SYMBOLIC SCORES Studies inthe Mase ofthe Renaissance ~SYMBOLA ET EMBLEMATA Studies in Renaissance and Baroque Symbolism General Editor BERNHARD F. SCHOLZ, Groningen Egitors KAREL PORTEMAN, Léuven DAVID WESTON, Glasgow VOLUME V SYMBOLIC SCORES Studies in the Music ofthe Renaissance eer, Mero, ahs, aot Sey +, brava “teas SYMBOLIC SCORES Studies in the Music-of the Renaissance By WILLEM ELDERS EJ. BRILL LEIDEN « NEW YORK - KOLN 1994‘The paper in this book meet the guidelines for permanence and durability of the Com mittee on Production Guidelines For Book Langemty of the Council on Library Resources ‘The publication of this volume has been assisted by a grant from Glasgow University Libraey ISSN 0923-9073, ISBN 90 0¢ 099700 © Cipyrigh 1994 by EJ. Brit, Leiden, The Netholnds Al ight ered. Mo ar of hs pobiaion may be areca, slated, sored in (rial palon r tonal i oy form or by any mes, eto, chanical poping wording of hrs, what pr win Ashton lly es fr ntl ose tei poled by E, Bri provide et the ppp fs pad ey to The Cnyight leone Cn, 222 Reseand Dri, Suit 910 Dancers MA 01923, USA. ‘ise bl chan Pameren 18 THE NETHERLANDS. “No symbols where none intended” (Samuel Beckett, Wati) JOHANNAE UXORI MEAE