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Fr Alina - Arvo Prt, Piano

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4

w) (w )
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w w w w

w w

choose between treble notes or bass notes in m 1

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# w & # # & # w & &


10 7

w w w w w

## ##

w w

w w

## w & & &


13

play the bass notes of m 1 here the 1st time, before m 8

w w

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w w w

# & #

w w

w w

Play 5 times...: 1. RH 8va with bass notes after m 7 2. RH 15ma up to inclusive m 4, m 5: RH 8va. Play up to inclusive m 11 3. RH 15ma, LH 8va bassa up to inclusive m 4, m 5: RH 8va (LH 8va bassa) 4. Play up to inclusive m 10 5. Play as 1, without the bass notes after m 7
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Or play as you wish.

Some explanation:

On this sheet I tried to put one version of 'Fr Alina', but there are others to nd on Youtube, like playing the high notes in the beginning in stead of the bass notes. I don't know how the composer wants it to be.

In this marvolous piece you can nd: - That each measure gets one note more until seven notes in measure 9, than each measure has one note less, except for the last measure. - That in the left hand each note is one of the b minor chord until measure 11 where the c# creates this marvolous moment, a kind of subtle pauze. Even if a listener doesn't know it theoretical, he would hear or feel this special moment too. - That the notes of the right hand, using the seven notes of the b minor scale, follow (more or less) the same up and down line of the left hand, and always stay above those left hand notes (even putted in the same octave, I mean).

Fur Alina, Prt, p 2

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