the Sri Aurobindo Society,
Pondicherry, a promising Sanskrit scholar in his own right, has
helped me in editing and organising these Collected Works. It is
my great pleasure to say that Dr. Mishra has been devoting a
considrable amount of time with great responsibility of editing the
Collected Works of the Muni. He has not only prepared the Shloka
Indices for first, second and the third volumes but also has taken
the responsibility of checking the correctness of the Sanskrit texts
for all the volumes and preparing the Roman transliteration. For
the second volume he has contributed an editorial in Sanskrit under the title vDsiIFhagaKapatimuneU sDhityam which highlights
the scholarship of the Muni and the poetic beauty of his diferent
writings. I have immense pleasure in having Dr. Sampadananda
Mishra as the Associate Editor of the Collected Works of the
Muni.
This volume begins with a stuti titled as QrnramaKacatvDriWQat. This stuti has forty verses in the praise of Bhagavan
Sri Ramana Maharshi. The verses of this stuti were composed by
the Muni in different times and were arranged in this form by the
Bhagavan himself. For a clear understanding of the facts related
to this stuti I have provided here a special note on the genesis of
QrnramaKa-catvDriWQat. In this volume except ambikDgntam and
vi
K. Natesan
vii
A CKNOWLEDGMENTS
The sacred work of editing and publishing the Collected
Works of Kavyakantha Ganapati Muni would not have been possible without the Grace of Bhagavan Sri Ramana Maharshi and
Nayana. I have also felt the Grace and blessings of Sri Aurobindo
and The Mother in taking up this work. Inwardly, I have been
constantly guided by the Grace of these great spiritual personalities. I have also received concrete help from Sri Kapali Sastriar
and Sri M.P. Pandit. My heart melts with gratitude to these great
souls, who have been my constant guiding spirit.
Divine help works through human instruments. Many noble
people, friends and others have been a source of constant encouragement and I have drunk the spirit of courage and enthusiasm offered by them. Among these include Sri V. S. Ramanan,
President, Board of Trustees, Sri Ramanasramam,
Thiruvannamalai; Sri Vamadeva Shastri (David Frawley), Director, American Institute of Vedic Studies, U.S.A.; Dennis Hartel,
Sri Arunachala Ashram, U.S.A.; Sri S. Shankara Narayanan, a
well-known disciple of Sri Kapali Sastriar; Sri Alan Jacobs and
his wife, Jane Adams of Sri Ramana Foundation, London; Sri
J.G.K. Murthy, Chennai; Sri A. R. Natarajan, Sri Ramana
Maharshi Center for Learning, Bangalore; Sri J. Jayaraman, Sri
Ramanasramam and the late Sri G.L. Kantham, Guntur.
This work would not have been possible but for the
caring and loving touch of Sri D.S. Viswamitra and his wife, Srimati
Kamakshi, daughter, Srimati Indrani, and sons, Sri Divaspati and
Sri Brahmanaspati of Sirsi (North Karnataka). I can only say that
it has been possible to bring out the Collected Works of the Muni
only because of this family, who, as trustees have preserved these
for posterity. I am grateful to the entire family for their loving support.
viii
K. Natesan
Vasishtha Kavyakantha Ganapati Muni (1878-1936) belongs to the rare race of intellectual and spiritual giants who
crowded into the narrow corridors of the last quarter of 19th and
first four decades of the 20th century to endow life, letters and all
endevours with meaning, purpose and altitude. He was a valiant
soldier in the cause of Truth and Divinity. For communing with the
Divine, certainly he was well-endowed, gifted as he was with marvellous powers of mind, intellect and soul. Even highly learned
people of our time wonder at his indubitable versatile genius, keenness of perception and understanding of our modern problems,
though he had never been to school all his life. His powers of
intellect and intuition had solved and untied many mystic knots.
His wide scholarship and studies in religious lore harmonized in
him all religions and schools of philosophy. He was a master of
metaphysics and his gift transported him into regions whence he
could see the entire manifestation. In fact, he belonged to the order of the Rig Vedic seers who were gods among men.
The Munis life story is sweet and all-absorbing and has
been beautifully rendered in the famous biography VDsiIFha
Vaibhavam by his foremost disciple, Sri Kapali Sastriar. Ganapati
Muni was born in Kalavarayi near Bobbili in Andhra Pradesh on
17th November1878. He belonged to a family of Sri Vidya initiates (in vDsiIFha gotram), which had actually migrated from a
village near Kumbakonam in Tamil Nadu in the late 16th or early
17 th century (later the family was well-known as the
Ayyalasomayajulu family). His parents, Narasimha Sastry and
Narasamamba, had three sons, Ganapati being the middle one.
xi
versed in mantra QDstra, astrology and Dyurveda. With this traditional family background, proficiency in these subjects came
naturally to Ganapati. When he was only 10 years old, he was
able to prepare the pacDOgam (almanac). He finished studying
the classical Sanskrit poems and then devoted himself to the study
of grammar and poetics. At the same time he delved deep into the
writings of Vyasa and Valmiki. Again and again he read the
Mahabharata. His horizon widened and his intellect mellowed with
an ever-deepening perception. Like the ancient Rishis, Ganapati
wanted to experience immense strength and power by the practice of tapasyD through mantra japa and meditation. Although
married at an early age to Srimati Vishalakshi, he started visiting
one sacred place after another for his tapas when he was 18
years old. He used to stay in one place for a few days or even
months. In one such visit to Bhubaneswar (in Orissa, where the
famous Lingaraj temple of Lord Siva is located), during his
tapas, Ganapati had a vision, in which Goddess lalitDmbikD
(bhubaneQvarn) appeared before him, offering divine nectar. As
Ganapati tasted this heavenly nectar, the Goddess watched him
with a sweet smile, full of grace. From then onwards, the sweetness of the nectar became an integral part of him. After this incident, Ganapatis intellect developed a rare sharpness and he attained complete mastery over poetry. Indeed, the literary work
composed after this incident is endowed with a distinct sweetness
and grace.
When Ganapati was staying in Kashi, he came to know
that an assembly of scholars (harisabhD) would be held in the
famous city of Nabadwipa in Bengal. On the advice of his friends
he got a letter of introduction and went to Nabadwipa. There he
excelled in all the difficult tests that he was put to with an effortless
ease that stunned his examiners, who unanimously conferred the
title kDvyakaKFha (one who has poetry in his throat voice of
xiii
However, in his case, with the strength of his own tapasyD and
the Grace of his most compassionate Master, he lived for fourteen
long years (although he had to observe certain physical restrictions, such as that he could not shave his head nor could put his
bare feet on the ground) after this experience. This event speaks
volumes on the extraordinary nature of his tapasyD and the fact
that he was perhaps the greatest Master of tantra born on this
earth. In fact, the final revision of his magnum opus UmDsahasram after this experience, remains, testimony not only to his
supreme mastery over the tantras but also his ability to find the
reconciliation and concordance between the Vedic, Upanishadic
and the Tantric schools of thoughts. The kapDlabheda experience also reconfirms the conviction that he was the direct aWQa
(portion) of the Vedic deity agni (who resides as the power of
kuKoalinn in the mulDdhDra of human beings).
The poet seer Kavyakantha Ganapati Muni met
Sri Aurobindo on 15th August 1928. He stayed at the Sri Aurobindo
Ashram for about a fortnight. During this stay at the Ashram, the
Muni meditated with The Mother a few times. After one such
meditation, The Mother expressed that the Muni was a real yogi
who could plunge into great depths the moment he started meditation and that she had not so far found any person abiding in Her
spiritual consciousness as Ganapati Muni did. Further, at the instance of Sri Kapali and Sri S. Doriswamy Iyer, the Muni translated some portions of Sri Aurobindos The Mother
(mDtrtattvaprakDQikD) in chaste Sanskrit verses with some notes.
On reading the Munis translation, Sri Aurobindo seems to have
very generously observed, It far excels the original. It is also
worth mentioning that the Muni presented to Sri Aurobindo the
last and final version of his UmDsaharam (written in his own handwriting after his experience of kapDlabeheda) with specific notes
on each chapter before his meeting in 1928.
xvi
Of his vast and variety of sutra writings, it would be difficult to single out any one as more meritorious than the others.
DaQamahDvidyDsutram (the ten cosmic powers of the Divine
Mother as described in the tantras) is an outstanding composition, in which the Muni has described the ten cosmic aspects of
the Divine Mother and their significance. Here he has also brought
out the association of these ten cosmic aspects of the Mother
described in the Tantra with the corresponding Vedic deities.
Thereby, not only he has been able to bring forth a link between
the Vedas, Upanishads and Tantras, but also has been successful
in dispelling several wrong conceptions on the significance of these
deities. These compositions reflect Munis great powers of Yogic
perception. The way in which he has expounded the different deities such as kDln, tDrD, sundarn, bhuvaneQvarn, pracaKoacaKon,
etc., and correlates them to the Vedantic concepts has once for all
removed all antagonisms and has bridged the so-called gulf between the Vedantic and Tantric schools of philosophy. RDjayogasDrasutra is a short and concise exposition of the Upanishadic
methods of the inner quest. Caturvyuhasutra is a revelation of
the cosmic divinities wherein he has expounded the four important
emanations of the Vedic deity Indra (DkDQa, kDla, vidyut and
surya). JaiminnyatarkavDrtikam is his own interpretation of the
sutras of Jaimini, where he has advocated that the Vedas are indeed pauruIeyam (of human origin). Further, in this he has given
his own interpretation of the mnmDWsD philosophy, placing it on a
higher pedestal in relation to Vedanta. His QabdapramDKacarcD
also discusses the origin of Vedas. PacajanacarcD and
vivDhadharmasutram are related to social aspects. In the former
one the practice of untouchability is condemned with the authority of QDstras. In the latter he deals with marriage as a sacrament. His other sutra writings also include cikitsDnuQDsanam
(Dyurveda) and gaKaka-kaKFhDbharaKam (astronomy) as well
xix
K. Natesan
xxi
INTRODUCTION TO THE
CONTENTS OF VOLUME THREE
Kavyakantha Ganapati Muni was a poet par excellence. Poetry was not something mentally conceived and produced, but
something that arose as a spontaneous fountain from his inner consciousness, from the greater depths of his being. He took to literary activities as a part of his tapas, and very aptly he used his
poetic ability by composing beautiful stotras or devotional lyrics.
His contribution to stotra literature in Sanskrit is incredible and
unparalleled.
This volume is the last part of stotragranthamDlD of the
Muni. The first stotra in this volume is dedicated to Bhagavan
Ramana Maharshi, and is titled as QrnramaKacatvDriWQat. The
Muni says here that it is Maharshi who having removed the darkness has made it possible for him to see the all-effulgent Lord.
There are forty two verses in this stotra composed in nine different metres. Through the power of his devotion and poetic ability,
the Muni has made the stotra worth reciting as a daily prayer to
Bhagavan Ramana Maharshi. (A detailed note on this stotra is
given in this volume under the title A Note on QrnramaKacatvDriWQat)
In the second stotra Lord Shiva has been praised in hundred verses. Therefore, the stotra has been titled as QivaQatakam.
The hundred verses are divided into ten groups, each containing
ten verses written in a particular metre. Each section is named
after the metre used therein.
The third stotra, QivastavarDja has seventy two verses written in four different metres of gDyatrn variety. So the stotra is
evenly divided into four sections, each containing eighteen verses.
xxii
In a very simple language the Muni has praised Lord Shiva, and
finally, prays him to increase the strength of intelligence so then he
can work for the protection of his Motherland.
The fourth stotra is titled as Qivasaptati. In seven verses composed in anuIFup metre, the Muni has collected seventy names of
Lord Shiva from the Vedas.
The fifth stotra, entitled indrasahasranDma, is a unique composition where the Muni has culled thousand names of Indra from
the Rigveda and put them in the form of a powerful stotra. This
has been mentioned by the Muni himself in the concluding verses
of this stotra where he says:
bna lgfeUL; ukeka ijeikoue~ A
_Xosnrks x.kifr% lx` fofuc)oku~ AA 1AA
idaW sahasramindrasya nDmnDW paramapDvanam
rgvedato gaKapatiU saOgrhya vinibaddhavDn.
The Muni also admits that there has been no repetition of
name, nor any filler like ca, vD or tu is added for the sake of
metre. All the names of Indra are so finely woven into the eightsyllabled anuIFup metre that one does not miss their original rhythm.
It is an illumining piece of poetry extolling the vedic godhead Indra
with all his epithets. This unique composition confers all the benefits of vedDdhyayana on the reciter. A study of all these names
of Indra from a linguistic standpoint will help in the understanding
of the vedic concept of Indra who, according to Sri Aurobindo,
psychologically represents the Mind
In the Rigveda it is Indra who is praised in maximum number
of hymns. Next to him is the place of Agni, and then comes the
place of Soma. But in the whole gamut of Sanskrit stotra literature one hardly finds any stuti to Indra. It was perhaps the Muni
who has added a new dimension in the stotra literature of Sanskrit by composing several stutis to Indra in several forms.
The Muni had a plan to compose one thousand verses in
xxiii
praise of Indra, but somehow the work was left incomplete with
the composition of the first hundred verses. These hundred verses
are put here under the title indrasahasre prathama W
Qatakam.The Qataka is divided into four stabakas, each containing twenty five verses composed in a particular metre. Each
stabaka is named after the metre used therein. These finely composed elegant verses are highly capable of enlightening ones understanding of the vedic and puranic concept of Lord Indra.
In the kaFDkIastabaka the graceful glance of Lord Indra is
beautiful described. The Muni says that a glance from his thousand eyes is capable of annihilating all afflictions, miseries and sufferings, and liberating one from the bondage of saWsDra. This all
powerful and pure glance of Indra is invoked here for the protection of all.
IndraviWQati has twenty verses distributed in four groups,
each having five verses in praise of Indra. Here Indra has been
extolled as the leader of the entire world. The Muni prays him to
uplift the world from the state of mortality to immortality by removing all fears and sufferings.
Indrasaptakam has seven verses in majubhDIiKn metre
where the grace of Indra is the object of invocation. The Muni
says that there is nothing that cannot be accomplished by the grace
of Lord Indra.
PrnpavanDIFkam is a stuti to VDyu, the wind god of the
Veda. It has eight verses, of which the first four are in upajDti
metre and the next four are in tanumadhyD. Here the poet adores
VDyu as the life-force of this entire universe. It is he who has given
himself completely for keeping all alive. He is the principle of immortality in all.
Narasimha, the man-lion incarnation of Lord Vishnu is praised
in the five verses of nrsiWhapacaratnam. These five verses are
five gems where the Muni says that his heart takes no delight in
xxiv
and implores the fire god to enlighten him with all knowledge. In
the second song it is Ganesha who has been praised in twenty
eight verses composed again in bhayahDrn metre. The Muni sings
the glories of Lord Ganesha and prays the lord to give him strength
so then he can work for the well-being of his country. In the next
song Indra has been extolled in forty two verses composed in
tanumadhyD metre. Here the Muni urges Indra to bestow him
with divine prowess so then he can do something beautiful in this
world. In vDyugntam there are twenty stanzas in tanumadhyD
metre. Here Vayu, the wind god has been described as the lifeforce of the entire universe, as the one of illimitable splendour, as
the one of indescribable glories. Next fifteen verses in pDdDkulaka
metre are put under the title suryagntam where the Muni sings the
glories of Surya, the sun god, who shines brilliantly in the three
worlds. The sixth song, entitled daQDvatDragntam, has ten verses
in tuKaka metre. Here, in each verse the Muni intones the magnificence of each of the ten incarnations of Lord Vishnu. AmbikDgntam has seventeen verses in pDdDkulaka metre uttering the grandeur of goddess Ambika. She is portrayed here as the one who
can fulfill all the desires of her devotee, and can annihilate all his
sins by her grace. In the next song, entitled as reKukDgntam, the
Muni eulogizes goddess Renuka in twenty eight ardhapDdDkulaka metre. In this song any sensitive reader can experience the utmost simplicity of the language used by the Muni. The
ninth song gurugntam has seventeen verses in madalekhD metre
where the Muni lauds his guru, Bhagavan Ramana Maharshi. He
depicts him as the one who shines eternally in his heart. The last
song, yogasDragntam, has twenty verses in a metre called girD
where the essence of Yoga has been beautifully depicted. The
Muni declares that in this song he has churned out the essence
from the many words of experienced Yogis and put it in the form
of a song. This marks the end of gntamDlD.
xxvi
xxvii
A NOTE ON
QrnramaKacatvDriWQat
This article was published in the December 2000 issue of the
Mountain Path published by the Ramanasramam,
Tiruvannamalai. Since this volume contains Sri
Ramanachatvarimshat, I found it useful to put it here as an
additional note.
The contact between Bhagavan Sri Ramana Maharshi and
his famous chela, seer-poet Kavyakantha Ganapati Muni on
18.11.1907 was historic. It has been described in detail by B.V.
Narasimha Swami and other writers. On that memorable afternoon of 18th November, in the Virupaksha Cave, Kavyakantha
wrote five verses in Sanskrit lauding Maharshi, proclaiming him
Ramana and gave the paper containing the verses to the attendant
Palaniswamy. As bad luck would have it, these verses have been
lost to posterity forever.
The Muni had the conviction from his earliest years that he
was a partial incarnation of Lord Ganesa and so he could easily
spot out his younger brother Lord Subrahmanya, whatever might
be the disguise in which he might appear! An event of great significance took place at Pachaiamman temple at the foot of the hill
during Maharshis stay there along with Muni and other disciples
for about three months from January to March 1908.
One early morning Muni and other disciples were all sitting
before Maharshi, who was as usual indrawn. The Muni saw a
sparkling light come down from the skies and touch the forehead
of Maharshi six times. Immediately the Muni had the realisation
that Maharshi was none other than an incarnation of Lord
xxviii
the note book containing the verse. The note book in Nayanas
own handwriting was shown to Bhagavan the next day. Bhagavan
at once copied this verse and said that this verse may be added to
the Chatvarimsat in the beginning as an invocation in the 2nd
edition, as the 1st edition was already published in 1936. Subsequent editions contain this verse.
These forty verses are being chanted daily in the morning at
the shrine of Sri Bhagavan.
Sri Ramnasramam
Tiruvannamalai
K. Natesan
xxxii
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Roefl lUrra foyflrks eqnk AA 31AA
HkqouHkwirsHkZxor% rs A
Hkofl ikpdks ;eorka irs AA 32AA
ujikwfuekugfe rkM;u~ A
ijfkokSnua foruqks ipu~ AA 33AA
frfejkf.k u osoya opksfHk%
d#.kkikfoyksfdrS u.kke~ A
n;s izljfUr enZ;Ura
HkxoUra je.ka xq#a uekfe AA 34AA
Hkotyfu/k xkga xkga fpjknylkylku~
inty#g}U}}hia fJrkaLro lEizfr A
je.kHkxou~ dY;k.kkuka fuosru ikfg u%
ln; n;;k flkSHkZkuikfoyksfdrS% AA 35AA
;fn u tuuh LrU;a n|kfPNkkscZr dk xfr%
;fn ikqifr% ks/ka oq;kZRikksjoua oqr% A
;fn intqkkekpk;Z Roa fugafl u lak;a
HkzekrijkHkwrk ,rs rjUrq Hkoa dFke~ AA 36AA
fkokrde~
fkokrde~
izFkea xhfrnkde~
fJ;ekruksrq lqra iq.kkrq rrkU;?kkfu eq.kkrq A
fnkrq p Hkw;ks Hkw;Lro Hkxokuewrfjkfu AA 1AA
izfrLo;aojirs;ZL; tVk% ks[kjsUnqdiVsu A
izglfUr nso;wuka dYixyrku~ dpdykiku~ AA 2AA
okek/kkZ/kjnakuofyrk;ka nf{k.kk/kZjnikS A
;L; foy{k.kekL;a foyksD; fot;kl fodflrdiksyk AA 3AA
gk ru; gk lqrs gk fiz;s grksLE;sk psfr eq[kjL; A
txrks nkSo rsus lUrkia ;L; u xjya ihre~ AA 4AA
;L; i#kkV~VgkklToyusuSokfkrs iqjf=kr;s A
vkReU;so i`kRdks tToky fujkfekks f}kklqjku~ AA 5AA
tu;fUr f;eso f=kHkqoulagkjkfukFkL; A
;L;kU/kdkfnfutZ;dFkkudkU;ejlfefrxhrkfu AA 6AA
;L; Lejkijk/kknqfT>rfus yykVtqfk u;us A
x.k;kekl fo/kkrk ;qxkU;rhrkfu osiekudj% AA 7AA
fkokrde~
10
fkokrde~
11
12
fkokrde~
lqjifrfjrjks u RoUe/kqfjiqj#.kSd% A
kr/k`frjuyks u }kS iqjgj fofnra os|e~ AA 49AA
Roetj e#rkekRek fnufrolrka fo.kq% A
bg Hkqfo Hkorka czk i`Fkxfi iq#kk ;w;e~ AA 50AA
vFk kekSiPNUnfldnkde~
txnsrnukjra ipUra egrksLeknfi iqdjkUegkUre~ A
rilk fu#ikf/kosu xE;a ijekRekueta fkok[;ehMs AA 51AA
lnyfr;q;k lqdkUR;k n;kdkZdHkko;k xq.kKe~ A
fkoehkega fxjksifrs u`ir dU;d;so oSHkokFkhZ AA 52AA
ee eyekruksrq HkkLoRdj/kkSrkgfjr% kqphoZlku% A
kfkuk eqoq Vh fnok tVkokafLrydhgO;Hkqtk foHkqoHkwuke~ AA 53AA
vfi fud#.kL; ekula psn~ofr izkFkZu;sg nqxZrkuke~ A
d#.kko#.kky;L; fpks Hkor% dks Hko lak;a fo/kks AA 54AA
Lej.ks ro lyfUr ;wFkkU;q#dhrsZ n;kUeuksjFkkuke~ A
vfuok;Zxrhfu khrHkkuksjoyksos ty/ks;FZ kk tykfuAA 55AA
ifj.khfrx`gs egskiw.ksZ ifjrks cU/kqtuSoZjL; lkE;e~ A
n;s ifjiwfjrs=k dkeSLro iknLrq tis n/kkfr e`X;% AA 56AA
13
14
fkokrde~
mfnrfojks/kkLo;qrfHknklq A
prl`kq tkfrocyreklq AA 65AA
eqgqjfi yksys f{kfrlqjkhys A
vtx.kdYis HkqtHkols AA 66AA
prqjfojksf/koztrlkjke~ A
vfojrus=kqrty/kkjke~ AA 67AA
Hkjr/kfj=k Hkqouu`iky% A
vorq n;kyq% flrfxfjkky% AA 68AA
v#.k/kfj=kh/kj gj nwuke~ A
Hkjr/kfj=kheo fko nhuke~ AA 69AA
gj Hkjr{ektuojnwre~ A
oq# pfjrkFk x.kifresre~ AA 70AA
vFkkea ruqe/;knkde~
ikrk Hkqoukuka /kkrk p fo/kkrk A
usrk izeFkkuka =kkrk Hkorkk% AA 71AA
drkZ Hkqoukuka HkrkZfi p grkZ A
[;krksorq nsoLrkrks e#rka u% AA 72AA
15
16
fkokrde~
17
18
fkokrde~
19
20
fkoLrojkt%
fkoLrojkt%
izFke% kfkonukoxZ%
ve`re;w[ka eqoqVeu?kZe~ A
t;fr n/kkuks txnf/kjkt% AA 1AA
ldycq/kkS?ks foQyfo/kkus A
vlfr kj.;s efrefrx.;s AA 2AA
nqfjrfolkjizrefl yksos A
_fkoqytkuka lnfl lkksos AA 3AA
vfrnqjkkjfu;qrs kq A
vfi ferekqa /kujfgrskq AA 4AA
mfnrfojks/kkLo;qrfHknklq A
prl`kq tkfrocyreklq AA 5AA
eqgqjfi yksys f{kfrlqjkhys A
vtx.kdYis HkqtHkolss AA 6AA
prqjfojksf/koztrlkjke~ A
vfojrus=kqrty/kkjke~ AA 7 AA
21
22
Hkjr/kfj=k Hkqouu`iky% A
vorq n;kyq% flrfxfjkky% AA 8AA
v#.k/kfj=kh/kj gj nwuke~ A
Hkjr/kfj=kheo fko nhuke~ AA 9AA
lrqfgujksfp%kdydeLrs A
ld#.kxkSjhje.k ueLrs AA 10AA
gj Hkjr{ektuojnwre~ A
oq# pfjrkFk x.kifresre~ AA 11AA
vfl flrkSys gj grxk=kh A
ro fdeq ka u Hkjr/kk=kh AA 12AA
iqjftr bZMa foylfr xqO;kZe~ A
flrfxfjuke LFkyfeneqO;kZe~ AA 13AA
LFkyfenePNf{kfr/kj:ie~ A
n;feyk;k vigrikie~ AA 14AA
fno ujk.kka flruxuke A
nfi /kjk;kLro fko /kke AA 15 AA
f{kfrn;s ok foylfr fuR;% A
f=kHkqoue/;s fko bfr lR;% AA 16AA
fkoLrojkt%
f}rh;ks eqoqyoxZ%
mhI;r~ fdj.ka fp=ka Jhkj.ke~ A
dkekjsj.ka Hkw;kk% kj.ke~ AA 19 AA
lR;% dksfi fkoks fuR;% ikyf;rk A
e/;s ;ks txrka l /;s;% lrre~ AA 20AA
ukLR;srL; ruqoZLRos DOkkfi u l% A
eR;kHkkf.k iqu% lR;k/kkjine~ AA 21AA
ma lw{erea }s/kSoa ijee~ A
:ia :ir;k fd LFkkur;k AA 22AA
lks.kq% L;kn.kqrks /kkrSkka txrke~ A
rPNfeZgrks foKs;k egrh AA 23AA
xRok frfr uk ;RLoa gknZine~ A
vxzkL; foHkksLrL; /;kufene~ AA 24AA
23
24
fkoLrojkt%
r`rh;% ruqe/;koxZ%
grkZ nqfjrkuka /krkZ txrka u% A
HkrkZ xqgekrq% drkZLrq kqHkL; AA 37AA
ikrk Hkqoukuka /kkrk p fo/kkrk A
usrk izeFkkuka =kkrk Hkorkk% AA 38AA
drkZ Hkqoukuka HkrkZfi p grkZ A
[;krksorq nsoLrkrks e#rka u% AA 39AA
drq Lojrhna Hkrq izfoHkkfr A
grq ; mnkLrs rrq iz.kqeLre~ AA 40AA
drq Hkqoua okXHkrq HkoHkkrs A
grq [kyq Hkk ;ksxkeyfuk AA 41AA
25
26
fkoLrojkt%
;|I;f[kykukekRek xq#jhk% A
mks e#rka rq izkFkE;r ,k% AA 51AA
vHkzs fopjUra HkkUra fuunUre~ A
vLefRirja ra oUns HkxoUre~ AA 52AA
;kUra ioekua HkkUra e?kokue~ A
ukos fuunUra xk;fUr fkoa re~ AA 53AA
Hkkrks xxukxs;kZr% iouL; A
rkjL; p :ia ukusdeikie~ AA 54AA
prqFkksZ olqerhoxZ%
fuR;a Lojfr ;ks O;kI;kHkzef[kye~ A
xk;fUr do;Lra rkjeeye~ AA 55AA
rkjk;oiq% kEHkksjHk;ne~ A
Hkkuks% fdj.ko}SHkwfrdfene~ AA 56AA
ra iqdjxq.ka xk;Urq cgo% A
l Rofxjtjks fnO;% fkojo% AA 57AA
;ksfnfr fo;sksuojre~ A
Hka cq/kx.kks #a Hk.kfr re~ AA 58AA
27
28
lkZ.kokkktR;ye;e~ A
ikuh;eqfpra izkgqgZfjg;e~ AA 59AA
rkj% l xxus u Roso e#rke~ A
loZ=k p egku~ izk.kks tfuerke~ AA 60AA
rL;So xxus izk.kL; pjr% A
Hkk% iqufjes okrk% oqefHkr% AA 61AA
#% l fuunu~ jktURl e?kok A
okr% l fopju~ fuR;a fnfo ;qok AA 62AA
,oa xq.kokknsdL; cgqrk A
rkjkRedoiqZ k fuxfnrk AA 63AA
osfpRikqir koza p ioue~ A
nso=k;fefr izkgqxqZ.kokkr~ AA 64AA
O;kks fnfo lrf}fjrqy% A
ukekUrjokkkkjkfxjey% AA 65AA
vkE; ldya HkkUra cgqcye~ A
xk;kfe foeya fp}ferqye~ AA 66AA
fe=ka ee fkoks cU/kqeZe fko% A
rkrks ee fkoks ekrk ee fko% AA 67AA
fkoLrojkt%
29
30
fkolfrukeLrks=ke~
nsokuka Js bZkkuks HkqouL;ktjks olq% A
Lo/kkokUlqgoks cHkzq}cgkZ v#k% dfo% AA 1AA
tykkHksktks HkwfjHkZwjsnkZrk fHkko~re% A
fLFkj/kUok {k;}hjks #ks xkFkifr% fLokq% AA 2AA
os/kk% lq/kUok f{kizskqeZ#RokulqjLrok% A
RoskfLrXek;q/kLrO;kUotzckgqLroLre% AA 3AA
migq% dYeyhdh lqkqeks xrZl|qok A
fnoks ojkgks o`kHkks oaoq% fLoDoku`nwnj% AA 4AA
Lofiokrsfdrku% lqfkiz% Lo;kk% Jqr% A
fRlk`o% Lookuso ;kofHk% ikqik% kqfp% AA 5AA
lgekuks es/kifr% izpsrk% lRifrc`Zgu~ A
iq#:i% di|qZxz% lqxfU/k% iqfo/kZu% AA 6AA
kqkskkg~Gks ;Klk/kL=;Ecdks e#rka firk A
eh<~okUehG~gqeks nsoks HkqouL; firk fko% AA 7AA
brh;a lfrukZeka #L; fuxeks)`rk A
loZikiizkeuh lokZHkhiznkf;uh AA 8AA
AA bfr okfllfyra fkolfrukeLrks=ke~ AA
fkolfrukeLrks=ke~
frXek;q/kk; ue%A
rO;ls ue%A
otzckgos ue%A
roLrels ue%A
migos ue%A
dYeyhfdus ue%A
lqkqek; ue%A
xrZlns ue%A
;wus ue%A
fnoks ojkgk; ue%A
o`kHkk; ue%A
oos ue%A
fLoDors ue%A
_nwnjk; ue%A
Lofiokrk; ue%A
psfdrkuk; ue%A
lqfkizk; ue%A
Lo;kls ue%A
Jqrk; ue%A
fRlrs ue%A
u`ok; ue%A
,o;kofHk% Loors ue%A
ikqis ue%A
kqp;s ue%A
lgekuk; ue%A
es/kir;s ue%A
31
32
izpsrls ue%A
lRir;s ue% A
c`grs ue%A
iq#:ik; ue%A
dinus ue%A
mxzk; ue%A
lqxU/k;s ue%A
iqfo/kZuk; ue%A
kqk; ue%A
vkkg~Gk; ue%A
;Klk/kk; ue%A
=;Ecdk; ue%A
e#rka fi=ks ue%A
eh<~ors ue%A
ehG~gqek; ue%A
nsok; ue%A
HkqouL; fi=ks ue%A
fkok; ue%A
bUlgukeLrks=ke~
bUlgukeLrks=ke~
bUks nsoreksuhG% lqi.kZ% iw.kZcU/kqj% A
foL; nferk foL;skkuks fopkZf.k% AA 1AA
fokfu pfoLeknqkjks foHkwc`Zgu~ A
psfdrkuks orZeku% Lo/k;kp;k ij% AA 2AA
fokujks fo:iks fok;qorLi`Fkq% A
fodekZ fonsoks forks /khjfur% AA 3AA
f=kkqtkrfLrXek`ks nsoks cz/uks#kju~ A
#pku% ijeks fo}ku~ v#pks jksp;kt% AA 4AA
T;sks tukuka o`kHkks T;ksfrT;sZa lgksefg A
vfHkrwuka nferk /krkZ foL; deZ.k% AA 5AA
/krkZ /kukuka /kkr.kka /kkrk /khjks f/k;sfkr% A
;KL; lk/kuks ;Kks ;Kokgk viket% AA 6AA
;Ka tqkk.kks ;trks ;qxzkO.kksforsfkj% A
lqotzP;ouks ;ks)k ;kLkks ;fK;ks ;gq% AA 7AA
vo;krk nqeZrhuka gUrk ikiL; j{kl% A
kL; pksfnrk q% rczk /k`rozr% AA 8AA
33
34
bUlgukeLrks=ke~
35
36
bUlgukeLrks=ke~
37
38
bUlgukeLrks=ke~
39
40
bUlgukeLrks=ke~
41
42
bUlgukeLrks=ke~
43
44
bUlgukeLrks=ke~
45
46
v=kses HkoUR;qilagkjyksdk%
bna lgfeUL; ukeka ijeikoue~ A
_Xosnrks x.kifr% lx` fofuc)oku~ AA 1AA
uk=k uke% ikSu#DR;a u ^p* dkjkfn iwj.ke~ A
yksde/;s u pkjE;k krdL;ksilafr% AA 2AA
ukekeskka NkUnlRokRlosZkka p Lo:ir% A
voyksD;k ;Fkk NUn% kCnkqf)op{k.kS% AA 3AA
vusdinukekfu fofu;ksT;kfu iwtus A
prqF;ZUriz;ksxskq O;qRekk ;FkkUo;e~ AA 4AA
vL; ukelgL; osnewyL; lsous A
iw.k Qya rf}Ks;a ;RLok/;k;fukso.ks AA 5AA
eU=ksH;% lEHk`ra lkjesrkkelgde~ A
,sUa ;ks Hktrs HkDR;k rL; L;q% fl);ks oks AA 6AA
bUlgukeLrks=ke~
47
bUlgukekoyh
bUlgukeLrks=ks izksDrkuka ukeka prqF;ZUr:ikf.k
bUk; ue%A nsorek; ue%A vuhGk; lqi.kkZ; ue%A
iw.kZcU/kqjk; ue%A foL; nfe=ks ue%A foL;skkuk; ue%A
fopkZ.k;s ue%A fokfup;s ue%A foLeknqkjk; ue%A
foHkwos ue%A c`grs ue%A psfdrkuk; ue%A vp;kLo&
/k;korZekuk; ue%A ijLeS ue%A fokujk; ue%A fo:ik;
ue%A fok;qks ue%A forLi`Fkos ue%A fodeZ.ks ue%A
fonsok; ue%A forks f/k;s ue%A vfurk;% ue%A
f=kkqtkrk; ue%A frXek`k; ue%A nsok; ue%A cz/kk;
ue%A v#kk; ue%A pjrs ue%A #pkuk; ue%A ijek;
ue%A fonq ks ue%A v#pks j ks p ;rs ue%A vtk; ue%A
T;sk; ue%A tukuka o`kHkk; ue%A T;ksfrks ue%A T;sk;
lgls ue%A efgus ue%A vfHkrwuka nfe=ks ue%A foL;
deZ.kks /k=ksZ ue%A /kukuka /k=ksZ ue%A /kkr.kka /kk=ks ue%A /khjk;
ue%A f/k;sfkrk; ue%A ;KL; lk/kuk; ue%A ;Kk; ue%A
48
bUlgukeLrks=ke~
49
50
bUlgukeLrks=ke~
51
52
bUlgukeLrks=ke~
53
54
bUlgukeLrks=ke~
55
56
bUlgukeLrks=ke~
57
58
ro ikdjLrofo/kkS jes A
vo egsU ekeo oqya p es AA 8AA
vtj oko~ irfRo;ef; Rof; A
vorjRonLro egks ef; AA 9AA
_rfoyksdus foruqrkye~ A
_rirs egks ee fxjkeye~ AA 10AA
dFk;rka eu% dFkexkspje~ A
u;rq rs egks ojn es fxje~ AA 11AA
t;fr dL; okxeynkZuk A
Hkofr nsorkd#.k;k fouk AA 12AA
ro xq.kkfnoa HkqouukFk es A
Liqjrq nkgjs ljflts gjs AA 13AA
ldynkuherqylkj;k A
ee xqgka oq# Roe`r/kkj;k AA 14AA
t;rq kxk t;rq HkkLorh A
t;rq lR; ee ljLorh AA 15AA
vfHkerk;s foQyrkferk A
gfjg;kf[kyk iq#kdkfjrk AA 16AA
59
60
61
62
63
64
fo|qRizrkisu ipURleUrkr~
x`krq es okxqigkjfeU% AA 47AA
jkT;k; rUoUHkqouskq kka
otza n/kkuks Toynqxzee~ A
LokHkkfod% loZtxk`ikyks
Xk`krq es okxqigkjfeU% AA 48AA
bUL; f% ljrkfnrks u%
rkuukFkkufHky{; nhuku~ A
uhpS% k;krs ifjHkw;ekukS
nsk oak leskq ;skke~ AA 49AA
,rk% dohukef/kiL; iwrk%
=kkrkjekRekueksktUrks% A
ukFka lqjk.kka u;ua equhuke~
bUa HktUrka gfjfeUotzk% AA 50AA
65
66
oUnk#turk eUnkjfoVih A
c`UnkjdifrnSZoa ee o`kk AA 53AA
loksZkekph dkUrklgpj% A
fokfnjfldks nSoa ee o`kk AA 54AA
o`)ksfi ;qod% fl)ksfi jfld% A
yksdkfniq#kks nSoa ee o`kk AA 55AA
fuR;ksfi yflrks yhykFkZoiqkk A
Hkheksfi #fpjks nSoa ee o`kk AA 56AA
yksdkfjfnfrtiz/oalufo/kkS A
fu.koqfykks nSoa ee o`kk AA 57AA
loZL; txrks /kkus p u;us A
=kk.ks p fujrks nSoa ee o`kk AA 58AA
kkkf.k fon/kksdL; pyus A
fuR;ka fu;eku~ nSoa ee o`kk AA 59AA
vUrcZfgjfi O;kks txfnne~ A
ikjs p foylu~ nSoa ee o`kk AA 60AA
ikjs l foxq.kks yksos=k lxq.k% A
nqKsZ;efgek nSoa ee o`kk AA 61AA
67
68
69
70
rifLotuik rosjik
nk fodflrs ljfRog urs AA 83AA
ro Lej.krks fokq)eufl
izHkks lqeulka forh.kZfkjfl A
ikjl>jh foikil[k rs
irRof; ef; LoHkkofours AA 84AA
fpjknfot;a lnkfi lHk;a
fooqf.Brk;a foyksD; fok;e~ A
fok..kfeg eka o`kk#.k;k
Roeko`.kq fnoks foHkks d#.k;k AA 85AA
lrka efrerka ;fnUu;ua
;nqxzfo/k;k f}kka izneue~ A
lnkfi n;s fLFkfr;Znpyk
ujL; ldyk f;k ;neyk AA 86AA
voqf.Brxfr;ZnPNf/kk.kk
leLrfok;koxkguxq.kk A
rnsrnf[kya egf}yflra
roSo d#.kk>jL; Qfyre~ AA 87AA
u i;fr riks u i;fr xq.ka
u i;fr kqHkf;ka p fuiq.ke~ A
u i;fr ra ;Fkkfof/k e[ka
u i;fr jekfoykfl p eq[ke~ AA 88AA
71
72
ik>jxfrizHkkoerqya
onkqigju~ nso deye~ A
tyks)rxfrLroftxr%
izkkflrqjlkS HkoRofHker% AA 100AA
73
74
bUlgs dVk{kLrcd%
ra nkkrk{ka khrydVk{ke~ A
ukSfe /kqrikka otz/kjehke~ AA 1AA
mxzefi n{ka HkklqjdVk{ke~ A
oh;Z/kqro`=ka ukSE;fnfriq=ke~ AA 2AA
vkrZtui{ka j{kddVk{ke~ A
izkf.kx.krkra ukSfe iq#gwre~ AA 3AA
nsoel{ka ikoudVk{ke~ A
ukSfe cgqek;a okloees;e~ AA 4AA
ra iq#kehMs LrqR;x.ky{ke~ A
LoHkqZoujkKh eksgudVk{ke~ AA 5AA
;=k ro foZtz/kj |k A
uO;;qxd=khZ r=k ojfo|k AA 6AA
r=k ojy{eh% lUrrekwU;k A
r=k lqxq.kkuka lEinfi ekU;k AA 7AA
r=k cyeqxza k=kqengkfj A
r=k u;fooa fofgrdkfj AA 8AA
bUlgs dVk{kLrcd%
;a ro cykjs iko;fr f% A
r=k ujo;sZ loZkqHko`f% AA 9AA
;=k ro iw.kkZ fjfrHkk A
Hksnkrcqf)LrL; u nfjk AA 10AA
d uq lqrknh d nqfjr[kknh A
k ro j{k%lwnudVk{k% AA 11AA
Hkfjfldkuka ikirfr[kknh A
lks;ferjskka iDolqrknh AA 12AA
ikirfr[kknh ;=k l ikoku~ A
rL; fn cks/k% loZlerkoku~ AA 13AA
rL; txnFksZ loZefi dk;Ze~ A
vn~Hkqreikja fnO;efi oh;Ze~ AA 14AA
iDolqrknh ;=k lfofp=k% A
rL; [kyq Hkksx% dkeefrek=k% AA 15AA
;s fxfjkukek ;s p gfjukek A
;s x.kiukek ;s p jfoukek AA 16AA
kffjfr ukek ;s cgqy/kkek A
;s p efreUrks ; bfr ukek AA 17AA
75
76
bUokfr%
bUokfr%
izFkeks oxZ%
vf[kyuk;oa e[kHkqtka oje~ A
vfjfonkj.ka gfjg;a Hkts AA 1AA
e/kqeqpke`pka ifjp;h o`kk A
jlfdjka fxjka Hkorq yksfdrk AA 2AA
vejjkt es f=keyokj.ks A
Hktueso rs Hkorq Hkskte~ AA 3AA
izfrHk;s xns izfrHkVs iVkS A
ojn rkj.ka ro fukso.ke~ AA 4AA
v;fegkfJrks Hk;gjsU rs A
e/kqji|Hk`k/kqfj f[k|rq AA 5AA
f}rh;ks oxZ%
o`=kef; Hk`UnkqRl`tfl uhje~ A
mRlolesrks xtZfl xHkhje~ AA 6AA
77
78
mxzrjukna nhrjHkkle~ A
vIlq fogjUra nsofoHkqehMs AA 7AA
otz/kjdhyh Hkkfr Hkqfo ikrk A
Hkwfj cykkyh Roa uHkfl usrk AA 8AA
eUFkur vklhnsk bg ;Ks A
?kkZ.kfokskkn~O;ksefu l tKs AA 9AA
Hkwfjefgek<a lUeqfufHkjhMe~ A
=kkrlqjpoza lkerke~ AA 10AA
r`rh;ks oxZ%
vlqjf/kfi.Ma rfVnf/kHkwre~ A
v;eejk.kka ifrjf/knSoe~ AA 11AA
txn;esrRizHkofr HkrqZe~ A
txnfjn;kZ{k;efi drqZe~ AA 12AA
v;ef/kukFkks Hkofr cyL; A
vr mfprksL; izHkqjf[kyL; AA 13AA
ujlqjnSR;kfUorefi uwue~ A
cyfoHkosLekfkzHkqouewue~ AA 14AA
bUokfr%
v;efrekS% dfjfHkjt;e~ A
?kV;fr lga e`xfkkqt;e~ AA 15AA
prqFkksZ oxZ%
jkdkkfkdhr ikdklqjk=kqe~ A
vkdkkeghka kksdkigehMs AA 16AA
futR; leLrku~ Hkkokufi ft.kks A
lezkM~ Hkqoukuka vklh% izHkfo.kks AA 17AA
tkukfe e#ou~ xkuk; ;kLrs A
/;kuk; u :ia Kkuk; u roe~ AA 18AA
yksos fLFkfrHkktka ;ks ?kuewr% A
/kk=kh fuf[kykuka ls;a ro dhr% AA 19AA
rq cgqfokka LokjkMfu;kke~ A
vkufUnrfpkka HkL; fo/kkke~ AA 20AA
AA bUokfr% lekk AA
79
80
bUlde~
;fn fuocU/kinoh egkxqgk
;fn r=k ewykqfpkffu>Zjh A
;fn nsojktd#.kksUeq[ka euks
u fdeI;lk/;feg nsg/kkfj.kke~ AA 1AA
ujyksdnqoncyLFkykrs&
eZ#rka u`iL; dFkeqP;rka dFkk A
cgqokjek;Zlfefrfor%
d#.kSo osoyeeq; ;kP;rs AA 2AA
Rof; gsy;srjerkuq;kf;fHk&
nqZfjra ;fnU ee iwoZtSfre~ A
ir;kyq es fkjfl iknlsfouks
fofuokj;Lo QyeL; nk#.ke~ AA 3AA
dfork fujoqkr;k izorZrs
ee yksdo`kifjdhrZuskq ;k A
xq.ko.kZuk; ro lk leq|rk
e?kou~ izi;fr fnka u dkefi AA 4AA
bUlde~
81
82
Jhioukde~
iwoZprqde~
izk.ka iziL; lehjehMs
uHk% leUrknfi xkgekue~ A
l ,k es l LrqfreLrq okpa
firso dU;ka ifjjH; % AA 1AA
fooksidkjk; foHkksunskk&
nguka xU/kog iz;kfl A
JkUrksfl eU;s fic es opkafl
lq/kka tuLrfeok/of[kk% AA 2AA
dU;kfeokLeH;eqnkjkhyka
euksjeka lEiznnkS fxja ;% A
rka ok;os lEizfr nkZ;keks
foo/krka lk/kq foHkwfkrka p AA 3AA
lR;a nqowya ifjnsfg okf.k
fo/kk; nwjs forFka oqpsye~ A
ekRoTtqxqIlka xxuL; ukFk%
dkkhZfkta ikZeqikxrk;k% AA 4AA
JhioukVde~
mkjprqde~
fofiz;esoa izk.ka iou Roke~ A
u LrkSfr lpsrk% dks uke kjhjh AA 5AA
[ksyR[kxox rkjklqefp=ke~ A
m|kufena rs [ka okr fokkye~ AA 6AA
czkgqjf; Roka feF;kRof; usne~ A
eqk Hkork psRls;a xfrnh{kk AA 7AA
o`kh% ifjHkw; Hkzs fopjUre~ A
i;kfuy Roka i;sne`ra uk AA 8AA
AA ioukoa leke~ AA
83
84
Jhu`lgije~
?kfVdkpyeky;ekn/krk
kj.kkxrj{k.kekpjrk A
d#.kkdfyrsu txRifruk
u fouk ee ;kfr eqna n;e~ AA 1AA
olr oq#ks ?kfVdkfoja
n;a p enh;enLln; A
ujlg fogk; foHkks diVa
on oq=k euks Hkorks jers AA 2AA
?kfVdkpyokfluehketa
lrra Lejrka Do lrkekqHke~ A
;fn dksfi HkosnkqHkL; yoks
#fpjkfk#ns;fr ikfk fnfk AA 3AA
cgoksorjk foylUrq e/kqa
f}krks futfoxzgrksI;f/kde~ A
?kfVdkfxfjjkM~olrkS u`gjkS
d#.kkofr es jers n;e~ AA 4AA
pj.kkxrkUijelkfodku`khu~
d#.kkoyksdfudjs.k yky;u~ A
Jhu`lgije~
?kfVdkflhefu u`lgfoxzgks
txrka ifroZlfr oklokpr% AA 5AA
AA Jhu`lgija leke~ AA
85
86
Jh;ksxktus;ije~
ujlginkEHkkstHkzejkf;rekule~ A
;ksx;qa guweUra ?kfVdkfxra Hkts AA 1AA
,k gRok fukkVkuka dksVhohZjoj% iqjk A
v/kquk ;rs ;ksxh ujlginkfUros AA 2AA
lR;a on egkohj oq=k rs jers eu% A
u`osks ok gjkS dfLok`lgruq/kkfjf.k AA 3AA
fofpUr;fkokHksna Jhjkeujlg;ks% A
;ksx;qks e#Rlwuq% ?kfVdkkS iz;rs AA 4AA
;fLeUeu% iFka ;krs u tuL; foiRiqu% A
ra Hkts e#r% iq=ka ;ksfxua ohjoqtje~ AA 5AA
AA Jh;ksxktus;ija leke~ AA
JhrkjdjkeukeLrqfr%
87
JhrkjdjkeukeLrqfr%
nkjFkuUnu nkjFkuUnu nkjFkuUnu nkkjFks A
nkjFkuUnu nkjFkuUnu nkjFkuUnu nkkjFks AA 1AA
fuxqZ.k fudy fuR;fujtu fuxZreRlj xE;foHkks A
nkjFkuUnu nkjFkuUnu nkjFkuUnu nkkjFks AA 2AA
lalkjsfLeu~ fuxZrlkjs ikfg foikjs nkonukjs A
nkjFkuUnu nkjFkuUnu nkjFkuUnu nkkjFks AA 3AA
loZleRoa loZfgrRoa lRlRoa nsfg foHkks es A
nkjFkuUnu nkjFkuUnu nkjFkuUnu nkkjFks AA 4AA
tuuos ka ej.kos ka ukk; xeukxeuos ke~ A
nkjFkuUnu nkjFkuUnu nkjFkuUnu nkkjFks AA 5AA
dks es iq=k% dk es tk;k ek;k ls;a ikfg foHkks eke~ A
nkjFkuUnu nkjFkuUnu nkjFkuUnu nkkjFks AA 6AA
ludluUnulaLrqrpfjra tkuhrs Roka xksxq.kjfgre~ A
nkjFkuUnu nkjFkuUnu nkjFkuUnu nkkjFks AA 7AA
ukfLr oiqLrs ukfLr rok[;k ukfLr p deZ LofLrn fo.kks A
nkjFkuUnu nkjFkuUnu nkjFkuUnu nkkjFks AA 8AA
88
AA JhrkjdjkeukeLrqfr% lekk AA
Jho`.kk{kjekfydk
Jh.kk{kjekfydk
.k tuknZu .k tuknZu .k tuknZu .k gjs A
.k tuknZu .k tuknZu .k tuknZu .k gjs AA 1AA
vO;; ek/ko vUrfootr vfC/klqrkfiz; dkUr gjs A
.k tuknZu .k tuknZu .k tuknZu .k gjs AA 2AA
vkkjukku vkfnfootr vkReKkun ukFk gjs A
.k tuknZu .k tuknZu .k tuknZu .k gjs AA 3AA
bUeq[kkejc`Unlepriknljks#g;qXe gjsA
.k tuknZu .k tuknZu .k tuknZu .k gjs AA 4AA
bZjlkqr bZfrHk;kig jk{klukkun{k gjsA
.k tuknZu .k tuknZu .k tuknZu .k gjs AA 5AA
mkrekul mkinizn moyfoxzg nso gjsA
.k tuknZu .k tuknZu .k tuknZu .k gjs AA 6AA
mtksuZ kfkrkk=kol; ty/kjxtrd.B gjsA
.k tuknZu .k tuknZu .k tuknZu .k gjs AA 7AA
_fktulkqr fnO;dFkke`r HkO;xq.kksoy fpkgjs A
.k tuknZu .k tuknZu .k tuknZu .k gjs AA 8AA
89
90
Jho`.kk{kjekfydk
91
92
Jho`.kk{kjekfydk
93
94
Jho`.kk{kjekfydk
95
96
jkexhrk
fuxqZ.k fudy fuR; fuju fuxZreRlj xE; n;kyks A
lalkjsfLefkxZrlkjs ikfg foikjs nkonukjs AA 1AA
dks;a iq=k% os;a tk;k ek;k ls;a enZ; jkxe~ A
loZleRoa loZfgrRoa lRlfRoa nsfg foHkks es AA 2AA
fokjEHka fo.kksukZekeLrq lga ldyLrqR;e~ A
uke rq ^^jkes** R;eyfena rs rkjde`k;% ifjHkkkUrs AA 3AA
lhrkdkfefkg Hkhrkuka pj.ka kj.ka ro ;krkuke~ A
tuuoska ej.koska ukk; xeukxeuoske~ AA 4AA
prqjkL;LRo/kjLRoa izeFkskLRoa ijekRek Roe~ A
ludizHk`frLrqrxq.kesrn~ O;wgprqoa cgqdhrsZ rs AA 5AA
ukfLr oiqLrs ukfLr rok[;k ukfLr p deZ LofLrn fo.kks A
ek;kdfYirfenef[kya rs :ia deZ p uke p fofo/ke~AA 6AA
rolewgknqifj ylUra iq#ka lk[;k% izonfUr Roke~ A
nkkri=ks nkeq[kk=kks ;ksxfonLRokekyksdUrs AA 7AA
tSfefueq[;k% deZJkSra nsoirs rs oSHkoekgq% A
osnkUrs ;s fufrer;% rs izkgqLRokesdeHksne~ AA 8AA
jkexhrk
97
98
xhrekyk
izFkee~ vfxxhre~
okpef/kfrTT;ksfrjfi HkkSee~ A
fdfnfi nSoa xs;efojkee~ AA 1AA
l rqkq gksrk foizeq[koklh A
vfk p l gO;a osfnryHkklh AA 2AA
ikod olqLRoa Tokykrekyh A
dfnfl #% kkkrkkyh AA 3AA
ikod ;nkL;s Hkkfl euqtkuke~ A
rs rfng jkT;a fcHkzfr ikwuke~ AA 4AA
vfLe ro nkL;s lj enkL;s A
lRlnfl eksga ;kfe u ;Fkkge~ AA 5AA
ukfLr kj.ka es dksI;ofui`s A
vfxeoukFkhZ nsoeqifrs AA 6AA
vfLr djekyh dksfi fnfo jktk A
,k uuq dhyh Hkkfr Hkqfo jktk AA 7AA
xhrekyk
99
100
xhrekyk
f}rh;a x.kifrxhre~
Hkrjewr Hkredhre~ A
#ru;a ra xk;r egkUre~ AA 1AA
T;ksfrfjg lw{eTokyefrnhe~ A
Hkkfr oqyoq.Ms ;ksfxeuqtke~ AA 2AA
rker okpks nSoreqnkje~ A
lVkrkuka ;krqfeg ikje~ AA 3AA
ra x.kir ;ks foLejfr yksos A
lUrreHkkX;ks ekfr l kksos AA 4AA
nEifrfogkj% khrkfk[k.Ms A
uUnufuoklks nhoqyoq.Ms AA 5AA
101
102
xhrekyk
103
104
r`rh;e~ bUxhre~
/krkZ lqrkuka grkZ nqfjrkuke~ A
HkrkZ uHklks es drkZLrq kqHkkuke~ AA 1AA
[;krkferoh;ksZ /kwrkf[kyoSjh A
usrk focq/kkuka =kkrk HkorkUes AA 2AA
foE; fo/kqUoUokaRlejskq A
pk;q/kfe=k% k% kj.ka u% AA 3AA
xhrekyk
k% kqHkfokka y{ehefu;kke~ A
vkufUnrfpkka ea Hkqfo /kkke~ AA 4AA
ukoa Roej{k% ikoa ;qf/k ftRok A
o`=ka p fo/kw;kfe=ka ifoik.ks AA 5AA
,rkfu fooqoZu~ Hkwrkfu l ikd% A
kqHkzs foQyksHkwnHksz ro ft.kks AA 6AA
ikd% izHkqjso izk.kka fodrqZe~ A
;|EcjukFk Roa u izfrdrqZe~ AA 7AA
u Roa ;fn jks)k o`=k% ifjHkw; A
izKkef; foa n|kfkfejk; AA 8AA
izKkeqkla rka Ka pkftrlw;Ze~ A
;{kfl o`=kkkks lqjdk;Ze~ AA 9AA
lEeksgukfo`Z=kL; rq fuk A
lEcks/kukfo|qko Hkk AA 10AA
uknkUrfoHkkL;a osnkUrjgL;e~ A
eksnkUrj;ks/ka HksnkUrdehMs AA 11AA
[ks ok;qeuUra #a fuunUre~ A
HkkUra e?koUra oUns HkxoUre~ AA 12AA
105
106
xhrekyk
107
108
,d% l frl.kkeLFkwyruwuke~ A
jktR;fHkekuh jktk Hkqoukuke~ AA 31AA
;L; ijLrkkxq.kefLr A
bUkfHk/k;k rr~ ;s=k pdkfLr AA 32AA
cU/kqHkqZoukuka lw;ZLrrdhr% A
jktkejk.kka rq;kZ ro ewr% AA 33AA
nso izfrfcEchHkw; izfrlw;Ze~ A
foL; egsU Roa i;fl dk;Ze~ AA 34AA
uks osoyeosZ fi.Mskq p rkr% A
vUr% izfrfcEchHkwr% iq#gwr% AA 35AA
fi.Ms izfrfcEchHkwra iq#gwre A
oSkujekgqyksd
Z =k;rkre~ AA 36AA
ukU;kfu fdy Rowik.;f[kykfu A
ekf;u~ foHkoa rs d ok dFk;kfe AA 37AA
ikfg f=knkkukehkku kkk% A
Hkw;kko nso Lrksrk cgqykk% AA 38AA
lo Hkorkga i{ks.k t;kfu A
bZkks Hkqfo yksos ukosk Hkokfu AA 39AA
xhrekyk
prqFk ok;qxhre~
fnkRifrrksga eUns ujo`Uns A
=kk.kk; lehja ra lEizfr oUns AA 1AA
rkjklqefp=ka [ksyR[kxtkye~ A
m|kufena rs [ka okr fokkye~ AA 2AA
nsoksfl cyL; izk.kksL;f[kyL; A
czw;knfrekua dLrs efgekue~ AA 3AA
HkDR;k ro iq.;a rqY;a Do uq x.;e~ A
r}f pfj=ka jSDoL; ifo=ke~ AA 4AA
es;% l p ukd% LoYiks ujyksd% A
fuR;kfuy kqHkza fu%lhe rokHkze~ AA 5AA
109
110
xhrekyk
iea lw;Zxhre~
Hkqou=k;ifrew/kZte/;s nhI;Uef.kj;efgee;w[k% A
Hkqou=k;rksI;f/kdks ewY;s Hkorka lEinerqyka Hk.krq AA 1AA
,rUe.MyerqfguHkkuksHkkZlka LFkkua fuxefu/kkue~ A
foizSoZU|a dkys dkys foizk.kk;rua t;fr AA 2AA
111
112
xhrekyk
ka nkkorkjxhre~
osnpksjekkja foeF; lkseoa iqjk
;% Le`r /kzqoka iqu% lqrk; HkkLorks nnkS A
flU/kqokfj cU/kqjkl ukS/kjLrifLouka
; ra l[ks HktLo >kkoskeP;qre~ AA 1AA
eUnjkf/kkfj.ks egsUdk;Zdkfj.ks
ekSfufpkpkfj.ks egksxzikigkfj.ks A
vty oq#o HkksgZfjrkUretqy&
LoPNdhrZ;s foykldPNik; fo.kos AA 2AA
dkuk{keq.kjfetky;k kSd;k
P;ko;Urekstl% iznh?kksjrkj;k A
113
114
xhrekyk
lee~ vfEcdkxhre~
lsodikrdkeua nSoa ekulokfNrQyna nSoe~ A
lkuj{k.kprqja nSoa nqtZuenZui#ka nSoe~ AA 1AA
HkkLdjfoEcs nha nSoa ykspue/;s lqa nSoe~ A
flrdje.Myxqa nSoa f=kxqf.krHkqouO;ka nSoe~ AA 2AA
cgqkrpsVhlfgra nSoa js.kqlek fofgra nSoe~ A
vEcjlkS/ks fufgra nSoa HkSjoonukfHkfgra nSoe~ AA 3AA
vlq#fpi|kHkwra nSoa olq#koSZxhZra nSoe~ A
f{kfrtykqfpkq izksra nSoa fkrefrfHk% le/khra nSoe~ AA 4AA
e`nqn;kuka lkSE;a nSoa fiz;:ik.kka jE;a nSoe~ A
roKkuka foa nSoa xq.kfo#phuka kwU;a nSoe~ AA 5AA
115
116
xhrekyk
vea js.kqdkxhre~
lqjfkjjkj.kjs.kqdk A
txn/khjh t;fr js.kqdk AA 1AA
nsorkfkjksns kykfyre~ A
js.kqdkina fnkrq es eqne~ AA 2AA
oq.Myhiqjhe.Mua eg% A
fdefi Hkklrka ee lnk fn AA 3AA
eLroSroa oLrq kkre~ A
vfLr es lnk kLrna fn AA 4AA
vkfnukfj rs iknite~ A
LQqjrq es eu%ljfl loZnk AA 5AA
117
118
xhrekyk
rookfnu% lokkfyfu A
Rokets fonq% lRLo:fi.khe~ AA 15AA
Roka izp{krs ln;ohf{krs A
osnosfnuks eksn:fi.khe~ AA 16AA
lafona fonqLRokfena izlq A
ije;ksfxu% ijensors AA 17AA
tufu oq.Myhiqjfuokflfu A
ijkqjkeor~ i; ekfeee~ AA 18AA
ru;jksnua Jo.kkkfyfu A
k`.kq lqjkprs ;fn n;k fn AA 19AA
;kpd% lqrks HktuehfIlre~ A
rnfi nqyZHka fdfenefEcos AA 20AA
ekLrq osrua fNkeLros A
Hktueso rs ;kP;rs e;k AA 21AA
rjyrkj;k tytnh?kZ;k A
lkuqdEi;k khrikr;k AA 22AA
osoya kk i; js.kqos A
rsu es kqHka u p rokkqHke~ AA 23AA
119
120
fdjhHkoRlqjfoykfluh A
t;fr oq.Myhuxjokfluh AA 24AA
e/kqjeEc rs pj.kite~ A
r=k ;rSLR;T; rsf[kye~ AA 25AA
pj.keEc rs pjrq es fn A
b;euke;s izkFkZuk ee AA 26AA
Hkqtxd.kizHk`frlaLrqrs A
HkqtHkqokejstZufu ikfg eke~ AA 27AA
oq.Myhiqjhe.Mukf;rk A
x.kifrLrqrk t;fr js.kqdk AA 28AA
uoea xq#xhre~
vO;k|r ,r}a tkrekske~ A
;)ks rnta ;=kkUrs y;esfr AA 1AA
vk/kkjs [kyq ;fLeu~ xksykuka lg y{kS% A
czk.Ma izfrfrR;srfkLrqylos AA 2AA
lw;kZfnxzgHkklka ;Uewya ?kurst% A
;kfnlqjk.kka kDR;S kf#rkgks AA 3AA
xhrekyk
121
122
;krk;krfogkjSjk/kkjskq p khksZ A
lkja fon/kkua fdkkskfolkfj AA 13AA
vkyEcsu foghua O;ksekHka ifjiw.kZe~ A
fu%kCna xq#:ia r LiqjrkUes AA 14AA
Kkua Hkkfr ijks{ka ;koJo.ksu A
;RlkR;fokskks gsrq% L;knijks{ks AA 15AA
;fkUrk fLFkjeqDR;S czSre.kk[;e~ A
ekeko`R; leUrknkuUns fun/kkrq AA 16AA
rkjkuUnfu;q% izhR;k rL; ersu A
vk/kkhxHkhja okflks xq#xhre~ AA 17AA
nkea ;ksxlkjxhre~
fufkr;k f/k;k fn fuHkkyue~ A
HkqouHkwirsHkZoukks/kue~ AA 1AA
ngjekua fon/kra tue~ A
cgqylEena u;fr /kh% ine~ AA 2AA
vgfefr Le`rsozZt tfuLFkye~ A
HkodFkkuoa xyfr rsf[kye~ AA 3AA
xhrekyk
123
124
nkkrPNnfLFkreuk% lnk A
vuqHkosUegksegnnks eqnk AA 13AA
Hkofr fufrks ;fn prqiFks A
egfl yh;rs /k`rtxRdFks AA 14AA
vf; fofpUr; Looiq#kje~ A
okfera Hkosko egkje~ AA 15AA
ijek;s LooiqjI;Zrke~ A
vf; fden~Hkqra Hkofr ;rke~ AA 16AA
dj.kkffoRfrkq jktrs A
xeukffofrkq kksHkrs AA 17AA
Jo.kkffoPNfrkq u L[kysr~ A
euukffoUefrkq uks irsr~ AA 18AA
vrqyflf)nkfug i`FkfXo/kku~ A
eqfuojksH;/kkfnfr ri% iFkku~ AA 19AA
cgqy;ksfxokFkurkse`re~ A
vuqHko{kea rfnnekre~ AA 20AA
xhrekyk lekk
foxhre~
fkoxhre~
mhI;r~ fdj.ka fp=ka Jhkj.ke~ A
dkekjsj.ka Hkw;kk% kj.ke~ AA 1AA
lR;% dksfi fkoks fuR;% ikyf;rk A
e/;s ;ks txrka l /;s;% lrre~ AA 2AA
ukLR;srL; oiqoZLR;s Dokfi u l% A
eR;kHkkf.k cq/kS% lR;k/kkjine~ AA 3AA
ma lw{erea }s/kSoa ijee~ A
:ia :ir;k d p LFkkur;k AA 4AA
lks.kq% L;kn.kqrks /kkrSkka txrke~ A
rPNfeZgrks foKs;k egrh AA 5AA
xRok frfr uk ;RLoa gknZine~ A
vxzkL; foHkksLrL; /;kufene~ AA 6AA
vkRekua txrka jktkua firje~ A
vkpk; p eqgq% lk;kfe gje~ AA 7AA
nhI;Ura fnfo ra yksos loZHkqte~ A
Hkwrska iz.kqeks ek;kdkUrete~ AA 8AA
125
126
foxhre~
127
128
je.kxhre~
je.keqfufoeyrjpj.ks Hkt euqt
uenf[kyujfudjkj.ks lqefofk[k&
lejijn;engj.ks ;fn oqrqde/kquk rs AA 1AA
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59
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155
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