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COLLECTED WORKS OF
VASISHTHA KAVYAKANTHA GANAPATI MUNI
VOLUME EIGHT

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EYURVEDAJYOTIH
HAGRANTHAME
ELE
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Editor
K. Natesan

Associate Editor
Dr. Sampadananda Mishra

Published by
V. S. Ramanan
President, Board of Trustees
Sri Ramanasramam
Thiruvannamalai
Tamil Nadu - 606603
Researched and Edited by
Kavyakantha Ganapati Muni Project
Guru Nayana and Maharshi: The Call and the Grace Trust
1, 8th cross, Tagore Nagar
Pondicherry - 605008

Copyright
Sri Ramanasramam
Thiruvannamalai
Tamil Nadu - 606603

First Edition 2006

Price: Rs. 150.00

Printed in India by
All India Press
Kennedy Nagar
Pondicherry - 605001

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THE BOOK OF AYURVEDA AND ASTROLOGY

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CONTENTS
Publishers Note

Editorial

ii-vii

Acknowledgments

viii-x

Kavyakantha Ganapati Muni

xi-xxi

Introduction to the Contents of Volume Eight

xxii-xxvi

8.1.

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8.2.

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37&51

8.3.

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52&63

8.4.

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64&66

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67&79

8.6.

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80&105

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PUBLISHERS NOTE
This is a unique volume which contains Munis writings on
Ayurveda and Astrlogy. Small in size and rich in contents this volume reveals the Munis deeper knowledge Astronomy, Astrology
and Ayurveda.
Cikitsanusasanam and pranatosanam are the two texts
dealing with Ayurveda. Horanirnayasangraha, shodasasloki,
tribhavaphalacandrika and ganakakanthabharanam are the four
texts dealing with Astronomy and Astrology.
These six texts of the Muni are definitely unique in their presentation.
We pray that Shri K. Natesan, who has dedicated himself for
the compilation and editing of all the works of the Muni, has Sri
Bhagavans Grace and Blessings and will continue to be the inspiring force towards the publication of all the volumes.
We hope and believe that this volume of The Collected Works
of Ganapati Muni, like the earlier five volumes, will also be equally
useful and inspiring for the spiritual aspirants.

Sri Ramanasramam
Thiruvannamalai
15. 05. 2006

Sri V.S. Ramanan

EDITORIAL

oUns Jhje.kksZjkpk;ZL; inkCte~ A

;ks esnkZ;nhka HkkUra /okUrerhR; AA*
vande QrnramaKarIerDcDryasya padDbjam
yo medarQayadnQaW bhDntaW dhvDntamatntya.
I bow down at the Lotus-Feet of Sage Sri Ramana, the great
Teacher, who has shown me the Self-effulgent Supreme Lord
beyond nescience.
vkskjonua oU|a dohukekfnea dfoe~ A
oUns x.kir nsoa ujosk/kja xq#e~ AA
oOkDravadanaW vandyaW kavnnDmDdimaW kavim
vande gaKapatiW devaW naraveIadharaW gurum.
I bow to the adorable God Ganapati, Pranava-faced, the original Poet of poets, the Guru in human disguise.
osnScksZ/kors fxjka foyflrS% lEeksneqkors
/khjSHkkZjrlwfjfHkcZyors iwoSZ% izfrkors A
eU=kS% fe=kors egkpj.kS% vkpk;Zy{ehors
dkO;S% d.Bors f/k;k /kuors dLeSfpnLeS ue% AA
vedairbodhavate girDW vilasitaiU sammodamudrDvate
dhnrairbhDratasuribhirbalavate purvaiU pratiIFhDvate
mantraiU mitravate maharIicaranaiU DcDryalakshmnvate
kDvyaiU kaKFhavate dhiyD dhanavate kasmaicidasmai namaU.

*The first verse here is by Ganapati Muni and the remaining three are by
Sri Kapali Sastriar.

ii

His wisdom is founded on the Vedas. With scintillating speech

he is poised in Bliss. His strength has its foundation on the
steadfast seers of this sacred land of Bharata. He stands firm
by the realisations of the ancients. The mantras are his close
companions. It is his good fortune to have the Maharshi as
his guru. His voice reverberates with poetry. His intellect is
his wealth. Salutations to him, the Ineffable.
nsgsu nwjksfi nk u nwj% izh.kkfr ;ks u% Lej.ksu fl)% A
dFka uq fp=ka rfnna p ;Lekr~ fojktls Roa n;kluLFk% AA
dehena duropi hrdD na duraU prnKDti yo naU smaraKena siddhaU
kathaW nu citraW tadidaW ca yasmDt virDjase tvaW hrdayDsanasthaU.
Though physically not near to us, thou art close to our hearts.
Thy presence is intense by the mere remembrance that makes
us happy. No wonder for thou reignest shining in our hearts.
Bowing down to all my gurus, I am indeed very happy
that I have been chosen as an instrument to carry out the most
heart-fulfilling work of editing the Sanskrit writings of my beloved
guru, Vasishtha Kavyakantha Ganapati Muni, most affectionately known as Nayana (as called by Bhagavan Sri Ramana
Maharshi). I am very certain and also feel strongly that it is only
the Divine grace and power of the Maharshi and Nayana that
have guided me to undertake this work, whatever the outer circumstances might appear to be. Besides, I am also clear that it is
the Divine Grace which has prepared me over many long years
for this work. Therefore, with utmost humility, I would like to
write these few lines as an editorial for the Collected Works of
the Muni.
Vasishtha Ganapati Muni was a colossal figure of wisdom and tapas, and there is no doubt that he was the most prolific author of spiritual writings in Sanskrit in the 20th century. His
iii

writings reflected the depth and vastness echoing Vedic spirituality, encompassing varied topics, like verses of adoration to different deities (in various metres), verses depicting the principles of
existence, aphorisms on a vast array of subjects, prose writings
such as commentaries, on Dyurveda, on astrology and even in the
form of novel. However, most of his writings have not yet been
published. The Muni, a genuine spiritual seeker who attained to
great heights and depths of spiritual realisation and wrote extensively on various topics, was never concerned in the matter of the
preservation and publication of his writings. Those close to the
Muni knew that he would simply hand over many of his writings
to his disciples and would not ask for the same again, and in the
process many were slost. Nevertheless, the writings of the Muni
were an outpouring of his tapas, the souls seeking for the Eternal. Therefore, these are not only of great spiritual value but also
immensely important from a socio-cultural viewpoint, and need to
be preserved for ages to come.
I came to the lotus-feet of Sri Ramana Maharshi in the
year 1922 through my first Sanskrit teacher, Sri Vasudeva Sastry.
I met Ganapati Muni for the first time in 1926. Munis son, Sri
Mahadeva Sastry, was my Sanskrit teacher in the Municipal High
School where I studied. The Muni used to come to the school
and speak to us at length on various topics (under the auspices of
the Sanskrit Association). It was at this time that the Muni initiated me into certain mantras. Out of my simplicity, once I asked
him as to how to master the Sanskrit language. His reply was
immediate, direct and simple. He advised me to read and write all
his works again and again, leaving the rest to the Grace. His
advice became a mantra, which has primarily governed the rest
of my life till date. I started collecting all his works and have been
reading and writing them again and again. Although these efforts
eventually took me over completely, I feel it was really the grace
iv

of Bhagavan Ramana which worked within me. Soon I began this

noble work. Bhagavan noticed it with a watchful eye. He would
sometimes ask me if I had a specific writing. He would often ask
for my notes, see them and even make copies in different languages. I consider myself blessed, as there were occasions when
Bhagavan Ramana himself would write some of the verses of the
Muni (which I did not have in my collections) in my note-book in
his own hand-writing. (The facsimile of a few of these are published at the end of the editorial for the delight of the readers.)
Most of my collections of the Munis writings have come
from the late Sri D.S. Viswamitra of Sirsi in North Karnataka,
who had collected these from Sri Mahadeva Sastry, son of the
Muni. I had made several trips to Sirsi, enjoyed the most gratifying hospitality of this family for months, when I used to sit and
copy the works. I was also happy that I could provide some of
the originals and other works of the Muni which Sri Viswamitra
did not possess. I have also collected many other writings of the
Muni from some of his disciples like T.K. Sundaresa Iyer,
Viswanatha Swamy, Raju Sastry, Vasudeva Sastry, Appu Sastry
and Pasupathy Sastry. As mentioned earlier, some of the writings
I received from the gracious hands of my beloved guru Sri Ramana
Maharshi himself.
In my effort towards editing these writings of the Muni, I
have taken a simple approach. I have classified these into different volumes such as adoration, aphorisms, commentaries, etc. The
arrangement of these writings in a particular order, appearing in a
specific volume, follows either the nature of the work or its academic importance. The arrangement does not reflect chronology
as the dates of many writings are not available.
One could write volumes on the Munis style and diction.
My aim here is not to attempt anything on this point. The Muni,
being an aIFDvadhDnn, could write simultaneously on many topics
v

during a given period of time. Depending upon his inspiration,

before completing one work, he would start another. He would
sometimes revise and rewrite the same topic several times. For
the sake of the totality of presentation, I have included several of
these incomplete and revised versions, since I did not want to
choose one from the other. But in the case of the Munis magnum opus, umDsahasram, which was revised seven times, only
the final version has been given in the first volume of this Collected Works.
I understand the need for an English translation of all that
is compiled here, which most readers look forward to. But for the
time being, I have decided to compile the Collected Works of the
Muni concentrating on the original Sanskrit texts. (The origianl
Sanskrit texts of the first four volumes are compiled and printed
both in Devanagari and Roman scripts.) However, I feel that the
translation of the work will take its own time, as it is well understood that the translation of any spiritual writing is not an easy
task.
Dr. Sampadananda Mishra of the Sri Aurobindo Society,
Pondicherry, a promising Sanskrit scholar in his own right, has
helped me in editing and organising these Collected Works. It is
my great pleasure to say that Dr. Mishra has been devoting a
considrable amount of time with great responsibility of editing the
Collected Works of the Muni. He has not only prepared the Shloka
Indices for the first, second, third and fourth volumes but also has
taken the responsibility of checking the correctness of the Sanskrit texts for all the volumes and preparing the Roman transliteration for the first four volumes. I have immense pleasure in having
Dr. Sampadananda Mishra as the Associate Editor of the Collected Works of the Muni.
This volume has all the writings of the Muni on Ayurveda,
Astronomy and Astrology. There are only six texts in this volume:
vi

two on Ayurveda and four on Astronomy and Astrology.

The Introduction to the Contents of Volume Eight has
short notes on each title appearing in this volume.
I sincerely pray for the grace of Bhagavan Sri Ramana
Maharshi and Ganapati Muni, so that the work is completed with
perfection and in time. It is with a great sense of humility and love
that I dedicate this editorial work to Sri Ramana Maharshi and
Ganapati Muni, my gurus, and to Sri M. P. Pandit of Sri Aurobindo
Ashram, Pondicherry, who always appreciated my efforts in preserving the gurus writings.

Sri Ramanasramam
Thiruvannamalai
15.05.2006

K. Natesan

vii

A CKNOWLEDGMENTS

The sacred work of editing and publishing the Collected

Works of Kavyakantha Ganapati Muni would not have been possible without the Grace of Bhagavan Sri Ramana Maharshi and
Nayana. I have also felt the Grace and blessings of Sri Aurobindo
and The Mother in taking up this work. Inwardly, I have been
constantly guided by the Grace of these great spiritual personalities. I have also received concrete help from Sri Kapali Sastriar
and Sri M.P. Pandit. My heart melts with gratitude to these great
souls, who have been my constant guiding spirit.
Divine help works through human instruments. Many noble
people, friends and others have been a source of constant encouragement and I have drunk the spirit of courage and enthusiasm offered by them. Among these include Sri V. S. Ramanan,
President, Board of Trustees, Sri Ramanasramam,
Thiruvannamalai; Sri Vamadeva Shastri (David Frawley), Director, American Institute of Vedic Studies, U.S.A.; Dennis Hartel,
Sri Arunachala Ashram, U.S.A.; Sri S. Shankara Narayanan, a
well-known disciple of Sri Kapali Sastriar; Sri Alan Jacobs and
his wife, Jane Adams of Sri Ramana Foundation, London; Sri
J.G.K. Murthy, Chennai; Sri A. R. Natarajan, Sri Ramana
Maharshi Center for Learning, Bangalore; Sri J. Jayaraman, Sri
Ramanasramam and the late Sri G.L. Kantham, Guntur.
This work would not have been possible but for the
caring and loving touch of Sri D.S. Viswamitra and his wife, Srimati
Kamakshi, daughter, Srimati Indrani, and sons, Sri Divaspati and
Sri Brahmanaspati of Sirsi (North Karnataka). I can only say that
it has been possible to bring out the Collected Works of the Muni
only because of this family, who, as trustees have preserved these
for posterity. I am grateful to the entire family for their loving support.
viii

All the photographs of Bhagavan Sri Ramana Maharshi

and Ganapati Muni are, copyright of Sri Ramanasramam,
Thiruvannamalai. I am grateful to Sri V. S. Ramanan, President,
Board of Trustees, for allowing me to print the photographs in this
Collected Works. Sri A. R. Natarajan, Bangalore, and Dennis
Hartel, U.S.A. have also helped me in getting some photographs.
I thank them for their support. Madam Jane Adams is the artist
who has drawn the beautiful pencil sketches of the Muni. I am
thankful to her and Alan Jacobs of Sri Ramana Foundation, London, for permitting me to publish these in the Collected Works.
The publication of the book from handwritten manuscripts
through the use of computer was a new experience for me. Typing,
proof readings, page formatting, planning the entire layout were possible due to the sincere efforts of Dr. Sampadananda Mishra and
his wife, Prashanti. I cannot imagine publishing the Collected
Works without their help. I sincerely feel that they were specially
chosen and brought into contact with me by the unseen hands of
Grace for the completion of this work. Dr. Sampadananda Mishra
is a budding Sanskrit scholar in his own right and he has helped me
immensely in organising and editing the Collected Works. I am,
indeed, very happy to have him as the Associate Editor of the Collected Works of the Muni. I am very grateful to him and his wife for
all their help and support. I bless and wish them all the very best.
I am grateful to Mr. Rand Hicks of Integral Knowledge
Study Centre, Pensacola, and Mr. Dennis Hartel of Arunachala
Ashrama, New York, USA, for their helpful suggestions.
I am greatful to all the well-wishers who have contributed
immensly to the Kavyakantha Ganapati Muni Project,
Pondicherry. I am indebted to all of them for their support and
encouragement. Sri Vamadeva Sastri (Dr. David Frawley), Director, American Institute of Vedic Studies, U.S.A. has not only
been the source of continuous inspiration but his generous contribution has made the publication of the Collected Works posix

sible. I have no words to thank other than expressing my sincere

feeling of gratitude.
I must express my deep gratitude to the Trustees of Sri
Gitagovinda Pratisthanam, Pondicherry, for their constant support
to us in the undertaking of this project.
Sri Saphal of the All India Press, Pondicherry, has taken
special interest in printing this Volume. I feel indebted to him for
bringing out the book in a beautiful way in a short time.
Finally nothing would have been possible without the help
of my family members. My wife, Smt. Gnanambal, who is not
with me physically at this stage, has done a lot of personal sacrifice. She helped me to carry on with the Munis work by taking
the family load on herself. She was an ardent devotee of Bhagavan
and Nayana. I can feel her happiness and satisfaction and continual
encouragement from a different plane even now. My children and
their families have supported me constantly during this work.
I bow down again to the Grace which made me its instrument in carrying out this work.

Sri Ramanasramam
Thiruvannamalai
15. 05. 2006

K. Natesan

KAVYAKANTHA G ANAPATI M UNI

AN INTRODUCTION TO HIS LIFE AND WORKS
Vasishtha Kavyakantha Ganapati Muni (1878-1936) belongs to the rare race of intellectual and spiritual giants who
crowded into the narrow corridors of the last quarter of 19th and
first four decades of the 20th century to endow life, letters and all
endevours with meaning, purpose and altitude. He was a valiant
soldier in the cause of Truth and Divinity. For communing with the
Divine, certainly he was well-endowed, gifted as he was with marvellous powers of mind, intellect and soul. Even highly learned
people of our time wonder at his indubitable versatile genius, keenness of perception and understanding of our modern problems,
though he had never been to school all his life. His powers of
intellect and intuition had solved and untied many mystic knots.
His wide scholarship and studies in religious lore harmonized in
him all religions and schools of philosophy. He was a master of
metaphysics and his gift transported him into regions whence he
could see the entire manifestation. In fact, he belonged to the order of the Rig Vedic seers who were gods among men.
The Munis life story is sweet and all-absorbing and has
been beautifully rendered in the famous biography VDsiIFha
Vaibhavam by his foremost disciple, Sri Kapali Sastriar. Ganapati
Muni was born in Kalavarayi near Bobbili in Andhra Pradesh on
17th November1878. He belonged to a family of Sri Vidya initiates (in vDsiIFha gotram), which had actually migrated from a
village near Kumbakonam in Tamil Nadu in the late 16th or early
17 th century (later the family was well-known as the
Ayyalasomayajulu family). His parents, Narasimha Sastry and
Narasamamba, had three sons, Ganapati being the middle one.
xi

Nearly a year before his birth, on the holy day of rathasaptamn,

his mother had been to the famous surya (Sun) temple at Arasavalli
(near Srikakulam in Andhra Pradesh) to offer her prayers and
worship. She stayed overnight in the temple after the traditional
worship to the Lord. In the next early morning she had a dream in
which a beautiful woman with golden divine radiance emerged
from the corridors of the temple, approached her with a shining
pot of fire and giving it in her hands vanished. To her utter astonishment, the moment the fire pitcher came into contact with her, it
entered her womb and assumed the form of a child. Soon after
her return to home from Arasavalli, she showed signs of pregnancy. She believed that her child was a divine gift of God agni
(fire). While she was waiting to deliver the child, her husband,
Narasimha Sastry, had gone to the holy city of Kashi (Benares in
Uttar Pradesh) in November 1878, where he also had a unique
experience. When he was performing tapas in the ohuKoigaKapati temple (near Visweswara Ghat) he had the vision of a
little child emanating from the Deity and coming near him. After
these wonderful experiences by both parents, Ganapati was born
in the parental home of his mother on 17th November 1878. The
father appropriately named his second son Ganapati, rooted in his
conviction that the child was an emanation of God Ganapati himself. It may be noted that the Vedic deity agni (Fire) is none other
than gaKapati described in the purDKas and worshipped in the
tantras. Ganapati himself was conscious of his divinity. He has
expressed this in his most famous poem UmDsahasram and has
said that he was born as an amsa (portion) of God Ganapati. He
has also expressed his conviction about the identity between him
and God Ganapati, the guiding spirit of his corporeal existence, in
his work HerambopasthDnam (Glory of Ganapati).
Ganapati was educated entirely at home. His father,
Narasimha Sastry, like his ancestors, was an expert and wellxii

versed in mantra QDstra, astrology and Dyurveda. With this traditional family background, proficiency in these subjects came
naturally to Ganapati. When he was only 10 years old, he was
able to prepare the pacDOgam (almanac). He finished studying
the classical Sanskrit poems and then devoted himself to the study
of grammar and poetics. At the same time he delved deep into the
writings of Vyasa and Valmiki. Again and again he read the
Mahabharata. His horizon widened and his intellect mellowed with
an ever-deepening perception. Like the ancient Rishis, Ganapati
wanted to experience immense strength and power by the practice of tapasyD through mantra japa and meditation. Although
married at an early age to Srimati Vishalakshi, he started visiting
one sacred place after another for his tapas when he was 18
years old. He used to stay in one place for a few days or even
months. In one such visit to Bhubaneswar (in Orissa, where the
famous Lingaraj temple of Lord Siva is located), during his
tapas, Ganapati had a vision, in which Goddess lalitDmbikD
(bhubaneQvarn) appeared before him, offering divine nectar. As
Ganapati tasted this heavenly nectar, the Goddess watched him
with a sweet smile, full of grace. From then onwards, the sweetness of the nectar became an integral part of him. After this incident, Ganapatis intellect developed a rare sharpness and he attained complete mastery over poetry. Indeed, the literary work
composed after this incident is endowed with a distinct sweetness
and grace.
When Ganapati was staying in Kashi, he came to know
that an assembly of scholars (harisabhD) would be held in the
famous city of Nabadwipa in Bengal. On the advice of his friends
he got a letter of introduction and went to Nabadwipa. There he
excelled in all the difficult tests that he was put to with an effortless
ease that stunned his examiners, who unanimously conferred the
title kDvyakaKFha (one who has poetry in his throat voice of
xiii

poetry) on him forthwith. He was only 22 years old then (details

are in Volume 11).
Ganapati repaired to the south of the country in his 25th
year. From Kanchipuram he came to Arunachala (Thiruvannamalai)
in 1903 to perform tapas. He visited twice Sri Brahmana Swamy
(who was later named as Bhagavan Sri Ramana Maharshi by
Kavyakantha himself) before he accepted a teachers job at Vellore
in 1904. Later in 1907, he resigned his job at Vellore and returned
to Arunachala. It was at this stage that he sought and gained the
grace of Sri Brahmana Swamy (Bhagavan Sri Ramana Maharshi).
An intellectual and spiritual giant who had high achievements to
his credit and a host of followers as well, Kavyakantha still felt
that his lifes purpose was not fulfilled. He remembered Brahmana
Swamy whom he had met earlier and approached him for his grace
and gain inner realization, peace and true import of tapas that he
still lacked. On 18.11.1907 Kavyakantha approached Brahmana
Swamy, who was staying in the Virupaksha cave, and prostrating
himself at his feet said in a trembling voice: All that has to be
read I have read, even Vedanta Sastra I have fully understood. I have performed japa and puja to my hearts content. Yet I have not up to this time understood what tapas
is. Hence have I sought refuge at thy feet, pray enlighten
me about the nature of tapas. For quite sometime Brahmana
Swamy gazed silently at Kavyakantha. He broke his 11 years of
long silence and spoke gently, If one watches where his notion of I springs, the mind will be absorbed into that.
That is tapas. If a mantra is repeated and attention is directed to the source where the mantra sound is produced,
the mind will be absorbed in that. That is tapas. The scholarpoet was filled with joy to have found his guru, and announced
that the upadeQa (teaching) was original, and that Brahmana
Swamy was indeed a maharshi and should be called so thereafxiv

ter. He gave the full name Bhagavan Sri Ramana Maharshi to

Brahmana Swamy, whose original name was Venkataraman. Thus,
the meeting was of profound significance not only for Kavyakantha
but also for the world at large, which could learn from such a high
authority about the real stature of Bhagavan Sri Ramana Maharshi,
the Silent Sage of Arunachala. Following this momentous meeting, Ganapati composed his great devotional poem,
UmDsahasram, a thousand verses in praise of UmD, the Divine
Mother, as a part of his tapas in gratitude to the great Goddess
for having given him the Maharshi as his Guru (Master). This work
is the magnum opus of Sri Vasishtha Ganapati Muni.
The Muni had the unique experience of kapDlabheda. In
the summer of 1922 at the Mango cave of the Arunachala hills,
the Muni had several yogic experiences, arising from deeper parts
of his being and invading his physical consciousness (resulting in
great physical pain). During this, he visited his Master and told
him of his inner and physical experience. His most compassionate
Master, Sri Maharshi, comforted him by placing his lotus hands
on his head. On the very night, he had the experience of the culmination of kuKoalinn sDdhanD, resulting in the most unique experience of kapDlabheda. His cranium was broken into two parts; a
distinct sound caused by the breaking arose from the passage,
which joins the two holes of the ears. A line of smoke going out of
the head was perceived there. The Muni later spoke to his disciples about this yogic experience and that this has been mentioned in the sixth chapter of the taittnriyopaniIad, quoting
vyapohya QirIakapDle bhurityagnau prati tiIFhati (having separated the two parts of the cranium, he stands established in Fire as
BhuU, the earth element) and mentioned several great effects of
the power of yoga experienced at this time with their secrets. It is
usually believed that the physical effects of this great experience
are such that the body cannot sustain long following this event.
xv

However, in his case, with the strength of his own tapasyD and
the Grace of his most compassionate Master, he lived for fourteen
long years (although he had to observe certain physical restrictions, such as that he could not shave his head nor could put his
bare feet on the ground) after this experience. This event speaks
volumes on the extraordinary nature of his tapasyD and the fact
that he was perhaps the greatest Master of tantra born on this
earth. In fact, the final revision of his magnum opus UmDsahasram after this experience, remains, testimony not only to his
supreme mastery over the tantras but also his ability to find the
reconciliation and concordance between the Vedic, Upanishadic
and the Tantric schools of thoughts. The kapDlabheda experience also reconfirms the conviction that he was the direct aWQa
(portion) of the Vedic deity agni (who resides as the power of
kuKoalinn in the mulDdhDra of human beings).
The poet seer Kavyakantha Ganapati Muni met
Sri Aurobindo on 15th August 1928. He stayed at the Sri Aurobindo
Ashram for about a fortnight. During this stay at the Ashram, the
Muni meditated with The Mother a few times. After one such
meditation, The Mother expressed that the Muni was a real yogi
who could plunge into great depths the moment he started meditation and that she had not so far found any person abiding in Her
spiritual consciousness as Ganapati Muni did. Further, at the instance of Sri Kapali and Sri S. Doriswamy Iyer, the Muni translated some portions of Sri Aurobindos The Mother
(mDtrtattvaprakDQikD) in chaste Sanskrit verses with some notes.
On reading the Munis translation, Sri Aurobindo seems to have
very generously observed, It far excels the original. It is also
worth mentioning that the Muni presented to Sri Aurobindo the
last and final version of his UmDsaharam (written in his own handwriting after his experience of kapDlabeheda) with specific notes
on each chapter before his meeting in 1928.
xvi

It is more than six decades since the great Kavyakantha

Ganapati Muni passed away in 1936. He was a great tapasvn,
whose one aim in life was the restoration of BhDrata MDtD (Mother
India) to her ancient greatness. Unlike others who aim at liberation for themselves, this great soul believed that he must obtain the
grace of God not for himself but for the nation and through it for
the betterment of the world. Towards that consummation he had
done penance since his early years and this, too, very rigorously
during the last years of his life.
The Vedic seers were by no means recluses from the affairs of the world. In fact, these Vedic seers made themselves the
superior vehicle through which the divine forces of heaven played
for the welfare of humanity. To become one such perfect instrument in the hands of the Maha Shakti was the goal towards which
Ganapati worked and dedicated his entire life. Although the Muni
was a giant personality, he was very humble in his day-to-day life.
This can be proved by two incidents in his divine life. The Muni
and his beloved disciple, Daivarata, did tapas in Padaivedu near
Vellore in the year 1917. As a result of the tapas, certain Mantras
were revealed to his disciple Daivarata. Ganapati Muni, the guru,
recorded the Mantras as they came down from the lips of Daivarata,
his disciple. He even wrote a commentary on the Mantras, as
Sankara did for his disciple, Hastamalaka. There is yet another
incident to which I would like to draw the attention of the readers.
The Muni was verily a fountain of love and affection for his pupils
and followers far and near. This did not deter the guru and QiIya
from having a difference of opinion at times. The Muni blessed Sri
Kapali Sastriar and permitted him to follow Sri Aurobindo.
A scholar poet, Sri Vasishta Ganapati Muni has many spiritual and other writings in Sanskrit to his credit. UmDsahasram,
gntamDlD, ramaKagntD, ramaKacatvDriWQat and saddarQanam
are a few titles well-known among his disciples and others. But
xvii

very little is known about his other numerous Sanskrit writings,

covering a wide variety of topics: praises and prayers to various
deities (stotras), poetic compositions (kDvyas), philosophy
(darQana), logic (nyDyaQDstra), medical science (Dyurveda),
astrology and astronomy (jyotiIaQDstra), commentaries (bhDIya),
novel (DkhyDyikD), letters (patrDKi) and other research works.
His versatility can also be judged from his writings sDmrajyanibandhanam (a proposed constitution for India) and
lDlibhDIopadeQa (a new language for the Indian people). He was
spontaneous in composing all these either in verse form (Qlokas)
or in the form of aphorisms (sutras) or prose form (gadya). Nevertheless, all these were the result of his tapas, an outpouring of
his soul in seeking or gratitude to the Divine.
Of his stotrakDvyas, umDsahasram, indrDKisaptaQati,
pracKoacaKoitriQatn and gntamDlD are meant for those longing
for a great spiritual realisation. The indrasahashranDma is a composition of thousand names of indra culled from the Rigveda,
which are strung into a garland of one hundred and eight verses.
The ramaKacatvDriWQat (40 verses in praise of Bhagavan
Sri Ramana Maharshi) is chanted daily both at the Sri Ramana
Ashramam and in innumerable homes of the devotees of
Sri Ramana Maharshi. The Muni had an unique ability of rendering philosophical thoughts in the form of poetry (Qlokas), and his
writings viQvamnmDWsD, ramaKagntD, saddarQanam and
tattvaghaKFDQatakam remain in testimony to this. RamaKagntD
is in the form of recordings of questions put forth by disciples and
the answers given by the Maharshi and is one of the most cherished writings of the Muni. His saddarQanam is the Sanskrit rendering of Sri Maharshis Tamil writing, ulladu narpadu (Forty
Verses on Reality) on which his beloved and learned disciple,
Sri T.V. Kapali Sastriar, has written a faithful commentary in
Sanskrit. This reflects the spirit of Sri Maharshis original teachings.
xviii

Of his vast and variety of sutra writings, it would be difficult to single out any one as more meritorious than the others.
DaQamahDvidyDsutram (the ten cosmic powers of the Divine
Mother as described in the tantras) is an outstanding composition, in which the Muni has described the ten cosmic aspects of
the Divine Mother and their significance. Here he has also brought
out the association of these ten cosmic aspects of the Mother
described in the Tantra with the corresponding Vedic deities.
Thereby, not only he has been able to bring forth a link between
the Vedas, Upanishads and Tantras, but also has been successful
in dispelling several wrong conceptions on the significance of these
deities. These compositions reflect Munis great powers of Yogic
perception. The way in which he has expounded the different deities such as kDln, tDrD, sundarn, bhuvaneQvarn, pracaKoacaKon,
etc., and correlates them to the Vedantic concepts has once for all
removed all antagonisms and has bridged the so-called gulf between the Vedantic and Tantric schools of philosophy. RDjayogasDrasutra is a short and concise exposition of the Upanishadic
methods of the inner quest. Caturvyuhasutra is a revelation of
the cosmic divinities wherein he has expounded the four important
emanations of the Vedic deity Indra (DkDQa, kDla, vidyut and
surya). JaiminnyatarkavDrtikam is his own interpretation of the
sutras of Jaimini, where he has advocated that the Vedas are indeed pauruIeyam (of human origin). Further, in this he has given
his own interpretation of the mnmDWsD philosophy, placing it on a
higher pedestal in relation to Vedanta. His QabdapramDKacarcD
also discusses the origin of Vedas. PacajanacarcD and
vivDhadharmasutram are related to social aspects. In the former
one the practice of untouchability is condemned with the authority of QDstras. In the latter he deals with marriage as a sacrament. His other sutra writings also include cikitsDnuQDsanam
(Dyurveda) and gaKaka-kaKFhDbharaKam (astronomy) as well
xix

as sDmrDjya-nibhandhanam (a proposed constitution for India).

The prose writings of Vasishtha Ganapati Muni too are
extensive and these include: commentaries on several texts including
Vedas and Upanishads; study on the different characters of the
great epic poem MahDbhDrata; letters to Sri Ramana Maharshi,
The Mother of the Sri Aurobindo Ashram, and others.
His commentaries on Rigvedic mantras and the nQopaniIad,
though brief, are revealing and illumining. The Muni has given his
own original spiritual interpretation of the mantras, and he was
highly critical of the ritualistic interpretation of Rigvedic mantras
by Sayana. His commentary on the nQopaniIad is original and is in
the light of the teachings of Sri Ramana Maharshi. His bhDratacaritramnmDWsD is unique as it establishes a link between some
of the important characters of the mahDbhDrata and those mentioned in the Vedic texts. ramaKagntD, saddarQana and the commentary on the upadeQasDram (thirty verses written by Sri Ramana
Maharshi in Sanskrit), are most popular writings of the Muni
which reveal the greatness of the teachings of Sri Ramana
Maharshi.
His novel, purKD, in Sanskrit, though unfinished, is unique
in many ways. The style and diction that the Muni used here make
it an unparalleled novel of his time. It not only depicts the ability of
the Muni to write beautifully and spontaneously in Sanskrit prose,
but it also records his power of expressing the feelings of the heart
and not just the logic of the mind.
In the letters of the Muni to Sri Maharshi and The Mother
of the Sri Aurobindo Ashram, one can find the art of letter-writing
in Sanskrit. Through these letters he was able to express lucidly
his deepest aspirations, concepts and thoughts.
However, it is difficult to summarise the thoughts, perceptions and literary ability of the Muni. The Muni, indeed, was a
versatile genius and can be compared with Kalidasa and Shankara
xx

in poetic renderings, with Vyasa in sutra writings and with Patanjali,

Shabara and Shankara in writing commentaries. The writings of
the Muni are not just some products of literary activities but are
the records of his unique Yogic experiences and subtle visions and
will be a guiding spirit and lamp for the centuries to come.
Sri Ramanasramam
Thiruvannamalai

K. Natesan

xxi

INTRODUCTION TO THE
CONTENTS OF VOLUME EIGHT

Vasishtha Ganapati Muni was equipped with such a

unique scholarship and ability to express that he could write
or speak elaborately on any topic with apparent ease. Therefore, his writings cover a wide range of topics including spirituality, cosmology, metaphysics, science, poetry, linguistics
etc. He indited poetry, wrote commentary, composed sutras,
penned novels, articulated all his views on many serious topics with the same force, intensity, fluency, lucidity and loftiness.
The present volume of the Collected Works of the
Muni comprises all his writings on the science of health, AsD nuQD
QD
DK
K am,
tronomy and Astrology. CikitsD
QDsanam, prDK
DKatoII aK
D nirK
K ayasaO
O graha, I oo
o aQQ aQQ loknn , tribhD
D vaphalacandrikD
D
horD
K akakaKF
KF
D bharaK
K am are the six titles appearing in
and gaK
KFhD
this volume. Out of these six titles the first two deal with
Ayurveda and the rest address to Astronomy and Astrology.
Below we provide short notes on each topic.
DnuQD
QD
CikitsD
QDsanam has twenty chapters and three hundred eighty-four sutras. The first chapter deals with treatment
of jvara or fever. The second chapter discusses about
raktapitta or plethora or a kind of disturbance in the blood
caused by bile. The third chapter talks about the treatment of
kDsa or all types of coughs. The fourth chapter takes up the
topic of asthma and its treatment. Pulmonary tuberculosis or
yakIman is the subject matter of the chapter five. Chapter six
treats the subject of vomiting or chardana. Heart diseases or
hrdroga and their treatments are given in chapter seven. Disxxii

ease related to thirst or trIKD is treated in chapter eight. Chapter nine discusses about piles or arQa. Chapter ten deals with
purging or dysentery, atisDra. GrahaKn is the small intestines
or that part of the alimentary canal where the bile assists digestion and from which vital warmth is said to be diffused.
The disease related to this is also called grahaKn. Chapter
eleven deals with this disease. Urinary diseases or mutrDghDta
and their treatment form the subject matter of chapter twelve.
Prameha which is treated in chapter thirteen includes urinary
diseases like diabetes, gleet, gonorrhoea etc. Chapter fourteen talks about gulma or a chronic enlargement of the spleen
or any glandular enlargement in the abdomen (as that of the
mesenteric gland &c.). Udara or enlargement of the abdomen
(from dropsy or flatulence) or any morbid abdominal upset
(as of the liver, spleen &c.) is the subject matter of chapter
fifteen. Chapter sixteen discusses about pDKou or jaundice.
Chapter seventeen deals with kuIFha or leprosy. Morbid disturbance of the windy humour, flatulence, gout, rheumatism
&c. are known as vDta in Ayurveda. Chapter eighteen talks
about vDta. Disorder resulting from intoxication (as headache
&c.) or madDtyaya is treated in chapter nineteen. Chapter
twenty is the last chapter dealing with QukrakIaya or loss of
semen. In this text Muni has shown the processes for the treatment of all these diseases. At the end of the text the Muni
makes a significant statement that continence and chastity is
the true pathya when one is under medical treatment.
Kam is written in shloka form. In eight chapDK
DKatoIIaK
PrDK
ters it has hundred and eight verses. In the first chapter the
Muni describes the nature of all the three doIas or humours
of the body. When these humours are in their normal state then
there is no disease. It is only when there is disturbance in
these several diseases occur. The disturbance can be either a
xxiii

loss or an excessiveness of these. In this chapter the Muni

gives a brief explanation of the symptoms indicating the disturbance of the humours. Apart from the humours there are
seven basic tissue elements which help in formation of all the
basic structure. These basic elements known as dhDtus in the
Ayurveda, are seven in number: rasa or chyle (including
lymph); rakta or the hemoglobin fraction of the blood; mDWsa
or muscle tissue; meda or fat tissue; asthi or bone tissue; majjD
or bone marrow; Qukra or the sperm in male and ovum in
female. The second chapter deals with the symptoms indicating the disturbance of the dhDtus. There are three basic malas
or impurities which are substances partly utilized in the body
and partly excreted. These three are urine, stool and sweat. In
the third chapter the Muni talks about the symptoms showing
the disturbance of the malas. It thus happens that at times one
doIa is in its normal state but there is a disturbance in the
other doIa (or doIas) then there arise specific symptoms. The
fourth chapter gives a vivid description of these symptoms.
The fifth chapter deals with rules to be followed in the case of
disturbance and the general rules for the administration of
medicines in such cases. There are six different types of treatments to be followed for the cure of the diseases: vrWhaKam
or nourishment; laOghanam or starving system; snehanam or
unction, lubrication; rukIaKam or attenuating; stambhanam
or stiffening, paralyzing; svedanam or the act of sweating or
perspiring. The sixth chapter defines the characteristic features of these six types of medical treatments. The seventh
chapter delimitates the fivefold dravyas or medicinal substances of the Ayurveda. The eighth or the last chapter determines the essential qualities of the six rasas or flavours.
D nirK
K ayasaO
O graha is a treatise on horoscopy
HorD
which the Muni had prepared for his disciples during his stay
xxiv

at Gokarna. It has eight chapters and eighty-one verses. In all

these chapters the Muni deals with the general and special
terminologies of horoscopy, the positions of the planets in a
horoscope, their influence on each other, the good and bad
results that they give, the bad luck and good luck of men as
depending on the position of the planets, the force of a planet
in particular astrological house, and different yogas or conjunctions in which one gets very good or good and very bad or
bad results.
H oo
o aQQ aQQ loknn is a very small text having only seventeen verses. In the verses from one to sixteen the Muni beautifully summerises the essentials of horoscopy.
DvaphalacandrikD
D the Muni explains about the
In tribhD
horoscopy as practised in Kerala. The entire text has three
sections and eighty-nine verses. Here the Muni particularly
takes up the topics related to Dyu or life-span, kalatra or wife,
putra or son respectively in the three sections.
K akakaKF
KF
D bharaK
K am deals with the movements
GaK
KFhD
of the planets. In ten different sections it explains the ways the
planets move. The text is presented in a very high technical
manner. Therefore, an understanding of this text demands a
knowledge of the terms used in this text. The Muni has explained the terms and his way of composition in the fourth
section under the title of paribhDID.

xxv

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10

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12

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l/kk=khjlks eqnykhrdkk;ks Hkskte~ AA 5AA
l{kkSk iF;k AA 6AA
k{kk ok AA 7AA
tEckeziokskhjoVk`kojksgdkk;% AA 8AA
llSU/koa ?k`ra okrts AA 9AA
nkfMekEcqfl)a ok AA 10AA
le/kqkoZjkyktis;k fikts AA 11AA
dQts lO;kska dfiRFke~ AA 12AA

fpfdRlkuqkklue~

13

l{kkSk nqjkyHkk AA 13AA

loZ=k LrEHkuc`ag.ka lkekU;r% AA 14AA

vFk leks/;k;%
ksxs AA 1AA
iF;k lkSopZyfl)a ?k`ra Hkskte~ AA 2AA
cykfnrSye~ AA 3AA
cyk kM~x.q kk nkewya oqyqRFkk dkk;O;kf.k i;kscykdkk;lea
f=kQyk lqxfU/kLrxja e/kqdexokftxU/kk o`.kk pUnua lSU/koa
oqa f=ktkra nsonk#% krkojh fonkjh kwiiZ .khZ yk{kkfkykta iquuZok
p dYdO;k.khfr cykfn AA 4AA
okrts fX/kk% is;k% AA 5AA
vuqykseukfu ?k`rkfu AAA 6AA
Js;lh fl)a l{khja efgkh?k`ra fikts AA 7AA
dQts fxfjte~ AA 8AA

14

vk;qon
Zs T;ksfrkxzUFkekyk

nf/k xqM{khjkf.k oT;kZU;okrs AA 9AA

kwys ewyS ojsd% AA 10AA
ifj.kkets sg%S AA 11AA
ikde/;ts QyS% AA 12AA
okrkuqykseua Hkskte~ AA 13AA
HkqftsnkoZfr fokkoqo`fe?kfrYodyo.kkU;q.kkEcquk AA 14AA

vFkkeks/;k;%
r`.kk;ke~ AA 1AA
okrfik?ka Hkskte~ AA 2AA
khrk% is;k% AA 3AA
lkoZja y?kqiewytye~ AA 4AA
okrtk;ka lxqMa nf/k AA 5AA
fiktk;ka ;foqkdkkkuke~ AA 6AA

fpfdRlkuqkklue~

15

dQtk;ka fukk;k% flrke/kqH;ke~ AA 7AA

Jetk;ka lflreEcq AA 8AA
vkritk;ka izlsd% AA 9AA
vkkR;;tk;ka khrkseUFk% AA 10AA
{k;tk;ka c`ga .ke~ AA 11AA
lks?oZokrk;ka khrS% DofFkra {khje~ AA 12AA
loZ=k fonk;kZfntye~ AA 13AA

vFk uoeks/;k;%
vkZ%lq AA 1AA
u`os kliZdqdkehi=kkoZewyektkZypeZlikka /kwi% AA 2AA
i`Fko~ i`FkxxU/kkc`grho`.kklqjlkuke~ AA 3AA
lzqo~ {khjkZ;k fuk;k ysi% AA 4AA
lkoZ lq / kk{khjs . k oq fiIiyhxq M lS U /kofkjhkcht f=kQyk&

16

vk;qon
Zs T;ksfrkxzUFkekyk

dYosu AA 5AA
ysiuO;fl)su rSyus kH;% AA 6AA
llSU/koa ra Hkskte~ AA 7AA
ldksfonkjewydYde~ AA 8AA
loqVtRoDiF;kfxose~ AA 9AA
lfggiqkk fp=koa p AA 10AA
ikBklnq%LikkZ AA 11AA
lfcYokllkxjkl;okuh ok AA 12AA
ikBkfn?k`re~ AA 13AA
ikBkteksnk /kkU;oa xks{kqjoa idksya fcYoa p dYdO;kf.k
prqxqZ.kk pksjhjlO;a rkqY;a nf/k psfr ikBkfn AA 14AA
xzkg.kh izokfgdk ew=ko`Nskq p AA 15AA
iqViDo% lrSyyo.k% lwj.k% AA 16AA
jtskq dQkuqcU/ks :{kkhre~ AA 17AA

fpfdRlkuqkklue~

17

fX/kkhreU;nk AA 18AA
loZ=k ldkyks;a y?kqnhiua Hkkstue~ AA 19AA

vFk nkeks/;k;%
vfrlkjs AA 1AA
yue~ AA 2AA
oeua kwykukg izlsdkrkZuke~ AA 3AA
oqVtks Hkskte~ AA 4AA
ukxjkfn?k`re~ AA 5AA
ukxja yk{kk o`.kk dVqdjksfg.kh p dYdO;kf.k k;ok%
dkk;O;fefr ukxjkfn AA 6AA
;okU;kfn% dYd% AA 7AA
;okuh o`.kkewya ukxja pkrqtkZra efjpa thjoa /kkU;oa lkSopZya p
rqY;kfu o`.kk/kkrdh o`{kkea fcYoa nkfMea nhI;oa p f=kxq.kkfu
dfiRFkexq.ka koZjk lokZf/kosfr ;okU;kfn% AA 8AA

18

vk;qon
Zs T;ksfrkxzUFkekyk

ro{kh;kZfnokZ AA 9AA
dkkkk ro{khjh f}dkkka pkrqtkZra ;okuh /kkU;detkthxzfUFk O;kska
p ikfydkfuiykdkaks nkfMea flrk psfr ro{kh;kZfn% AA 10AA
ckyfcYcxqMrSyo`.kk fokfu kwys AA 11AA
jkos flrkikn% o`.kkfrydYd% i;lktsu AA 12AA
flrk pUnus r.MqykEcq {kkSH;ka ok AA 13AA
c)s nksks iF;k AA 14AA
ckyfcYoa tBjksRos ks AA 15AA
o`.kk ok e/kquk AA 16AA

vFkSdknkks/;k;%
xzg.;ke~ AA 1AA
kqf)jfrlkjor~ AA 2AA
nhfiU;% is;k% AA 3AA
fokfrfokk/kukuka DokFkks Hkskte~ AA 4AA

fpfdRlkuqkklue~

19

dYdks ok lq[kkEcquk AA 5AA

foL; iF;k;k ok AA 6AA
iVksykfneZ/kquk AA 7AA
iVks y a fuEck;Urh fdjkrfr% iiZ V oa k;oks ew o kZ
fukkRoDin~edeqkhja ;okuh pUnua lkSjkefrfokk f=ktkra rks;nks
opk nsonk#sfr iVksykfn% AA 8AA
chtiwjdjlfl)a ?k`ra okrtk;ke~ AA 9AA
fiktk;ka pUnukfn AA 10AA
pUnua in~edeqkhja ikBk ewokZ kkfjck iVksya jksfg.kh dVqdk ewLrk
fuEc dkk;O;kf.k fdjkrfr% k;ok% o`.kk;okuh uhyksRiya
p dYdO;k.khfr pUnukfn AA 11AA
dQtk;ka idksykfndYdks ?k`rus AA 12AA
idksya iVqioa fgfdjkrfrks opk ikBk xks{kqjdfeU;oksfr
idksykfn% AA 13AA
loZ=k fX/knhiue~ AA 14AA
Hkkstua p AA 15AA

20

vk;qon
Zs T;ksfrkxzUFkekyk

vFk }knkks/;k;%
ew=kk?kkrs AA 1AA
okrts sgLosnkS AA 2AA
fikts izyis ifjksdk% AA 3AA
dQts oeuLosnkS AA 4AA
c`gR;kfn ?k`ra Hkskte~ AA 5AA
c`gR;k oakqeR;koxq.ka xks{kqja p dkk;O;k.khfr c`gR;kfn AA 6AA
ewokZ?kunk#;fe/kqiF;k% AA 7AA
okrts llkSopZyk efnjk AA 8AA
,okZ#cht fukk;;Lr.MqykEcquk fikts AA 9AA
ojhfonkjhohjkxks{kqjr`.kiewykuka dkk;% AA 10AA
khrks k{kk;k% AA 11AA
dQts djtchtdYdLrosz .k AA 12AA

fpfdRlkuqkklue~

21

fkxzeq y
w DokFk% dks.kkse;kZe~ AA 13AA
d.Vd=k; chtjt% AA 14AA
ikkk.kHksndkfn?k`ra okrtk;ke~ AA 15AA
ikkk.kHksndks olqdksofkjkseUrdks o`{kknuhkkdQyeqkhja droa
Hkkrdksfrcyk o#.kfd.Voa xq.B% krkojh ;ok% oqyqRFkk%
k;ok% idksya p dkk;O;k.khfr ikkk.kHksndkfn AA 16AA
oqkkfn fiktk;ke~ AA 17AA
oqk% dkk% kjksxq.Bks eksjVksefHkHkksZfonkjh okjkgh kkfyewya
f=k.Voa ikVyh ikBk Hkqd% iquuZok oqj.Vd% fkjhk dkk;&
O;kf.k e/kqoa fkyktfeUnhoja p dYdO;k.khfr oqkkfn AA 18AA
dQtk;ka o#.kkfn AA 19AA
o#.kks fonk;kZn;ks nsonk#xqXZ xqyeq fZ jpa oqa fp=koa p dYdO;k.khfr
o#.kkfn AA 20AA
nwfkrkqk;ka o`;e~ AA 21AA
izo`)k;ka kizf;k AA 22AA

22

vk;qon
Zs T;ksfrkxzUFkekyk

vFk =k;ksnkks/;k;%
izegs s AA 1AA
fX/kL; oeujspus AA 2AA
le/kq /kk=khjlk fukk Hkskte~ AA 3AA
xqMwphjl% l{kkS% AA 4AA
f=kd.VdkfnrSye~ AA 5AA
?k`ra p AA 6AA
f=kd.Voa fukkjks/kza opktquZ % lkseoYd% in~edeeUrdUnu&
ex#nhI;oa iVksya eftk eqLrkekh Hkkrd dYdO;k.khfr
f=kd.Vdkfn AA 7AA
nkewykfn?k`re~ AA 8AA
nkewya kVh nUrh nsonk#% iquuZok iF;k Hkkrdks HkwdnEcks
o#.k% djta qxoZ iqdjfiIiyhewykfu nkiykakkfu izLFkkakk
;odksyoqyqRFkk% izR;soa dkk;O;kf.k fiIiyh};a pO;a opkfupqyks
jksfg.kh fcYoa HkkhZ p dYdO;kf.k i;sfr nkewykfn AA 9AA
fX/kkhra Hkkstue~ AA 10AA

fpfdRlkuqkklue~

23

vFk prqnZkks/;k;%
xqYes AA 1AA
sgLosnkS AA 2AA
oLr;ks foksks.k AA 3AA
opkfn% dYdks Hkskte~ AA 4AA
opk fot;k ikqxU/kk fg nkfMea nhI;oa /kkU;oa ikBk iqdjewya
kVh giqkk of% iVqioa dVq=k;a pO;etkth psfr opkfn% AA 5AA
lSU/kokfncMkfnokZ AA 6AA
lSU/koa ;okuh nhI;oa o`.kk ukxja p eo`)kakkfu loZlek&
gjhrdhfr lSU/kokfn% AA 7AA
fcMkstkth fgxkz fot;k okV~;fHk/kkua oqa oqEHkewya fuoqEHkewya
p eo`)kakkfu fcMkfn% AA 8AA
n/;kfn?k`re~ AA 9AA
nf/k prqx.Zq ka nkfMeekezkroa ekrqy
q a p jlO;kf.k cyk dkyklqkoh
nkewya iquuZok iwdjewya jkk HkkhZ xqMwph kVh okftxU/kk p
f}iykakk% dkk;O;kf.k rqEcq#xzZfUFk% kM~xzUFkk jkk of/kkZU;oa

24

vk;qon
Zs T;ksfrkxzUFkekyk

;okuh thjdeeors la fg giqkk fuoqEHk% oqEHkks ewokZ xtfiIiyh

MkfMeetkth osa xks{kqjoa ikkk.kHksndiqlesokZ#chtkfu iVqioa
dVq=k;a kkfjckp& dYdO;k.khfr n/;kfn AA 10AA
uhfyU;kfn ok AA 11AA
uhfyuh f=kQyk jkk cyk dVqjksfg.kh O;k?kzh foMa p ikfydkfu
dkk;O;kf.k rqY;a nf?k psfr uhfyU;kfn AA 12AA
ykqukfn okrts AA 13AA
ykqudUnkuka rqyk i`FkDi`Fko~ iiykaka egRiewya p dkk;&
O;kf.k Qy=k;a dVq=k;a fg ;okuh pO;a nhI;oa nsonk#jEy&
osrla lSU/koa p dYdO;kf.k nkfMea jlO;a nf/k lqjk psfr
ykqukfn AA 14AA
giqkkfn AA 15AA
giqkk O;kska i`Fohdk idksyoa nhI;oa lSU/koetkth p dYd&
O;kf.k nkfMea ewyoa p jlO;s nf/ki;sfr giqkkfn AA 16AA
fgXokfn kwykukg;ks% AA 17AA
fg lkSopZya O;kska foMa nkfMea nhI;oa iqdjewyetkth
/kkU;deeosrla {kkja of% kVh opk okftxU/kk lqjlSyk p
dYdO;kf.k nf/k psfr fgXokfn AA 18AA

fpfdRlkuqkklue~

25

Hkkrdkfn dQts AA 19AA

Hkkroa iewya p dkk;-O;kf.k foMa g lSU/koa kVh fcMks
O;k?kzh jkk ;fukZxja p dYdO;kf.k i;sfr Hkkrdkfn AA 20AA
e/kqd k{kk pUnui;L;k e/kqin~edkfu r.MqykEcquk fikts AA
21AA
=kk;ek.kk dkk;% i;lk AA 22AA
alueU;k AA 23AA
lHkkhZ ?k`rxqMO;kskfLryDokFkks jts fofjk;k% AA 24AA
iykk{kkjfl)ks feJdks ok AA 25AA
y?kqnhiua Hkkstue~ AA 26AA

vFk inkks/;k;%
mnjs AA 1AA
fX/ka fojspue~ AA 2AA
/kkU;dkfn% dYdks Hkskte~ AA 3AA

26

vk;qon
Zs T;ksfrkxzUFkekyk

/kkU;oa ;okuh giqkk kriqiksioqfdk dkjoh o`.kkewyet&

xU/kk kVh opk ofjtkth Lo.kZ{khjh yo.kioa Qy=k;a dVq=k;a
iqdjewya oqa {kkj};a foMa pSdkakkfu f=ko`f}kkyk p f}Hkkxs
nUrh f=kHkkxk lkryk prqHkkZxsfr /kkU;dkfn% AA 4AA
ukjk;.kks ukekUrjs.k AA 5AA
loZ=k p ;Fkk jksxkuqiku% AA 6AA
lkrykfn% AA 7AA
lkryk giqkk uhfyuh f=kQyk Lo.kZ{khjh =kk;Urh jksfg.kh =kk;ek.kk
frk opk dkyyo.ka lSU/koa o`.kk psfr lkrykfn% AA 8AA
uhfyuh fupqykfx O;kskyo.k{kkjk.kke~ AA 9AA
lukxjf=kQyk eLrq fl)ks feJd% AA 10AA
vko`rnkskk.kkesj.MrSye~ AA 11AA
sgujspua lkekU;r% AA 12AA
fX/kks.ka Hkskte~ AA 13AA

fpfdRlkuqkklue~

27

vFk kksMkks/;k;%
ik.MkS AA 1AA
fX/kL; oeue~ AA 2AA
Hkw;% fX/kL; fojsd% AA 3AA
v;ks Hkskte~ AA 4AA
ek.Mwjkfn ?kqfVdkrozs.k AA 5AA
loZO;sH;ks f}xq.ka ek.Mwja rkI;a nkohZ Roo~ pO;a xzfUFkoa nsonk#&
oZ{;ek.ka O;kskkfn uooa p xkse=w ka enZuO;fefr ek.Mwjkfn% AA 6AA
O;kskQy=k;kfx os?kudYd% leyksg% AA 7AA
yksgik=kksfkrk yksgkfn?kqfVdk AA 8AA
yksgks fxfjta Lo.kZekf{koa jtrekf{koa p ikakkfu O;kskf=kQyk
foMfp=kdk.;s d ka kkfu koZ jkka kk e/kq e nZ u O;fefr
yksgkfn% AA 9AA
;ksxjktks ukekUrjs.k AA 10AA
{k;izesgdklkrZonkskskq p AA 11AA

28

vk;qon
Zs T;ksfrkxzUFkekyk

fxfjtkfn ?kqfVdk AA 12AA

fxfjta kksMkkaka pkrqtkZra rkyhli=ka pkkakkfu rSya ?k`ra e/kq
koZjk p ikakk% oqyhjJ`h /kk=kh O;kska p prqjkakkfu fonkjh
us=kkakk ro{kh;sd
Z kakk p dYdO;kf.k f=kQyke`rk cyk oqyhjk`h
;fnZkewya iqdjjkk ;koddkdksyh esnkrksn; ohjk fonkjh
krkojh thjd o`.kk e/kqd fuoqEHk ikBkakqerh pO;Hkqoukfu p
ikD;kfu /ksuqnqX/ka p enZuO;k.khfr fxfjtkfn% AA 13AA
fkok ukekUrjs.kAA 14AA
loZ=k p ;Fkk jksxkuqikue~ AA 15AA
d.kk firo{khjh flrk e/kqdk{kk /kk=kh jlysg% AA 16AA
o`kke`rk dV~oh Qy=k; fuEcHkwfuEcDokFkks e/kquk AA 17AA
e`ks fcYokfn ?k`re~ AA 18AA
fcYoa fukk};a iquuZos f=kQyk O;kska rks;n% ikBk nsonk#oMa
HkkhZ o`fdkyh p dkk;O;kf.k dYdO;e;% i;sfr
fcYokfn AA 19AA
dkeyk;kekjXo/k% ls{kqjlks Hkskte~ AA 20AA
iF;k krDokFk fl)a ?k`ra ok AA 21AA

fpfdRlkuqkklue~

29

vFk lnkks/;k;%
oqf=k;ks% AA 1AA
fojsd% AA 2AA
o`kkfn ?k`ra Hkskte~ AA 3AA
o`kkse`rk fuEcfQyk iVksya O;k?kzh djt};a p dkk;O;kf.k
rkU;so dYdO;k.khfr o`kkfn AA 4AA
foliZdkeyk jfikskq p AA 5AA
ojkfn AA 6AA
ojk O;kska c`gR;kS dVqdk fuoqEHk% oqEHkks jkto`{k% ikBkof&
oZpkfrfokk uoa qgh {khja p dYdO;k.khfr ojkfn AA 7AA
o`f)xqYekejhkq p AA 8AA
fuEckfn AA 9AA
fuEc% iVksya dVqdk nkohZ ikBk nqjkyHkk iiZVdk;ek.kk p
dkk;O;kf.k =kk;Urh rks;n% fdjkrfr% dfyd% d.kk pUnua
p dYdO;k.khfr fuEckfn AA 10AA

30

vk;qon
Zs T;ksfrkxzUFkekyk

loZfik fikkksQ foliZ d.Mqx.M oz.kkiph nqukMh ik.Mqdkeyk

foLQksVfof/k xqYe ksx jfik HkxUnjks njkiLekjkkZ%lq p AA 11AA
lPNnkfn fuEckfnof/kdxq.ka ok AA 12AA
lPNn% iiZVd% ;kekd% dVqdk opkojk in~eoa ikBk kkfjck
o`.ks fuEcUnua ;fokkyk k;okse`rk fdjkrfr% lsO;a
o`iks ewokZ krkojh iVksyefrfokk eqLrk =kk;Urh nqjkyHkk p
dkk;O;kf.k /kk=kh jlO;fefr lPNnkfn AA 13AA
Hkkrdkfnuk ysi% AA 14AA
Hkkroa }hih lq/kkoZewya xqtkQya O;kska kpw.k rqRFka oqa
yo.kioa {kkj};a ykfydk p qxoZ{khj;ks% ikpf;rO;k bfr
Hkkrdkfn% AA 15AA
mkjs }hfiuks nX/kpeZ.kk lrSysu AA 16AA
f}iL; ok AA 17AA
gfjrky eu%fkyk fp=kd xqtki=kk oYxqtkuka ok AA 18AA
Hkkrdk oYxqt fuEccht rSykuka ok AA 19AA
e;wjfike~ AA 20AA

fpfdRlkuqkklue~

31

voYxqtjt% [kfnjkeyddkk;s.k AA 21AA

Hk`k oYxqt rqEci=kdYd% AA 22AA
jeks{k.k fo:{k.k lqHk{k.kkfu AA 23AA
mHk;=k nsorkjk/kua ijee~ AA 24AA

vFkkknkks/;k;%
okrs AA 1AA
sgLosnkS AA 2AA
e`nUw ;uqoklukfu AA 3AA
cykfnrSya Hkskte~ AA 4AA
yk{kkfn AA 5AA
loZlek yk{kk gfLrd.khZ okftxU/kk nkewya cyk krkojh HkeqLrk
p dkk;O;kf.k ;fnsZonk#Unua jkk lkSjkh dkSUrh eftk
rksya dVqjksfg.kh pkrqtkZra hcja ljya ura p dYdO;kf.k prqx.Zq ks
nf/keLrq i;sfr yk{kkfn AA 6AA

32

vk;qon
Zs T;ksfrkxzUFkekyk

izk;% loZ=k ;Fkkjksx;ksxe~ AA 7AA

ysiksi;ksfx psne~ AA 8AA
nsonk# ukxj dYdfl)su ykkyqjliDosu rSysu ysi% AA 9AA
fcYocyki;%fl)a liuZL;a khkZLFks AA 10AA
dkftdkhra ykqueko`rs AA 11AA
ohjk foMkfx O;ksk?kurqY;% kq)ks xqXxqyq##LrEHks AA 12AA
okrkksf.krs {khjoLr;% AA 13AA
fX/kL; fojspue~ AA 14AA
ve`rk?k`ra Hkskte~ AA 15AA
dksfdyk{k DokFk% AA 16AA
opkiewytysu AA 17AA
/kk=khjlsu ok AA 18AA
Lok}eyo.kks.ka Hkkstue~ AA 19AA

fpfdRlkuqkklue~

33

vFkSdksuokks/;k;%
enkR;;s Hkw;ks ;qfihra e|a Hkskte~ AA 1AA
okrfik?ka lkekU;r% AA 2AA
fo/kkS jeks{k.ke~ AA 3AA
iDos oz.koRizf;k AA 4AA
=kk;Urh fuEce/kqdjksfg.kh f=kQykukekxq.kelwjk.kka DokFk% l?k`rks
Hkskte~ AA 5AA
eqLrkfn fl)a f=ko`rks ?k`re~ AA 6AA
eqLrk rkeydh =kk;Urh /kUo;klfLrk ohjk thoUrh pUnueqRiya
p dYdO;kf.k /kk=khjlO;a i;sfr eqLrkfn% AA 7AA
[ktwjZ kfn AA 8AA
[ktwZja fonkjh krkojh k{kk ;ffQyk i:koa p dkk;O;kf.k
gjhrdh dYdO;a i; b{kq/kk=khjlkS psfr [ktwZjkfn AA 9AA
nkgr`.ewNkZ ksxjfikskq p AA 10AA
ijea |e~ AA 11AA

34

vk;qon
Zs T;ksfrkxzUFkekyk

folisZ yu:{k.ke~ AA 12AA

;fdkk;% AA 13AA
rU/kysi AA 14AA
o`)kS Losn% AA 15AA
iquuZokfn?k`ra Hkskte~ AA 16AA
rqykakk iquuZok nkewya i;L;k krkojh nHkZewyfe{kqewyesj.M%
dkk% kjksuy nkiykakk% dkk;O;kf.k o`.kk o`.kkewya
lSU/koa k{kk ;okuh ukxja ;f f}iykakk% dYdO;kf.k
=kkRiykakks xqMks ;ksx O;esj.M rSye/kkka rqY;a i;sfr iqu&
uZokfn AA 17AA
xqYekkhZ fof/k;Fkqxqjksxskq p AA 18AA
vkjXo/kkfndYd% ;FkkS AA 19AA
vkjXo/k% k;oks fuEckse`rk HkwfuEc% lkS;Zoa iVksya lPNn%
lqkoh ewokZ ikBk c`grh djt};a psR;kjXo/kkfn% AA 20AA
rRdkk;fl)su rSysu ysi% AA 21AA
jks/kzkfndYd% AA 22AA

fpfdRlkuqkklue~

35

jks/kza okkZHkw% djohjoa dkqoa fokkyk f=kQyk nsonk#uZfydkdks

kkrdh ekh rkyi.khZ t;Urh dkdknuh lkyks o`ki.khZ ukoqyh
gfLrd.khZ psfr jks/kzkfn% AA 23AA
o`fekq foM% AA 24AA

vFk okks/;k;%
kq{k;s AA 1AA
/kk=khjlHkkfora o`.kk /kk=khQyjtks Hkskte~ AA 2AA
k{kk dYdojh /kk=khjlfl)a ?k`re~ AA 3AA
fonk;kZfn izHk`rhfu i ?k`rkfu AA 4AA
[ktwZjkfn p AA 5AA
fkok?kqfVdk AA 6AA
;ksxjkt% AA 7AA
c`ag.ka lkekU;r% AA 8AA
;FkkykHka eq[;sH; brjskka ;ksxks ;ksxskq AA 9AA

36

vk;qon
Zs T;ksfrkxzUFkekyk

,oa lwf=kra iz/kkuO;k/khuka fpfdfRlra ;Fkk izkphuere~ AA 10AA

vuqeU;r% AA 11AA
vuqkuka p jksxk.kke~ AA 12AA
loZ=k Hksktlsok;ka czp; iF;a czp; iF;e~ AA 13AA

AA bfr JhHkxoUegkje.kkUrsokfluks okflL; ujlglwuks&

xZ.kirs% o`frffdRlkuqkklua leke~ AA

izk.krksk.ke~

izk.krksk.ke~

vFk izFkeks nksk{k;o`f)foKkuh;k/;k;%

ve`rkakqdykpwMks fHkktka l fHkke% A
tkykkHksktks gUrq nq%[kkU;ke;tkfu o% AA 1 AA
lkjke`ra izefFkrknk;qosZnegksn/ks% A
vkgjkfe izeksnk; esfnuhryokfluke~ AA 2 AA
f;rs uke/ks;su rfnna izk.krksk.ke~ A
f;;kfi #tkrkZuka Hkorq izk.krksk.ke~ AA 3 AA
#{k% khrks y?kq% lw{eyks fokn% [kj% A
vYisga rh{.keq.ka oeEya lja dVq AA 4 AA
fLFkj% khrks xq#% fX/kks e/kqj% fifPNyks e`nq% A
lkE;s nsgL; /krkZjks okr% fika dQ% ekr~ AA 5 AA
lkE;a =k;L; nkskk.kka /kkrwuka ldL; p A
eykuka pkI;jksxRoa oSkE;a jksx mP;rs AA 6 AA

37

38

vk;qon
Zs T;ksfrkxzUFkekyk

psVk ekU|a eUnokDRoa gkksZYiks ew<laKrk A

lkekU;rLrq cks/;kfu fykfu iou{k;s AA 7 AA
o`)kS rq osiFkq% dk; ik#;a xk<foV~drk A
fukukkksYieyrk uhfyek pks.kdkferk AA 8 AA
eUnksfxeZUn mek p fuiizHkRoa dysojs A
lkekU;rks y{k.kkfu dhR;ZUrs fikl;s AA 9 AA
fiks izoqfirs rki% ihrfo.ew=kus=krk A
khrdkeksYifuRoa ewNsZfU;cy{k;% AA 10 AA
:{krk lfU/kkSfFkY;a fiiklk p iztkxj% A
vUrnkZg cks/;kfu fykfu p dQ{k;s AA 11 AA
o`)kS rq rUkkhrRoefrfukfrxkSjoe~ A
kkSDY;a lU/;fLFkfoysk% fLFkjRoeolkrk AA 12 AA

vFk f}rh;ks /kkrq{k;o`f)foKkuh;k/;k;%

jl{k;s rq RihMk dEiLr`.kk p kwU;rk A
o`)Lrq n;ksRDyskizlsdkS oq#rs jl% AA 1 AA

izk.krksk.ke~

RoDik#;a fljknk< yksi% khrkEydkferk A

jL; yksis o`)kS rq jkRoa fkjksPN;% AA 2 AA
fLQXx.MksVksiLFko{k% d{klfDFkxyksnjs A
kqdrk xk=klnua rksn% LiksZ p :{krk AA 3 AA
/keuhuka p kSfFkY;a {kh.kekalL; y{k.ke~ A
ekalo`)kS rq o/kZUrs xk=kkf.k L;qxqZ:f.k p AA 4 AA
jkS{;a esnqjekalkkkkwU;Roefi lfU/kkq A
Iyhgo`f) fykfu {k;s cks/;kfu esnl% AA 5 AA
nkSxZU/;a fX/knsgRoa kl% dkk nk#.k% A
ikksZnjkfHko`f) fyeq}syesnl% AA 6 AA
vfLFk{k;s y{k.klxzgks;a jks{kfLFkHksnkS u[knUrHk% A
v/;fLFkeRoknf/knUroRoknLFkka izo`) izonsUeuhkh AA 7 AA
ioZHksnksYikqRoefLFkfu LrksnkwU;rs A
eTtk{k;s y{k.kkfu foKs;kfu euhfkfHk% AA 8 AA
xkSjoa loZxk=kk.kka us=k;ksjfi xkSjoe~ A
eTtkfHko`)kS tkuh;kYy{k.ks }s fpfdRld% AA 9 AA

39

40

vk;qon
Zs T;ksfrkxzUFkekyk

vkf fpjkRlsd% flDra pkfi lyksfgre~ A

osnukfynsks p {kh.kkqL; y{k.ke~ AA 10 AA
kqkejkskqesgkS fys oqfirjsrl% A
bR;soa nksk/kkrwuka {k;% dksi lwf=krkS AA 11 AA

vFk r`rh;ks ey{k;o`f)foKkuh;k/;k;%

RikZihMua ok;ks:/oZ kCnorks xfr% A
oq{kkS lj.ka psfr iqjhkL; p y{k.ke~ AA 1 AA
vkVksi% oqf{kkwya p o`)s L;krka iqjhkos A
ofLrrksnksYiew=kRoa {kh.kew=kL; y{k.ke~ AA 2 AA
vk/ekua ofLrrksn izo`fk eqgqeqZgq% A
HkoUR;srkfu fykfu ew=ks o`)s kjhfjkq AA 3 AA
laLrEHkjkseowiRoa Rod~NkskksLosnxk=krk A
foxq.kLikZrk psfr {kh.kLosnL; y{k.ke~ AA 4 AA
d.MwLRop nkSxZU/;a Losns izoqfirs eys A
dkykfrkfUrjYiRoa ;ksfuihMkrZo{k;s AA 5 AA

izk.krksk.ke~

vfrizof` knkScZ YZ ;eenZ nk#.k% A

HkofUr okeus=kk.kkekrZoL; izdksir% AA 6 AA
LruEYkkuRoeYiRoa LrU;L; LrU;l;s A
o`)kS rq LruihuRoa rksn Lru;ksHkZosr~ AA 7 AA
xHkZLiUnksYioqf{kRoa ukjh.kka xHkZl;s A
oqf{ko`f) kksQ xHksZ izoqfirs eys AA 8 AA

vFk prqFkksZ ghulef/kdnkskfoKkuh;k/;k;%

ozq)ks ;nk lehj% L;kfRiks {kh.ks dis les A
fon?kkfr rnk kwya lkSR;LrEHkxkSjoe~ AA 1 AA
Hksn% ifjJeks nkgks nkScZY;euofLFkfr% A
les fiks dis {kh.ks xq.kk% ozq)ks ;nkfuy% AA 2 AA
{kh.ks ysef.k fiks p Hk`ka eekZf.k ihM;u~ A
py% ozq)ks gjsRlaKka dkea ok osi;skje~ AA 3 AA
lehj.ks ifj{kh.ks dis ler;k fLFkrs A
fika izo`)a oq#rs lrUk xkSjoa Toje~ AA 4 AA

41

42

vk;qon
Zs T;ksfrkxzUFkekyk

;nk dQ% ifj{kh.ks ok;q% lkE;s u frBfr A

vUrcZfg lUrkia ok;q% oq;kZknk cyh AA 5 AA
XykfufjfU;nkScZY;a r`.kk ewPNkZ f;k{k;% A
HkofUr fiks lozq)s {kh.k;ks% dQokr;ks% AA 6 AA
okrs {kh.ks les fiks fon/khr dQks cyh A
fuka izykia ksxa u[kknhuka p ihrrke~ AA 7 AA
;nk fika ifj{kh.ka ok;q% lkE;s u frBfr A
lkSR;a xkSjoa oq;kZTToja ozq)Lrnk dQ% AA 8 AA
psVkiz.kkka oko~la kSR;a pkfi fokskr% A
{kh.ks lehjs fiks p izo`)% oq#rs dQ% AA 9 AA
dis izkkUrs oqokZrs fikkS oqz)lehj.kkS A
dEia nkga Hkzea nkssga kkskeI;enZue~ AA 10 AA
ujL; {kh.kfikL; ek#r% yse.kk lg A
xkSjoa khroa LrEHka rksna dEiejkspde~ AA 11 AA
e`nqRoa ohfrgks=kL; u[kknhuka p kqorke~ A
ik#;efi xk=kL; oqohZr izcyju~ AA 12 AA

izk.krksk.ke~

ozq)koqHkkS fikdQkS ifj{kh.ks lehj.ks A

oqokZrs ik.Mqo.kZRoa lnua xkSjoa ene~ AA 13 AA
klekL;o.ka ikdHkkoejkspde~ A
fojsdL; p oSkE;a oSkE;a ikodL; p AA 14 AA
};ks% lh.k;ksoZ` ) ;kr;ks#r nksk;ks% A
vU;fLeu~ lks cks/;% izkxqxq.klj% AA 15 AA
nksk=k;s izoqfirs loZy{k.klj% A
nksk=k;s {k;s izk.kh uSo thofr dgfpr~ AA 16 AA

vFk ieks Hksktlw=kh;k/;k;%

o`)kS rq {ki.ka kLra {k;s kLra rq Hkskte~ A
nkskk.kkefi /kkrwuka eykuka p leklr% AA 1 AA
rkorh {ki.ks ek=kk ;korh lkE;dkfj.kh A
O;k[;krk o)Zus ek=kk {ki.kL;So ek=k;k AA 2 AA
dkea rqY;xq.kkH;klks nkskknso`Zf)dkj.ke~ A
foijhrxq.kkH;kl% l;L; rq dkj.ke~ AA 3 AA

43

44

vk;qon
Zs T;ksfrkxzUFkekyk

fX/kks.ka Hkskta okrs fiks lsgkhrye~ A

#{kks.ka ysef.k oqz)s ;Fkk rSya ?k`ra e/kq AA 4 AA
:{kkhra o`ks okrs fiks sgkojk fgee~ A
fX/kkhra dis {kh.ks Hkskta ifjkL;rs AA 5 AA
/kkrwuka l;s izk;ks ca`g.ka deZ kL;rs A
o`)kS rq yua kLra deZkqkfJra fouk AA 6 AA
eykuka l;s izk;% Losnua izkgq#kee~ A
o`)kS rq LrEHkua kLra jspua okr ys[kue~ AA 7 AA
ukfr:{ka fersgeq.ka izoq firs pys A
fiks ifj{k;a ;krs dis ler;k fLFkrs AA 8 AA
Hkskta ukfrkhrks.ka fX/ka o`)s les o`ks A
mHk;a rRekRdk; deZ o`)sfoghu;ks% AA 9 AA
ukfrfX/ka ukfr:{ka khra ghusf/kos les A
Hkskta fX/kkhra L;kRles izoqfirs o`ks AA 10 AA
oqfirs e/;es nksks o`k;ksjkfnekUR;;ks% A
fdfq{ka khroh; Hkskta ifjkL;rs AA 11 AA

izk.krksk.ke~

Hkskta ukfrkhrks.ka #{ka ghusf/kos les A

#{kks.keso iF;a L;kO;a rqY;s o`ksf/kos AA 12 AA
oqfirs pjes nksks o`k;ksjkfne/;;ks% A
fdfq{ka izkLra L;knq.kfoeekSk/ke~ AA 13 AA
vk|;ks% dksifer;ksjUR;s {kh.ks rq Hkskte~ A
fX/ka p lekhrks.ka lksUR;sI;;a e% AA 14 AA
iwokZUR;;ks% oqfir;kseZ/;s {kh.ks rq Hkskte~ A
rqY;jkS{;sgeq.ka rqY;s e/;sI;;a e% AA 15 AA
vUR;;ks% dksifer;ksjk|s {kh.ks rq Hkskte~ A
:{ka p lekhrks.kek|s rqY;sI;;a e% AA 16 AA
dQLFkkukuqiwO;sZ.k rqY;a izoqfirku~ eyku~ A
t;s nkskfpfdRlk;k% lxzgks oS|lEer% AA 17 AA
TojL;knkS rq is;k% L;q% my{k.kyf{krk% A
dkk;k% ikdekiks ?k`rkU;kIrs iqjk.krke~ AA 18 AA
yksgk ,o rq kL;Urs ikpukFksZkq deZlq A
rSypw.kkZLrq kL;Urs kks/kukFksZkq deZlq AA 19 AA

45

46

vk;qon
Zs T;ksfrkxzUFkekyk

?k`rkU;so rq kL;Urs c`ag.kkFksZkq deZlq A

HkLekU;so rq kL;Urs yukFksZkq deZlq AA 20 AA

vFk k% kM~fo/kksie.kh;k/;k;%
c`g.ka yua psfr sgua :{k.ka rFkk A
LrEHkua Losnua psfr kM~fo/ka L;kn~fHkkfXtre~ AA 1 AA
khroh; c`ag.ka L;knq.koh; rq yue~ A
fX/ka sguek[;kra :{ka :{k.keqP;rs AA 2 AA
khra :{ka p ;O;a LrEHkua rnqnkre~ A
fX/keq.ka p ;O;a rRLosnueqnh;Zrs AA 3 AA
c`ag.ks yus pkfi leRoa sgjkS{;;ks% A
sgus :{k.ks pkfi lekhrks.krk erk AA 4 AA
fX/kkhra rq ;O;a rRL;kRsguc`ag.ke~ A
:{keq.ka p ;O;a rRL;kw{k.kyue~ AA 5 AA
}kH;ka la;qesrkH;ka kM~fo/ka rn~fHkkfXtre~ A
cks?;efo/ka izkKS% kksHkrs rf}Hkkxfor~ AA 6 AA

izk.krksk.ke~

lkURoa ork psfr dfBuRoa p eknZoe~ A

[kjRoa y{.krk psfr lw{eRoa LFkwyrk rFkk AA 7 AA
fifPNyRoa foknrk xq#Roefi yk?koe~ A
fLFkjRoa ljrk psfr eUnRoa rh{.krk rFkk AA 8 AA
m.kRoefi khrRoa fX/kRoefi :{krk A
,oa xq.kkuka }U}kfu ;Urs nkoLrqkq AA 9 AA
}U}kfu xkSjoknhfu i r=k iz/kkurke~ A
HktUrs xq.kp;kZ;ka leLrsokSk/ksofi AA 10 AA
r=kkI;Urksfnrs O;s }s iz/kkures ers A
r;ks;ZFkkon~xzg.kkTtk;rs oLrqoh;Zfor~ AA 11 AA
xq# eUna fLFkja izk;ks c`ag.ka ifjdhR;Zrs A
y?kq rh{.ka lja izk;ks yua ifj;rs AA 12 AA
rLekr~ =k;ks xq#Rok|k% khrRokuql`rk xq.kk% A
xq.kk;ks y?kqRok|k m.kRokuqxrk erk% AA 13 AA
xq# eUna lja izk;% sgua ifjdhR;Zrs A
y?kq rh{.ka fLFkja izk;ks :{k.ka ifjHk.;rs AA 14 AA

47

48

vk;qon
Zs T;ksfrkxzUFkekyk

khrknq.kkfnfr O;kk`rh;s ;rs xq.ks A

fX/kL; p fo:{kL; Hksnks oLrq ijh{k.ks AA 15 AA
xq#Roknfi ekU|kPp khrs fX/klekurk A
LFkS;kZw{k lekuRoa rLekknqHk;kuqxe~ AA 16 AA
y?kqRoknfi rh{.kRoknq.ks :{klekurk A
ljRokr~ fX/krqY;Roa rLekknqHk;kuqxe~ AA 17 AA
xkSjoknfi ekU|kPp ljRoa ;=k eq[;rke~ A
iz;kfr oLrqfu fX/ks rnkS.;kuqxra Hkosr~ AA 18 AA
yk?koknfi rS{.;kPp fLFkjRoa ;=k eq[;rke~ A
:{ks oLrqfu la;kfr rPNSR;kuqxra Hkosr~ AA 19 AA
,oa xq#RokUekU|kk fLFkjRoa ;=k eq[;rke~ A
khrs oLrqfu la;kfr rkS{;kuqxra Hkosr~ AA 20 AA
rFkk y?kqRokkS{.;kk ljRoa ;=k eq[;rke~ A
m.ks oLrqfu la;kfr rr~ sgkuqxra Hkosr~ AA 21 AA
O;k[;kra LosnuL;Soa Lo:ia LrEHkuL; p A
osfnrk kM~fo/kL;Soa HksktL; o`rh fHkko~ AA 22 AA

izk.krksk.ke~

khrs fX/ksFkok O;s xq.kkok|kS iz/kkurke~ A

r`rh;r% iz;krksr~ fX/kkhra Hkosfnne~ AA 23 AA
m.ks #{ksFkok O;s xq.kkok|kS iz/kkurke~ A
r`rh;r% iz;krksq{.kks.ka rRiztk;rs AA 24 AA
fX/kL; p fo#{kL; kSR;kS.;ksHk;kkfyrk A
xq.kljr% izkXoks/;k osoy;ks% iqu% AA 15 AA

vFk le% ifo/kO;foKkuh;k/;k;%

[kja p dfBua eUna LFkwya lkUefifPNye~ A
xq#fLFkja HkwfjxU/ka HkkSea O;eqnkre~ AA 1 A
khra eUna oa fX/ka fifPNya eknZokfUore~ A
O;a ;lHkwf;ekI;a rRifjp{krs AA 2 AA
y/kw.ka fokna rh{.ka lw{ea jkS{;lefUore~ A
O;a ;wiHkwf;a rnkxs;eqnkre~ AA 3 AA
ok;qO;xq.ka izksa HkwfjLikZxq.ka rFkk A
KkrlkjSoifn~fHkokZ;O;a O;ekxes AA 4 AA

49

50

vk;qon
Zs T;ksfrkxzUFkekyk

e`nq lw{ea y?kqy{.ka HkwfjkCnxq.ka rFkk A

vkUrfj{ka Le`ra O;a oLrqrokFkZdksfonS% AA 5 AA
ca`g.ka izksP;rs HkkSea ujS;qZDR;k fuksfore~ A
vkI;a rq lsfora ;qDR;k Hkosr~ sguc`ag.ke~ AA 6 AA
vkxs;a nkskkeua nhiua yua rFkk A
ok;O;a nksktuua es/;ekEcjeqP;rs AA 8 AA

vFkkeks jlfoKkuh;k/;k;%
fX/k% khrks xq#kfi ;qkUelSxqZ.kS% A
jlkuka e/kqjks jktk dQo`}krfikgk AA 1 AA
m.k% fX/kks y/kqkfi Hkwfeofxq.kkfUor% A
vEyks jlks f}rh;Lrq okrgk dQfiko`r~ AA 2 AA
m.k% fX/kks xq#kfi rks;ofxq.kkfUor% A
yo.k% ke;s}kra dksiu% dQfik;ks% AA 3 AA
m.kks #{kks y?kqkfi ofok;qxq.kkfUor% A
dVq% iztu;s}kra fika p dQnkskgk AA 4 AA

izk.krksk.ke~

#{k% khrks xq#kfi Hkwfeok;qxq.kkfUor% A

dkk;ks tu;s}kra gUrk fikcykl;ks% AA 5 AA
#{k% khrks y?kqkfi okrkdkkxq.kkfUor% A
fr% iztu;s}kra keu% dQfik;ks% AA 6 AA
Loknqjl% dVqsfr foikdffo/kks er% A
vEyksEys yo.ks LoknkS LoknqjU;skq oS dVq% AA 7 AA
jla ikoa p oh; p izHkkoa p i`FkfXo/ke~ A
oS|ks foKk; oLrwuka iz;ksqa iqujgZfr AA 8 AA
,oa nkskkfnoSkE;a y{k.ka l fHkkfXtre~ A
izkpka lakks/; kkkf.k lkekU;susg lwf=kre~ AA 9 AA

AA bfr JhHkxoUekje.kkUrsokfluks okflL; ujlglwuks&

xZ.kirs% o`fr% izk.krksk.ka leke~ AA

51

52

vk;qon
Zs T;ksfrkxzUFkekyk

gksjkfu.kZ;lxzg%

izFke% lkekU;laKk/;k;%
dY;k.ka dfnLekoa djksrq T;ksfrkkaifr% A
;L; fo.kqo/kwlkS/kdokVkskVuk% djk% AA 1AA
erekyksP; iwosZkke`kh.kka nh?kZnkuke~ A
nSoKkuka eqns oqeksZ gksjkfu.kZ;lxzge~ AA 2AA
iw.kkZyksd la;ksxks xzkkS lEcU/kkCnr% A
la;ksxek=ks la;ksx ;ksxlalxZlek% AA 3AA
xzkk iknkfn f fokpdkCnr% A
kqHkkkfrkqHkk nsok nSR;k% ikikfrikfiu% AA 4AA
/khLrikstUedks.kkfu izrhia rq rnLrHke~ A
f=koa kkekUR;kfu kskks Hkksx bgksP;rs AA 5AA
nf{k.kk/kukkKk% lO;k% lq[ke`frO;;k% A
jek[;kS ekr`nkekS fo.ok[;kS HkkX;iekS AA 6AA

gksjkfu.kZ;lxzg%

ieL; p jkT;L; f}rh;% k=kqjkRer% A

O;;rqFkZrilks}Z;a yxL; lLeje~ AA 7AA
LorU=kk v;qtks Hkkok% ijrU=kk ;qtks erk% A
dks.kHkksxk% kqHkk% izksk% kskk% ikik% LoHkkor% AA 8AA
fulxZinln~Hkkos ikik% lw;Zlqrkn;% A
kqHkk xqokZn;sfr Ks;a lkekU;kkr% AA 9AA
QykU;frkqHkknhuka nkkLoso fofunksr~ A
dkykuis{ka oO;a jkt;ksxkfntkros AA 10AA
Jhirs% kM~fo/ka oh; laKkfjs ojkgr% A
Qykfu foUnksrLekSoKks fot;h Hkosr~ AA 11AA
3] 10 & iknf% ] 5] 9 v/kZ ] 4] 8 f=kikn] 7 iw.kZ
vioknk%
v=k kus% iw.kZ% v=k xqjks% iw.kZ% v=k oqtL; 11

vFk f}rh;ks fofklaKk/;k;%

dks.kHkksxifr% dks.kf=kosM~Hkksxizrhii% A
f=kdizrhiiks HkkSe eq[ksofr kqHkkn;% AA 1AA

53

54

vk;qon
Zs T;ksfrkxzUFkekyk

vfi LoHkkor% ikia ijrU=kr;k f=kde~ A

dks.ksu cfyukfya Hkofr {kh.kfoee~ AA 2AA
ijrU=kr;k Hkksx% LoHkkosu kqHkksfi lu~ A
ikiizrhilayskkn~Hkofr Loxq.kk;qr% AA 3AA
ruks% lkekU;rks fe=kefi k=kqokskr% A
f}rh;ksrLr;ksjhkks ukekX;zks uUrj% Qys AA 4AA
dks.kkfu LolehiLFk f=kd;qftkqHkkfu psr~ A
ukUo;kn~Hkkokhuka }sfkLoO;;;ks% {k;kr~ AA 5AA
HkkLorks nf{k.kk% lO;k% khrkakks% lO;nf{k.kk% A
kqHkkkqHkk};ks% dks.kizrhisfrkqHkk kqHks AA 6AA
kukFk% lgkakqUks jU/kzkUR;uk;d% A
yxukFklqRosu u ikikfoR;r% kqHkkS AA 7AA
yxukFkk lqRosu nkScZY;knfi rffk A
u kqHkkfoR;r% ikikfoekS okgudeZikS AA 8AA
fn{kq cq/kkfjlkS jfoHkkSekS lw;Zlqr% flrkhrdjkS p

gksjkfu.kZ;lxzg%

vFk r`rh; mnkgj.kk/;k;%

eskL; lw;ksZ thokj pUk% lkSfjflrkS cq/k% A
kfuKkS HkkxZoks HkkuqUkjxqjoks o`ks AA 1AA
;qXeL; lkSE;% kqkdhZ pUsT;kS jfoHkwlqrkS A
HkkSesUnw thoHkkLoUrkS kqks KkdhZ p ddf.k AA 2AA
HkSekdkSZ xq#khrkakw kqlkSE;kS kfugZjkS A
f;ka flrcq/kkS eUnks xqoZdkZfoUnqHkwlqrkS AA 3AA
eUnksKkqkS pUkjkS lw;ZthokS p rkSfyfu A
pUthokS jfooqtkS eUn% kqcq/kkoykS AA 4AA
/kuq;oZxq#HkkSepUkS cq/kkuh flr% A
kqeUnkS cq/kks HkkSejoh pUxq: e`xs AA 5AA
?kVs kqks cq/kkuh HkkSesUnqxqjoks jfo% A
oqtsUnqxqjo% lw;ksZ cq/k% kfuflrkS >ks AA 6AA
}knkkukefrkqHkk% eknsoa kqHkk vfi A
ikfiukfrikik yxkuka leqnkrk% AA 7AA
kfukqcq/k{kkZ.kkferjs nSR;laKdk% A
=k;Lrs psrj{kkZ.kka nSR;fHkkk fnokSdl% AA 8AA

55

56

vk;qon
Zs T;ksfrkxzUFkekyk

;Fkk iwo cya Ks;a izfr;ksxa lqioZ.kke~ A

;Fkkskja p nSR;kuka rkjrE;fofu.kZ;s AA 9AA

vFk prqFkZ% lcU/kfLFkfrfopkj.kk/;k;%

Qys reksxzgkS L;krka lEc)xzglfkHkkS A
rnHkkos lek:< jkfkuk;dlfkHkkS AA 1AA
=k;k.kka iqujk|kuka };ksjfrkqHkkfnkq A
la;ksxsoojks ;ksxh Js% LokojlaKd% AA 2AA
Jhoskosk;ks;ksZxs nso;ks;ksZfxukoqHkkS A
nSR;jU/kzkUR;iR;ks ;ksxs }kofi ;ksfxukS AA 3AA
losZ Hkkokf/kir;% lo.kZx`glafLFkrs% A
lo.kZL; p la;ksxkRizHkfo;fUr ;ksfxu% AA 4AA
losZosrskq ;ksxskq iw.kkZyksos ijLije~ A
cykojks Hkos|ksxh cykf/kdenwk;u~ AA 5AA
losZosrskq ;ksxskq T;k;lk iw.kZehf{kr% A
rei;Uduh;ka ;ksxhfr leqnkr% AA 6AA

gksjkfu.kZ;lxzg%

nsoJhgfjikS fo.kqnsoJhxkS rq ;ksfxukS A

nSR;% in~eky;kukFk% kqHkn% osskofLFkr% AA 7AA
vfrikikfrkqHk;ks;ksZxs iwoZ% kqHkks Hkosr~ A
vijks Hkfork iki% ltk fg xq.kkxq.kk% AA 8AA
;q% kqHksukfriki% ikisu p kqHkizn% A
u ikr;sPNqHka uhpS#PpSjkjksg;sRine~ AA 9AA
=;knhuka fHkktkrhuka ;ksxs T;k;kUirR;/k% A
duh;kaPNqHkdkjh L;k|ksfxuks e/;oru% AA 10AA

vFk ieks ekjdfopkj.kk/;k;%

Lo;a yxkfjir;% rFkk yxkfjlafLFkrk% A
yxkfji;qrk nSR;k ekjdk% L;q;ZFkkskje~ AA 1AA
O;;skkf}kiLrLekRleskksf/kdks lqj% A
,oa fLFkrkS p lalxsZ fufekcyfu.kZ;% AA 2AA
r=k fLFkrskq nSR;skq cyh uSlxd% kqHk% A
rsu ;qskq ikiskq ikiks uSlxdks cyh AA 3AA

57

58

vk;qon
Zs T;ksfrkxzUFkekyk

vykHks gUr`nSR;L; nsok ekjdy{k.kk% A

izkxqrkjrE;su dYI;Urka thforkigk% AA 4AA
v=kkfrkqHkr% Jseeska izp{krs A
migUrk;qjhkRokRl fg izk;s.k uk;qk% AA 5AA
o{;ek.ksu ekxsZ.k nh?kZe/;kYidk;qk% A
fufR; tkrdkUikRoq;kZUekjdfu.kZ;e~ AA 6AA

vFk kks nkkUrnZkk/;k;%

Jhiznk% Lonkkdkys O;;skks ykHkuk;d% A
Hkksxsjks fo.kqifrgrRos rq ;Fkkskje~ AA 1AA
Jhgjk% Lonkkdkys fo.ohkks Hkksxuk;d% A
vUR;skk;skjU/kzskk vfgrRos ;Fkkskje~ AA 2AA
nkklq nsglq[knk% kskkLrskoh;Zik% A
jU/kzskks yxukFk fgrRos rq ;Fkkskje~ AA 3AA
nkklqnsgdkL; yxsk% k=kquk;d% A
rFkk yxf}kkaukFkk vfgrRos ;Fkkskje~ AA 4AA

gksjkfu.kZ;lxzg%

vxrkStk% [kxks ns;a Loltkrh;Hkqfkq A

Qya n|knqrkStkLrq fHkktkrh;Hkqfkq AA 5AA
vxrkStk% Qya [ksVks fHkktkrh;Hkqfkq A
feJa n|krkStkLrq Loltkrh;Hkqfkq AA 6AA
ikiRoekstlks gkfu% kqHkkfrkqHk;ksfjg A
kqHkRoekstlks gkfu% rFkkikikfriki;ks% AA 7AA
nSrs;L;kfi nSrs;ks futZjL;kfi futZj% A
fHkktkrh;rqY;% L;kr~ xrkStk vxrkStl% AA 8AA
nSrs;L; lqiokZ p nSrs; lqioZ.k% A
Loltkrh;rqY;% L;kr~ xrkStk vxrkStl% AA 9AA
;ksxh fufekHkwrL; HkqkS Js;% Qyizn% A
;ksfxe/;xrRi{k nkkJs;% Qyizn% AA 10AA
;% kqHkks O;frjsos.k ;% ikiks O;frjsdr% A
Qya onskk;ks% HkqfukFkkuqlkjr% AA 11AA
Qyfeefua ok kqHk% ikiksFkok xzg% A
LoHkqkS u fnksk.kka ekjdLrq fnksRDofpr~ AA 12AA

59

60

vk;qon
Zs T;ksfrkxzUFkekyk

vk;qopk;Z izFkea rkjrE;euUrje~ A

fu.khZra ekjoa czw;k)Urkja nSR;Hkqfkq AA 13AA
fu/kkZ;Z lw{e;k cq)k rklq pSdka fofunksr~ A
vk;qekZukfojks/ksu rkjrE;a fofpUr;u~ AA 14AA

vFk leks Hkkok/;k;%

v/;k;s ;=k ;=kkfLEkkkeuh kqHkiki;ks% A
r=k r=k fulxsZ.ksR;/;kgk; fop{k.kS% AA 1AA
iR;q% izrhideykdks.kLo{kksZk lafLFkfr% A
lEcU/kskkqHk;ks% HkkoL; cyo`);s AA 2AA
rkjrE;a izrhiknkS fe=kkfe=k{kZfpUrukr~ A
rsH;% Lo{kZUrrLrq% lEcU/kks cyokULrr% AA 3AA
HkkoL; HkkousrqokZ lEcU/k% iki[kspjS% A
f=kduhpfLFkrskL; HkkoL; cygku;s AA 4AA
lkekU;jhR;k Hkkokukesoa izkska cykcye~ A
vk;qkks fu.kZ;a o{;s fo}RizhR;S fokskr% AA 5AA

gksjkfu.kZ;lxzg%

yxjU/kzkkkkuka cysuk;qofpUr;sr~ A
f=kok;qjcysoYia e/;kYia ghu;ks}Z;ks% AA 6AA
mHk;kscZfyuks% ksks ghus L;kUe/;iwoZde~ A
ksksRoghus nh?kkZYia losZkka ijea cys AA 7AA
yxk;q% deZukFkkuka fpUR;ek;qcZysu p A
xzgk.kka rknqfprLFkkufLFkR;k p fpUR;rke~ AA 8AA
;FkSo yxkn~Hkkokuka losZkkeUoosk.ke~ A
rFkk Hkofr pUkk lw;kZksR;ijs txq% AA 9AA

vFkkeks ;ksxk/;k;%
vjU/kzk;k ysknkskkS /keZdekZf/kuk;dkS A
jkt;ksxdjkS L;krka lEcU/kkRifjorZukr~ AA 1AA
yxskf;ksxkH;ka ;ksxks;a izcyks Hkosr~ A
jU/kzsjL; nSR;L; Hkos|ksxsu nqcZy% AA 2AA
vkk;kysknkskkS cqf)dekZf/kuk;dkS A
jkt;ksxdjkS L;krka lEcU/kkRifjorZukr~ AA 3AA

61

62

vk;qon
Zs T;ksfrkxzUFkekyk

v;a p ;ksxks yxsk X;ksxkH;ka cyh Hkosr~ A

ksjL; nSR;L; Hkos|ksxsu nqcZy% AA 4AA
vO;;k;kysknkskkS yxdekZf/kuk;dkS A
jkt;ksxdjkS izkXor~ lEcU/kkRifjorZukr~ AA 5AA
fo.ohk;ksxfH;ka ;ksxks;a izcyks Hkosr~ A
O;;sjL; nSR;L; Hkos|ksxsu nqcZy% AA 6AA
jkt;ksx% ijUks ;fn loZxzgsf{kr% A
loZxzgsf{kra jkT;a ;fn ;ksxksU; mP;rs AA 7AA
fo|rs ;L; HkkoL; loZxzgfoyksdue~ A
;ksxLrn~HkkolEcU/kh Hkosr~ dfnuqke% AA 8AA
loSZuSZlxdkqHkS% f=kkMk;kLinfLFkrS% A
;ksx% lwip;ks uke /kuo`f)djks u`.kke~ AA 9AA
pUrsn;a ;ksxks cqf)o`f)djks Hkosr~ A
/kus O;;s pksHk;=k Jh;ksxks eGkfnfHk% AA 10AA
;ksx% oseqfeks uke xzgkHkkos izdhrr% A
osUfLFkrs lxzgs ok pUs uk;fefr fLFkfr% AA 11AA

gksjkfu.kZ;lxzg%

iquUkRlikLr jU/kzLFkSjf[kyS% kqHkS% A

uSlxoSHkZosPNs;kuf/k;ksxksf/kdkjn% AA 12AA
=;kfnfHkLrqxS% [ksVS% Lo{kZLFkSrqjkfnfHk% A
ikfnfHk la;qkS% ;ksxk ,s;Znk;dk% AA 13AA
bfr lkekU;r% izksa kka xEHkhjeqoye~ A
minskk; fk;k.kka xksd.ksZ foylf);ke~ AA 14AA

AA bfr JheUegkje.kkUrsokfluks okflL; ujlglwuks&

xZ.kirs% o`frgksZjkfu.kZ;lxzg%lek% AA

63

64

vk;qon
Zs T;ksfrkxzUFkekyk

vFk kksMkyksdh

izk;ks nsgsfkrq% l[;q% nkk kqHkQyiznk A

lek leL; foKs;k k=kks% ikiQyiznk AA 1AA
ikik% lijU/kzkUR;oh;ZykHkkLruk;dk% A
kqHkkrqFkZfokkKk yxiq=kriksf/kik% AA 2AA
jkfk};irhuka psr~ kqHkRoefi ikirk A
fopkjs rkjrE;L; cyh;kfUoke% lekr~ AA 3AA
;fn jkfk};irs% kqHkRoefi ikirk A
lw;Ziq=kL; ikiRoa kqHkRoknfrfjP;rs AA 4AA
kqHkksfi ukf/koa ;ksxh pUks HkkLofr ikfifu A
kqHks ikiksfi ikiks u jfoSoa fukkdjs AA 5AA
/kh/kekZKklq[kskkuka cgwukeFkok };ks% A
jU/kzkUR;kfjirhuka p lEcU/kks ;ksxdkjd% AA 6AA
dks.k;ks% lq[kjkT;skkS dks.kskkS lq[kjkT;;ks% A
Lo{k fouk f=koskkuk% f=kos ok ;ksxdkjdk% AA 7AA

kksMkyksdh

kqHkkukefi ikikuka lEcU/ksRijLije~ A

ikik ;ksxiznkLr=k ukfr;ksxdjk% kqHkk% AA 8AA
f=kos uhpxzgk% Jsk uhpLFkk ok f=kdkf/kik% A
prq;s rq[ksVk% rqLFkk ok rnhjk% AA 9AA
f=kos prq;skkuk% fLFkrksnYi;ksxnk% A
foksks.kkkqHkk% ikik% f=koskkukrq;s AA 10AA
fo.ks ok O;;k/khkks O;;s ok fo.kkf/ki% A
ijLija ok ;qkS rkS fo.kO;;dkjdkS AA 11AA
ekjdkS /kunkjskkS rRla;qkS fokskr% A
f}rh;leLFkkufLFkrk ok iki[kspjk% AA 12AA
losZfi p nkkukFkk% Loltkrh;Hkqfkq A
tkrosH;% iz;PNfUr kqHka okI;kqHka Qye~ AA 13AA
kses nkkukFkkr~ }knks ok fLFkrks xzg% A
ikih psnfriki% L;kr~ kqHkskkfrlkS[;o`r~ AA 14AA
uSlxdkqHkLokfelEcU/kks Hkkoiqfo`r~ A
fulxZikilEcU/k% dYirs Hkkogku;s AA 15AA

65

66

vk;qon
Zs T;ksfrkxzUFkekyk

osUdks.kfLFkfrHkkZoirsHkkZoL; o`);s A
gku;s f=kdokRoa lEcU/ks iwoZoRQye~ AA 16AA
lkjHkwrfena ;Lrq yksdkksMkoa iBsr~ A
euhfk.kka l xkshkq nSoK% fdkq eqfr AA 17AA

AA bfr JhHkxoUegkje.kkUrsokfluks okflL; ujlglwuks%

x.kirs% o`fr% kksMkyksdh lekk AA

f=kHkkoQypfUdk

f=kHkkoQypfUdk

izFkeks e;w[k%
lforkja ueLo`R; loZ[kspjuk;de~ A
osjyh;L; kkL; lkj% lx`rs e;k AA 1AA
vk;q% dy=kiq=kk.kka f;rs=k fopkj.ke~ A
focq/kSfjrjs Hkkok% cks/;k% lkekU;kkr% AA 2AA
l|ksfjefja p ghua e/;a p nh?kZde~ A
vfera psfr kks<k;qghZukfnf=kr;s nkk% AA 3AA
l|ksfjsI;fjs pkI;fers p rFkk;qfk A
ekjdL;kuis{;So nkka thforfu.kZ;% AA 4AA
l|ksfjkfj;ksxku~ ojkgfefgjksHk.kr~ A
vfera flf)lkis{keU;=kk;fegksP;rs AA 5AA
foyxtUejkkhkkS irh rU/kz;ksjfi A
k=kw lekS o;L;kS psnYie/;fpjk;qk% AA 6AA

67

68

vk;qon
Zs T;ksfrkxzUFkekyk

yxskks jfeekyh p yxjU/kzkakikofi A

k=kw lekS o;L;kS psnYie/;fpjk;qk% AA 7AA
cyoRoa foyxsU}ks% lEcU/kks f}fo/k% kqHkS% A
yxtUesk;ksohZ; r;ksjsdknkLFkrk AA 8AA
r;ks% osUlafLFkfr f=kkMk;soln~xzgk% A
f}rh;jU/kzosUskq dks.kskq p kqHkfLFkfr% AA 9AA
vekS<a p fxjka HkrqZ% vk;qnSZ?;Zdjkxq.kk% A
nqcZyRoa foyxsU}ks% ikiflekxekS AA 10AA
yxtUesk;ksekS<Z a fLFkfruhZpO;;kfjkq A
osUf=kdks.kjU/kzs kq iki[kspjlafLFkfr% AA 11AA
xzgsf{krL;ke`rkakks% k=kkok;qfk ok fLFkfr% A
kqHkkuka ok f=kfHk% ikiS% kukees fLFkfr% AA 12AA
jkfklfU/kkq pksRifk% vk;qgkZfudjk u`.kke~ A
lh.kZRos rq ;ksxkuka e/;ek;qofunksr~ AA 13AA
nh?k e/;eFkkYia ok ;ksxa fufR; cqf)eku~ A
r=kk;qjUrjs czw;kkk;ka gUrqjkine~ AA 14AA

f=kHkkoQypfUdk

pUknejkkhk% ozwjDdk.ki% kfu% A

jU/kzxkSyxpUkH;ka jU/kzL;kfi foyksddkS AA 15AA
xqfyosk jkgq ekjdk% ifjdhrrk% A
rskq ;ks nqcZys nqs HkkosL;kka fofunksr~ AA 16AA
nkkokUrnZkkokfi rL; e`R;qiznk Hkosr~ A
ekjdsPNqHkk/khk% rLeknU;a fofunksr AA 17AA
nsgs thos p ikiL; ;ksx% L;kUej.kizn% A
kqHklEcU/kghuRos nsgthonkkxes AA 18AA
tUejk;Uo;okosZ% vYie/;fpjk;qkke~ A
ekf}funksk.kka ej.ka xzgpkjr% AA 19AA
eUnjU/kzsk;ksjakkr~ jkksokZdksZ f=kdks.kxs A
vdkZ:<x`gL;kFkZfjQ;ksokZ f=kdks.kxs AA 20AA
vakyxkf/kikkUrjkksthZos f=kdks.kxs A
dkygksjkf/kikkUrjkksokZ ej.ka u`.kke~ AA 21AA
;ks jkfk% lw;ZtkkUr% r)uL; O;;L; ok A
dks.ks pjfr okxhks ej.ka izonsk`.kke~ AA 22AA

69

70

vk;qon
Zs T;ksfrkxzUFkekyk

jkkseUZ nkf?k:<L; r`rh;k;kRetkfjkq A

fekUe`frnks thoks ;=k Dopu lju~ AA 23AA
veskkfJra jkk vkolR;fgefRofk A
tUerkjka foyxLFkrkjdka ok e`frHkZosr~ AA 24AA
LokakkU/kzsjkakkk yxskkakkkjkfnkq A
fLFkrks tUefu frXekakq% pjUdks.ks e`frizn% AA 25AA
lw;kZfJr{kZxs pUs jU/kzskkf/kfrksMqxs A
tUejkksfdks.ks ok funa ej.ka u`.kke~ AA 26AA
/kuskkfJrjkksokZ rRlex`gL; ok A
f=kdks.kLFks /kuskkakpjs ok khrxkSe`fr% AA 27AA
futtUefu ;fLeUHks xqfydLrn`rs fo/kkS A
jksxkjEHkLrnLr{ksZ ej.ka <ekfnksr~ AA 28AA
eUnthokoZpUk.kka izksDrsosrskq jkfkkq A
e`fredoxsZ.k ghus jkkkS lekfnksr~ AA 29AA
foyxknes yxs jU/kzskkfJrHksfi ok A
yxskjk;akd;ks% e`fryxsFk ok e`fr% AA 30AA

f=kHkkoQypfUdk

vFk f}rh;ks e;w[k%

vLrrkkFkrn~`r|qHk`xqtkn;% A
lk/kukfu dy=kL; cykcyfu:i.ks AA 1AA
kqkLrukFkrRLFkkuka losZkkfeg ;ks cyh A
Hkk;kZ;k% lEHkoUrhg rL; o.kkZn;ks xq.kk% AA 2AA
uoes kqla;qks dy=ksks cykfUors A
/keZkhyk Hkosn~Hkk;kZ liq=kk HkkX;oR;fi AA 3AA
ies les ykHks uoes ok kqHkxzgk% A
dy=kHkkor% izksk% rn~Hkkocygsro% AA 4AA
nkjsks kqHkla;qks kqHk[kspjohf{krs A
kqozs ok nkjHkkoLFks Hkosr~ Hkk;kZ ifrozrk AA 5AA
Hkk;kZfo;ksxks eR;kZuka leLFks /kjklqrs A
pUek=ksf{kr;qrs fu;su o/kwe`fr% AA 6AA
uLFk% les tho% dhVLFk% les flr% A
o`kLFk% les pkfU% kqHkk vI;kqHkk% Qys AA 7AA
jU/zksk% ieskks ok Hkos|fn dy=kx% A
gU;kRdy=ka tkrkuka bfr osjyfu.kZ;% AA 8AA

71

72

vk;qon
Zs T;ksfrkxzUFkekyk

pjjkfkxr% kq% ikie/;xrks ;fn A

;qks eUnsu ks ok ukka ;kL;fr Hkkfeuh AA 9AA
dy=ks ok oqVqEcs ok ikiX;ksxlEHkos A
rnhks cyghus rq dy=kkUrjekfnksr~ AA 10AA
les okes ikis O;;s Hkwlwuquk ;qrs A
vs ;fn ukFksu dy=kkUrjekfnksr~ AA 11AA
nkjskLFkuokaksks uhpew<kfjHkkakxs A
ikie/;s ikis dy=kkUrjekfnksr~ AA 12AA
foks ikicgqRos rq dy=ks ok rFkk fo/ks A
rnhks ikis rq dy=k=k;ekfnksr~ AA 13AA
dy=kykHkukFkkS }kS ijLijfujhf{krkS A
cyk<kS ok f=kdks.kLFkkS cgqnkj;qrks Hkosr~ AA 14AA
vLrrkkFkkqk|S% ;Fkk nkjfu:i.ke~ A
iqalka rFkSo ukjh.kka drZO;a Hkr`ZfpUrue~ AA 15AA
ukFkL; gkfuukZjh.kka jkgkS HkkSesFkokes A
ikiSjkyksfdLr}neLFk% kuSj% AA 16AA

f=kHkkoQypfUdk

kqks ok leskks ok cyokUosUxksfi ok A

yxukFksu ;qks ok ckY;s ifj.k;ks Hkosr~ AA 17AA
rkS psnqip;LFkkus fookgs /kuykHknkS A
yxskknLriks nwjs nwjs ikf.kxzgks Hkosr~ AA 18AA
tkfe=ks rRifrLFkkus r;ks% leHksfi ok A
r;ks% dks.ksFkok thok|wus dks.ksFkok iqu% AA 19AA
kqyxkLrtUeskka loh;sZ pjfr xzgs A
ukjh.kkeFkok iqalka fookgLrq Hkfo;fr AA 20AA

vFk r`rh;ks e;w[k%

iq=kLFkkuxrs khrjekS iw.kZcykfUors A
s ok nsoxq#.kk iq=kkokfuZ lak;% AA 1AA
yxiq=kkf/kikS osUs kqHkxzglefUorkS A
oqVqEcsks cyk<s p iq=kkok fofunksr~ AA 2AA
iq=ksjkakjkkhks kqHks ok kqHkla;qrs A
kqHksu ohf{krs okfi iq=kkok fofunksr~ AA 3AA

73

74

vk;qon
Zs T;ksfrkxzUFkekyk

Lo{ks=klgehuLFk% iq=kLFkkuxr% oqt% A

ssoxq#.kk iq=kkok fofunksr~ AA 4AA
;qkS yxlrq k/khkkS ohf{krkS ok ijLije~ A
ifjorZuekkS ok iq=k;ksxk;% kqHkk% AA 5AA
iq=kskkakirkS yxs yxskkakirkS lqrs A
thoLokakirkS osUs iq=kk equ;ks fonq% AA 6AA
xHkkZ/kkuleFkZRoa lw;kZsr HkkxZokr~ A
vkstksjk;akxkS rkS psRiqalka iq=kkffj;rs AA 7AA
xHkZ/kkj.klkeF; pUkxq.k% oqtkr~ A
lejk;akxkS rkS psr~ iq=kykHkLrq ;ksfkrke~ AA 8AA
lw;ZkqkS xq#;qrkS iqalks chtLQqVa Hkosr~ A
pUHkkSekS xq#;qrkS h.kka {ks=kLQqVa Hkosr~ AA 9AA
vkstksjk;akxa chta {ks=ka rq leHkkakxe~ A
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ohcS% ikiS lEc)a chta ok {ks=keso ok A
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j; A lk oh eskkfnkq ilq A
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12- j; A rs A lk;a gk A es /kh A /k; dk; A js j; A p;
edjkfnkq A
13- x; A d A dfy xks A e; ok A ux rs A e; gk A
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14- Hk; A js A gk ok A lk es A dk;a A oh lk A lk;a
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15- e; A d A ukoa js A lkj ok A j; es A lkj lk A
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16- p; A d A es js A e; xks A lkj es A lk;a gk A
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17- lk;a A js A es gk A okfj es A /kh rs A okfj gk A lk
/kh A uj dk; A js j; A dk;a dD;kZfnkq A
18- n;k A d A uj js A /kjk ok A gk es A fxfj ehukfnkq A

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22- ?kj A d A p; js A e; ok A ok es A n;k lk A lk
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23- fxfj A js A gj ok A ?kj rs A gk lk A n;k gk A gkj
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24- okfj A js A ok xks A p; ok A gj rs A Hk; gk A es
ukde~ A rs o`kHkkfnkq A
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gk A ok /kh A e; ukoa A okfj j; A es rqykfnkq
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27- lkj A es A e; xks A es gk A n;k /kh A /kjk dk; A

xks j; A r# /kuqjkfnkq A
28- gj A js A gk xks A ?kj es A rs rs A ?kj gk A ukoa
/kh A lkj dk; A p; feFkqukfnkq A
29- /kjk A d A rs xks A gk ok A gjoh rs A gj gk A
r# ukoa A e; j; A js edjkfnkq ilq A
30- ux A d A /k; xks A xks ok A /k; rs A xks lk A
/k; /kh A rs ukoa A uj j;A ok feFkqukfnkq A
31- dfy A d A lk;a js A /kjk ok A lk;a ukoa A ux A j;
A kj oqEHkkfnkq A
32- ?kG A js A Hk;a xks A dfy es A lk;a rs A dfy gk
A x; /kh A /kjk dk; A dk; j; A ujdD;kZfnkq A
33- ykyk A js A xks xks A ukoa ok A uj rs A p; /kh A
/khoh dk;a A lk ehukfnkq prqkZq A
34- oky A d A r# xks A e; ok A gj rs AA lk;a lk AA
gj /kh AA ok ukoa AA n;k dk;a AA /kjk dD;kZfnkq A
35- ey A d A xks js A e; xks A pj es A gk rs A gj

86

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37- lky A d A okfj xks A gk ok A n;k rs A js lk A
lk;a eskkfnkq A
38- gy A xks A gk es A ok rs A gj lk A ux% /kh A lk
ukd A n;k dk; uxdU;kfnkq A
39- f>h A fd A es js A x; ok A es es A x; rs A okjh
gk A okfj dk;a A js dk;a AA lk;a oh eskkfnkq A
40- uo A ok A xks es A okfj lk A j; gk A x; /kh A gj
dk;a A Hk; j; A uj rqykfnkq A
41- ;o A fde~ A kj xks A p; ok A gj rs A rs lk A
p; /kh A uj dk;e~ A fxfjo`kHkkfnkq A
42- jfo A d A okfjoh ok A p; rs A es lk A n;k
/kh ok ukoa A uj dk;a gjo`fdkfnkq _tqizoskknkjH; A
43- xfo A d A js js A n;k ok A js A es A gk rs A okfj
gk A lk;a ukoa gk j; A xks o`kkfnkq A

x.kdd.BkHkj.ke~

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44- Hko A js A lk xks A gj oh es A gj lk A fxfj

/kh A j; ukoa A gj j; A x; edjkfnkq A
45- lo A d A lkj xks dk; ok A [kj js A gk lk A
lkj /kh A Hk; ukd A kj j; A Hk; feFkqukfnkq A
46- ro A js A xks xks A [kj /kh A /k; dk; A lkj oqEHkkfnkq A
47- Hkfo A d A gk js A r# ok A dk;a es A lkj lk A [kj
gk A r# ukoa A /k; dk;a A fxfj j; A gjfeFkqukfnkq A
48- nko A js A ukoa xks A uj es A rs j; A rs ehukfnkq A
49- /ko A d A dfy xks uj es A es rs A uj gk A ok
/kh A p; ukoa A gj j; A lk dD;kZfnkq A
50- uke A d A p; js A okfj ok A xks es A p; lk A
x; ukoa A lk oh j; A g ehukfnkq A
51- dke A js A /kjk ok A p; es A dfy lk A Hk; gk A
r# ukoa A lk dk;a A lk;a j; A okfj lgkfnkq A
52- jke A js A js xks A ukoa ok A r# rs A rs lk A xks
dk;a A ?kjoh eskkfnkq A

88

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53- ykse A d A lj xks A fxfj es A /kh rs A fxfj gk A

es /kh A Hk; ukoa A okfj j; A xks lgkfnkq A
54- oke A d A j; js A dj xks A [kj es A e; lk A js
/kh A d j; A x;oh eskkfnkq A
55- ke A js A n;k ok A lk;a rs A d lk A Hk; gk A
okfj ukoa A xks dk;a A x; j; ?kj dU;kfnkq A
56- rfe A js A xks xks A dj ok A [kj rs A ukoa lk A ux
/kh A lkj o`kHkkfnkq A
57- lke A es A js rs A /k; lk A ux /kh A ukoa ukoa A
uj j; A d o`fdkfnkq A
58- nke A d A j; js A okfj ok A rs A es A [kj lk A gk
gk A lkj ukoa A uj j; A pj o`kHkkfnkq A
59- /kke A xks A e; A oh ok A /kjk rs A gj gk A j;
/kh A okfj dk;a A /kh j; A /kj /kuqjkfnkq _tqizoskknkjH; A
60- ufr A js A es xks A /k; es A js rs A /k; gk A rs A /kh A
fxfj dk;a A dk;a j; A ux feFkqukfnkq A
61- dfr A js A uj gk A p; ukoa A ukoa dk;a A

x.kdd.BkHkj.ke~

89

gj oqEHkkfnkq A
62- jfr A d A e; js A dfy ok A es es A ux lk A p;
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63- xfr A d A dk;a js A [kj ok A es ukoa A uj j; A
uj oqEHkkfnkq A
64- Hkkfr A js A ukoa xks A gj es j; rs A lkj gk A
j; /kh A okfj dk;a A rs j; A lk;a dD;kZfnkq A
65- efr A d A kj xks A xks ok A Hk; rs A js ehukfnkq A
66- rfr A d A Hk; xks A lk ok A okfj rs A gk lk A
[kj /kh A es ukoa A e; dk; A kj dD;kZfnkq A
67- lfr A d A lk js A dk;a xks A dk;a xks A /k; es A
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68- gfr A js A dk;a ok A js es A uj lk A js gk A Hk;
/kh A kj dk;a A xks j; A dk;a lgkfnkq A
69- /k`fr A d A uj js A dfy ok A d es A okfj lk A j;
/kh A xks ukoa A /k; oh eskkfnkq A

90

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70- uklk A xks A es ok A lkj rs A ukoa lk A [kj /kh A

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71- dkl A js A /kh xks A uj es A js rs A n;k gk A
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72- jl A xks A kj es A p; rs A /kjk gk A ukoa /kh A
/k; ukoa A /kjk j; A /kh rqykfnkq A
73- xPN A d A uj xks A d ok A Hk; es A /kjk lk A
p; /kh A gk dk;a A n;k j; A ux /kuqjkfnkq A
74- olq A es A lkj lk A j; gk A okfj ukoa A rs dk;a A
n;k j; A ux /kuqjkfnkq A
75- ekl A js A x; xks A r# es A ukoa rs A r# gk A
Hk; ukoa A xks dk;a A okfj feFkqukfnkq A
76- ralq A d A n;k lk A p; /kh A rs ukoa A ?kj j; A
lk edjkfnkq A
77- lhla A d A fxfj xks A gk ok A fxfj /kh A ukoa
ukoa A kj j; A ukoa feFkqukfnkq A
78- nkl A d A fxfj xks A p; es A lk rs A gk oh

x.kdd.BkHkj.ke~

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79- /kkfl A d A d A js A /k; ok A ok es A uj lk A ok
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2- js A d A ukoa js A rs js A ?kj xks A gk es A dk;a
es A gj rs A Hk; lk A rs lk A kjoh gk A dj
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es A uj rs A lk gk A /k; /kh A ok /kh A [kj ukoa A e;
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4- ok A d A es d A dj js A dk; ok A ukoa ok A lkj
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92

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7- lk A d A j; oh d A pj js A lk;a xks A xks
xks A Hk; ok A rs rs A /kh rs A lkj lk A Hk; /kh A
fxfj ukoa A [ky dk;a A /k; _tq izoskknkjH; eskkfnkq A
8- gk A d A okfj js A ukoa js A r# xks A r; es A x;
rs A d rs A n;k lk A lk /kh A lk;a ukoa A es ukoa
A ?kj dk;a A lk;a dk;a A lkj oh j; A gjeskkfnkq A
9- /kh A d A n;k js A xks js A /k;k xks A gk xks A gjoh
ok A /k; es A gk es A kj rs A dk;a gk A /k;
/kh A gk /kh A r# ukoa A p; j; A fxfj eskkfnkq A
10- ukoa A d A /kh d A kjs js A j; ok A Hk; ok A dfy
es A lk;a rs A rs gkA x; gk A ux /kh A n;k dk;a A
lkj j; A p; eskkfnkq A
11- dk;a A d A d fdA n;k xks A dj ok A lk ok A fxfj
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x.kdd.BkHkj.ke~

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