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Proposal Broadcast
Proposal Broadcast
Proposal Broadcast
NAME NURSYADATUL BINTI MOHD SHAFIE KHADIJAH SABIRAH BINTI MOHD SOFIAN AZUREEN BINTI ABDUL HADIHALIM SHARIFAH NURISNADIA BINTI SYED MOHAMAD SHAHIDI MUHAMMAD SYAFIQUE BIN AZHAR MUHAMAD SYUKRI WAN ANIS AQILAH BINTI MEGAT ZAMBRI NUR IZZATI BINTI FIRUZ NUR IMAN NADIRA BINTI ROHIMMI SHARAZADE BINTI ZULKIFLI
2011807188 2011496882
TABLE OF CONTENT CONTENT 1.0 Background of production 1.1 Company logo 2.0 Organisation chart 3.0 Job specification 4.0 Short film 4.1 Tittle & explanation 4.2 Objectives 4.3 Genre 4.4 Production length 4.5 Location 4.6 Budget 4.7 Job schedule 4.8 Script 4.9 Storyboard PAGE
COMPANY BACKGROUND
Moustache Productions was formed in 2006 by Wan Anis Aqeela Binti Megat Zambri. Moustache Productions was originally designed as a creative outlet for Melaka based film makers in the production of short films, music videos, and independent film & animation projects. Over the years, that sphere of activity has grown to include TV commercial production, business video production and animation production. Since its incorporation in 2011, Moustache Productions has focused on short films production and high-end business video production as its core service. This is extremely rewarding for us, as we are able to apply a level of finish normally associated with feature film production to our short films and video productions. Moustache Production is fast raising Film and Television Production House specializing in the content creation, creative finishing and timely delivery. Our core team has worked with all leading channels in Malaysia for fiction & nonfiction programs. Moustache production has made a special mark on the Malay Film & Television production scene with its wide range of mediarelated production services. Creativity, insight and discipline have always remained our stakes of strength. Our desirable size has been achieved through careful planning, disciplined action and specialization, which is reflected at all stages. In the constantly changing world of entertainment, we have discovered that certain factors for success remain the same and they are: conceptualization, sharp focus on content, efficient management of the talent team and driving channel profits. Most importantly for our clients, we can provide high end productions at lower costs, by not being based in Lembah Klang. Our commercial's directors and producers are award winners, and the facilities in the area are among the best in the country. The creative crew and technicians all work for very well known companies, but they do not charge us Kuala Lumpur rates. We get to work with the same talent for less cost. Melaka is possibly Malaysia's second city for TV production (we're in a lovely part of the city) and we find real benefits of being located in the South East. Eventually, we want to make the public happy for at least an hour at a time, and we're great fun to work with!
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Production Logo
ORGANIZATION CHART
JOB SPECIFICATION
Producer
Coordinate the activities of writers, directors, managers and other personnel throughout the production process. The producer also monitors post-production processes in order to ensure accurate completion of all details. Besides that, producer also needs to pet-form management activities such as budgeting, scheduling, planning and marketing. The producer also determine about production size, content and budget, establishing details such as production schedules and management policies. She also composes and edits scripts, or provides screenwriters with story outlines from which scripts can be written.
Director Directors lead a particular company of business. They are responsible for all aspects of the companys success. The director works to administer organizational activities, set business strategies, delegate tasks, and recruit new managerial employees. As the leader of the company, directors sometimes report to board members or company stakeholders. They strive to maintain professional and corporate customs, enforce ethical practices, meet fiscal and manage companys budgets. Managing directors preform Art Director In charge of the creative design aspect of show such as location, set design and graphic. Art director also becomes the assistance of director. Editor Responsible for assembling recorded raw material into a finished product suitable for broadcasting. The material may consist of camera footage, sound effect and special effect. Music Director Responsible Make Up Artist
Synopsis
This story is about a woman named Hannah who is interested to a man named Hadi, a despatch rider but at the same time Hadi had also admired Hannah as well. Because of Hanas interest in Hadi, Hana is willing to go to the post office every day to send a postcard back to her house. The purpose of sending these postcards are so that she could see Hadi sent the postcard back to her home. This has been in Hadi's work schedule to get to the Hana home around four o'clock in the afternoon every day, just to send these postcards back to Hannah as she has always be faithful, waiting to hear Hadis motorcycle noise when near reaching her house but at the same time, Hanas daily visit to the post office has attracted two man that were in charge of the counter at the post office. Both of these guys have fallen in love to Hannah because of her beautifulness. One day, these two guys were aware of the secrets behind the postcard delivery done by Hannah but one of these men had misunderstood and thought that Hannah had fallen in love to him based from reading the contents of the postcard. Then, that particular man had decided to see Hannah at her house as written in the postcard. At the same time, Hadi had also read the contents of the postcard and decided to meet with Hannah too on that very same day but when Hadi got to Hanas home, he saw Hana with the other men and felt heartbroken after seeing her with another man. At that time, Hana saw Hadi leaving so soon had make her to immediately chasing Hadi. She then confessed her feelings towards Hadi and then found out that Hadi had the same feelings towards her.
Genre
This short film is based on a romantic comedy love story of two people Hadi and Hana who like each other very much but scared to show their feelings towards each other, making others to be confused by the hints Hana sending to Hadi, making other men to think that they are the ones who Hana really likes.
SHOOTING SCHEDULE
DAY 1: WEDNESDAY (21/8/2013) SCENE: 2 LOCATION: UiTM Shah Alam TIME: 8.00a.m-8.00p.m PROPS: Video Camera, Mic Boom, lighting.
DAY 2: THURSDAY (22/8/2013) SCENE: 3 & 6 LOCATION: UiTM Shah Alam TIME: 8.00a.m-8.00p.m PROPS: Video Camera, Mic Boom, lighting.
DAY 3: FRIDAY (23/8/2013) SCENE: 7 & 8 LOCATION: UiTM Shah Alam TIME: 8.00A.M-8.00P.M PROPS: Video Camera, Mic Boom, lighting.
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DAY 4: SATURDAY (24/8/2013) SCENE: 4 LOCATION: Tasik Seksyen 7, Shah Alam TIME: 10.00A.M-10.00P.M PROPS: Video Camera, Mic Boom, lighting, Motorsikal.
DAY 5: SUNDAY (25/8/2013) SCENE: 1,5, & 9 LOCATION: KLIUC Condo, Bangi TIME: 10.00A.M-10.00P.M PROPS: Video Camera, Mic Boom, lighting.
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Scene Sequence
Video Babak 1 Di rumah Hana dan Hana sedang bersiap untuk Muzik latar. ke Pejabat Pos. Shot: Pan left, MS, MCU, pan left, ECU, Off frame Audio
Babak 2 Di Pejabat Pos, Imran dan Taufiq sedang Taufiq : lawa gila kereta ni!! Bila la aku boleh berbual samentara menunggu pelanggan dan dapat sebijik? Hadi sedang mengambil surat untuk dihantar. Shot: ELS, LS, 2 shot, OS, ECU Imran: Apa tu? Taufiq: fairlady. Imran: apa? Taufiq: fairlady. Kau tahu tak? Imran: harus lah tahu bro. Bab-bab
perempuan ni aku pro la. Taufiq: Aha lawa betul Fairlady ni. (slownya mamat ni bajet good je) Imran: Siapa fairlady tu? Malasnya aku nak kerja hari ni. Baik aku keluar dengan awek aku. Bosan doh. Taufiq: Ada ke hari yang kau tak bosan? Aku rasa hari2 kau bosan.
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Imran terus menekan loceng untuk memanggil Bunyi loceng Hana ke kaunternya. Shot: MCU, ECU.
Imran dan Taufiq bergaduh untuk memastikan Taufiq: tHadi cakap malas kerja, so biar aku Hana akan ke menjHadi pelanggan di kaunter layan customer ni. mereka dengan menekan loceng secara selang- Imran: aku rasa hari ni tiba-tiba aku rajin seli. Shot: 2 shot, MCU. pulak.
Hana kelihatan binggung dengan kedua-dua Bunyi loceng penjaga kaunter tersebut. Shot: ECU, ELS.
Pengurus menghentikan
pejabat
berdehem tersebut
pertengkaran
akhirnya giliran Hana adalah di kaunter Taufiq. Shot: Dolly out, LS, MCU, ELS, track left
Hana
ke
kaunter
Taufiq
dan
Taufiq Taufiq: silakan cik. Hana memberikan barang yang hendak di pos kepada Taufiq. Taufiq: wow nak hantar poskad? Jarang dah orang guna poskad. Sweet la cik ni. So ada apa-apa lagi yang hendak di pos? Hana: tak ada. JHadi berapa ringgit? Taufiq: 3 ringgit. Terima kasih. Datang lagi.
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Hana melakukan pembayaran dan berlalu keluar daripada pejabat pos Shot: ECU, ELS, Dolly out
Imran dan Taufiq bergaduh untuk melihat Imran: wey tengok la apa yang dia tulis tu. tulisan di poskad yang dikirim oleh Hana. Shot: 2 shot, ECU. Taufiq: kau gila ke apa? customer punya kot. Imran: alah kau macam tak biasa je.
Imran
merampas
poskad
tersebut
dan Imran: alololo sweet nya perempuan ni. Ni mesti kes nak bagi kat boyfriend dia ni.
Taufiq merampas semula poskad tersebut dan Taufiq: meh sini aku tengok! membacanya Shot: 2 shot, MCU. Monolog dalaman Hana: matamu yang redup, rambutmu yang kemas dan semyuman mu yang manis serta pakaian seragammu yang . kemas begitu menarik perhatian ku. Taufiq: kau rasa untuk siapa ni? Imran: aku rasa ni mesti untuk orang yang comel macam dia jugak. Taufiq: pelik la! Perempuan tu tulis alamat je dia tak tulis pun nama orang yang dia nak bagi.
Babak 4 Hadi memulakan tugasannya sebagai posman Muzik latar. dengan menghantar surat menggunakan motor. Shot: ELS, LS
Babak 5
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Hana di rumah sambil berbaring dan membaca Bunyi selakan majalah. majalah. Shot: ELS, Dolly in, MCU.
Mendengar bunyi motorsikal yang dibawa oleh Bunyi motorsikal. Hadi dan berlari ke tingkap untuk mengintai Hadi. Shot: MCU, track right, LS.
Hana berlari ke bawah untuk mengambil Bunyi orang berlari menuruni tangga. poskad yang dihantar. Shot: LS, MCU.
setem yang di tinggalkan dan membawanya kerumah serta menampal setem tersebut di kalender. Shot: MS, ECU.
Hana melihat kepada kalender tersebut dan Muzik latar tersenyum. Shot: LS, ECU
Babak 6 Keesokkan harinya di Pejabat Pos, Imran dan Bunyi orang yang sedang bercakap-cakap. Taufiq sedang melayan pelanggan. Shot: ELS
Hana sampai di pejabat pos dan mengambil Suasana di pejabat pos nombor giliran serta duduk di sebelah wanita berumur.
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Imran dan Taufiq yang nampak Hana datang dan mengemaskan diri mereka. Shot: 2 shot, ECU.
Imran yang melihat Taufiq yang sedang sibuk Bunyi loceng membetulkan rambutnya menekan loceng
untuk pelanggan yang seterusnya iaitu mak cik yang duduk di sebelah Hana. Shot: ECU, LS.
Mak cik tersebut bangun dan menuju ke kaunter Taufiq sambil memegang mangkuk tingkat. Shot: 2 shot, track left. Imran masih lagi mengemaskan dirinya. Shot : ECU.
Mak cik tersebut menghulurkan mangkuk Taufiq: erm apa ni mak cik, sampai bubuh tingkat kepada Taufiq. Shot: MCU, 2 shot, MCU. dalam mangkuk tingkat ni? Mak cik: ni serunding! Mak cik nak hantar
Imran menekan loceng untuk memanggil Hana dekat anak mak cik dekat london tu ha. ke kaunternya. Shot: ECU. Taufiq: (Gelak). Mak cik! Mana boleh pos barang guna mangkuk tingkat ni ha. Mak cik kene bubuh dalam bekas dan balut elok-elok.
Taufiq masih lagi melayan mak cik tersebut Imran: silakan cik. dengan bangun dari kerusi dan membuka mangkuk tingkat tersebut. Shot: 2 shot, ECU, MCU.
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Taufiq memanggil Hadi untuk membantunya Taufiq: tak boleh ni mak cik. Mak cik tak menerangkan kepada mak cik tersebut. Shot: MCU, LS, ECU. boleh hantar guna mangkuk tingkat ni. Mak cik: habis tu macam mana ni? Mak cik nak hantar kat anak mak cik ni.
Hadi berjalan menuju ke arah mak cik tersebut. Shot: Dolly out, LS.
Hana yang berada di situ turut melihat kejadian Imran: erm hari ni nak hantar apa pulak? tersebut dan tersenyum. Shot: ELS, ECU, LS, track right. Hana: saya nak hantar barang dan poskad. Imran: ok! So cik kene tulis alamat cik kat borang ni sebab nanti kalau tiada orang tuntut barang ni kami akan pulangkan semula kepada cik. Hana menulis alamatnya di dalam borang dan Hana: oh! So kene tulis alamat saya dekat memulangkannya semula kepada Imran. Shot: ECU, 2 shot. sini? Imran: ya. Nanti senang kalau apa-apa berlaku kami boleh pulangkan semula barang cik.
Hana melakukan pembayaran dan keluar dari Imran: ok! So semua sekali Sembilan ringgit. pejabat pos. Shot: MCU, ECU. Imran: terima kasih
Babak 7 Imran melihat barang yang dihantar oleh Hana Imran: eh Taufiq kau tengok ni. dan pelik apabila melihat alamat yang ditulis Taufiq: apa? Hana sama seperti alamat yang ada pada Imran: Perempuan tu tulis alamat yang sama barang tersebut dan memanggil Taufiq. Shot: ECU, tilt up, ECU, MCU. la untuk pemulangan. Kau tak rasa pelik ke? Asal dua-dua alamat sama padahal dia kan nak
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Imran menunjuk barang dan borang yang Hana Taufiq: Aha la.herm. Entah-entah selama ni hantar kepada taufiq Shot: 2 shot, ECU. dia memang sendiri tak? Imran: Haish kau ni merepek. Eh kejap, tengok ni apa dia tulis kad poskad ni semalam saya nampak awak senyum waktu awak baca poskad tu, boleh tak kalau kita jumpa? OMG, kau ingat tak apa yang dia tulis semalam? Taufiq: Aku lupa la. Imran: matamu yang redup, rambutmu yang kemas dan senyuman mu yang manis serta pakaian seragammu yang kemas begitu hantar poskad dekat diri dia
menarik perhatian ku. Aish dapat awek baru la aku kali ni.
Taufiq merampas poskad yang dikirim oleh Taufiq: Bak sini. Semalam aku yang dapat Hana. Shot: MCU, ECU, 2 shot poskad dia tahu?
Imran: semalam, semalam punya cerita. Tapi hari ni dia bagi bende ni kat aku. saya pon Nampak jugak.
Babak 8 Imran dan Taufiq sedang mengemas kaunter Taufiq: kau serius ke nak pergi jumpa masing-masing sebelum balik. perempuan tu?
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Imran: haruslah. Rezeki jangan di tolak beb. Taufiq: kau gila?kau tak takut ke perempuan tu psycho ke, pembunuh upahan ke? Kalau dia bunuh kau macam mana? Imran: hanya orang macam kau je takut denga cabaran. Pondan
Hana
menuju
ke
pintu
rumah
membukanya. Shot: Track right, ECU. Imran di luar rumah. Shot: MCU, LS. Imran: sorry saya lambat. Hana: Erm? Imran: Jalan jem lah. Hana kelihatan bingung dan terkejut. Shot: MCU. Hana: Ada apa ye encik datang rumah saya? Imran: Aish awak ni? Buat-buat tak faham pulak. Kan awak tulis dalam poskad awak yang awak nak jumpa saya? Hana: saya bukan tulis poskad tu untuk awak. Awak salah faham ni. Saya tak tulis poskad tu untuk awak pun.
Hadi yang terlihat Hana dan Imran yang Muzik latar sedang bersembang di hadapan rumah. Shot: LS, ECU, LS.
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Hana yang sedang bercakap dengan Imran ternampak Hadi dari jauh. Shot: 2 shot, MCU, LS
Apabila mereka bertentang mata Hadi berlalu pergi. Shot: ELS, ECU, ELS
Hana mengejar Hadi dan meninggalkan Imran. Shot: ELS,2 shot, ECU
Muzik latar
Hadi berhenti dan memaling ke belakang apabila terdengar orang memanggilnya. Shot: MCU, ELS
Hana
memperlahankan
langkahnya
dan
Hana: kenapa bukan awak yang datang jumpa saya? Kenapa awak pergi tanpa jumpa saya? Kenapa awak buat saya macam ni? Kenapa awak buat saya macam ni?
Hadi menarik Hana ke dalam pelukannya dan Hadi: saya ingatkan saya hanya bertepuk mengusap rambut Hana. Shot: MS, 2 shot, MCU. sebelah tangan. Saya ingatkan awak bukan untuk saya. Tapi saya silap awak memang untuk saya. Tak salah bagi setem kat awak
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walaupun saya suka setem tu sebab saya suka awak lebih dari setem.
Flash back Hadi membaca setiap poskad yang Muzik latar dikirim oleh Hana. Shot:MS, ECU, track right, off frame
Hana dan Hadi berjalan berpimpin tangan. Shot: ECU, ELS, tilt up, off frame
Tamat
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