6/18/2002

MHIS 135
Chapter 3 #2 choral open

Name: ________________________

Harmonize the following in the indicated styles and spacing with tonic and dominant triads only:

&w w w w w w ?w w
I V

choral close

keyboard choral close keyboard # w # # bb w w w # ## w w b w w w b w w w w w w w w w w w w w w w ww w w w w w w w w w w w w w # # w w w bbb w w w # ## w w b w w # w ww

Introduce the indicated non-harmonic tones in the following two part examples:

&w w

Passing tone unaccented

& w w w
example p.t.
*auxiliary

w w

w w

Passing tone unaccented

w w w

rewrite in the space below

w w

Upper neighbor* unaccented

Lower neighbor unaccented

Passing tone accented

Harmonize the following melody using tonic and dominant triads in root position only. Use at least one passing tone and one neighboring tone (not in the soprano). Analyze your work including: key, roman numerals, cadences, and non-chord tones.

bb c b & ? bb c b
Eb:

P.T.

P.A.C.

N.T.

w w w w
I

bb b & ? bb b

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