Professional Documents
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DannhauserVol 1
DannhauserVol 1
DannhauserVol 1
in
http://archive.org/details/solfgedessolfges01danh
vi
Classics
Vols. 1289-90-91
SOLFEGE
DES
SOLFEGES
By
A.
DANNHAUSER
t
Translated by
J.
H.
CORNELL
IN
THREE BOOKS
G.
SCHIRMER,
INC.,
NEW YORK
Printed
in
the U. S. A.
Preparatory Exercises.
For the Intonations.
These exercises are made in order to familiarise the pupil with the intonations, and for sparing him the necessity of solving two difficulties at a time; the duration of the values and the accuracy of the sounds; hence, he will have to practise them exclusively while he is learning the first
chapters of principles.
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would even be very important to make use of the Metronome for this work, which ought to be done at different degrees of slowness and of quickness. The first labor, made with care, will give great ease to all that shall follow; it belongs, however, to teachers or to mothers of families beginning with young children in this so es sential part of the art, to guide them, according to their youthful intelligence. {i) Each exercise should be made as many times as indicated. It would be well that the teacher should execute it alone the first time, jetting the pupil repeat it immediately. (a) Let the pupil hold each note as long as his breath will allow him, without fatigue, and let him rest for a measure, in silence, at all the rests indicated.
^ 5H.J
Copyright,
fS'tf,
by
G.
Schirmer
Printed in the U.
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=
92)
H. L.
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g|
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% #
54.
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H
ROD.
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Allegro.
t
I
(J
92)
a
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i
ii
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9 59 3
IZZ
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ST.
to Quarter- notes.
19
ROD.
u rn<rrri*rr
g J
J|
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j
l p^s
JJ
J*
j J
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Moderato.(d
r
to Eighth-notes.
* 1 i i$ |p
Moderate ( J
57.
=
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i
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0-
76)
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ROD.
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58.
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Allegro moderato.(J=
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i i
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20
Lessons for a/4 measure. Half- note to the whole measure, a Quarter-note to a beat.
(J z 92)
Allegretto.
59
^ fe=g
g
&
i
H.L.
ft
i
i
i
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Fine.
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i
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4
#
60.
i
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H.L.
Andantmo.(Jz O 32
tz
j j )s
5*
a= *-
#
P
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m
I
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^
%
?
61.
J>
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N?31 reduced
Moderato.(J
=
mmmggmg i
to Eighth-notes.
so)
3t
^^g
H
PPg
62.^3
a
ROD.
a
G.C.
Lessons for the use of dotted notes in C and $ measures. The dotted Half- note counts three beats in 44 measure. Andantino. (J r 88)
#
SSW.'J
i*-lr
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21
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p'
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a
ii
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.
I
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s
i
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=
1
a beat and a half in
measure.
ROD.
p
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2E
I
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f Reduction
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64.
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=
S
in%
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%
ROD.
i
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g>
f-pi
r^p
m> m m pN-pirprMj.JJ-p
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A
65.
dotted Quarter- note counts one beat and a half in^MC) measure. G. C .Moderato. (J = 72)
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n
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m *
j
s
#
m
4 r-
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so)
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mm ^m # ^
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%
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68. ffij
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i
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^^
j
9593
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i
15
66.
gcgg^g
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ROD.
tie.
*"
Moderate (J z 76)
Reduction of lesson
69
^'CdjrriQffl
*
Andante.(n
=
s # JESS
I
ifl;;<lJ3BjJ ^^^^ Ft
f f' f f
J^^
i2o)
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a
G. C.
70
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i
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te
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71.
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One Eighth-note
Andantino. ( J)=
to one beat, one Quarter-note to two beats, the dotted Quarter-note to the whole measure.
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l
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w Ftne-
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9593
Two
sixteenths to one beat
100)
24
Andante assai.(Hr
72
3
a
J
^ ^
i
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n
G.C.
r
cif
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t
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73.
m
-
Lessons for
6/8 measure.
g !=ijtd
f
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m rn
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=
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i
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w
f
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25
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26
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120)
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9593
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Lesson for the regular Syncope with Half- notes. Allegro. (Jr 92)
79.yffrP
27
G.
S
zz
zz
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i
S
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f
22
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m
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Lesson for the regular Syncope with Quarter- notes. Moderato.(J = 96)
80.^3
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m *
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82
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w
92)
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^^
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5
zz:
J
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J J
I
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J.
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83.
92)
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29
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4 d
a
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j
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i ffi
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ty
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85.
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j pj j
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i
p^
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(J
8-o)
2 i
Si 'J'# =:
t
#-"*-#
^
*
tfp
H.L.
r^*
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#
n:.3
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30
Exercise for the study of three sharps: Fa, Do and Sol. Moderato.(J= so)
H.L
JJ
86.
pg
J J J Ql j^
j)
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jJ
J UJ j}
J
l
i|J^JJ'
i|Jj(
J l
J
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J
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iJ
i
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#
=
H L
,-
I
87.
jpj
(}J
J"ll J
ferf ^JJ"
72)
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III
i|
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SS
FTH
Exercise for the study of four sharps.- Fa, Do, Sol and Re.
Andante. (J =
zfc
/^J^1^J^}1
J^JjiJU
^1^^ 1J1
be
^^
I
S
r
S#
88.
gga
Ml*i
**H
Moderato.(J =
88)
ft
jj
ij
J^i^^Jl
a i
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jr>
? c
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I P^
ar>y3
33$ m
i
;ia=
^nP3| $
^ #
5
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pi
Moderate (J = 92)
89.^S
rjJ^UjJJ*!
1
it
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&
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31
ROD.
# #
P=#
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F
P , i
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90.
gy
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P=*
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crc/rir
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l
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l
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3=3
=
i
us)
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22
ni ^
jj ^_
^
m
llegretto moderato. (J
HASSE.
-
P
f*
-5-
m
-0-0
0-
0-0-
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#
j
J
iI
^=F
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32
Moderate
91.
(J= 76)
ROD.
3^!
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^J'i
nrjij-j
j.jjj * "-^t
3
*
j
fH I
|
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5 #=f=e*
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E
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5
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p
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a
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d^ j
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pI
rr
r j |
pi
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Moderato.(Jr
92.
=i
76)
b g
CO
J-
p i J J J
--
5NP gi
ROD.
p
1
i^J-^n
^
BE Sag
si
#
#*
i RCP
us
pi r r
w=
-s>-
E
-
J,i i J
lr
g
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y.593
t}iflfl\
r ^iJ^JJ^^ir
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33
I
J
te=S W-'^J
ifi
f
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rr
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qv
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jnnri^-P
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#
Lesson
in
S3
#-<!'
# JL^JL^
jgFi
721
cfrfrffirti
Moderate
(
mm
gJv **
^
sharps.
G.
J
93.^3
$
r
^m
i
i
J j w rr^ ^iJJ a;
l
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ir
rrrf iror*i
^
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aj
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r
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r
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9593
r'rr'nr
^ r^
pr
pir
p^ cJ^*
34
94.
% 3 ag
.Andante. (J^=
lie)
?
i
fli
JfllMr
cxj
P#
fe
*=^
^ s
f
p
H. L
P#
t ?#
>ij
P#
'
cJvi
ir
Fine.
m^ *
*
P#
z5
tk
*
flat
P
Exercise for intoning
i:
Si flat and
Mi
Andantino. g
95.
fc
(J
76)
H. L
'
p*
'
bJ
b~J
bJ
n
"^ p F# v
19 m
s
m V9 m *
H i=*
I
if
b*
u^lyp
^b
ep
S=B J
I
# P#
flatty Si,
^
Mi and
La.
^1
J*J
|
J?
J)
Ir
J)
| JflflMjij
'^
|
jJ
/bjJ jgjj
i
gw
i
tt*
P a
1 f^
,J^
l
J'-^
J3
l
|
pi JJ piiJ^lP
,
|
,J^
JH
5
s r'^i^jji^^^
4-T
"^7
<
5 a
:'.
flats-, Si,
Mi,
La and Re.
35
H. L.
Moderato.(J -92)
97.
^s $
iy
Jcj
'
J\>'j
'
j y^ J
'
j. -S
zc
%&-
h.,b. ,h.,b
l
W \ v
PR
i
98
>
tmYinM V ** JIWi m
first four accidental flats.
Lesson
in the
Moderato
G.
m
J/TJ
I
u .3j'i rr
j
r
i
r'
#^#
#
#
ffi
tJUJ
5
g
6)
J*
J
i
k r Mf tJljtJ j HJIj
,J
rt=g
iJt
^iJiJ iJ JiJjJ
J j
2Z
# s
f
f
t p#
(9
9P-
^
i
i
}*
PL
J lJ
J J
j g
rn
t
l
Mr
Jl J^ J>l
r ^r
i
Lento. (gU6o)
m
fti
cs
P=*
Chromatic Scale
.
in
99.^
S
i
o
jj
<y
==$
^
?
^5-
C\
% rnfr
9593
'^i^
n^ugu
-o-
36
Scale of the tone La, minor mode. Parallel of the scale of Do, major mode.
Lento.
(J
60)
-o-
1003HS^
zc
vr
-O-
XE
5
i O-
^
31
H. L.
XE
I o(J
=
--
o:
-oin the
TT
minor mode of La.
?
Lessons
pm 8
/i
Moderate)
a
76)
Z2
$
/-
S
j
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^^
zz:
Z2I
?
J>
^m
%J
=
p
"
'
ri
3c
id
p
* Moderato.(J
8o) so)
P
,
i
mPf^fl
ROD.
102.S!
fM'JM^Mt;; rnr^Urli-1
Moderato.(J
.
72)
103.33 Em
^A
#-9
rrOTf
cresc.
^1
J
ROD.
m
10*
rr
/
Jf
W2#
P?
=
J
i
;r' J r JU J rri'
ji
i
^i
ROD.
*
:
Piii lento.(J
111
pjrpiprpf'p^iprppj
CT6SC.
-
jJr
-
pr
"
XT
53
Summary
Stesso tempo.
105.
37
r r> mfcrtec.
i
prppJ j ijJr
^^
'
ROD.
\wim
106.
mm
=
Andante. (J
3
"^f"
mm
84)
mf
^m
i
te^
H.L.
#
*^
s #=F
M
ZJZg
Scale
in
y
dimin.
P
t
s
i * t*
f
o
I
I
^r
;
?.
5
'
PhArJflUni
major mode. J
2
>
l
^ +^ /I Lento.(d = 60) }
\
1
107.^33
IS
\
l
\
1
i
IE
I
:
H. L.
108.|E
-=*
Z2
^z*
4
I
9593
P
/
i i
j J
rn>jri*r^i>jrir^
38
Moderato
109.
(J
104)
H.L
L^
l_^j
A^
U|
L_J
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I_|
L_f.
poco a poco
cresc.
110
#^
Allegro. (J
(/
132)
ROD.
^
*
i
d
Vj
1 1
1
b^
^P
m* P ?
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i
/
PS
#
*
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9^
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if
g
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m
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it
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^
n\
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V*
i
y
a
/;<?C0 erase.
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<:,;M
iti
ii i
pp
39
Allegro moderato.(J
111.
igo)
ROD.
t
4
fcg
J>
Ed
IH
j
^
#
* V=*?
//'
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f
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^ r'tnr^r
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crew.
|Vr:r
**
fl'j
jp
^^
cresc crew.
2_
,
^
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eg m
:
i^%'iJ ^ y /
XE
-O-
3 J.
i
JJ
r^U-pWEtfiErr
XE
I mi
XE
Scale of the tone Mi, minor mode Parallel of Sol, major mode. Lento.(d= 60) . ,
112.
i 3^
-ev-
XE XE
* *-
XE
i|H5=
XE
-O-
XE
-*V
H.L.
-#-=
PS
dfc
22
PI? I
i
hjj.MjJwM' Fine.f
[r
rffcrUj'
|
j^tf
w
*
S593
40
Andantino.^
114.
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H.L.
|
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Jfl
4=m
&mg
=##
(//.
pN J J
*
^^g 3
*
115.
# m
f
Fine,
-#
s
^
PlC
S fpW
dimin.
Moderate
(J= so)
ROD
"
w/
r;rirr'
J j
i
J^J^r *
?
J
i
irr^U'
JN-l
#
*
ffll
=^
8
'
tt
J #*
?
(J , so r so)
5
ii
i
f
*=*
^
LEO.
Andante.
SI i /
*
* *
it
i?
cresc.
PT'iMP
cresc cresc.
j'i'l'J^jHl'J-i
^
m
i
953
^r'Pi'h
j .J'J-^u
.jJ. ^
-i
m
ifc
-hdr+
te^ p|pi
41
*3^ te jza k
Allegro.
(J =72)
hi M jE K-J B
^3
W
r
LTCJ
i
^g
rs
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