Professional Documents
Culture Documents
Unexpectedindians
Unexpectedindians
Unexpectedindians
Annita Lucchesi
Outline
overview:
objec2ves
and
goals
framing
the
project:
context
and
theory
introduc2on
to
selected
ar2sts
research
methodologies
stakes
and
interven2ons
Theore2cal
Framework
Deloria
&
Metcalfe:
Na2ve
expecta2ons
of
the
unexpected
Indianculture
&
modernity
Coombe
&
West:
colonial
aesthe2c
imagina2on
&
baQles
over
public
spaces
Goeman:
produc2on
of
na2onal
sovereignty
&
territorial
imagina2on
in
Na2ve
art
I would visit my ancestral homelands and visit sacred sites. There are miles and miles of wild art, etchings and carvings marks that really got me inspired to do gra2. And when I moved to Denver for high school, I con2nually had ashbacks to the wall art in my ancestral homelands. I like to believe Im con2nuing a tradi2on. Its not using the same materials but it is denitely in the same spirit.
I am commiQed to working in tradi2onal style, to be part of our cultural renewal and to help preserve the rich heritage of my forefathers.
People were o]en thrown o by me because I didnt match their stereotype-based expecta2ons about how a Chinese kid or Na2ve kid is supposed to look or talk or act and it felt like I was constantly forced to jus2fy and defend my familys heritageThe real problems were other peoples outdated ideas about race and iden2ty.
You cant shake people who are roman2c about Indians from being roman2c about IndiansIve actually had people tell me that [my art] wasnt Indian art because its contemporary. If this was beaded, then it would be Indian art? But if its painted or sawed or whatever, its not?
Methodologies
personal
work:
self-reexive
art
produc2on
archival:
contemporary
and
tradi2onal
Na2ve
artaesthe2cs
and
discourse
ethnographic:
aesthe2cs,
interviews,
etc.
Interven2ons
tradi2on
&
modernity
culture
&
sovereignty
spa2o-temporal
territories
&
decoloniza2on