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Vaudeville and Broadway

Vaudeville was a theatrical


genre of variety entertainment popular in the U.S and Canada from the early 1880s until the early 1930s. Called "the heart of American show business," vaudeville was one of the most popular types of entertainment in North America for several decades. Series of separate, unrelated acts grouped together on a common bill. Includes popular and classical musicians, dancers, comedians, trained animals, magicians, female and male impersonators, acrobats, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and movies. A vaudeville performer is often referred to as a vaudevillian. Vaudeville developed from many sources, including the concert saloon, minstrelsy, freak shows, dime museums, and literary burlesque.

20 -21 Century

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A promotional poster for the Sandow Trocadero Vaudevilles (1894), showing dancers, clowns, trapeze artists and costumed dogs

Broadway In the early years


of the 20th century, translations of popular late19th century continental operettas were joined by the "Princess Theatre". During this time, the play Lightnin' became the first Broadway show to reach 700 performances. From then, it would go on to become the first show to reach 1,000 performances. It was the longest-running Broadway show until being overtaken performance totals by Abie's Irish Rose in 1925.

Poster of a Broadway showing performers on it

Electronic Music

20 -21 Century

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With the advancement in technology, many composers are experimenting with new sound sources such as electronic, environmental, and other non- tonal sounds. Traditional instruments are used but in a different way. Even computers, cassette tapes, recorders and synthesizers are used.

Electronic music is produced by electronic devices recorded on magnetic tape and played through amplifiers. These produce unconventional sounds that cause composers to device another kind of notation.

John Cage

- Four Minutes and Thirty- three seconds


American composer, music theorist, writer, and artist. - He believes that listener must supply the sense which exists in sound.
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