1) "An A'Maze'ing Space" is a 3D cube sculpture made of 12 wooden cubes and 12 rods that manipulates space to demonstrate a 2D maze.
2) The design forms an "S" shape with the cubes that wraps from the bottom to top of the cube, with rods filling space.
3) Mazes are confusing networks of paths within a restricted space, and this sculpture was inspired by manipulating space to keep the eye constantly moving around the "S" shape wrapping through the cube.
1) "An A'Maze'ing Space" is a 3D cube sculpture made of 12 wooden cubes and 12 rods that manipulates space to demonstrate a 2D maze.
2) The design forms an "S" shape with the cubes that wraps from the bottom to top of the cube, with rods filling space.
3) Mazes are confusing networks of paths within a restricted space, and this sculpture was inspired by manipulating space to keep the eye constantly moving around the "S" shape wrapping through the cube.
1) "An A'Maze'ing Space" is a 3D cube sculpture made of 12 wooden cubes and 12 rods that manipulates space to demonstrate a 2D maze.
2) The design forms an "S" shape with the cubes that wraps from the bottom to top of the cube, with rods filling space.
3) Mazes are confusing networks of paths within a restricted space, and this sculpture was inspired by manipulating space to keep the eye constantly moving around the "S" shape wrapping through the cube.
Object Inspiration Object Analysis manipulation of 12 1X1 in. wooden cubes & Model and 12 1/4X3 in. wooden rods. to make up 1. a 3X3 in. cube. For this particular design, the space was manipulated to demonstrate a two dimensional maze within a 3X3 in. three dimensional cube.
This design was manipulated to form an
“S” wrapping shape from the bottom to the 2. top or vice versa (using the cubes), and the Sketch 1: rods were used as fillers to help define the Original 2D maze cubical space. This concept sparked it’s in- pattern idea. “S” Wrapping terest from a traditional two dimensional maze. Sketch 2: Quick concept Sketch Mazes are confusing networks of Sketch 3: intercommunicating paths or passages More detailed sketch of 3. that are manipulated to stay within a re- original “S” wrapping motion stricted space. They can be infinite or they can come to an end, but the biggest idea that pushed this final project was the wrapping form that constantly keeps the eye moving.