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    CRITERIA For The Other Competitions CVIRAA 2011 PDF

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    The document outlines the criteria for judging several competitions in the CVIRAA 2011 event, including marching saludo, most disciplined delegation, cleanest and most orderly billeting quarter, balitaw, vocal solo, folk dance, and kundiman ni Dr. Jose Rizal choral. For each competition, criteria are divided into categories worth different percentages of the overall score. For example, for marching saludo the criteria are choreography, discipline, participation, and mastery of movements, each worth 25% of the score.

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    CRITERIA For The Other Competitions CVIRAA 2011 PDF

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    78 views1 page
    The document outlines the criteria for judging several competitions in the CVIRAA 2011 event, including marching saludo, most disciplined delegation, cleanest and most orderly billeting quarter, balitaw, vocal solo, folk dance, and kundiman ni Dr. Jose Rizal choral. For each competition, criteria are divided into categories worth different percentages of the overall score. For example, for marching saludo the criteria are choreography, discipline, participation, and mastery of movements, each worth 25% of the score.

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    CRITERIA for the Other Competitions CVIRAA 2011

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    The document outlines the criteria for judging several competitions in the CVIRAA 2011 event, including marching saludo, most disciplined delegation, cleanest and most orderly billeting quarter, balitaw, vocal solo, folk dance, and kundiman ni Dr. Jose Rizal choral. For each competition, criteria are divided into categories worth different percentages of the overall score. For example, for marching saludo the criteria are choreography, discipline, participation, and mastery of movements, each worth 25% of the score.

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    78 views1 page

    CRITERIA For The Other Competitions CVIRAA 2011 PDF

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    The document outlines the criteria for judging several competitions in the CVIRAA 2011 event, including marching saludo, most disciplined delegation, cleanest and most orderly billeting quarter, balitaw, vocal solo, folk dance, and kundiman ni Dr. Jose Rizal choral. For each competition, criteria are divided into categories worth different percentages of the overall score. For example, for marching saludo the criteria are choreography, discipline, participation, and mastery of movements, each worth 25% of the score.

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    CRITERIA FOR THE OTHER COMPETITIONS CVIRAA 2011, Tagbilaran City, Bohol November 27-December 02, 2011 MARCHING

    SALUDO: 1. Choreography in Marching: 25% 2. Discipline (alignment, synchronization, coordination in marching and chanting): 25% 3. Maximum participation of participants per delegation: 25% 4. Mastery of movements/clarity of chanting and audience impact: 25% MOST DISCIPLINED DELEGATION: 1. Behavior/Conduct inside and outside the billeting quarter from the start of CVIRAA until the end: 25% 2. Behavior/Conduct during and after the game proper (this includes cheering for their own team/delegation): 25% 3. Punctuality (in all activities/games): 25% 4. Proper decorum / Proper grooming (wearing of CVIRAA uniform): 25% CLEANEST AND MOST ORDERLY BILLETING QUARTER: 1. Cleanliness and Upkeep of Billeting Quarter: 55% a. Sleeping Quarters 10% b. Kitchen 10% c. Mess Hall 10% d. Store Room 5% e. Toilets / Comfort Rooms 10% f. Bathrooms 5% g. Surroundings 5% 2. Provision of Health and Sanitation Facilities: 40% a. Garbage Disposal 10% b. Drainage 10% c. Drinking Facility 10% d. Washing Facility 10% 3. Health, Sanitation and Safety Committee: 5% a. Presence of designated Health, Sanitation and Safety Committee Officer-of-the-Day to oversee maintenance of cleanliness, sanitation and orderliness of billeting quarter. BALITAW: 1. 2. 3. 4.

    Technical Proficiency ( voice, intonation, diction, rhythm): 30% Content and Mastery: 25% Musicality (interpretation, expression, style, dynamics, execution): 30% Staging, Choreography, Costume and Overall Impact: 15%

    VOCAL SOLO: 1. Voice (intonation, breathing): 40% 2. Musicality (interpretation, expression, phrasing, dynamics, execution): 40% 3. General Effectiveness (overall impact, costume): 20% FOLK DANCE: 1. Mastery (correct execution of Mazurka de Jagna steps / correct timing with the music): 30% 2. Staging (choreography, balance / proper distances / alignment): 25% 3. Costumes: 20% 4. Projection / Expression (poise, grace): 25% KUNDIMAN NI DR. JOSE RIZAL CHORAL: 1. Technical Proficiency (rhythm, diction, dynamics, intonation, balance, choral blending): 40% 2. Musicality (expression, interpretation, style, adherence, loyalty to the score, musical arrangement): 40% 3. Over-all artistic impression / impact (audience impact, costume, stage presence, choreography for the choice piece for the Regional competition): 20%

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