Mozart – Sonata in F Major [ K 332 ]

The 1st movement is written in Sonata Form

Exposition – 1st subject in tonic key, F major

Bridge passage
2nd subject in dominant key, C major
Codetta

Development – Commences in C major, passing through G minor, D minor to

F major

Recapitulation – 1st subject in F major

Bridge passage
2nd subject also in F major
Coda

The 2nd Movement is written in Modified Sonata Form

Exposition – 1st subject in Bb major and Bb minor moving to F major

No Bridge passage
2nd subject in F major

There is no Development section, just a short link leading to the recapitulation.

Recapitulation – 1st subject in Bb major, Bb minor to F major

No bridge passage
2nd subject in Bb major
Coda

The 3rd Movement is written in Sonata Form

Exposition – 1st subject in F major

Bridge passage
2nd subject irregularly in C minor before moving to C major

Development – Opens with 1st subject material in C minor, passing through

F major, G minor, Bb major, G minor, returning to F major

Recapitulation – 1st subject in F major

Bridge passage
2nd subject irregularly in F minor before returning to the
tonic key, F major
Coda
SCHUBERT – IMPROMPTU OPUS 90 NO 1 IN C MINOR

This impromptu is written in a song-like aria texture and looks like a

Simple Rondo form.

The 1st Principle theme is – a march-like melody and later has a flowing
arpeggios in the left hand.

The 1st Episode – is a song-like melody with repeated triplets in the bass and
sometimes in the upper part.
It starts to climax at the end with accenting the 1st quaver in the
triplets.

The 2nd Principle theme – returns in G major in running semiquavers and

reaches to the highest climax in a storm-like manner.

The 2nd Episode – Comes back in C major in a tranquil mood after the fiery storm
from the 2nd principle theme. The piece’s tension is now in
tranquility

The 3rd Principle theme – returns in C minor and later ends in C major.
It is much more tranquil now and mostly in p, pp, ppp