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Helvete, A Journal of Black Metal Theory - Issue 1 Incipit PDF
Helvete, A Journal of Black Metal Theory - Issue 1 Incipit PDF
Helvete, A Journal of Black Metal Theory - Issue 1 Incipit PDF
Wiil ile publicaiion of lncipit, I lave moved fiom concepiion io piegnancy io biiil.
Tle wasps' bodies lave been lollowed oui as ileii clildien lave gluiied on oigans iley
ioo aie developing, and finally ile laivae emeige. Lile ile wasps, ile vaiied woils in ilis
volume lave consumed me. My body is opened, I am pouied oui in piini. I mingle now
wiil ile auilois and aiiisis wlose iexis and images follow. Wlile ciiiics may call ilis
veniuie a lipsiei's fad, Ovid ieminds usand ile massive iedundancy of ile piinied and
digiial veisions of ilis jouinal assuie uswe siep beyond ouiselves and inio ile iexi, and
ile iexi males us immoiial. Helvete is ile sign of a fulfilled piomise: Blacl Meial ileoiy
will noi die.
And so ilis is an opening. Tle poiial gapes, and we cioss fiom one side io ile oilei.
Ii is a dooi iliougl wlicl many fuiilei iieiaiions of Blacl Meial ileoiy may eniei. Ii
inviies possession. In iuin, possession inviies meiamoiplosis.
Helvete, I lope, will clange. My sloii ienuie leie las iaugli me a gieai deal aboui
oiganizing and pioducing a publicaiion. Mucl of ilis is mundane, bui I expeci io apply
ilese lessons wiil a paiiiculai eye io publisling moie woils ilai fall ouiside ile puiview
of ile esiablisled academic genies. We aie a paia-academic jouinal! We slould noi be
belolden io iigid and aibiiiaiy noims, bui iailei we slould use oui fieedom io encouiage
fecund expeiimeniaiion. Tle jouinal's fuiuie, ilen, is open, awaiiing only ile inieiveniion
of wlaievei foices oi unclean spiiiis may eniei io fuiilei blaclen iis pages.
No beqinninq, no enJ } VorJs beyonJ worJs } leoJ us in } Acts beyonJ octs
(
Ciiiics and suppoiieis alile lave oveilooled ilis waiiing poieniial, and ilus iley iend
io appioacl Blacl Meial ileoiy as meiely ile pioduciion of dense, somnoleni academic
iexis aboui Blacl Meial. Alilougl ilis is ceiiainly an aspeci of Blacl Meial ileoiy, ii is noi
DILATION: EDITOR'S PREFACE
ile wlole, as ii iepiesenis only ile blaclening of ileoiy by Meialoi, in ile woisi cases,
ile meie impiisonmeni of Meial in ileoiy. Blacl Meial ileoiy is a piaciice composed of
many possible componeni piaciices. Ii is an aiiisiic piaciice, a musical piaciice, a liieiaiy
piaciice, a ileoieiical piaciice. Wlen ii comes io us as ileoiy, iis woids aie an occuli
inieiveniion, ile acis of ileoiy possessed by ile ouisidei spiiii of Meial. Wlen ii comes as
music, iis dissonani clangs and sliieled lyiics summon foiil ile dail avaiais of ileoiy io
launi us. Ii acisupon us, yei mosily upon iiself.
Blacl Meial ileoiisis iejeci any appioacl ilai piivileges one of ilese piaciices above
iis fellows, and we especially iefuse io counienance any call io ieiuin io ile music iiself.
Blacl Meial ileoiy is an impuie piaciice, aiming io desiioy ile iniegiiiy of Meial and
ileoiy's pioieciive membianes. Tleie is no essence, bui only an opening. Wlaievei
demonic oi unclean foices ilai may lodge ilemselves wiilin aie welcome.
Beai ilis in mind as you pass iliougl ilis opening and move onwaid io ile squalling
pages ilai follow. Siaive ile inclinaiion io caiegoiize a given woil of Blacl Meial ileoiy as
"iiue" oi "false," and insiead allow youiself io be caugli up in ile piaciice. As I lave said
elsewleie and seemingly in anoilei life, ile iesulis of ilis expeiimeni cannoi be lnown in
advance. Leap iliougl ile opening. Tasie and see.
! ! !
A woid oi iwo of ilanls aie in oidei. Many, many people coniiibuied io geiiing Helvete io
piini. Fiisi and foiemosi, I am giaieful io ilis volume's coniiibuiois foi ialing a leap of
faiil and joining ilis liiile enieipiise. Tle same goes foi Eileen }oy and lei siaff ai
puncium boolsii is a biave publislei ilai iales on sucl an offbeai piojeci in iis youil. A
leaiiy ilanls also io oui ediioiial advisoiy boaid foi ileii commenis and suggesiions, and
in paiiiculai io Nicola Masciandaio foi encouiaging me io siaii ile jouinal. Fuiileimoie, I
am indebied io my co-ediiois, Amelia Islmael, Aspasia Sieplanou, and Ben Woodaid.
Wiiloui youi dedicaiion and occasional willingness io piod me bacl io life, ilis dead moie
of iocl we'ie flying on may nevei lave been subjecied io Helvete. To all of you meniioned
above, ilis jouinal is as mucl youis as ii is mineI lope you can be pioud of ii.
Zaieen Piice
Poiiland, :oi:
('&*-
i
Negaiive Plane, "Angels of Veiled Bone," StoineJ Gloss Revelotions (Tle Ajna Offensive, :oii).
ZAREEN PRICE
(
:
Nicola Masciandaio, Block Metol Tbeory, liip:]]blaclmeialileoiy.blogspoi.com. Deiails aboui all
iliee Blacl Meial ileoiy symposia meniioned above can also be found leie.
Abigoi, "Uiopia Consumed," Cbonnelinq tbe Quintessence of Soton (Napalm Recoids, iqqq).
(
Dodsengel, "Toweis of Deiinluyu," lmperotor (Baiglesi and Teiiaiui Possessions, :oi:).
Zaieen Piice, "You Weie Talling Aboui a Blacl Meial Tleoiy; Wlai ile Fucl Is Tlai!!!," Tbe
licbentbrope, Apiil (, :oii, liip:]]ilelicleniliope.blogspoi.com]:oii]o(]you-weie-ialling-aboui-
blacl-meial.liml.
OPEN A VEIN
SUICIDAL BLACK METAL AND ENLIGHTENMENT
1
Janet Silk
Blacl Meial was boin in suicide. Tle image of Pei Yngve Ollin (ala Dead) on ile iqq
album covei of Maylem's Down of tbe Block Heorts, lis blown-oui biains oozing oui of lis
slaiieied slull, is an icon ilai foiesladowed ile emeigence of Suicidal Blacl Meial (SBM)
bands wlo sliii ile edge beiween ideaiion and aciion.
:
Foi bands sucl as Slining, Male a
Clange . . . Kill Youiself, and I Slali Become, suicide and self-laim aie cailexes; deail is
ile uliimaie life lessonwe musi iefleci on ii, embiace ii . . . and do ii. Albeii Camus
aiiiculaies in Tbe Mytb of Sisypbus, "Tleie is bui one iiuly seiious plilosoplical pioblem
and ilai is suicide."
Tlis seniimeni is
ecloed in Slining's lyiics "Tliougl Coiiidois of Oppiession":
Slowly,
passing ile oppiessed,
innoceni,
sons,
and dauglieis losi,
iiembling
in ile boiiomless depils of dailness,
successfully,
failing
in ileii seaicl.
To seaicl
ile ligli,
io seaicl,
salvaiion.
(
Self-desiiuciion oi self-laim opposes ile ego's naiuial inclinaiion foi self-pieseivaiion
(plysically and expeiieniially) and seives as a iesiameni io a peison's non-aiiaclmeni io
illusoiy life: one desiioys oneself, and in doing so one desiioys ile woild.
Tlis connecis
wiil psycloanalyiic ileoiies by }ames Hillman, wlicl aigue ilai ile diive io lill oneself is
a demand foi ile piofound oveiiliow of daily life.
6
Tle music painis a puiiid exisience,
and claiges ilai ile woild is a peipeiual, degeneiaiive "wloie" (accoiding io Ondslapi's
OPEN A VEIN
ii
vocalisi Aceibus) wlo luies lumaniiy inio evei-deepei levels of lellisl dailness and
violence.
y
SBM is a miiioi and cieaiive iesponse io ile miseiy.
Suicide is muidei. Tle Ameiican psycliaiiisi Kail Menningei believed ilai ileie aie
iliee elemenis necessaiy in oidei foi someone io commii suicide: ile wisl io lill, ile wisl
io be lilled, and ile wisl io die.
S
In Mon Aqoinst Himself, Menningei wiiies, "Tleie is a
liiile muidei and a liiile suicide dwelling in eveiybody's leaii."
q
Kvaifoiil asseiis ilai ile
wlole objeciive of Slining is io ieacl people io desiioy ilemselves, oi io foice-feed people
wiil self-desiiuciive and suicidal imageiy and lyiics. Tle aim of ile band is io luii, io give
biiil io fuiuie psyclopails and a bieed of people wlo believe in ile desiiuciion of
manlind. He piesciibes an end io ile polymoiplous peiveise, obscenely pulsaiing
oveiabundance of life. Kvaifoiil siaies:
I laie life and I laie living, I iiuly, iiuly laie life in all iis fucling peiveise foims
. . . animals, naiuie, eveiyiling ilai giows musi be pui io deail. Bui ilai's jusi
faniasies. I ilinl ilai manlind is pieiiy good ai fucling ouiselves up in a way,
you lnow, bui if I can pusl ii a liiile bii ii's good.
(o
In ile documeniaiy video Block Metol Sotonico, le desciibes ile iliill le expeiienced
wlen le accidenially cui open someone's aim, ievealing ile bone, and also low le cui
someone's leg open, iool oui a piece of flesl, and iiied io "feed a wloie" wlo was sianding
neaiby (a peifoimance ilai le compaied io ile Cailolic Holy Communion iiiual).
(i
Kvaifoiil is noioiious foi passing oui iazoi blades ai conceiis. He combines cannibalisiic
piiesily gesiuies, iiiualisiic self-muiilaiions, and apocalypiic, anii-life seimons io
exieiminaie lopeful dieams and floaiing woild illusions.
(:
A suicidal laze, unieal lile a ioiiuious dieam
Old siinging menial wounds, siill iaw and fucling bleeding
Diowning in ile womb of miseiy, ile moilei of depiession
Tle slaugliei of all lope, ile giim deail of compassion
Sell youi soul io evil; sell youi soul io deail
. . . Suicide, suicide, suicide, suicide, suicide, suicide, suicide . . .
A dead empiy siaie inio ile iuins of my woild
A woild I lave alieady lefi, so many yeais ago
(
Ii is as Nieizscle elucidaied: "lope,in iealiiy ii is ile woisi of all evils, because ii
piolongs ile ioimenis of man."
((
Tlese musicians, lile ile liieiaiy aiiisis Anionin Aiiaud and Yulio Mislima, considei
suicide an aclievemeni. Aiiaud confides:
}ANET SILK
i:
If I commii suicide, ii will noi be io desiioy myself bui io pui myself bacl
iogeilei again. Suicide will be foi me only one means of violenily ieconqueiing
myself, of biuially invading my being, of aniicipaiing ile unpiediciable
appioacles of God. By suicide, I ieiniioduce my design in naiuie; I slall foi ile
fiisi iime give ilings ile slape of my will.
(
Tliougl suicide a peison iiiumpls ovei ile mundane, common, and ugly; a peison is mosi
leioic wlen le oi sle is unafiaid of ending lis oi lei life.
In }apan, an oiclesiiaied self-lilling is ioleiaied and consideied an aciion of lonoi
and iespeci. Hisioiically, seppuku, oi bori-kiri ("belly-cuiiing"), developed fiom ile
miliiaiy class and was a ieveied foim of suicide and a puiificaiion iiiual. Wleilei
voluniaiy oi obligaioiy, ile climax of ile ceiemony is deail by self-disembowelmeni: a lefi
io iigli slice deep in ile belly, and a final beleading by a specially iiained swoidsman.
Opening up ile abdomen symbolizes ilai ile ceniei of ile peison's being is undefiled.
(6
Auiloi Yulio Mislima ciiiicized ile moial and maieiial decadence impoiied inio }apan
fiom ile Wesi, clampioning a ieiuin io iiadiiions of Impeiial }apan and ile samuiai code
of conduci.
(y
He was obsessed wiil seppuku. Hoping io iesioie ile code of ile samuiai, le
cieaied ile Slield Socieiy, a piivaie aimy of eigliy-five men, wlicl Mislima desciibed as
"ile woild's leasi aimed, mosi spiiiiual aimy."
(S
On Novembei :, iqyo, Mislima and foui
Slield Socieiy membeis iaided and seized ile Tolyo-based Icligaya Miliiaiy Headquaiieis
of }apan's Self-Defense Foices. Fiom a balcony, le gave a confioniaiional and piovocaiive
speecl, imploiing ile ciowd of :oo seivicemen io ieiuin io ile iiadiiional ways of Impeiial
}apan. Mislima admonisled ilai ile }apanese ilougli only of money and lad no paiiioiic
oi spiiiiual foundaiion.
(q
Afiei lis speecl, wlicl was noi well ieceived, le walled bacl
inside ile Headquaiieis and commiiied seppuku. His koisboku (suicide assisiani)
compleied ile iiiual wiil Mislima's beleading, wlicl paiily failed wlen ile koisboku
iiied iliee iimes io sevei ile lead fiom ile body befoie one of Mislima's oilei acolyies
was finally successful.
o
Now legendaiy, ile coup and iiiualized suicide was iidiculed ai ile
iime, yei is emblemaiic of Mislima's idealizaiion of samuiai moialiiy and of lis exaliaiion
of suicide as an aesileiic aci, a way io pieseive ile beauiy of youil: "If you wani youi
beauiy io enduie you musi commii suicide ai ile leigli of youi beauiy."
i
Tliougloui lis
life, Mislima desiied io be noi jusi a man of leiieis and woids bui "a man of aciion," and in
oidei io ieclaim lis lonoi le followed a paiadigm of feiocious self-desiiuciion. On ile
appoinied day, le submiiied ile lasi pages of lis lasi bool io lis publislei and composed
lis deail poem:
A small nigli sioim blows
Saying "falling is ile essence of a flowei"
OPEN A VEIN
i
Tlen ilose wlo lesiiaie aiiived.
:
Dead is legendaiy foi declaiing lis siance againsi ile iiendiness and commeicialism
of ile Exiieme Meial (in paiiiculai, Deail Meial) scene of lis iime. Bands lile Maylem
sougli a iadically evil, dail, and aggiessive sound, and moie bloody, iiansgiessive, and
ileaiiical siage slows.
Albeii Camus, Tbe Mytb of Sisypbus (Haimondswoiil: Penguin, iqSo), ii. In conclusion, Camus
iejecis suicide boil plilosoplically and plysically, and le explains ilai ile iasl of living slould be
accepied. In coniiasi io ilis posiiion, ilis essay piesenis ideas ilai aie in favoi of ile individual's
iigli io cloose suicide and possible moiivaiions foi cloosing suicide. See Beaiiiz Scaglia's
"Plilosoply of Suicide," in On Fire for o Couse. Tbe Horror of Self-lmmolotion (Websiei's Digiial
Seivices, :oii), (y. See also, Miclael Clolbi, "Libeiiaiian Views and ile Rigli io Suicide" in "Suicide,"
.(, StonforJ EncyclopeJio of Pbilosopby, }uly :q, :ooS, liip:]]plaio.sianfoid.edu]eniiies]suicide.
(
Also iefeiied io as morononussoti bbovono, see V.F. Gunaiaina, "Buddlisi Refleciions on Deail,"
Access to lnsiqbt. ReoJinqs in TberovoJo BuJJbism iqq(-:oii, liip:]]www.accessioinsigli.oig]lib]
auilois]gunaiaina]wleelio:.liml. No doubi ilis siaiemeni aboui Buddlisi ilougli is a geneial-
izaiion and deseives a moie nuanced pieseniaiion, lowevei ile auiloi las limiied ile examples foi
ile sale of bieviiy. Considei ilis poem by Zen Masiei Haluin Elalu:
Tle monley is ieacling
Foi ile moon in ile waiei.
Uniil deail oveiiales lim
He'll nevei give up.
If le'd lei go ile biancl and
Disappeaied in ile deep pool,
Tle wlole woild would sline
Wiil dazzling puieness.
See Laiiy Rosenbuig's accouni of low lis ieaclei led a mediiaiion in ile same ioom of a decaying
coipse. Rosenbuig, "Tle Supieme Mediiaiion," Sbombolo Sun, Novembei :ooo, liip:]]www.
slamblalasun.com]index.plp?opiion=conieni8iasl=view8id=iyq:.
6
Aiilui Sclopenlauei, "On Suicide," in StuJies in Pessimism (New Yoil: Cosimo, :ooy), :q.
y
Maiglaniia Lasli, Ecstosy in Seculor onJ Reliqious Experiences (London: Ciessei Piess, iq6i), :(o.
S
Mais Lundbeig, Block Metol Sotonico, DVD (Cleopaiia, :ooS). Inieiview wiil Kvaifoiil by Block
Terror Vebzine (Ociobei :oo), quoied in "Inieiviews," Sbininq, liip:]]sliningband.iiipod.com]
inieiviews-blaclieiioi.liml.
q
Lundbeig, Block Metol Sotonico.
io
}ames Hillman, SuiciJe onJ tbe Soul, quoied in Geoige Howe Coli, November of tbe Soul. Tbe
Eniqmo of SuiciJe (New Yoil: Summii Bools, iqqi), (-((.
ii
Camus, Tbe Mytb of Sisypbus, ii.
i:
Tlese aliiuisiic viiiues aie noi limiied io ieligious discouise; lowevei, ile auiloi is using examples
fiom iliee ieligious iiadiiions foi ile puiposes of exploiing ile language used io desciibe spiiiiual
enliglienmeni.
i
Coli, November of tbe Soul, :. Tle iweniy-iliid clapiei of ile lotus Sutro is iepoiied io lave
been ile inspiiaiion foi ile monls and nuns wlo self-immolaied io pioiesi ile Vieinam Wai. Tle
clapiei iells ile sioiy of ile Medicine King Bodlisaiiva wlo buined limself as an offeiing io
Buddla.
OPEN A VEIN
iy
i(
See "Aiab Spiing," VikipeJio. Tbe Free EncyclopeJio, liip:]]en.wilipedia.oig]wili]Aiab_Spiing. See
also }osl Sanbuin, "A Biief Hisioiy of Self-Immolaiion," Time, }anuaiy :o, :oii, liip:]]www.iime.
com]iime]woild]aiiicle]o,Sqq,:o(i:,oo.liml.
i
Al Alvaiez, Tbe Sovoqe GoJ (New Yoil: Random House, iqyi), io.
i6
Ann Maiie Olivei and Paul F. Sieinbeig, Tbe RooJ to Mortyrs' Squore. A journey into tbe VorlJ of
tbe SuiciJe Bomber (New Yoil: Oxfoid Univeisiiy Piess, :oo), xxi.
iy
Olivei and Sieinbeig, Tbe RooJ to Mortyrs' Squore, y.
iS
Alvaiez, Tbe Sovoqe GoJ, ioo. See also Sieve Tayloi, Durkbeim onJ tbe StuJy of SuiciJe (London:
Macmillan, iqS:), io-i.
iq
Anai Beilo, Tbe Potb to PoroJise. Tbe lnner VorlJ of SuiciJe Bombers onJ Tbeir Dispotcbers
(Wesipoii: Piaegei Secuiiiy Inieinaiional, :ooy), iiS.
:o
Olivei and Sieinbeig, Tbe RooJ to Mortyrs' Squore, iiq.
:i
"Lasi Woids of a Teiioiisi," Tbe GuorJion, Sepiembei o, :oii, liip:]]www.guaidian.co.ul]woild]
:ooi]sep]o]ieiioiism.sepiembeiii.
::
"Lasi Woids of a Teiioiisi."
:
Ii is inieiesiing io noie ilai ile Englisl woid mortyr deiives fiom ile Gieel woid "wiiness"
(mortys) and ilai ile Aiabic woids foi maiiyi and wiiness (sbobeeJ) aie ideniical. Tle maiiyi's gifi
of self-saciifice is iniimaiely iied wiil a public wiinessing (by eiilei people oi supeinaiuial beings) of
ile eveni: see Keiil Lewinsiein, "Tle Revaluaiion of Maiiyidom in Eaily Islam," in Maigaiei
Coimacl, ed. Socrificinq tbe Self. Perspectives on MortyrJom onJ Reliqion (New Yoil: Oxfoid
Univeisiiy Piess, :oo:), yS-yq. Considei also ai a conceii low ile audience wiinesses siaged self-
muiilaiion by fionimen sucl as ile Slining's Kvaifoiil: }osepl Allen, "'Dead' on His Lasi Album
Covei," Rock Stor Mortyr, Apiil S, :oii, liip:]]ioclsiaimaiiyi.nei]dead-on-lis-lasi-album-covei].
Wlile ile ieim auileniiciiy las been clallenged by posimodein culiuial ileoiisis, ii is used leie as
a ieim io desciibe a siaie of being in ile woild in accoidance wiil ile iiuil and iealiiy of one's sense
of self. See "Auileniiciiy," New VorlJ EncyclopeJio, www.newwoildencyclopedia.oig]eniiy]Auilen
iiciiy_(plilosoply).
:(
i Coiinilians i: (-. Aposile Paul pioclaims ilai Cliisiians need noi feai deail because of
Cliisi's saciificial aionemeni foi lumaniiy's sins: "Deail is swallowed up in vicioiy. O deail, wleie
is ily siing? O giave wleie is ily vicioiy?" Tle soul is vicioiious.
:
Geoige Minois, History of SuiciJe. Voluntory Deotb in Vestern Culture (Baliimoie: }oln Hoplins
Univeisiiy Piess, iqqq), :6.
:6
Cailin Baiion, "Honoi and Saciedness in ile Roman and Cliisiian Woilds," in Coimacl, Socrificnq
tbe Self, o. Tle eiymology of ile woid saciifice includes ile Laiin woid socrificore, 'loly-maling,' iis
iooi meaning socro, 'sacied iiglis.'
:y
Coli, November of tbe Soul, i.
:S
Gusiave Flaubeii, Tbe Temptotion of Soint Antbony, quoied in Coimacl, Socrificinq tbe Self, i.
:q
Male a Clange . . . Kill Youiself, "Clapiei III," Moke o Cbonqe . . . Kill Yourself (Toial Holocausi
Recoids, :oo).
o
"Maya (Buddlism)," KnowleJqe Rusb, liip:]]www.lnowledgeiusl.com]li]encyclopedia]Maya_
(Buddlism). See also }ason Foisiei, "Commodified Evil's Waywaid Clildien: Blacl Meial and Deail
Meial as Puiveyois of an Alieinaiive Foim of Modein Escapism" (PlD diss., Univeisiiy of Canieibuiy,
:oo6), S:; liip:]]ii.canieibuiy.ac.nz]biisiieam]iooq:]q66]i]ilesis_fulliexi.pdf.
i
Coli, November of tbe Soul, iy.
:
Sial al-A`l: i6-iy.
i }oln :: i-iy.
}ANET SILK
iS
(
Slining, "Tliougl Coiiidois of Oppiession," Tbrouqb Yeors of Oppression (Unexploded Recoids,
:oo().
Miclael Moynilan and Didiil Sodeilind, lorJs of Cboos. Tbe BlooJy Rise of tbe Sotonic Metol
UnJerqrounJ (Los Angeles: Feial House, :oo), S-6:.
(
Foisiei, "Commodified Evil's Waywaid Clildien," :(-:S.
Keiil Kaln-Haiiis, Extreme Metol. Music onJ Culture on tbe EJqe (New Yoil: Beig, :ooy), :q.
6
Robeii Sun, "Inieiview: Male A Clange . . . Kill Youiself," Mirqilus Siculorum, May :ooS,
liip:]]www.miigilus.com]inieiviews]macly.liml.
y
HansKopf, "Inieiview wiil Ynleboigaz (Male A Clange . . . Kill Youiself, Anganiyi, Blodaiv),"
Mortem Zine, }anuaiy i, :ooy, liip:]]www.moiiemzine.nei]slow.plp?id=(.
S
Male a Clange . . . Kill Youiself, "Clapiei II," Moke o Cbonqe . . . Kill Yourself (Toial Holocausi
Recoids, :oo).
q
Alvaiez, Tbe Sovoqe GoJ, qq.
OPEN A VEIN
iq
6o
"Yeais laiei, Neciobuiclei spole of ile impaci of Pei Yngve Ollin's icon: 'Some people became
moie awaie of ile scene afiei Dead lad sloi limself. Afiei ilai, cluicles siaiied io buin and ii jusi
weni ciazy leie. I ilinl ii was Dead's suicide ilai ieally clanged ile wlole scene. . . . A loi of young
musicians goi inio ile scene because ii was ile mosi aggiessive and violeni scene oui ileie ai ile
iime'": Allen, "'Dead' on His Lasi Album Covei."
6i
Einesi Hemingway, quoied in Coli, November of tbe Soul, :yi.
6:
Coli, November of tbe Soul, ::S.
6
I Slali Become, "End Time," Tbe PenJle Vitcb Triols (No Colouis Recoids, :ooq).
6(
Sclopenlauei, StuJies in Pessimism: "Ii will geneially be found ilai, as soon as ile ieiiois of life
ieacl ile poini ai wlicl iley ouiweigl ile ieiiois of deail, a man will pui an end io lis own life. Bui
ile ieiiois of deail offei consideiable iesisiance; iley siand lile a seniinel ai ile gaie leading oui of
ilis woild. Peilaps ileie is no man alive wlo would noi lave alieady pui an end io lis own life, if
ilis end lad been of a puiely negaiive claiaciei, a sudden sioppage of exisience. Tleie is someiling
posiiive aboui ii; ii is ile desiiuciion of ile body; and a man sliinls fiom ilai, because lis body is
ile manifesiaiion of ile will io live" (:q).
See also William Einesi Henley's "Invicius," (iSy):
Blacl as ile Pii fiom pole io pole,
I ilanl wlaievei gods may be
Foi my unconqueiable soul.
In ile fell cluicl of ciicumsiance
I lave noi winced noi ciied aloud.
Undei ile bludgeoning of clance
My lead is bloody, bui unbowed.
Beyond ilis place of wiail and ieais
Looms bui ile Hoiioi of ile slade,
And yei ile menace of ile yeais
Finds, and slall find, me unafiaid.
Ii maiieis noi low siiaii ile gaie,
How claiged wiil punislmenis ile scioll.
I am ile masiei of my faie:
I am ile capiain of my soul.
6
Tleie aie diffeieni iepoiied veisions of Dead's final siaiemeni. See Cliis Campion, "In ile Face of
Deail," Tbe GuorJion, Febiuaiy :o, :oo, liip:]]www.guaidian.co.ul]music]:oo]feb]:o]popand
iocl(; Moynilan and Sodeilind, lorJs of Cboos, 6:; and "Biogiaply," Pell Ynqve Oblin, liip:]]www.
fieewebs.com]peiyngveollin]Pages]Biogiaply.liml.
AT THE EDGE OF THE SMOKING POOL OF DEATH
WOLVES IN THE THRONE ROOM
Timothy Morton
In a iicl and exiensive inieiview, ile Blacl Meial band Wolves in ile Tlione Room aigue
ilai ile age of ecology is an age of lypociisy:
One of ile many coniiadiciions of Blacl Meial is ilai ii is a music ilai deciies
civilizaiion, bui ielies on so many modein coniiivances io exisi. I don'i ilinl ii is
a naiuial sound ai all. Ii is ieally ile sound of paiadox, ambiguiiy, confusion,
being caugli beiween iwo woilds ilai cannoi be ieconciled. I lave lad people
iliow ilis in my face befoie"low can you play music ilai is supposedly anii-
civilizaiion on eleciiic guiiais?" Fianlly I find ilis line of ieason boiing and
poiniless. I iemembei a common line againsi iioieis iiasling ile Nile sioie in
downiown Seaiile. Tleie was a famous piciuie of some blacl-clad lid smasling
ile Nile sign, bui zoom in and . . . al-laa!! He's weaiing Nile snealeis! I say,
wlo fucling caies? Cailaisis is oui objeciive, noi a lily-wliie and guili fiee
exisience. We aie all lypociiies and failuies.
i
Tlis veiy suggesiive siaiemeni iesonaies poweifully wiil wlai I iale io be ile time of
byperobjects, a lisioiical momeni in wlicl nonlumans male decisive and iiieveisible
coniaci wiil lumans, wiilin ile discouises of iaiionalism, empiiicism, and science. Of
couise, ilese coniacis and affiliaiions lave exisied iliougloui ile lisioiy of ile luman
species, and some culiuies lave aclnowledged ilem moie poienily ilan oileis. Bui ile
TIMOTHY MORTON
::
iime of lypeiobjecis males ii impossible foi onyone, onywbere, noi io be affecied by
nonlumans.
Tle noiion of lypociisy is based on ile faci of being iiapped inside a giganiic eniiiy,
oi a seiies of ilem, lile }onal in ile Wlale. I aigue ilai Wolves in ile Tlione Room
peifoim ilis eniiapmeni in ileii veision of Meial. By cieaiing sonic lypeiobjecis, ile
music of Wolves in ile Tlione Room is liglly congiueni wiil ile coniempoiaiy social and
poliiical siiuaiion. Moieovei, as allies of ile enviionmenial advocacy gioup Eaiil Fiisi!,
Wolves in ile Tlione Room lave peifoimed a veiy significani disioiiion of noimaiive
enviionmenialisi subjeciiviiy, also ielaied io ileii assumpiion ilai, "Againsi ile
lypeiobjeci we aie always in ile wiong," io adapi Kieilegaaid's pliase.
:
Hypociisy is noi simply a coniexiual niceiy ilai lelps us undeisiand wlai Wolves in
ile Tlione Room aie "aboui." Hypociisy is also diiecily significani in ile aiiwoils ilai
Wolves in ile Tlione Room pioduce. Hypocrisis is ile Gieel ieim foi ile fifil siage of
ileioiic: deliveiy. I slall aigue wly ilis faci is piofoundly significani foi undeisianding ile
poweiful noveliy of Wolves in ile Tlione Room's coniiibuiion io Blacl Meial. In
paiiiculai, deliveiy is ile peifoimaiive dimension of ileioiic, wlicl I aigue is a fully causal
dimension. By playing wiil lypociisy, Wolves in ile Tlione ioom aie exploiing
causaliiyexploiing, ilai is, diiecily iampeiing wiil ii. I slall aigue ilai in doing so
Wolves in ile Tlione Room allow foi ile possibiliiy of foims of speculaiive meiaplysics
ilai inviie lumans io ilinl aboui ile ieal, even as iley aie iiapped on ile "ouiside" of
ileii slin, unable io inlabii ileii own flesl.
&7* -5'4#(6 .''$ '/ "*%&7
Lile all good names, ile band name Wolves in ile Tlione Room evoles many ilings ai
once. Tleie is a ilione ioom, wlicl is iuined and oveiiun by wolves. Tleie is a ilione
ioom, in wlicl wolves aie ile queens and lings. Tleie is a ilione ioom, in wlicl wolves
accompany lumans, subseivieni and pioieciive. Tleie is a ilione ioom, in wlicl ileie aie
ciiminals wlo lave been placed beyond ile law: bomo lupus as Gioigio Agamben las
aigued, lumans wlo may be lunied and lilled, bui noi saciificed.
Riglily, ilis album covei is woidless. Naiuie is saying someiling io us, someiling
unspealable. Tle image, wlicl cannoi be pionounced, evoles ile sileni funciioning of
ilings. Ii is a woid ilai we can see bui wlicl is unspealable. Tlis is noi Naiuie as a
coiielaie of luman imaginaiion. Tlis is ile nonluman in iis mosi fully posi-Romaniic
mode, a mode ilai I leie call tbe smokinq pool of Jeotb.
Tlis is ile sound of Wolves in ile Tlione Room. Tle opening momenis of Two
Hunters, wlicl begins as ile faini sounds of iuial ambience, yei explodes inio a loiiifying,
beauiiful, loiiifyingly beauiiful sequence of cloids ilai My Bloody Valeniine would lave
lilled io inveni.
6
Tle opening momenis of ile laiesi album Celestiol lineoqe peifoim ile
same mysieiy, as if Wolves in ile Tlione Room aie mineis digging undei ile sonic woilds
evoled by ile sloegaze band Slowdive, io discovei a luge, abandoned cave coveied wiil
ciysials. In ilis sense, ile sound iiself is speculaiive and iealisi, iunneling beyond ile
depils of melancloly inio dailei, yei moie beauiiful, iealiiies.
Wly a pool of deail? Ii is as if Wolves in ile Tlione Room allow us io see wlai ile
Wleel of Life painiings of Tibei also allow: ilai life is caugli in ile jaws of deail. Tle
quiei iuial sounds aie only ile iip of a giganiic icebeig. Tle fiail flicleis of living aie small
iipples on ile giganiic pool of deail, a pool evoled in ile fjoid of sound ilai does noi
assauli bui iailei descends upon us wiil welcome, lapidaiy iniensiiymajesiic,
uncompiomising. How deep is ile pool? Wly aie ileie wolves in ile ilione ioom? Tle
quesiion of exisience iesounds, ile quesiion aboui exisience, tbe question tbot is existence.
Noi an innoceni quesiion. Oi peilaps yes, a puiely innoceni quesiion, ile only innoceni
quesiion, bui innoceni noi in ile sense of ignoiance, bui in ile sense of never bovinq
committeJ ony borm, any iime, any place (Laiin, innocens). Tle lind of innocence ilai
William Blale ialls aboui, a disiuibing innocence, noi naiveiy, bui aimed io ile ieeil,
wiil nonviolence.
TIMOTHY MORTON
:(
And as ile song descends siill fuiilei inio ile nexi song, "Vasiness and Soiiow," we
feel ile slaipness of ilose ieeil. Tle scieaming bieail of a voice noi iaised in angei bui
piicled io ile fiequency of ile violence of exisience, moving wiil ile piecise ioique of
suffeiing. Tle iuilless genileness of a i:i scale map of ile smoling pool of deail.
Wly is ile pool smoling? Misi seems io be iising fiom ii. Tle cold lissing of
disioiied guiiai and cymbals evoles ile way waiei vapoi iises fiom a cold pool in a foiesi
cleaiing, ile way diy ice seems io floai aiound ile dail lull of bass bins. Tleie is one
pool, one misi iising: noi a gioup oi colleciive of insiiumenis, bui a single insiiumeni wiil
seveial leads, leads of wolves, lile ile vicious, mouinful Tling in }oln Caipeniei's film, a
Tling discoveied by a Noiwegian wlo iuns io ile Ameiicans, iiying io wain ilem aboui a
wolf ilai is noi a wolf.
y
Wly tbe smoling pool, and noi a smoling pool? Simply because ilis is a ieal pool,
ilai pieexisis me. To use ile definiie aiiicle is io use ile mosi poweiful fiisi woid in iealisi
ficiion. Tleie aie many examples bui considei ile fiisi iwo woids of Oscai Wilde's Tbe
Picture of Dorion Groy: "Tle siudio . . . ." Wlicl siudio? Wly ilis one, ile one ilai is leie
alieady, befoie I siaiied ieading.
S
I find myself alieady in ile pool. I wale up diowning in a
fjoid, wlicl was always alieady ileie. Wlai seemed lile liiile iocls floaiing on ile ocean
suiface iuined oui io be ile iips of giganiic mouniains descending inio ile smoling pool
of deail. A woman's voice sings io me as I sinl deepei inio ile coldness, spelling oui a
iiiual cailaisis ("Cleansing"). Ii is clean in ile dailness of ile smoling pool of deail. Ii is
lonesi and uncompiomising. An immensely disiuibing peace floais ileie.
Tleie is noiling io do bui decide io live auileniically ai ile edge of ile smoling pool
of deail, now we lave enieied ile siill waieis in ile dieamiime of sound. And so, ile final
song on Two Hunters is a piomise: "I Will Lay Down My Bones Among ile Rocls and
Roois." Rocls and iooisluman oi inluman; living oi dead; oiganic oi inoiganic? Wiil
peifeci ineviiabiliiy, ile album fades inio ile lind of faini ambience wiil wlicl ii begins.
Yei ile end is ile sound of meadow biids, ile sweeiness of a summei's day. Was ile
smoling pool of deail jusi a dieam? Tle beginning is ile ilicl nigli of ciicleis and owls.
Wlai beclons us oui of ilis dailness?
Tlus ile iwo Naiuie samples funciion veiy diffeienily, yei wiil an undeilying uniiy.
Tle opening sound is ile beginning of dying, ile fiisi glisiening diopleis of liquid exiiing
ile life-foim as ile inside of ile being iuins inside-oui io face ile music. Tle closing
sound is ile ongoing ielief of ile end of dying, ile coinciding of ile essence of ilings wiil
ile way iley appeai, ile end of ile iifi, as ile smoling pool of deail seems io evapoiaie
inio a Noiwegian summei meadow.
Wleie aie we? Wlen aie we? Aie we in Waslingion siaie, wleie Wolves in ile
Tlione Room live (ile beginning)? Oi aie we in Noiway, wleie Blacl Meial oiiginaied
AT THE EDGE OF THE SMOKING POOL OF DEATH
:
(ile end)? We aie ile woild, ii seems, finallynoi in ile loiiifying affiimaiion of a
Miclael }aclson, bui lonesily, in a being-iowaids-deail.
&7* %6* '/ %-955*&+9) $#/*=#(="*%&7 '( *%+&7
Tle ieim Heovy Metol evoles ile ioxic eniiiies ilai lumans lave foiged since a decisive
momeni in wlai geology now calls ile Antbropocene: iq(, wlen a ilin layei of iadioaciive
maieiials was deposiied in Eaiil's ciusi. Tle ieim Block Metol suggesis an
uncompiomising dwelling wiil ile poison and iniensiiy of ile nonlumans ilai now exisi:
pluionium, uianium, global waiming. Wolves in ile Tlione ioom dwells upon ile
dailness of Meial, ilai mosi clilonic of ilings, iefusing io even iiy io aiiain escape
velociiy inio ile ligl oibii of affiimaiive culiuie ilai sluns ile Eaiil beneail. As Sieven
Slalespeaie wiiies, "We aie a long way fiom naiuie woislip. If we aie dealing wiil a
ieligion leie, ii is moie lile a coniaminaiion, in wlicl spiiii goes io giound."
q
Robeii Oppenleimei wiinessed ile fiisi exploding nucleai bomb and said: "I am
become deail, desiioyei of woilds." He was quoiing ile BboqovoJ Gito, a iexi wlose
iecepiion in Euiope and Ameiica mailed ile beginning of ile end of Wesiein impeiial
oveiieacl, iypified by Hegel's plilosoply of ieligion.
io
Tle siaiemeni iesonaies wiil wlai
is spolen in ile cloius of Antiqone:
Many aie ile disiuibing cieaiuies on Eaiil,
Yei none is moie disiuibing ilan Man.
ii
Yei, ile loiiified amazemeni ai ile luman powei io slape ile eaiil and ocean is
simulianeous wiil a iealizaiion of ile depils of eaiil and ocean and all ile life-foims ilai
swim, ciawl, cieep and fly wiilin ile biospleie ilai iley ilemselves cieaie. Tley aie all
deail, desiioyei of woilds, in ile veiy faci of living: oxygen is ile fiisi enviionmenial
caiaclysm, along wiil vasi deposiis of iion in Eaiil's ciusi. Boil oxygen and iion oie aie
bacieiial wasie. On ilis view, ile woild iiself is ile desiioyei of woilds. Humans lave
enieied an Aqe of Asymmetry in wlicl ioweiing lnowledge, including ile iealizaiion of
infiniie innei spaces of fieedom and cieaiiviiy (exemplified by ile Kaniian sublime), is
equally maicled by ioweiing plysicaliiy. We lave enieied ile giganiic fjoid of ile nexi
momeni of lisioiy, wiiloui even lnowing ii.
Tlis is ieflecied in aii. Considei Hegel's lectures on Aestbetics. In ilese leciuies,
Hegel aigues ilai ileie aie iliee ages of aii, coiiesponding io gieaiei and gieaiei luman
lnowing. Fiisi ile symbolic plase, in wlicl plysical ilings ouisiiip lnowing; ilen ile
classical plase, a Goldilocls sweei spoi in wlicl ilings and lnowing seem equally
TIMOTHY MORTON
:6
balanced foi a fleeiing momeni; ilen ile Romaniic age in wlicl lnowing ouisiiips ilings.
As a Romaniic limself, Hegel ilougli ilai ii would be veiiiginous innei fieedom fiom
leie on oui.
i:
He made a misiale: le ilougli lis view was ile final one, ile snow capped
summii of luman lisioiy. He did noi iealize ilai, even on ile flawed innei logic of lis
own aigumeni (wlicl ilis essay does noi endoise), nonluman ilings would iise again io
iowei equal io luman lnowing, yei noi in a ieiuin io Goldilocls classicism. Insiead, ileie
would be a face-off beiween asymmeiiical opponenis: ile nucleai bomb exploding wlile
Oppenleimei lools on, loiiified. Infiniie innei space discoveis infiniie ouiei space, noi
jusi ouiside ile Solai Sysiem, bui in ile veiy coie of ilings. In addiiion, a new lind of
iiony las been boin: noi ile playful veiiigo of Romaniicism, bui ile deei-in-ile-leadliglis
iealizaiion ilai we aie caugli in ile iliclei of ilings, iiapped in a iloin busl, impiisoned
in ile iiee Yggdiasil. Ii is indeed a monsiious ieiuin io ile "piimiiive" symbolic age of
indigenous culiuies, even if you use ile logic of Riclaid Dawlins oi Sam Haiiis. Even
Dawlins exisis along wiil nucleai iadiaiion, and ile lnowledge of ii. Tle iliee ages of aii
ieiuin muiaied in ile Age of Asymmeiiy.
i
Wolves in ile Tlione Room, ilen, is a iip of ile
biancling Yggdiasil of ilis new plase of luman exisience.
Tle Yggdiasil iiee las, of couise, always been ileie. Tlis is noi a new plase of
exisience ai all. Ii is simply a momeni ai wlicl, even if you aie a meclanisi maieiialisi,
even if you aie a puie idealisi, oi even a solipsisi, you siill lave io deal wiil youi gaibage
can, and ile lnowledge of wleie ile gaibage goes, and ile giganiic island of plasiic bags
ioiaiing in ile Ailaniic Ocean lile some mad god. Tlis is ile momeni ofter tbe enJ of tbe
worlJ: wlen ile sioiy we lave been ielling ouiselves, ilai we live in a foiegiound wlose
exisience is sei off againsi a baclgiound, finally males no sense ai all. Wlen I can Google
Eaiil ile caip in my Englisl moilei's baclyaid pond, ile woild as a meaningful
baclgiound "ovei ileie" las ceased io exisi.
Tle deep geological faci of ile Aniliopocene aiises simulianeously wiil a deep
plilosoplical iefleciion on iealiiy, as ile Kaniian ciicle of coiielaiionism ilai iesiiicied
ilinling io, ai besi, a lind of PR foi "laid science" and "modein" social iealiiy begins io
slaiiei.
i(
Humans aie now faced wiil ile faci of coexisience: ile faci ilai exisience is
always alieady coexisience down io ile lidden depils of iis coie. Even if I am ile only
being in ile univeise, supposing ilis weie possible, I do noi coincide wiil myself. Tle l
ilai is wiiiing ilis is diffeieni fiom ile me aboui wlicl ile wiiiing is wiiiien.
Tleie is a deep iifi in ile univeise, ile iifi beiween essence and appeaiance: deepei
ilan ile diffeience beiween a subsiance and iis accidenis, wlicl fiom ilis poini of view is
only ile diffeience beiween two kinJs of oppeoronce. If we ilinl ieal ilings aie lile boiing
cupcales, and aesileiic appeaiances aie lile candy spiinlles, ilen we cleave io ile defauli
oniology ilai las plagued lumansand, I wani io aigue, all life-foims on ilis planei
AT THE EDGE OF THE SMOKING POOL OF DEATH
:y
since ai leasi ile days of Aiisioile.
If we wani io go any deepei ilan ilis, and ile pieseni ecological emeigency demands
ilai we do, we musi iiaveise dieamscapes in wlicl ile sligliesi misplaced fooifall could
land us in Hell. Wly? Because ii is veiy difficuli io cleave io ile ioique of suffeiing. Ii is
lile iiying io place one's land againsi a iapidly ievolving blade wleel. If we fail io maicl
ile speed of ile ioiaiion, we will be desiioyed. Tle sligliesi deviaiion fiom ile negaiiviiy
iequiied foi wlai I lave called Jork ecoloqy could be veiy dangeious.
i
In addiiion, we aie enieiing a siaie in wlicl ile oveiwlelming iealiiy of ilings is
accompanied by oveiwlelming feelings of uniealiiy, foi ile veiy same ieasons. In ilis
siaie, ii is easy io slip inio a pioieciive cynicism, wlose laid slell seems io slield us fiom
ile woisi we lnow, bui wlicl in iuin is biiiile. If cuiieni social condiiions peisisi iliougl
ile misapplicaiion of cynicism, all will be losi.
Tle cynic las alieady losi, in faci. Tlis is because "againsi ile lypeiobjeci we aie
always in ile wiong." Inside ile giganiic objeci called biospbere, inside ile giganiic sysiem
called qlobol worminq, all aciions, all aiiiiudes, all siaiemenis aie "wiong": incompleie,
ineffeciive ai some poini, weal in places, fiagile. Eveiyone is ieduced io lypociisy. Even
ile cynic: being cynical is a foim of lypociiiical lypociisy, now ilai we lnow we aie inside
a giganiic beasi. Tle cynic secieily lopes: if sle vomiis disgusiingly enougl, maybe ile
woild will clange. Tle cynic is a lypociiie in denial aboui lei lypociisy. Tle lypociiie, on
ile oilei land, embiaces lei failuie fully io giasp, aiiiculaie, oi iespond io ile siiuaiion in
wlicl sle finds leiself. Tlis is wly Wolves in ile Tlione Room desciibe ilemselves as
lypociiies. Tley lnow ioo mucl, as people wlo discoveied one anoilei iliougl Eaiil
Fiisi! Tley cannoi unlnow wlai iley lnow. Tley siand on ile edge of ile smoling pool of
deail, along wiil ile iesi of us. Sianding ileie is ile uliimaie aci of nonviolence, a
quiniesseniially poliiical aci, bui one ilai puiisis may find apoliiical, oi even aniipoliiical.
To pioieci leiself againsi ile lnowledge ilai lei slell is fiagile, ile cynic may
develop a ceiiain lind of nililism. Tlis is a diasiic misieading of ile smoling pool of
deail. Tlis is a niglimaie, bui ii is noi "jusi" an illusion. Ii is noi jusi a "manifesi image."
i6
Tle decisive momeni in a loiioi movie is wlen ile pioiagonisi accepis ilai "ilis is ieally
lappening." If we lnow ilai ii is an illusion, jusi a neuiological blip, ilen it isn't on
illusion. As Lacan aigued, "Wlai consiiiuies pieiense is ile faci ilai, in ile end, you don'i
lnow wleilei ii's pieiense oi noi."
iy
Tle iealiiy of ile smoling pool of deail is noi ile
iealiiy of some piegiven oniic cupcale. Noi is ile uniealiiy of a puie concepiual
consiiuciion. We aie ile smoling pool of deail, yei wlen I ieacl oui io ioucl ii, I only
ioucl ilis buiieifly iesiing on a flowei in ile Noiwegian meadow.
If we wani io go any deepei in oui social and plilosoplical jouiney, we musi descend
inio ile smoling pool of deail. Wolves in ile Tlione ioom piovide a lind of musical
TIMOTHY MORTON
:S
aniilisiamine ilai enables lumans io noi lave an alleigic ieaciion io woiling ai ile depil
necessaiy foi ieiiacing oui biolen coexisience wiil all beings.
('&*-
i
Biadley Smiil, "Inieiview wiil Wolves in ile Tlione Room :oo6," Nocturnol Cult, liip:]]www.
nociuinalculi.com]WITTRini.lim.
:
Soien Kieilegaaid, "Tle Edifiying in ile Tlougli ilai Againsi God We Aie Always in ile Wiong,"
in Eitber}Or. A Froqment of life, ed. Vicioi Emeiiia, iians. Alasiaii Hannay (London: Penguin, iqq:),
q-6oq.
Gioigio Agamben, Homo Socer. Sovereiqn Power onJ Bore life, iians. Daniel Hellei-Roazen
(Sianfoid: Sianfoid Univeisiiy Piess, iqqS).
4
Wolves in ile Tlione Room, Two Hunters (Souilein Loid, :ooq).
In lis cui-ups
and collages, sucl as Tbe Reol Voice (:ooq), le piesenis an uncluiieied vision of ile Blacl
Meial movemeni in oidei io ieacl a ioned-down coieilanls io ile use of an
incongiuous coloi code foi ilis musical genie and a ieduciion of signs.
Tle lisioiy of ile second wave of Blacl Meial, ile veiy one wlicl biougli Blacl
Meial oui of iis god-foisalen cellai, is appiopiiaied by aiiisis as ile mosi immediaie and
maybe ile easiesi sign emeiging fiom ile movemeni. Insofai as music is immaieiial, and
ineffable, aiiisis may iefei logically io concieie elemenis, lisioiical facis foi insiance, io
evole Blacl Meial. Tle facis and lisioiy of ile second wave weie almosi immediaiely
iuined inio myil, and aii (of couise) paiiicipaies in ile consiiuciion of a Blacl Meial
BAPTISM OR DEATH
myilology. In :oo, Banls Violeiie iool ovei ile minimal aesileiic of a buini edifice in lis
famous woil UntitleJ (Cburcb), unveiling limself as naiiaioi. He does noi foigei ilai ile
main iling foi a plasiic aci is io iiansfoim simple anecdoies inio subsianiial woils. Based
on ile aiiwoil of Buizum's Aske EP (Deaillile Silence Pioduciions, iqq), Banls's
ieasoning demonsiiaies ile poieniial coniained wiilin ilese Blacl Meial aiiisiic mediums.
Similai io ile subgenie's lisioiy and myilology, Blacl Meial logos, ile ideniiiy and
incainaiion of a band ofien exiiacied fiom bands' album coveis, aie an inexlausiible
souice of cieaiion (as mucl as foi ile one wlo cieaies ii as foi ile one wlo ieceives ii) and
piobably ile fiisi aesileiic sign coming closei io aii sensiiiviiy. Tle Ameiican Anilony
Buidin, a modein figuie of ile cuised aiiisi, gives a piimaiy iole io ile fiisi Buizum logo in
lis censoied insiallaiion VooJoo Room ai ile :oo( Fiieze Aii Faii. Tle insiallaiion
iecieaies lis foimei gaiage wleie le used io ieleaise as a youngsiei, and wleie ile logo
was painied acioss a wall-lengil miiioi. Heie, ile insiallaiion siie is iiansfoimed inio a
nosialgic voiive aliai. Aiiisis can use logos as ieady-mades oi in a will of appiopiiaiion, bui
ii is impoiiani io see beyond ile sign iiself and io analyze iis giaplic oi semiologic
poieniial. Tle logos aie indexical, bui iley musi also be ieflexive.
Figuie :. Eiil Smiil, "Tle Glosi of }ames Lee Byais CallingTle Coming of Wai (Absu)," :ooS,
claicoal on blacl iissue papei, yo x o cm. Image couiiesy of ile aiiisi.
ELODIE LESOURD
(
Fiom ile image io ile message, ile lyiics lave io become an objeci io manipulaie.
Tley aie ile voice incainaied. Even if melody foiegoes speecl, ile lyiics aie ile body of
ile music. Wlen ile music siops, woids siay. Moieovei, woids may also be visual objecis,
and aiiisis aie veiy adepi ai playing wiil semaniics. Consideied as elemenis inleieni io
ilis music, sound, and conieni, iley aie logically in ile giip of aiiisis' cieaiive will. Tle
lyiics of Daililione, Empeioi, Absu, oi Beillelem aie ile subjeci of a diawing seiies
slown in Eiil Smiil's insiallaiion Tbe Gbost of jomes lee Byors Collinq (:oo6-y) |Figuie :j.
Tlis veiy clevei woil is a confioniaiion beiween aii and lisioiy iliougl }ames Lee Byais'
figuie, "ile aiiisi-aposile devoied io ile faiil's paiadoxes," and ile lisioiy of populai
culiuie iliougl iis dailesi side.
(
In a siiong symbolic game, we come acioss esseniial
visual elemenis sucl as ile peniagiam. Tle use of woids in an aiiwoil is a fiisi siep io
absiiaciion. Woids ilemselves could be consideied as geomeiiical foims, bui claiged wiil
poweiful meanings. In oidei io undeisiand ile uses of ilese (someiimes cabalisiic) signs
and io ieveal wlai is lidden, ii is ceniial io appeal io a leimeneuiic.
Aiiisis close io pui some disiances io music iiself and decided io inieifeie wiil ile
figuiaiion, ile incainaiion of music iliougl images.
Figuie . Pei-Oslai Leu, video siill fiom Vox Clomontis in Deserto, :oio, (Film ploiogiaply by Peiiei
Holmein Halvoisen). Image couiiesy of ile aiiisi.
BAPTISM OR DEATH
Coipse paini immediaiely appeais as ile main specificiiy ilai iefeis io ile genie.
Blacl Meial culiuie is veiy codified and obeys consiiiueni piecepis of iis musical
beginnings. Tle visual impaci of ile movemeni is unquesiionable and many aiiisis
colonize iis endemic feaiuies, exposing ii io ile iisl of caiicaiuie. Oui of ile wealil of
elemenis wiilin Blacl Meial culiuie ilai geneiaie meaning, ile foiemosi iefeieni is ile
coipse paini. Undeniable, indubiiable, and concieie, ilis suiface and ceiemonial elemeni
aiiempis a discuisive iebiiil undei ile covei of aii. Lile a naiiaiive faade, ii is an opening
io a moie ieflexive conieni. Claia Djian and Nicolas Leio, a Fiencl-Swiss duo, ieconsidei
ile menacing and monsiious appeaiance of ilis masled face in ileii Anqoisse seiies
(:ooq-:oio) by using siencils io iefine ile sign. Indeed, ile use of ilis iool, exiiacied fiom
aii and ciafis and uiban culiuie, and so unfamiliai io ilis musical genie, enables ile iwo
aiiisis io exploie ile capaciiy of ilis emblemaiic elemeni, wlicl could be iepioducible ad
infiniium. Howevei, ii is inieiesiing also io allude io ile aciivisi use of spiay paini by some
bands ai ilai iime. Tle Noiwegian aiiisi Pei-Oslai Leu uses coipse paini peiiinenily by
slifiing ile subjeci fiom sign io incainaiion, exieiioiiiy io inieiioiiiy. In lis video Vox
Clomontis ln Deserto (:oio), le iales advaniage of coipse paini io bioaden iis semaniic
consiiuciion |Figuie j. He males limself up as a gioiesque Blacl Meial musician and
emplaiically peifoims again l Poqliocci, an opeia by Ruggeio Leoncavallo, in places
lisioiically linled io ile movemeni (ile Helveie basemeni, ile Holmenlollen cluicl).
Tlis siiong woil quesiions, noi wiiloui iiony, ile noiion of auileniiciiy and
iiansgiession.
Revealing ile man undei ile male-up does noi mean lumanizing Blacl Meial
musicians. Aiiisis, poiiiaying ilese laiiei, seem io be iuining claiacieis inio icons. Indeed,
if coipse paini iedefines ile face, poiiiaiiuie is ofien ai ile leaii of an aiiisiic woil. In
some aiiwoils, ile ieenagei is closen as ile absoluie melanclolic figuie wiil infiniie
poieniial, bui moie ofien, as exemplified wiilin ile piolific woil of Sieven Sleaiei (wlo
piesenis a ieal Meial Aieopagus), ii is ile musicians ilemselves wlo aie poiiiayed
lonqboirs i (:oo(), Smoke (:oo), and Dovos (:ooy). Tlus Fiosi, Abbail, Infeinus, Vaig
Vileines, Gaall, Beleiii, Euionymous, Neciobuiclei, and Hellbuiclei lave become ieal
icons, in ile oiiginal sense of ile woid. Yei ilese poiiiaiis of musicians lave followed ile
opposiie diieciion of genuine icons: Aii iiansfoimed icons (objecis of devoiion) io "simple"
objecis of aesileiic deliglifulness, wleieas Blacl Meial musicians (aesileiic quasi-objecis,
diessed and weaiing male-up as siaiues) became icons iliougl aiimaybe, finally, lile
aii iecenily did wiil masieipieces iuined inio iiieligious icons. Feniiz and Dead, in
paiiiculai, aie ile main muses of ile genie, symbolizing boil iouglness and fiagiliiy. Tley
aie ile mosi fiequenily quoied figuies.
ELODIE LESOURD
6
/+'5 -*5#'$'69 &' % 8%9 '/ 3*#(6
Tlanls io aii, Blacl Meial spieads and gains a consideiable exiension of iis field of
exisience. Aiiisis do noi siicl io iis dail, moiose, and coniemplaiive aspeci. Alilougl ile
iconology empoweiing ile exuliaiion of violence, lypei-masculiniiy, and maiiialiiy does
fascinaie, oui mosi valoious conqueiing lniglis iiy io deciplei ile monsiei by giving an
inieipieiaiion of ii.
Tley iiy io ieacl a spiiiiual level and, ai ile same iime, go deepei undei ile suiface
of appeaiances. Tleii vision moves away fiom ile signs and becomes inieipieiaiive. Tley
lave a noiable iecouise io Saianism, one of ile fundamenis of ile spiiiiual dimension of
Blacl Meial. Tlis Dionysiac and libeiiaiian call, exlilaiaiing boundless musicians, is
undoubiedly one of ile diiving foices of ile cieaiive piocess. Saianism, exploiied and
claimed by many bands, is ile affiimaiion of paganism's ieiuin"give us ile gods of
paganism" begged Sadeand is also an openly admiiied iesisiance io Cliisiianiiy.
Saian
is a iecuiiing figuie in aii lisioiy (ieappeaiing in ile iiil ceniuiy, noi io be ignoied in ile
i:il ceniuiy, and iesuiiecied in ile iqil ceniuiy). Since ile iq6os, le is an enligliened and
libeiaiing companion. Tle young Noiwegian Sindie Foss Slancle, aiiisi and cuiaioi of ile
exlibiiion Do wbot tbou wilt sboulJ be tbe key to tbe worlJ (ile esseniial Ciowleyan maxim
fiom ile Law of Tlelema), aiiacles gieai impoiiance io evil in lis picioiial woil. Aii
pieces sucl as Brinqer of liqbt, tbe worlJ is yours . . . luciferion! (:ooq) pieseni a leavy and
claoiic suiface wleie myilology, alclemy, and occuliism aie slamelessly mixed. His veiy
siyle evoles Blacl Meial giaplic design, a univeise wlose meclanisms and mysieiies le
peifecily masieis. Tle clumsy and fiendisl Saianism lauded by many malevoleni musicians
is couniei-balanced by a Piomeilean Saianism, liglliglied by aiiisis as ile biingei of
lnowledge. Tlis Lucifeiianism, in wlicl Saian is an eiudiie claiaciei, a puie cieaiive
souice (noiably meniioned in some Daililione's lyiics) ieminds us of Romaniic ideals.
Inielleciuals, wiiieis noiably, iniioduced Lucifeiianism in iqil-ceniuiy aii. Ii males sense
ilai coniempoiaiy aiiisis mainiain ii, and ilai Blacl Meial appeais as ile peifeci vecioi.
By mixing pagan and occuli imageiy, aiiisis ieveal ile linls beiween Scandinavian devil's
music and Romaniicism. Tle melanclolic and dail, iambling developmeni of ile psycle
allow a celebiaiion of lnowledge. Obviously, ile veneiaiion of naiuie, ile fascinaiion foi
ile pasi's magnificence, ile iejeciion of moialiiy, ile culi of ile genius, and a lind of
naiionalism aie iypically Romaniic conceins slaied wiil Blacl Meial. If Romaniicism is an
absoluie aii, does Blacl Meial's involvemeni wiil Romaniicism iuin ile genie inio an
absoluie music? Aciually, ii gains ilis siaie iliougl aii. Ii becomes puie, speculaiive, and
iis meiaplysical dimension males ii sacied. Aiiisis wlo iecognize ilis "Romaniic agony"
find ile aesileiics of loiioi and ieiioi as a souice of pleasuie, ile splendoi of ile
BAPTISM OR DEATH
y
monsiious. Tley ieinieipiei ilis iefeieni wiil codes paiiiculai io aii lisioiy, because ileii
fiisi aim is io fulfill ileii ioles as inieipieieis. Raising Blacl Meial io a spiiiiual level is noi
sufficieni foi some aiiisis wlo claim iis desiiuciion is necessaiy foi ii io obiain
iesuiieciion. Vaig Vileines, as a woiily and peilaps unwiiiing leii io a long plilosoplical
iiadiiion, expiesses ilis piocess: "If you wanna build someiling new, you lave io desiioy
ile old fiisi."
6
Desiiuciion is a piocess io engendei cieaiion. Tle analysis (ai iimes
exiieme) of elemenis exiiacied fiom Blacl Meial leads io iis deail, bui piomises also a iicl
iesuiieciion. We lave io go iliougl ilis io ieveal ile powei of ile subjeci. Aiiisis aie alin
io beiseileis, ilose figlieis wlo aie lidden undei wolves' slin in Noise myilology. Tley
appiopiiaie Blacl Meial's siiengil fiom wiilin iis own slin. Tlis slin iiself is siill a
poweiful and fiigliening signifiei, bui iis powei is aciivaied only wlen ii is woin. Some
aiiisis, in a concepiual appioacl, do noi buiden ilemselves wiil lnowing anyiling aboui
ilai wolf . . . sucl is ile case wiil ile Ameiican }ay Heiles wlo, in :oo(, used bands' logos
(sucl as Neciomicon's oi Belemoil's) foi amazing woils on papei. In ilese aiiwoils, ile
logos become open windows io foiesi landscapes and emblemaiic lales. He does noi iiy io
deciplei ilose siiuciuies bui capiuies ileii aesileiical siiengil. Tle iexi disappeais and a
iiuncaied landscape appeais, cieaiing a new uniiy. Tle faci ilai Heiles las no paiiiculai
aiiaclmeni io lis subjeci pioves ile auiloiiiy of ile sign.
A lasi foim of deiaclmeni in ielaiion io Blacl Meial immediacy is iiony. Tlis iionical
appioacl, disiani fiom ile coie, is noi ile leasi iniiiguing ielaiionslip beiween
coniempoiaiy aii and Blacl Meial. On ile coniiaiy, ii is absoluiely ielevani and
iepieseniaiive of low Blacl Meial is now judged and used by a paii of ile aii scene. Tle
Ausiiian Miclael Gumlold lindly and lumoiously misiieais ile caiicaiuial image of ile
Blacl Meial musician. He linls ilis iepieseniaiion io ile image of a baseball playei in lis
woil O.T (KoJoverqeborsom) (:oo6-oS). Tle playei dons coipse paini, lile a iidiculous
masl, and lis bai is coveied wiil spiles, lile ile Viling baibaiian club weapon used as a
bannei by many musicians. Tlese disiinciive aiiiibuies aie iiansfoimed inio iionical
iefeienis. Gumlold's scailing lumoi iuins io iiony in ile woil of ile Ameiican Russell
Naclman. In lis painiings ile famous Teuionic male-up is applied io oidinaiy faces, jusi
as if iley weie weaiing buffoon oi devil's masls. Tle dail side of ile luman condiiion
inieiesis Naclman. He ieenacis ile Divine Comedy and pioves ilai Blacl Meial can be ile
meiaploi of oui socieiy. His Polimpsest seiies aie ieally a iewiiiing of Blacl Meial and
ieligious lisioiies, and lis ciude caiicaiuiisi siyle iecalls illusiiaiions fiom ile genie's fiisi
fanzines. A demysiifying iiony, iinged wiil piimiiive enilusiasm, iuins oui io be a useful
siiaiegy. Tlese laiiei aiiisis lave succeeded in following ile movemeni's iiend iowaids
self-mocleiy. Tlis asceiic piaciicewe aiiacl ouiselvesieveals a combaiive jeu J'esprit
ELODIE LESOURD
S
and slows some deiaclmeni. Ii allows Blacl Meial io exceed ile nililism in wlicl ii
pieviously seemed capiive.
Ineviiably, ilese aiiisis give a saicasiic and embezzled vision of ile movemeni,
foicing us io simulianeously quesiion ile noiion of auileniiciiy in Blacl Meial wlen
appioacled by aii, and of Blacl Meial iiself. Some aiiisis aiiempi io do a leimeneuiic of
Blacl Meial, io give an inieipieiaiion of iis codes and symbols, in oidei io ieveal wlai is
lidden beyond iis elusiveness. Ii is a syncieiic plenomenon ilai calls foi many iefeienis io
exisi. Diawing fiom ile ieal as mucl as fiom ile imaginaiion, Blacl Meial cieaies a new
iealiiy: a lypeiiealiiy wlicl simulaies someiling ilai does noi ieally exisi. Meanwlile,
Blacl Meial exiols ile viiiue of auileniiciiy as iis supieme value. Aiiisis poini iowaids ilis
fale auileniiciiy io ieconsidei ile genie's fundamenial basis, and iley lnow ilai
auileniiciiy is noi subsianiial io ile objeci bui is, iailei, an effeci pioduced by ile gaze.
Tle almosi obsessive appioacl of ile aiiisi Bjaine Melgaaid iowaids Blacl Meial ieminds
us of ilis ambiguous siaius, oscillaiing beiween iealiiy and imaginaiion. His compulsive,
ofien foimally violeni, diawings aie dug oui fiom lis confused menial univeise and coexisi
wiil moie symbolic woils, sucl as UntitleJ (Portroit of Vorq Vikernes) (:ooi), a piece
slowing a small, bionze-casi lead langing fiom a bonsai biancl. Is ilis a pieiense of
Odin's saciifice oi unfulfilled deail wisl? Tlen, in a iliisi foi iiuil, le inviied Fiosi io
peifoim in ile memoiable Kill me before l Jo it myself (:ooi), in wlicl biuial ileaiiicaliiy
biusles dangeiously wiil iealiiy. Fiosi's paiiicipaiion enabled lim io leave ile
simulacium and paiiicipaie wiil boil Melgaaid's peifoimance, and Blacl Meial iiself, io
aclieve a new and sudden impeius of puie auileniiciiy. Maybe we could say ilai,
following Nelson Goodman, iepieseniing Blacl Meial is noi copying ii, noi is ii only
inieipieiing ii, bui ii is defining ii. Tlanls io aii's movemeni beyond signs' limiis, Blacl
Meial ieacles new level of iniensiiy. Aiiisis clallenge ile noiion of auileniiciiy, ile nodal
poini of ile movemeni. Bui low does ilis auileniiciiy apply io aiiisis ilemselves? Do iley
ieally slaie iis beliefs? Blacl Meial is a domain of ilougli ilai can be eiilei exploiied oi
sublimaied by aii. Yei, Blacl Meial also fuels aii; and aii feeds ii bacl. Is ilai a faii
exclange? Can we only iall aboui exclange?
/+'5 2(#'( &' 3#+&7
"Tle ioad of excess leads io ile palace of wisdom," confessed William Blale.
y
Ii could
define Blacl Meial's desiiny. Tle wisdom ii yeains foi could be conqueied by aii. Bui wlai
could claiacieiize ile union of Blacl Meial and coniempoiaiy aii?
Tle union of aii and Blacl Meial cannoi be compaied io ile maiiiage of Heaven and
Hell in a Maniclean fiamewoil. Tlougl ile dualisiic opposiiions seem obviousaii (an
BAPTISM OR DEATH
q
eliiisi subjeci, wlicl supposedly incainaies beauiy, goodness, ieason) veisus Blacl Meial
(a moie populisi genie, iepieseniing ugliness, badness, eneigy)ii is ciucial io conceive
ile ieveisal of ilose values as a possible discouise. Tlis is piecisely wlai aiiisis woiling on
ilis musical ileme suggesi. Tle "auia" of ile woil is soiled and peiveiied, bui iis iefeieni
gianis a ievealed beauiy. Aii and Blacl Meial aie noi coniiadicioiy. Fai fiom ii. Tleii
fusion enables eacl one io ieacl a culminaiion, an exisieniial finaliiy. Aii males ile
insciipiion of Blacl Meial inio coniempoiaiy lisioiy possible and legiiimizes ii. If ilis
movemeni seems someiimes bluiiy, as iegaids io ile difficuliy io disciiminaie beiween ile
fale and ile genuine, ii ieacles, ilanls io aii, a new iiuil. Ii exaceibaies and slaies many
apoiia wiil coniempoiaiy aii. Boil appeai as escapisms, foims of cailaisis, desiies io
discaid ceiiain feais and feelings of piiy. Aii seems io be ile mosi effeciive way foi ilis
musical genie io ieacl an ecsiaiic siaie. Ii cleais ile suiplus and ligliens ile giey aieas. Ii
enables, above all, ile possibiliiy of annililaiing ile nililisiic enieipiise by puiiing foiwaid
ile will of life, of powei, of ligli. Tle bapiism ilai aii suggesis is lile a ievelaiion, a way io
access iianscendence. Ii is ilis siiuciuiing opeiaiion lolding iogeilei a mass of evenis in
a single lisioiy."
S
If Blacl Meial needs aii io be compleiely accomplisled, ile opposiie
seems also iiue.
Could aii be a ilieai io Blacl Meial's iniegiiiy, and a nuisance io Blacl Meial's
developmeni and suivival? Peilaps ile way aii analyzes eveiyiling migli iend iowaid
dispossession, iowaid fading. Is ile muliiplicaiion of iefeienis a ilieai leading io Blacl
Meial's impoveiislmeni? Tle bapiism could iuin ilen inio a saciifice. Bapiism oi deail
. . . caused by aii. Ii seems necessaiy, even viial, io iale ilis iisl.
Maybe we need io give a new definiiion of ile way aii compielends Blacl Meial. If
Blacl Meial is geneially well accepied as a modein vision of Romaniicism, ieieading
lisioiy baclwaids, "againsi ile giain," we may considei anoilei speculaiion on iis
aesileiical piojeciion: Blacl Meial is, concepiually and aiiisiically, Baioque.
Ii is aboui ideniifying ilis eniiiy as a caiegoiy, as a movemeni, no longei musical, bui
auionomous and finalized. Ii las iiiegulai, claoiic, and clangeable aspecis; ii is ile
impeifeci peail of music. Iis siiengil piecisely lies in iis siiangeness. Ii is claiacieiized by
iis excesses, lypeiboles, and amplificaiions, as well as iis will io escape fiom a fiame, io
suipass and iianscend iiself. Tliougl ile piism of aii, Blacl Meial las become a
meiaploiic beyond Blacl Meial iiself. Ii is a paiiiculai foim of sensibiliiy ilai can evolve io
an ideal genie aimed ai by ile woil of aii. Ii is by ile agency of aii ilai ilis genie las io
lead io a puie aesileiic foim. Ii peifecily incainaies ile aesileiic ideniiiy of oui iime and
suggesis, by ile ieveisal of values, a ieal clange of wlai consiiiuies beauiy. Ii biings new
codes of appieciaiion and ii is ile peifeci emblem of ile cuiieni expiessiveness.
Conclusively, ii's faiily obvious ilai ile cleaiesi ilougli emeiging fiom all ile possible
ELODIE LESOURD
(o
ileoieiical labeling aiiempis is ilai Blacl Meial could be defined as a new aesileiic
caiegoiy by iiself. Ii is also definiiively, and liieially, a Gesomtkunstwerk.
Tle young, Noiwegian aiiisi Eiil Tidemann, foi insiance, iends io cieaie a ioial
fusion beiween ile iwo woilds, aii and music, and suggesis an iniiiaiion io ilis ileoiy. He
commiis limself, leaii and soul, io lis aii. In lis videos, le ofien appeais in ile middle of
slamanic acis, someiling beiween blacl mass and aciivisi peifoimance, weaiing ile face
of a fieslly dead deei. On ile occasion of ile Nidiosian Blacl Mass, a Blacl Meial fesiival
in Tiondleim in :ooy, le immeised limself in lis ieseaicl subjeci wiil lis insiallaiion
Kick out tbe Titons. Heie, video and diawings aie joined wiil beleaded animals' faces and
dislocaied limbs and piesenied as siage sei. Tle faci ilai le iales paii in a coniexi
unfamiliai wiil coniempoiaiy aii slows ilai le iales iisls wiil ile peicepiion of lis
woil. Finally, ii is ile aii scene ilai sanciioned lim by canceling ile siudio le was
gianied. Tlis eveni demonsiiaies Blacl Meial's poieniial dangei io aii. Ii's a ilieai,
visually and moially, io ile public. To come bacl io ile ioois of Gesomtkunstwerk, we
piimaiily need io iall of aiiisis wlo aie musicians, and vice-veisa. To lool ai ile
possibiliiy of defining Blacl Meial as a new influeniial caiegoiical concepi is io accepi ile
gieainess and ile siiengil of iis associaiion wiil aii, and io considei ii as ile possible
biiil of a ioial woil of aii. Aii finds in music a naiuial exiension of iis expiession.
Figuie (. Dimiiiis Fouiiis, "Blacl Tuda," :oo6. (Peifoimance wiil Em Kei, Pola-Yio, Aposiolos
Zeivedvas, and Neilesceiial ai Ileana Tounia Galleiy, May i(, :oo6). Image couiiesy of ile aiiisi.
BAPTISM OR DEATH
(i
Incidenially, many aiiisis aie also musicians and many musicians lave an aiiisiic
baclgiound. Tle iendency iowaids exclanges beiween ilese piaciices can be obseived in
ile field of Blacl Meial as well. Dimiiiis Fouiiis, lile many aiiisis, played in a band as a
ieenagei. He nosialgically iefeis io lis own diieci involvemeni wiil ile music by inviiing
ile band Neilesceiial io lis Block TuJo peifoimance in :oo6 |Figuie (j. He and iliee
oileis Gieel aiiisis, lidden undei laige loods and dail albs, suiiounded ile band playing
live. Did ile aiiisis meiaploiically appeai as ile guaidians of an occuli lnowledge oi,
conveisely, did iley siand foi a ilieai?
Some aiiisis lave siiongly puisued ilis double piaciice. Sindie Foss Slancle is
piobably ile mosi inieiesiing figuie iepieseniing ilis inieidisciplinaiy iendency. Because
ile aciiviiy of a siudio aiiisi is laigely soliiaiy, le las naiuially puisued a peisonal
accomplislmeni in lis music and added io all ile alieady exisiing one-man bands a new
company, ile band Uiaim. His deep exploiaiion of ile subjeci, muliidisciplinaiy appioacl,
and someiimes collaboiaiive piaciices as an aiiisi]cuiaioi, aie elemenis iecalling a
Wagneiian Gesomtkunstwerk. He is one of ile fiisi io inviie a musician of Blacl Meial inio
a wliie cube, noi foi playing lis own iole bui io exisi as an aiiisi. Daniel Viangsinn, ile
bass playei foi ile band Caipailian Foiesi, seems io be aiiiacied io ile fieedom given by
aii and iiies io expend lis field of cieaiion wiil music ai iis coie. He exlibiied lis video
Pbobio in :ooq ai ile Kuiani Aii Galleiy duiing ile Do wbot tbou wilt sboulJ be tbe key to
tbe worlJ slow in Tiomso. Pbobio is a global piojeci, including vaiious musical
collaboiaiions, ilai visually illusiiaies ile diffeieni songs of ile eponymous LP (Misaniiof
ANTIiecoids, :oio). Finally, Tlomas Gabiiel Fisclei (of Helllammei and Celiic Fiosi)
exploies ile endless wealil of aiiisiic cieaiion in an ouisidei piaciice wiil a moie peisonal
appioacl. He began in :ooy, by cieaiing a seiies of painied deail masls casi fiom lis own
face and painied in unique ways. Now, le examines iliee-dimensionaliiy, wiil scailing
ieady-madesdildos embezzled and iiansfoimed inio ieligious objecis. Ii is inieiesiing io
noie ilai ile appioacl of ilese iwo musicians ieinfoices, and even validaies, ile woils of
ile diffeieni aiiisis quoied befoie. Moieovei, aien'i ile laiesi musical aiiempis of a few
coniempoiaiy clevei bands ile closesi appioacl io ilis desiie io elevaie Blacl Meial io an
uppei level? Tle clallenging concepis and piinciples io suipass oneself aie slaied by
coniempoiaiy musicians and aiiisis. Posi-Blacl Meial musicians and aiiisis woil in
conceii foi iis uliimaie adveni.
Tle unsuipassable singulaiiiy of a plenomenon males ii an emblem, peilaps even a
new sysiem of ilinling. Blacl Meial is beyond music. Ii exceeds iis funciion of musical
genie. Ii iadiaies wiil iis sepulclial fiie on eveiy side of culiuie. Aii can dispeise ile
clouds ilai iesiiici ile passing of iis iays, and is among ile besi possibiliiies io ieveal ile
lidden siai. Blacl Meial is a suffeiing body ilai illusiiaies, in ile same spiing, all ile
ELODIE LESOURD
(:
luman dailness as mucl as iis viial impeius. Ii belongs io an indisceinible zone beiween a
finisled objeci and a fuiuie one. If ii is finisled, aii would be iis exiension. To plan ii inio
ile fuiuie is announcing iis ieiuin. If ii is noi finisled, aii is iiuly ievealing ii. If we
considei ilis movemeni as an access io a ceiiain woildview (Veltonscbouunq), inspiied by
Romaniicism and Saianism, ile desiie foi iiansgiession (based on affiimaiion and iefusal)
seems io aci lile ile uimosi souice of moiivaiion. Wiil iis iniiusion inio ile aii woild as a
iiie of passage, Blacl Meial, as a symbolic foim, aspiies io an exiension, a consideiable
piopagaiion, a (ie)biiil. Aii iales on ile exegeie funciion io unveil "ile logic of sensaiion"
of ilis epiplenomenon becoming a full aesileiic genie.
q
Tle woils of aii dealing wiil
Blacl Meial, using semiology io undeisiand iis mode of exisience, seem io be ile finisled
pioduci, ile uliimaie and final siage of ile Blacl Meial piojeci iiself. Fuiileimoie,
following Susan Soniag, wlo declaies ilai "aii is noi only aboui someiling; ii is
someiling," we can considei ilai aii is Blacl Meial.
io
Figuie . Elodie Lesouid, "Oinameni and ciime (Hvis Lysei Tai Oss)," :oii, cui band i-sliii, epoxy
iesin, vaiiable dimensions. Image couiiesy of ile aiiisi.
BAPTISM OR DEATH
(
('&*-
i
Maiquis de Sade, "Dialogue ile Fifil," in justine, Pbilosopby in tbe BeJroom c Otber Vritinqs, iians.
Riclaid Seavei 8 Ausiiyn Wainlouse (New Yoil Ciiy: Giove Piess, iq6). Oiiginally publisled in lo
Pbilosopbie Jons le BouJoir (Londies: Aux dpens de la Compagnie, iyq).
:
Fiiediicl Nieizscle, "On Moods," in journol of Nietzscbe StuJies : (iqqi): -ii.
Hannal Aiendi, "Invisibiliiy and Wiildiawal," in Tbe life of tbe MinJ (New Yoil: Haicouii Biace,
iqyS).
(
Klaus Oiimann, "Epiplanies de beaui ei de connaissance, le monde de la vie de }ames Lee Byais,"
in jomes lee Byors, life, love onJ Jeotb (Siiasbouig: Les muses de Siiasbouig, :oo).
In ile fiisi insiance, Gaall (ile documeniaiy's leading figuie and ile
foimei fioniman of Goigoioil) insisis ilai ile film ciew join lim on a long iiel inio ile
Noiwegian iundia. Tle lile diaws oui aiieniion io ile meaningfulness of ile jouiney and
speals io ile auia of soliiude and enduiance, of a confioniaiion wiil ile unlnown and
luman poieniial. Gaall enfoices: "I become wlai nevei fails, following ile fooisieps
belind me." In Until tbe liqbt Tokes Us, slow-moiion fooiage of Daililione's Feniiz
walling along a snowy foiesi pail seems io evole similai noiions of ile sladows of foimei
selves seeling an obscuied locus of self-auileniiciiy. Boil examples illusiiaie ile capaciiy
of walling io communicaie a deeply planied Blacl Meial aesileiic. Tlus, by way of
wallingilis aiypical objeci of analysiswe find a new and unexpecied eniiy poini fiom
wlicl io exploie ile Blacl Meial landscape.
Bui ileie is moie io ii ilan ilis. Given ilai walling is a slaied expeiience, we may
capiialise on iis commonaliiy io considei low Blacl Meial migli offei new meaning io oui
own (i.e., ile lisienei's) walling. By using Blacl Meial io ie-ilinl an ofien ialen-foi-
gianied aciiviiy and io ilinl ciiiically aboui wlai is iypically, unciiiically, and
auiomaiically peiceived, we lave an oppoiiuniiy io defamiliaiise walling.
(
By defamiliai-
ising walling, oui aiieniion may be diawn io iis capaciiy as a cieaiive piaciice ilai is
culiuially and peisonally meaningful. In ilis sense, Blacl Meial ileoiy enables us io see
walling in a new ligli oi, foi ilai maiiei, a new slade.
In oidei io delimii ilis iuin in ile discussion, I diaw fiom a peisonal case siudy ilai
aiiiculaies my own day-io-day expeiience of walling wlile lisiening io Blacl Meial music.
Today, digiial media fosieis a cuiious iension beiween Blacl Meial walling and walling in
eveiyday life. I lave ofien found myself lisiening io Buizum's Dunkelbeit, Goigoioil's
Corvinq o Giont, oi Maylem's A Vise Birtbqiver wlile maling my way down a busiling, ciiy
siieei in Melbouine, Ausiialia and sensed a disjunciuie, a iupiuie, beiween iwo diveigeni
coniexis: ilai of ile unfoigiving Noidic landscape ilai ile songs, fuelled by Blacl Meial
images, slape in my imaginaiion, and my own maieiial iealiiy in a buili enviionmeni
punciuaied by concieie pailways and pedesiiian ciossings. Boil Tim Ingold's discussion
of ile diffeience "beiween walling on ile giound, in ile landscapes of 'ieal life,' and
DAVID PRESCOTT-STEED
(S
walling in ile imaginaiion, as in ieading, wiiiing, painiing oi lisiening io music" and Rey
Clow's ideas on ile Wallman offei ileoieiical coniexi foi ile appioacl io Blacl Meial
discussed in ilis essay.
True Norweqion Block Metol, piods. Peiei Besie, Rob Semmei, Ivai Beiglin, and Mile Wasllesly,
DVD (New Yoil: VBS TV, :ooy); Until tbe liqbt Tokes Us, diis. Aaion Aiies and Audiey Ewell, DVD
(New Yoil Ciiy: Vaiiance Films, :ooq).
(
Vilioi Slllovsly coined ile ieim "defamilaiisaiion" |ostroneniej in lis essay "Aii as Device" (iqiy),
using ii as a liieiaiy device io disiinguisl beiween poeiic and piaciical speecl. In addiessing ile
funciion of aii, Slllovsly explained low defamiliaiisaiion woils againsi ile "ovei-auiomaiizaiion"
ilai fosieis foimulaic culiuial aciiviiy. Vilioi Slllovsly, "Aii as Teclnique," in literory Tbeory. An
Antboloqy, eds. }ulie Rivlin and Miclael Ryan (Malden: Blaclwell Publisling Lid., iqqS), i6.
Tim Ingold, "Ways of mind-walling: ieading, wiiiing, painiing," Visuol StuJies :.i (:oio): i-:.
6
Tim Ingold, lines. A Brief History (New Yoil: Rouiledge, :ooy), i. Subsequeni iefeiences io ilis iexi
aie made paienileiically, by page numbei.
y
Rey Clow, "Lisiening Oileiwise, Music Miniaiuiized: A Diffeieni Type of Quesiion Aboui
Revoluiion," in Tbe Culturol StuJies ReoJer, :nd edn., ed. Simon Duiing (New Yoil: Rouiledge, iqqq),
(6. Subsequeni iefeiences io ilis iexi aie made paienileiically, by page numbei.
S
Daililione, UnJer o Funerol Moon, CD (Peaceville Recoids; Music foi Naiions, iqq).
q
Tammy L. Casielein and Biam Ieven, "Review of HiJeous Gnosis. Block Metol Tbeory Symposium i,
by Nicola Masciandaio, ed.," Culture Mocbine, Augusi :oio |Reviewsj: i |i-6j; liip:]]www.culiuie
macline.nei]index.plp]cm]aiiicle]viewFile](o](i6.
io
Goigoioil, Twiliqbt of tbe lJols (ln Conspirocy witb Soton), CD (Nucleai Blasi, :oo).
DAVID PRESCOTT-STEED
6S
ii
Tim Ingold, "Ways of mind-walling: ieading, wiiiing, painiing," in Beinq Alive. Essoys on
Movement, KnowleJqe onJ Description (London: Rouiledge, :oii), iqS |iq6-:oqj.
i:
Goigoioil, Twiliqbt of tbe lJols (ln Conspirocy witb Soton).
i
Rolsion Holmes III, Pbilosopby Gone VilJ (Buffalo: Piomeileus Bools, iqSq), ::S.
i(
True Norweqion Block Metol.
i
True Norweqion Block Metol.
i6
True Norweqion Block Metol.
iy
True Norweqion Block Metol.
iS
Goigoioil, True Norweqion Block Metol, CD (Regain Recoids, :oo6).
iq
True Norweqion Block Metol.
:o
Albeii Camus, Tbe Mytb of Sisypbus onJ otber essoys (New Yoil: Viniage, iqqi), iiq.
:i
"Tielldom]Goigoioil inieiview-Gaall oS]oy," Block Niqbt MeJitotions - UnJerqrounJ Metol RoJio,
VSCA io6.i FM, podcasi audio, }uly (, :ooS, liip:]]bnm.podomaiic.com]playei]web]:ooS-oy-
o(T:_ii_io-oy_oo.
::
Albeii Camus, Tbe Mytb of Sisypbus, i:.
:
True Norweqion Block Metol.
:(
Miclael Edwaid Goiia, Tbe Bells in Tbeir Silence (Piinceion, New }eisey: Piinceion Univeisiiy
Piess, :oo(), xi-xii.
:
Fiiediicl Nieizscle, Tbe Twiliqbt of tbe lJols onJ Tbe Anti-Cbrist. or How to Pbilosopbize witb o
Hommer, ed. Miclael Tannei, iians. R.}. Hollingdale (London: Penguin Bools, iqqo), 6.
:6
True Norweqion Block Metol.
:y
Anilony Giddens, MoJernity onJ Self-lJentity. Self onJ Society in tbe lote MoJern Aqe (Sianfoid,
Califoinia: Sianfoid Univeisiiy Piess, iqqi), y:-y.
:S
"Tielldom]Goigoioil inieiview-Gaall oS]oy."
:q
Tle covei aiiwoil of Tielldom's Til Minne . . . (:ooy), wlicl feaiuies a ploiogiapl slowing ile
band membeis walling up a snowy lill, also uiilises ilis iepieseniaiional conveniion.
o
Daililione, Tronsylvonion Hunqer, CD (Peaceville Recoids, iqq().
i
Until tbe liqbt Tokes Us.
:
Anilony Giddens, MoJernity onJ Self-lJentity, q.
Railei ilan
iiacing ilose liieial ielaiions, Vadei seives my puipose leie as a concepiual ciucible and
siaiiing poini foi discussing Indusiiial Blacl Meial (fiom leieon IBM: iionic acionym
uniniended bui welcome). A lybiid encouniei beiween Blacl Meial (BM) and Indusiiial
musics, IBM blaclens ile macline, bui also meclanizes, giounds, and gives a pulse io BM.
IBM diaws oui and claiifies BM's ciiiique of, and fligli fiom, Wesiein uiban capiialism's
coniempoiaiy indusiiial macline woild, pieseniing an aniiilesis io BM's mucl-vaunied
escape inio ile bucolic. IBM also foiegiounds ile siiuggle beiween viialisiic and
meclanisiic views of ile woild, wiil ile laiiei swallowing ile foimei. Tle disiinciion
beiween ile Fieudian deail diive, undeisiood as a ieiuin io ile inoiganic (becoming
mineial), and Deleuze and Guaiiaii's poliiicizaiion of said deail diive and maclinic
concepiual fiamewoil, seive me io iiace low a BM]IBM dialeciic favois ile meclanisiic
model, undeiscoiing BM's uliimaie godlessness. BM's giinding winds, fiozen iundias, and
gloiificaiions of ile mineial woild aie iead by IBM iliougl ile piism of apocalypiic
desiiuciion, macline science ficiion, and ile annililaiion of ile luman, io piedicaie a
meclanisiic paiadigm of exisience: ile even dailei side of BM's bucolic and Noidic anii-
BLACK METAL MACHINE
yi
lumanism. Finally, I obseive low ile genie of Cosmic Eleciionic BM consiiucis a blacl
box foi lumaniiy, a digiial epiiapl iiansmiiied iliougl ouiei space.
*?&#(0&#'( .'-&725%(#-5
Ii is aiguably ile case, in academic discouises and speculaiive culiuial pioduciions alile,
ilai wiilin discussions of "posilumanism" and ile "posiluman," bioieclnological
meanings occupy posiiions of concepiual dominance.
(
Bioieclnological posilumanism
(incieasingly associaied wiil "iianslumanism" and ile iianslumanisi movemeni, and
ofien seived by an aesileiic and concepiual fiamewoil spanning cyboig ileoiy, eugenic
dysiopia, and mysiical iianscendence) denoies an impiovemeni on ile luman, a foim of
iiuce wiil ile macline woild, a siaie of giadual and ineviiable symbioiic co-exisience wiil
maclines, a panoply of luman, macline, and animal ieconfiguiaiions. Slavoj iel
inieipieis ile Deleuzian "becoming-macline" as noi a subsiiiuiion of lumans by maclines
(wlicl is ile Terminotor scenaiio"ile old boiing iopic of 'maclines ieplacing lumans'"),
bui iailei as a foim of meiamoiplosis by wlicl ile luman giadually incoipoiaies
maclinic piosileses on ile level of ile body (pacemalei, leaiing aid, suigical nanobois)
and of ile menial appaiaiuses iliougl wlicl we negoiiaie ile social oi ile sociomacline
(ile Motrix scenaiio).
Anoilei iype of posilumanism, wlicl engages ile aiguably moie liieial meaning of
"posi" as in "afiei" ile luman (las gone), may also be ideniified. Tle field of exiinciion
posilumanism clannels vaiious inieiseciing liieiaiy, plilosoplical, and ciiiical discouises:
ile Romaniic genie of iuinogiaply, ile "dying Eaiil" genie and apocalypiic science ficiion
liieiaiuie, and eco-ciiiical woils on posiindusiiial land and ciiyscapes. Ii exiends
Romaniic ideas of exiinciion and meiges ilem wiil ecological and speculaiive wiiiings of a
woild afiei lumaniiy. Unlile bioieclnological posilumanismwlicl imagines a
lumaniiy ilai lives on, albeii in alieied foimexiinciion posilumanism posiis and
speculaies an end io lumaniiy, ofien a ioial genocide of ile luman species. Fuiileimoie,
ii iadicalizes academic posilumanism's piojeci of siudying lumaniiy iliougl a
decenieiing of ile luman and a iianscendence of ile aniliopoceniiic piism, by imagining
woilds beyond ile exiinciion of ile luman and ile eiasuie of ile luman fiom ile
planeiaiy equaiion. In doing so ii opens up a speculaiive aesileiic endowed wiil ciiiical
poieniial acioss ile poliiical speciium.
In Romaniic iuinogiaply an onlooleioi "Loolei-On"suiveys and iuminaies on
ile iuins of bygone civilizaiions and empiies.
6
Peicy Byssle Slelley's "Ozymandias" (iSiS)
is aiguably ile mosi noioiious of ilese Romaniic iexis, insisiing upon "a ieleology ilai
dooms all of maieiial life as we lnow ii" by subsiiiuiing ile classical cyclical view of lisioiy
DANIEL LUKES
y:
wiil an apocalypiic "necessiiy of oblivion."
y
Dying Eaiil science ficiion meanwlile posiis
an end of lumaniiy due io a sun ilai las gone ioo cold (see Loid Byion's iSi6 poem
"Dailness") oi ioo loi (H.P. Loveciafi's and Robeii H. Bailow's Till A' tbe Seos, iq), oi as
an effeci of plagues oi nucleai lolocausi. Faniasies of ile woild as a iuin devoid of
lumans, accoiding io Nicl Yablon, may funciion as imaginaiive fiamewoils io iendei
visible social oi poliiical plenomena ilai may be oileiwise laidei io paise, seiving io
"unmasl ile conceiis of ile pieseni."
S
Tle woil of Mile Davis, in paiiiculai DeoJ Cities
onJ Otber Toles (:oo:), uiilizes ile conceii of ile "posiluman iuins" io iiace uiban
lisioiies: iliougl ile speculaiive image of ile ciiy as coipse, an auiopsy of iis life and
genealogies may be consiiucied.
q
A ieceni sucl woil, wlicl imagines a posiluman woild in oidei io consiiuci a
ciiiique of lumaniiy's ecological impaci, is Alan Weisman's "ilougli expeiimeni" Tbe
VorlJ Vitbout Us (:ooy). Tlis bool desciibes wlai would lappen io Eaiil if ileie weie a
ioial and sudden depaiiuie of ile luman species, emplasizing ile damage lumaniiy las
wiougli. Tle giadual deconsiiuciion of ile luman-made emeiges as "naiuie" opeiaies "iis
ieclamaiion piojeci" and iegains iis (iiglifully) owned planei.
io
Tle woild as a concepiual
ioialiiy is biolen down inio iis consiiiueni paiis: wlai comes acioss iliougl
iepieseniaiions of louses ilai ioi and collapse, ciiies oveigiown by vegeiaiion, walls
damaged and desiioyed by waiei, and subway iunnels ilai flood wiil waiei aie ile
meclanics of ecological maieiialiiya "dail ecology" in ile woids of Timoily Moiion.
ii
Homing in on ile "impaci of indusiiialisi-capiialisi civilizaiion upon ile enviionmeni"
ilai will ouilive usnon-biodegiadable plasiics, landfills, peiioclemical planis and
nucleai wasie, and "caibon dioxide levels (wlicl) would noi ieiuin io 'pie-luman levels'
foi a lundied ilousand yeais"ilis iype of posilumanisi exiinciion naiiaiive
ieiioaciively configuies ile luman (iliougl iis eiasuie) as an alien invadei, a desiiuciive
paiasiie, oi an illness io be defeaied.
i:
By imagining ile woild as beiiei off wiiloui us,
Weisman is able io faslion lis eco-ciiiique, wiilin wlicl ile luman iales ile foim of an
eiased aniiilesis, alienaied by consciousness fiom maiiei and ile blind meclanical
woilings of ile maieiial ieal. Tle luman is an abeiiaiive and desiiuciive excepiion io ile
iule of a meclanical and un-self-awaie "naiuie." To ieiuin ile macline io funciioning
oidei, ile viius of self-awaieness embodied by ile luman iequiies eliminaiion. Ai ile
poini of depaiiuie of ile luman viius fiom ile global body, "ile woild wiiloui us" peimiis
iiself "a luge biological sigl of ielief."
i
Exiinciion posilumanism consiiucis a speculaiive aesileiic and poliiical scenaiio
ilai iejecis capiiulaiions io ile necessiiy of ile luman and iis indusiiial accouiiemenis, as
if only iliougl imagining ouiselves gone (we will be gone if we coniinue on ilis pail) can
we foice awaieness of oui own polluiions onio ouiselves. Yei, ileie aie moie iadical and
BLACK METAL MACHINE
y
aniiluman end-faniasies, ones ilai fuiilei ieduce ile luman as glosily gaze. Weisman's
woild blooms and busiles anew wiil floia and fauna: foliage and vegeiaiion ieclaim ile
space iempoiaiily denied io ilem by concieie and sieel, wlilsi animals (now fiee of ile
piisons imposed on ilem by lumans) nesi undei biidges and aiop slysciapeis. Tle
oiganic woild blossoms again. Tlis is "sofi" exiinciion posilumanism. "Haid" exiinciion
posilumanism, by coniiasi, manifesis iiself noi as becoming-animal oi -vegeiable, bui by
becoming-mineial. Sigmund Fieud ilus explains ile deail diive (ToJestrieb) as a yeaining
io ieiuin io ile piioi siaie of ile inoiganic, befoie ile sepaiaiion beiween "animaie" and
"inanimaie" maiiei occuiied. In BeyonJ tbe Pleosure Principle (iq:o), iliougl an appeal io
vaiious coniempoiaiy biological iexis, Fieud imagines ile deail diive as "ile foices ilai
seel io guide life iowaids deail."
i(
Tle deail diive is undeisiandable io Fieud as a
biological sei of insiiuciions insciibed wiilin ile oiganism; ii is a funciion of ile
meiabolism wlicl is piogiammed foi finiiude. Tlis piocess funciions on micio and macio
levels. On ile foimei, eacl oiganism siiives io ieiuin io ile siaie of nonexisience wlicl
pieceded iis eniiy inio life. On ile laiiei, oiganic life as a wlole configuies iiself wiilin a
clionological ielaiionslip io ile inoiganic. In ile beginning, ileie was cosmic dusi fiom
wlicl oiganic life emeiged and io wlicl ii seels io ieiuin: ile funciion by wlicl "mosi
univeisal endeavoi in all living maiiei io ieveii|sj io ile quiescence (Rube: iesi, quiei,
peace, calm) of ile inoiganic woild."
i
Buzzing, dioning, and sluffling iecombinaiing oiganic life (oi biomaiiei, wiil iis
coiollaiy in ile foim of luman consciousness) ilus iales on ile qualiiy of noise, io wlicl
ile inoiganic cosmos appeais noi as piimoidial claos bui as laimony: calm, seiene, and
funciionalile meiaplysical music of ile spleies (musico universolis). Fieud's deail
diive yeains foi ile exaciiiude of scieniific inielligibiliiy, wleie exisieniial doubi and
slepiicism (endemic io self-conscious lumaniiy) is ieplaced by a siaie uniioubled by
anyiling beyond ile meie execuiion of iis own inexoiable and objeciive plysical laws.
i6
Swiss band Samael capiuie sucl seniimenis on ileii iqq6 album Possoqewlicl
iales ile indusiiial siylings expeiimenied wiil on ileii Ceremony Of Opposites (iqq(),
iaicleis up ile leyboaids, slows ile pace io maiiial ilyilms ieminisceni of Laibacl, and
pioduces a piisiine and giandiose iiibuie io ile movemenis of space, ilapsodized wiil
gloiy in "}upiieiian Vibe," "Slining Kingdom," "Moonslin," and "Boin Undei Saiuin." In
Possoqe (passage beiween luman and mineial?), ile self is losi in ile giand movemeni of
ile planeis, as Voipl's diciaioiial vocals enunciaie lyiics as ilougl iley aie unalieiable
laws of plysics. A puiely leyboaid veision of Possoqe was ieleased laiei by
diummei]leyboaidisi Xyiias, iaiifying ile album's impaci even fuiilei.
DANIEL LUKES
y(
3*0'5#(6=5#(*+%$
Undei ile concepiual umbiella of "depiessive ilinling," Dominic Fox's ColJ VorlJ. Tbe
Aestbetics of Dejection onJ tbe Politics of Militont Dyspborio (:ooq) discusses ile "belaied"
BM of coniempoiaiy US aci Xasilui (belaied because ii cannoi lelp bui lool bacl wiil
nosialgia ai ile golden age of BM). Fox posiis ilai depiciions of a cold, aslen, oi
desiccaied woild (sucl as in T.S. Elioi's Tbe Voste lonJ, iq::) offei oppoiiuniiies foi
iadical poliiical engagemeni: "|ijle cold woild imposes iiself as final, ieiminal, because ii is
ile ieiminaiion of a woild, iis meiaploiical fieezing oi blaclening."
iy
Tle "peal oil"
naiiaiive (and iis aiiending ciises foi example) awalen us iliougl slocl, slaling us io
aciion iliougl an imaginaiive deadening of ile woild. Foi Xasilui's "depiessive ilinling,"
"life and deail aie ideniical: ile axioms of life aie axioms of deail. Tleie is no Jifference
beiween being alive and being dead, excepi ilai ile living suffei."
iS
In Xasilui, wlose
coniiibuiion io ile BM canon occuis iliougl "iniioveision" (a foim of self-oveicoming
pioduced by ieading BM iliougl ile paiadigms of giunge and nu-meial, iwo genies liglly
focused on a depiessed iecoiding subjeci), ile self is slalen inio aciion iliougl a
coniemplaiion of ile end:
|ijle cold woild of blacl meial is a delibeiaie fieezing of ile woild, fixing ii
wiilin a ieiminal image, in oidei ilai iis fiosi-biiien suiface may be slaiieied by
anonymous, inluman foices iising fiom ile depils of ile self.
iq
Tlis fiamewoil piovides a ieading of ile dubious legacy of ile Buizum model, in
wlicl BM becomes a paileiic aiiempi io iouse ile dejecied adolesceni consciousness,
alienaied inio ile faniasiic (ile Dungeons 8 Diagons oics ilai populaie Buizum's lyiical
panoiamas) and ilen violeni anii-social aciion in ile ieal woild (muidei, aison, eic). Bui
noi all BM is depiessed, oi funciions iliougl depiessive iiopes. Immoiial, foi example,
embody anoilei model, wlicl iends insiead iowaid ile sublime and ile comedic iailei
ilan ile iiagic.
:o
Immoiial's obsessive visias ovei fiozen and scoicled landscapes, cavei-
nous and fiosi-coveied panoiamas, and wliiiing, inlospiiable blizzaids ("Unsileni Sioims
in ile Noiil Abyss," "Tle Sun No Longei Rises," "Fiozen by Icewinds," Bottles ln Tbe
Nortb, "Giim and Fiosibiiien Kingdoms," "Wleie Dail and Ligli Don'i Diffei," "In My
Kingdom Cold," one could go on) offei a moie iadical ielaiion io ile inoiganic, aiiiculaiing
noi so mucl a measuiing of ile self oqoinst ile sadness of life, bui a sinling inio and above
ile laislness of plysical and geological exiiemiiya becoming-ice and -iocl, a meiging
wiil ile mineialiiy of ile woild; oi a becoming-demon, dwelling wiilin ile ice iealm. Foi
Immoiial, naiuie is moie ilan a piop foi one basemeni-dwellei's depiessive consciousness.
BLACK METAL MACHINE
y
Tley iailei embody a iianscendence of ile self iliougl icea becoming-iimeless demon,
enieiing inio a dance of geological iime.
Tle woil of Biiiisl science ficiion wiiiei }.G. Ballaid does a iloiougl, if exlausiing
job of ileoiizing a deail diive iowaid ile inoiganic via ile ieclnological (Crosb |iqyj
being iegaided as lis definiiive becoming-macline siaiemeni). Ballaid's wiiiings aie
obsessed wiil all linds of mineials, mosily solids: "Tle Cage of Sand" (iq6:), "Tle
Teiminal Beacl" (iq6(), Tbe Drouqbt (iq6), Tbe Crystol VorlJ (iq66), Concrete lslonJ
(iqy(), and Hiqb Rise (iqy). Tlese woils exude a sense of desiccaiion and aiidiiy, a woild
slowly diying up. Ballaid's claiacieisconsciously siyled cipleis, "defined usually by liiile
moie ilan ileii piofession and a few iags of memoiy" and geneiic, dull-sounding, and
subily iionic suinames ("Maiiland," "Laing," "Vaugln")aie io be found diifiing amidsi
ile diying iuins, waiiing foi deail.
:i
In "Tle Teiminal Beacl," Tiaven finds limself in a
nucleai weapons iesiing siie, following ile deail of lis wife and clild, living oui lis lasi
days in ile midsi of luman indusiiial consiiuciionsiuined bunleis and blocls in ile
piocess of iuining inio sand. In "Tle Cage of Sand" (wlicl piedaies by seven yeais ile
moon landing), iliee pioiagonisis (Biidgman, Tiavis, and Louise Woodwaid) ele oui a
siiange ieiminal exisience in a coidoned-off zone ilai las been coniaminaied wiil
noxious Maiiian sand. By day, iley lide fiom squads of waidens seeling io evici ilem, and
by nigli, iley waicl ile speciacle of oibiiing spaceciafi wiecls coniaining ile bodies of
doomed asiionauisfloaiing giaves in space.
Ii is Ballaid's Tbe Crystol VorlJ ilai fully iealizes ile becoming-mineial faniasy. In an
unnamed couniiy in Ceniial Afiica, a piocess of ciysiallizaiion las begun io occui ilai
pioduces a bejeweled foiesi ilai beclons and enclanis ilose wlo siep among iis gleaming
bougls, claiming lumans io fuse wiil iis laidening giowils: an Oiienialisi, colonialisi
deail diive. Tlis "jeweled iwiligli woild" offeis ile seduciion of ieiminal calm, a slipping
bacl inio ile quiescence of ile inoiganic, bacl iowaids ile slowei ilyilms of geological
iime.
::
Tle ciysiallizing foiesi ilus piesenis a palliaiive io a lumaniiy, undeisiood as viial
planeiaiy abeiiaiion. Tle "ciysialline iiees," "jeweled casemenis," and "laiiice of piisms
iliougl wlicl ile sun slone in a ilousand iainbows, ile biids and ciocodiles fiozen inio
gioiesque posiuies lile leialdic beasis caived fiom jade and quaiiz," offei ile seduciive
faniasy of ile inoiganic as a simplei way of life, a dimension wleie ile unalieiable iules of
ile plysical woild govein uniioubled.
:
Tle posi-wai iexi ilai diiecily iies becoming-mineial wiil ile nucleai bomb is Kuii
Vonnegui's Cot's CroJle (iq6). Tlis cauiionaiy iale ieads Fieud's deail diive poliiically, as
an iiiesponsible, open-aimed embiace iowaid ile inoiganic via ile obliieiaiion of
lumaniiy and all oiganic life. Tlis occuis wlen lumans (lungiy foi dominaiion and
impeiialism) iampei wiil ile eco-maieiialiiy of ile ieal ai ile aiomic level, ielease ile
DANIEL LUKES
y6
plysical fiom iis iempoiaiy piison, andengendeiing an aiomic apocalypse followed by
an eieinal nucleai winieiinciie a new Gaiden of Eden ilai blooms, noi wiil siclness and
muiaiion bui wiil ile puie meclanics of ile mineial. Cot's CroJle iecounis ile ieleasing
of "ice-nine" inio ile woild by a "failei of ile aiom bomb." Tle ice-nine compound causes
all waiei on Eaiil io iuin io ciysial as ii is made io "siacl and locl in an oideily, iigid
way," falling fiom ile slies as "laid lobnails of ice-nine," iapidly iiansfoiming ile eniiie
planei inio a leaving and ilen quiesceni ball of iocl.
:(
Eveiyman pioiagonisi }onal, afiei
liding oui ile caiasiiople, veniuies foiil io belold a ciysial woildan endless winiei,
lumaniiy's iiieveisible iomb: "Tleie weie no smells. Tleie was no movemeni. Eveiy siep I
iool made a giavelly squeal in blue-wliie fiosi. And eveiy squeal was ecloed loudly. Tle
season of locling was ovei. Tle eaiil was locled up iigli. Ii was winiei, now and
foievei."
:
Deleuze and Guaiiaii similaily poliiicize ile deail diive, engaging Fieud's
developmeni of ile concepi in Civilizotion onJ its Discontents (iqo) as ile aggiession
pioduced by ile iepiessions necessaiy io foim socieiies. Foi Deleuze and Guaiiaii, ile
deail diive is meiely one funciion of ile sysiem of desiiing-maclines, noi an end-poini
ouiside of ii. Tle Eaiil is noi visualized as cold and giavely inanimaie, bui as maisly and
fecund. Ii is an oiiginal, ieiiiioiial "megamacline" (ile ieim is Lewis Mumfoid's) ilai
peimiis pioduciion iiself: a "gieai unengendeied siasis."
:6
Togeilei ilis piimiiive
ieiiiioiial macline and iis "immobile moioi" foim an oiiginal uniiy ieplaced by ile
spuiious uniiy of ile Siaie: "ile full body is no longei ilai of ile eaiil, ii is ile full body of
ile Despoi, ile Unengendeied, wlicl now iales claige of ile feiiiliiy of ile soil as well as
ile iain fiom ile sly and ile geneial appiopiiaiion of ile pioduciive foices."
:y
To ile iune
of a naiuializing Fieudian deail song (eiopopeio), ile siaie is ilai wlicl biopoliiically
iegulaies life and deailile "Deail-Siaie," as Eugene W. Holland puis ii. Ii is undei
naiionalisiic capiialism ilai ile deail diive fulfills iis funciion as a meclanism foi
siemming suiplus pioduciion and iouiing excess bacl inio ile sysiem: "bombs aie ile
peifeci capiialisi commodiiy and an ideal soluiion io capiial's noioiious ciises of
oveipioduciion, inasmucl as iley blow up and immediaiely call foi ile pioduciion of
moie bombs io ieplace ilem."
:S
BM's exaliaiions of ioial wai, aiomic annililaiion, and nucleai winiei engage ile
ideological, ieclnological, and geological dimensions of ile capiialisi siaie as a deail
macline. Impaled Nazaiene's "Toial Wai - Winiei Wai," on ileii iqq( Suomi FinlonJ
Perkele (an album wlicl playfully iiaffics in and paiodies naiionalisiic ilemes and wai
imageiy) iepiises Indusiiial aiiisi NON's song "Toial Wai": "Yes we wani ioial wai! Yes we
wani fucling wai!" Noiwegian IBM band V::S lave based a iiilogy of albums on nucleai
apocalypse (including songs "Tle Biigliesi Ligli," "Unleasl Tle Eneigy," "A Pioplecy
BLACK METAL MACHINE
yy
Wiiiien In Uianium," "Tle Puiifying Flames," "As Tle Sly Opens," "Dead Men's Cloii,"
"Woild Wide Bombing Day," "Deseii Geneiaioi," and "Can You See Tle Ligli Now"). In
"Slui Ii Down" (on ileii :ooy album Violution), V::S's vision of ioial nucleai wai as a final
sluiiing down of ile macline of ile woild appeais wiil clilling claiiiy. Acceleiaied guiiai
iiffs iecieaie a iace iowaids desiiuciion as ile lyiics desciibe a ioial slui-down: "No need
io bieaile ] No need io live ] To igniie ile laie ] To desiioy ile woild . . . No lisioiy io
pieseive ] No life io iemembei ] No name io lonoui ] No deail io gloiify ] Slui ii
down."
:q
Tle woild as macline is being iuined off.
Tle "doomsday macline," populaiized by Sianley Kubiicl's Dr. Stronqelove (iq6(),
ieappeais envisioned iliougl BM's depiessive ilinling in UK band Slaldic Cuise's album
iiile VorlJ SuiciJe Mocbine (:ooq), wlose covei feaiuies ile symbol of a bomb wiilin a
cog againsi a dieaiy bacldiop of ied and blacl iuins. In cybeineiic BM aci Aboiym's Vitb
No Humon lntervention (:oo), ile woild iiself las become a vasi, meclanized, deail
macline: we aie ile "Cleinobyl Geneiaiion." Aesileiically, IBM subsiiiuies ile inveiied
ciosses and spideiy logos of iiadiiional BM wiil iadiaiion signs and indusiiial fonis.
E&8' 1%+#%(&- '/ &7* -%5* 5%07#(*F) #("2-&+#%$ 3$%04 5*&%$
Tlougl Ballaid piofessed io laving no inieiesi in music and io nevei laving puiclased a
musical iecoiding, le is veiy deai io ile Indusiiial communiiy.
o
His woild is one wleie
ile individual is ciasled by ile aicliieciuial maclinea veiiical woild of sieel and glass,
ile luman seveied fiom ile Eaiil. Tle field of biopoliiics (given piominence by Miclel
Foucauli in ile mid-iqyos), siudies ile ways in wlicl we in laie modeiniiy accepi,
iegulaie, and disavow socially sanciioned, indusiiially-oiganized deail. Higlligliing ile
causaliiies of cai deail ai lome and colonial wai abioad, Deleuze and Guaiiaii wiiie, "ile
Algeiian wai doesn'i lill moie people ilan weelend auiomobile accidenis, planned deail
in Bengal, eic.)."
i
"Oui age is ile one in wlicl a loliday weelend pioduces moie viciims
on Euiope's liglways ilan a wai campaign,"
:
adds Gioigio Agamben, spealing io ile
banaliiy of violence ilai colois ile fabiic of oui meclanized lives. Ballaid limself males a
similai poini: "Aboui |((,oooj people a yeai aie lilled on ile ioads in Ameiica. Of couise,
eveiy deail is deploied, bui colleciively ii's manslaugliei on a giganiic scale . . . ioleiaied
as paii of ile piice io be paid |foij ile soii of lives we've opied foi."
Indusiiial music offeis a self-conscious iool foi coming io ieims wiil ile Deail Siaie.
Foi eais living nigli and day amidsi indusiiial noise (ile wline and juddei of consiiuciion
siie jacllammeis and diills; ile ioais, giunis, and wleezing of gaibage colleciion iiucls;
ile vicious sneei of leaf-bloweis; ile ciusling sliiels and squeals of ile subway; and ile
incessani giind, wliii, and scieecl of moving and siopping iiaffic), Indusiiial Noise
DANIEL LUKES
yS
"music" aiiiculaies iwo muiual and dialeciical funciions. Ii saicasiically ilapsodizes and
scailingly mocls ile living deail of posi-wai indusiiial socieiy:
ile ciiiiques of medical
science (SPK), ile plaimaceuiical-indusiiial complex and mass slaugliei of animals
(Slinny Puppy), neo-fascisiic naiionalism (NON, Laibacl, Minisiiy), and ieiminal uiban
ennui and soul deail (Godflesl, Nine Incl Nails). Bui, ii also aiguably seives ile funciion
of assuaging ile macline woild, as iis disjoinied and alienaiing swailes of noise and
iepeiiiive and meclanical ilyilms aie made pleasani, piopagaiing iiance-lile qualiiies.
(
Indusiiial and BM migli, ai fiisi glance, seem quiie unsuiiable bedfellows: BM
celebiaies and conjuies ile piimoidial, claoiic, eaiilen (clilonian and ielluiic), wild,
besiial, and piimiiive.
Tle compelling naiiaiive of ouiei space as lumaniiy's giave and final desiinaiion is
ile subjeci of Aiciuius's Tbe Sbom Mirrors (:oo:). To use ile woid "odyssey" io desciibe
ilis voyage would be impiecise, as no ieiuin is sougli. Insiead, ile voyage is endlessly
ouiwaid, unio deail. Tle album's covei combines negaiive images of iocl, a spaiial visia,
and a model diawing of a seciion of ile Apollo spaceciafi. Inside of ile album's boollei,
debiis of digiially scaiieied images foiegiounds ile sleleial pioiagonisi of ile dance of
deail. "Kineiic" begins by iniioducing ile woil in ile foim of a iiansmission fiom a
civilizaiion ilai is long gone, a message fiom ile pasi (as all aii is):
Welcome
ilis iiansmission
fiom a fallen siai
Ligli las depaiied
fiom ilis blacl sun
Bui please pui us on
io biing dailness down
fiom youi lead and lome
Oui enieipiise a success
as ieiuin is no opiion
oui eyes weie iemoved
foi oui own safeiy
Tlis disiance ioo gieai
foi you io leai oui ciies
neveimind iale ilis lamp
we aie beyond ligli
We leained so liiile
of inluman culiuie
befoie disappeaiance
weni iigli iliougl us
Tle moileislip
boaided by fools
we escape space
in oidei io ieacl
oui desiinaiion
BLACK METAL MACHINE
S
And if you aie lisiening
please iell us aboui ile iime
wleie and wlen we exisi
no moie
Foi wlen you go
we go wiil you
via woimloles.
(
Civilizaiions ilai lave ended coniinue io iiavel acioss space and iime in ile foim of
iiansmission: oui iime is speni faslioning a message io communicaie (io ouiselves) ilai
we weie ieally leie, and noi meie glosily figmenis of oui imaginaiions. Geosynclionous
saielliies oibii ile eaiil and speal bacl io us iliougl iiansmissions.
Tle suiface upon wlicl Tbe Sbom Mirrors insciibes iis epiiaplic message is a
negaiive one wlicl coveis ile logics of aniimaiiei and ile blacl lole as escape laicles
fiom ile luman: "Tlis negaiive lingdom ] ley loiiible and wliie ] ile angels all sione ]
passing ileii yeais ] loping io be saved ] fiom oblivion ] by oblivion" ("Niglimaie
Heaven"). Unlile IBM ilai scieams iis message amidsi ile ioaiing fuinace of maclines
gone laywiie, Aiciuius's vocalisi Tiiclsiei G. Rex (Kiysioffei Rygg) sings in clean soais,
enunciaiing lis woids foi claiiiy. Tle music is piisiinely pioduced, iiiumplani, and
melodic Piogiessive Meial, diawing fiom BM and consciously moving well beyond ii. "Siai
Ciossed" eniiusis io iime and space ile message of oui ending, pioducing ile oiganic
luman as inoiganic epiiapl:
We
oiganic images
dissolving eaiil
Oui fuiuie clildien
siaie ai us unfixed
fiom a iesidence of siais
in ileii sideieal slips
lo sailing beyond wiilin
. . .
And oui vision
goes baclwaids
. . .
All dieams end leie
wleie oui ciies began
iesounding in museums
of a woild we believed neveiending.
DANIEL LUKES
S6
Ouiei space is a negaiive leaven ilai piovides noi ile solace ilai ileie migli be
someiling "oui ileie," bui ile end of lumaniiy as communicaiion, oi iiansmission, io
ouiselves. Ii is ile eclo we seel and find in ile sileni music of ile spleies. And, ii is
endless ciiculaiiiy wlicl launis also Tbe Sbom Mirrors's final iiacl "Foi To End Yei
Again," wlicl configuies endings as endlessly cyclicalin a sing-song cainival dance. Tle
iiansmission bounces bacl, and we aie caugli once again in ile loop, sluffling baclwaids.
"In space no one can leai you scieam," siaies ile infamous iag line io Ridley Scoii's
Alien (iqyq). Tlis is because sound waves need molecules lacling in ouiei space io
iiansmii ilem. Eleciiomagneiic waves, sucl as iadio waves, on ile oilei land need no
sucl molecules: io ilis poini, ile glosily effeci of asiionauis communicaiing via iadio.
Humans lave been sending oui oui own iadio waves inio ile cosmos since ile iq:os,
waves wlicl aie now beiween o-ioo ligli yeais away. In addiiion, ileie aie oui own
iecoided messages io ile siaisile Aiecibo message (iqy() and ile Voyagei Golden
Recoids (iqyy)wlicl feaiuie iecoidings of animal sounds and music by Beeiloven,
Mozaii, Siiavinsly, Clucl Beiiy, and Guan Pinglu foi aliens io lisien io ai ileii own
leisuie wlen iley ieceive ilem.
Fiencl band Spelii (wlo iale ileii name fiom ile fifil module of ile Russian Mii
space siaiion, isolaied afiei a ciasl) consiiuci an aesileiic based on ilese spacewaid
communicaiive iendencies, faslioning Eleciionic BM as a foim of blacl box of ile luman
expeiience, a BM ieclno-launiology. Tle glosily siaiic ciaclle, dione, and launiing liss
of ileii ieleases "Asiial Desceni," "Planiom Realiiy," and "Disiuibing Signal" (Neor Deotb
Experience); "Hollow Coniaci" (Mescolyne); and "No Longei Human Senses" and "Noiling's
Benn Woiil Saving (Tle Piocession)" (Et Fuqit lntero Fuqit lrreporobile Tempus) ie-
piogiam, cui up, disseci, and paicl bacl iogeilei Buizum's mouinful dione wiil swailes
of wliie noise and discombobulaiing gliicles, io siand foi lumaniiy's necio-posiluman
digiial epiiapl. Afiei noiions of Cosmic BM as open (yei ieiminal) veisions of a posi-
lumaniiyblind, undead, and sailing iliougl space in ile new lind of lalf-life in
opeiaiion evei since iadio waves weie fiisi seni oui inio ile cosmos a ceniuiy agoposi-
Indusiiial Eleciionic BM iemains as eclo, afieiglow, and speciei of lumaniiy. Floaiing
code, communicaiing wiil noiling bui iiself.
/%"* &' 6+*9
Bacl on Eaiil (among ile lumans claiieiing aboui ileii end) ileie aie discouises ilai
aiiiculaie eco-desiiuciion as ile lasi accepiable foim of sadism: ile "iape" of Moilei
Naiuie oi ile Eaiil. Visions depici eco-apocalypse as one lasi, final oigy. Peilaps inspiied
by ile Tom of Finland diawing "Fucl ile Woild" (iqy:), wlicl depicis a musculai man
BLACK METAL MACHINE
Sy
copulaiing wiil ile planei in space, Swedisl Ciusi-Punl band Diillei Killei expiess ileii
pieoccupaiion wiil ile peiils of indusiiializaiion as a foim of planeiaiy iape by iiiling
ileii iqqy album Fuck tbe VorlJ, and giacing iis covei wiil a piciuie of ile Eaiil endowed
wiil a planei-sized vagina. On a similai noie, Maidul's ianl-feiislizing Ponzer Division
MorJuk (iqqq) feaiuies ile scieed "Fisifucling God's Planei." Bui, ii is Finnisl necio-
feiislisi "nucleai meial" band Impaled Nazaiene wlo specialize in aiiiculaiing ile end of
ile woild nucleai Aimageddon as a lolocausi oigy of sex and violence. Tleii iqq6 album
lotex Cult depicis ile ioial wai of ile end as lell-oigy, sexualizing BM's long-sianding
fascinaiion wiil puie lolocausi:
Kaimageddon waiiiois, possessed soldieis, We aie bacl fiom ile giave, ii's a
doomsday . . . Moioi aciion plallus, 666 ways io die . . . Tle ieiuin of nucleai
god, Alien miliiani, Doomsday maclineiy, Cybeigoai wai, alien }esus will fucl
youi face, youi soul, Hell on eaiil . . . Hammeiing down ile law, ilis is goai wai
. . . Masiuibaiing wiil a gun, vomii fiie and blood . . . My semen is made of
lellfiie.
Tle album's David Palsei-designed aiiwoil feaiuies a mummified lead-casi of singei
Milla Luiiinen plugged inio a meclanical maiiix of wiies and plalluses: ile devil las
been encased wiilin ile macline. Impaled Nazaiene's iiieveieni lumoi ("Moioipenis,"
"66.6 S of Foieplay," "Masieibaioi," and "I Eai Pussy foi Biealfasi") suggesis ile suiiendei
io sexual Aimageddon as an aci of defiani, saianic laugliei. Tleii pievious album Suomi
FinlonJ Perkele (iqq() paiied ile iwo songs "Lei's Fucling Die" and "Genocide" as ile
uliimaie in sadisiic giaiificaiion, ioial genocide as also a foim of ieiminally masoclisiic
global suicide:
Genocidewlai we need is
Genocideall musi die
Scum being iaped, scum being lilled
Scum is dying, I leep on laugling
Genocideii's ile fucling
Genocideall musi die.
6
Sex-lellfiie-apocalypse comes full ciicle io ieanimaie ile piimoidial claoswleie
individualiiy and diffeieniiaiion beiween subjeci]objeci, self]oilei, and oiganic]inoiganic
aie finally eiased in a singulaiiiy.
y
In Veinoi Vinge's iqq foimulaiion, ile Teclnological
Singulaiiiy concepi (oi Singulaiiiy, as ii las come io lnown and populaiized by Ray
Kuizweil) is undeisiood io signify ile momeni in wlicl ile inielligence of maclines
DANIEL LUKES
SS
equals and suipasses ilai of lumans. Ii is an eveni loiizon in wlicl disiinciions beiween
luman and macline aie eiased. In ilis momeni we will be one wiil ile macline, alienaied
and splii no moie, finally joined wiil oui piosileiic oilei. Bui, eclipsing ilis in ile
culiuial imaginaiion is anoilei "singulaiiiy": ile oneness of giey goo melidown. Tle
lypoileiical giey goo scenaiio is wlai occuis wlen biovoious, self-ieplicaiing nanoiobois
(wlose job ii is io build siiuciuies ai ile aiomic level) malfunciion and consume ile
eniiieiy of caibon-based maieiial on ile planei, ieducing ile wlole woild io iiieveisible
sludge in a maiiei of days. Building on iniiial wainings sounded by K. Eiic Diexlei, wlo in
Enqines of Creotion. Tbe Cominq Ero of Nonotecbnoloqy (iqS6) populaiized ile pliase
"giey goo" (and wlo now iegieis ii, given ilai ii is incieasingly ile public's fiisi concepiual
poii of call wlen ilinling of nanoieclnology), Robeii A. Fieiias }i.'s papei "Some Limiis io
Global Ecoplagy by Biovoious Nanoieplicaiois, wiil Public Policy Recommendaiions"
wains ilai "Ecoplagic nanoiobois would iegaid living ilings as enviionmenial caibon
accumulaiois, and biomass as a valuable oie io be mined foi caibon and eneigy. Of couise,
biosysiems fiom wlicl all caibon las been exiiacied can no longei be alive bui would
insiead become lifeless clemical sludge."
S
Giey goo fuiuiiiies poiiend macline-faciliiaied
ieiuins io an inoiganic singulaiiiy, wleie all diffeience las been eiased and ile giey
maiiei of fleslly luman consciousnessgeneiaied yei iioubled by diffeience, paiiiiion,
alienaiionis finally eiased in a sleep of eieinal sameness.
Giey goo is also aiguably an analogue foi ile ciasl (cai oi oileiwise): a ioializing
iiaumaiic eveni in wlicl flesl and macline aie mangled inio a ieiminal oneness, a "new
flesl" io use David Cionenbeig's foimulaiion of a Ballaidian iiope: "In lis mind Vaugln
saw ile wlole woild dying in a simulianeous auiomobile disasiei, millions of velicles
luiled iogeilei in a ieiminal congiess of spuiiing loins and engine coolani."
q
Undeigiound music is iife wiil aiiiculaiions of iealiiy ciasl. Fiisi ile ioializing
convulsion, ile insiani cainival bizaiie, and genie-splicing maelsiiom (Meial, Teclno,
Noise, Fiee }azz, Slionl, Impiov), ilen ile lybiids (Giindcoie, Poweiviolence, Digiial
Haidcoie, Gliicl, Illbieni, Cybeigiind, and Poinogiind). Tle eiasuie of disiinciion and
diffeience in a momenious luicl, an iiieveisible movemeni claiacieiized by ile buisi,
spasm, convulsion, gliicl, and bleep. Tle ioialiiy of ile ieal is maggoi-ized inio an
ouioboiic, wliiling voiiex of meclanical fagociiaiion, a geneial "spazz": ile juddeiing
ejaculaioiy blasis and noise-sioims of Sun Ra, Lou Reed's Metol Mocbine Music, Meizbow,
Napalm Deail, }oln Zoin, Tle Boiedoms, Mesluggal, To Live and Slave In LA,
Agoiaplobic Nosebleed, }ames Ploilin, Aiaii Teenage Rioi, Tle Dillingei Escape Plan, and
Toial Fucling Desiiuciionoi ile newei names Wlouli, Paii, Coniiol Human Deleie,
Oiio Von Scliiacl, Kusaii Gama Kill, Tle Amenia, Gnaw Tleii Tongues,
iwiesiledabeaionce, Tampax Voiiex, and Veneiian Snaies.
6o
An unspooling, a sonic
BLACK METAL MACHINE
Sq
mangling: ile gleeful sclizoiic, eioiic, gioiesque, nonsense dance of maiiei in iis ioialiiy,
spazzing oui of coniiol. Afiei ilis, ile gieyness: ile siaiic of Ambieni BM: giey meial, ile
mouinful slumbei of a sea of giey. Tle fade-oui aesileiics of Ambieni BM: Asl Boiei,
Coldwoild, and Lociian. Tle inluman geological Ambieni Dione exlalaiions: Lusimoid,
Deailpiod, SunnO)))). Tle slow and endless dione of an ocean of mineial oneness . . .
('&*-
i
Rydei Windlam and Peiei Vilmui, Tbe Complete VoJer (New Yoil: Ballaniine Bools, :ooq), 6.
:
Dana }ennings, "An Eaiil Wleie ile Dioids Feel ai Home," Tbe New York Times, Decembei S, :oii,
liip:]]www.nyiimes.com]:oii]i:]ii]aiis]design]cediic-delsauxs-ploiogiapls-of-siai-wais-on-eaiil.
liml.
Tlis includes Polisl Deail Meial band Vadei; ile baiiione, guiiuial and muffled qualiiies of Deail
Meial vocals, wlicl aiguably owe io Vadei's voice; Dub-Meial band Piaxis's album Socrifist (iqq),
wlicl (on iiacls sucl as "Deailsiai" and "Rivei") consiiucis a maiiial and miliiaiisiic Meial siyle
consciously inspiied by Empiie aesileiics; Dimmu Boigii, wlose albums lave become evei moie
adepi ai clanneling }oln Williams's iiiumplani scoies; and ile covei aii of Vondui's Cosmic BM
classic StriJsyfirlysinq (iqq) wlose depicis a iiiumplani Daiil Vadei and sioimiioopeis.
(
In Vbot ls Postbumonism? (Minneapolis: Univeisiiy of Minnesoia Piess, :ooq), Caiy Wolfe iales
issue wiil iianslumanism, aiguing ilai iis "ideals of luman peifeciibiliiy, iaiionaliiy, and agency
inleiiied fiom Renaissance lumanism and ile Enliglienmeni" (xiii), wlicl aie fai fiom "Haiaway's
playful, iionic, and ambivaleni sensibiliiy in 'A Cyboig Manifesio'" (xiii), iendei ii an iniensificaiion
of ile dogmas of lumanism iailei ilan a piocess foi looling beyond ilem. Wolfe iniends
posilumanism (as opposed io "ile posiluman") piimaiily as a concepiual fiamewoil conceined
wiil wlai may follow and ciiiique "lumanism," iailei ilan wlai may follow "ile luman."
Slavoj iel, "Oigans Wiiloui Bodies: Deleuze and Consequences: Tle Realiiy of ile Viiiual,"
locon Dot Com, liip:]]www.lacan.com]zizbenbioilei.liml. By calling ii an "old boiing iopic," iel
seels io iiace a dicloiomy beiween Teiminaioi-siyle naiiaiives of maclines "ieplacing" lumans, and
Maiiix-siyle ones ilai imagine low lumans and maclines may co-exisi. Tle slifi aiguably
iepiesenis a posilumanisi iecogniiion of, oi capiiulaiion io, ile idea ilai life wiiloui maclines las
become an impossibiliiy.
6
Lauience Goldsiein, Ruins onJ Empire. Tbe Evolution of o Tbeme in Auquston onJ Romontic
literoture (Piiisbuigl: Univeisiiy of Piiisbuigl Piess, iqyy), .
y
Lauience Goldsiein, Ruins onJ Empire, -6. Goldsiein is leie quoiing Tlomas Biowne's Tbe GorJen
of Cyrus. Or, Tbe Quincuncioll, lozenqe, or Net-work Plontotions of tbe Ancients, Artificiolly,
Noturolly, Mysticolly ConsiJereJ (i6S). Tle iexi is available online ai liip:]]penelope.uclicago.edu]
lgc.liml.
S
Nicl Yablon, Untimely Ruins. An Arcbeoloqy of Americon Urbon MoJernity, iSiq-iqiq (Clicago:
Univeisiiy of Clicago Piess, :ooq), . Heie, Yablon is discussing Waliei Benjamin's ilouglis on iuins
fiom Tbe Oriqin of Germon Troqic Dromo and Tbe ArcoJes Project.
q
Nicl Yablon, Untimely Ruins, :Sq.
io
Alan Weisman, Tbe VorlJ Vitbout Us (New Yoil: Picadoi, :ooy), i:i.
ii
Timoily Moiion, Ecoloqy Vitbout Noture. Retbinkinq Environmentol Aestbetics (Cambiidge:
Haivaid Univeisiiy Piess, :ooy), iSi-iqy. Tle concepi las alieady found applicaiion in ile nasceni
DANIEL LUKES
qo
field of BM siudies: iefei io Blacl Meial Symposium II: Melancology, Block Metol Tbeory,
liip:]]blaclmeialileoiy.blogspoi.com]:oio]o6]blacl-meial-ileoiy-symposium-ii.liml.
i:
Yablon, Untimely Ruins, :q.
i
Alan Weisman, Tbe VorlJ Vitbout Us, 6. iel caiegoiizes ilis vision as a definiiion of "faniasy ai
iis puiesi," (Slavoj iel, livinq in tbe EnJ Times |London: Veiso, :oioj, So) and a definiiion of ile
Lacanian gaze (ile impossible abiliiy io obseive ile meclanical goings on of ile woild as if we weie
noi leie): "wiinessing ile Eaiil iiself iegaining iis pie-casiiaied sense of innocence, befoie we
lumans spoiled ii wiil oui lubiis" (So). Weisman's ecological consciousness-iaising is viewed by
iel as a feiislisiic iomaniicizaiion of "naiuie" as caiegoiical innoceni. He suggesis ii is ile
"cessaiion" of indusiiial aciiviiy ilai "would cause a caiaclysmic imbalance" (So), iefeiiing io ile
posiiion of "an enviionmenial scieniisi" as a "good counieipoini" io Weisman's aigumeni. So ii is noi
ioializing indusiiializaiion bui iadical ecology ilai, pui inio piaciice, would biing aboui ile end: a
posiiion wlicl lools lile a peiveise apology foi indusiiialism. Benjamin Noys similaily iefeis io
apocalypiic exiinciion naiiaiives sucl as ile Roland Emmeiicl film :oi: (Columbia Piciuies, :ooq)
oi ile Hisioiy Clannel's life After People (:oio), wlicl involve ile eiasuie of ile luman fiom ile
planei as "fundamenially ieaciionaiy faniasies wlicl can only imagine iedempiion of oui fallen
woild on ile condiiion ilai lumaniiy ceases io exisi, oi is ieduced io ile 'iigli' numbei of ile
'saved'" (Benjamin Noys, "Apocalypse, Tendency, Ciisis," Mute. Grey Goo Grimoire :.i |Apiil :oioj,
(6). As I lope is appaieni in ilis aiiicle, I wisl io considei apocalypiic exiinciion posiluman
naiiaiives fiom ile peispeciive of ile cauiionaiy iale iailei ilan ilai of ile escapisi and
conseivaiive faniasy. Dispuiing ile iigid and exclusionaiy dicloiomy beiween ievoluiionaiy poliiics
and "gieen" libeial labiis of eveiyday life (iecycling, composiing), suiely ile laiiei lave a beiiei
clance of iending iowaid ile foimei ilan ileii apaileiic oi cynical alieinaiives (in ile siiuggle
againsi ile iigli-wing poliiics of deiegulaiion, iiiclle-down, eniiilemeni, and ecological plundei).
Saying "no" io plasiic bags can be a fiisi siep io legislaiing againsi ilem.
i(
Sigmund Fieud, "Beyond ile Pleasuie Piinciple," BeyonJ tbe Pleosure Principle onJ Otber Vritinqs,
iians. }oln Reddicl (London: Penguin, :oo), S(.
i
Sigmund Fieud, "Beyond ile Pleasuie Piinciple," ioi. Tle novels of Coimac McCaiily ideniify and
desiie ile mineial. Tle unspolen, sileni pioiagonisi of BlooJ MeriJion (New Yoil: Random House,
iqS) is undoubiedly ile iocly Eaiil: ile geological siage on wlicl lumans ciawl and baiile lile
insecis. McCaiily's lovingly-ciafied ciags, cliffs, diops, iavines, valleys, and plaieaus unfuil confideni
of ileii exisience wiilin a fai vasiei iimefiame, as lumans suffei ile inadequacy of ileii limiied
slells. Tbe RooJ (New Yoil: Knopf, :oo6) is ceiiainly a naiiaiive wlicl ieaffiims ile value of ile
luman in ile face of a laisl and ieiminal becoming-mineial of ile Eaiil, bui ii is also one ilai
foiegiounds ile Eaiil as almosi lappy io ieiuin io an inoiganic siaie, a iiclly giey, unbuclling of
ile yole of ile luman and iis iiiiiaiing sciaiclings.
i6
Tleie lave been seveial aiiempis io equaie Fieud's deail diive wiil ile second law of
ileimodynamics: ile law of eniiopy wlicl "specifies ilai all foims of eneigyfoi insiance, leai
iend io dissipaie wiilin a closed sysiem" (Fianl }. Sulloway, FreuJ, Bioloqist of tbe MinJ |New Yoil:
Basic Bools, iqyqj, (o6). A piciuie of ile univeise eniiopically iunning iiself down emeiges also in
ile ficiions of }.G. Ballaid.
iy
Dominic Fox, ColJ VorlJ. Tbe Aestbetics of Dejection onJ tbe Politics of Militont Dyspborio
(Winclesiei: Zeio Bools, :ooq), y.
iS
Dominic Fox, ColJ VorlJ, (S.
iq
Dominic Fox, ColJ VorlJ, 6.
BLACK METAL MACHINE
qi
:o
Especially iegaiding ileii widely-mocled ploio sessions wlicl live on as inieinei memes, and
ileii widely-paiodied videos.
:i
Will Self, "Tle Ballaid Tiadiiion" in }.G. Ballaid, Tbe Drouqbt (London: Fouiil Esiaie, :oii), :.
::
}.G. Ballaid, Tbe Crystol VorlJ (Faiiai, Siiaus 8 Giioux: New Yoil, iq66), iii.
:
}.G. Ballaid, Tbe Crystol VorlJ, q; Lociian's Tbe Crystol VorlJ (:oio) faslions a siiange and
ominous glimmeiing Ambieni BM woild oui of Ballaid's faniasy.
:(
Kuii Vonnegui, Cot's CroJle (Haimondswoiil: Penguin, iq6), 6.
:
Kuii Vonnegui, Cot's CroJle, i6S.
:6
Gilles Deleuze and Flix Guaiiaii, Anti-OeJipus. Copitolism onJ Scbizopbrenio, iians. Robeii
Huiley, Mail Seem, and Helen R. Lane (Minneapolis: Univeisiiy of Minnesoia Piess, iqS), i(o-i(i.
:y
Deleuze and Guaiiaii, Anti-OeJipus, i(6.
:S
Eugene W. Holland, "Affeciive Ciiizenslip and ile Deail-Siaie," in Deleuze onJ tbe Contemporory
VorlJ, eds. Ian Buclanan and Adiian Paii (Edinbuigl: Edinbuigl Univeisiiy Piess, :oo6), i6(.
:q
V::S, "Slui Ii Down," Violution (Vendlus Recoids, :ooy).
o
Tlougl seemingly unconceined wiil music, Ballaid's wiiiings piofess an obsession wiil
iiansmiiiing and iecoiding devices as mysieiious and oiplic poiials inio oilei peicepiive
paiadigmslis claiacieis iuning in oi lisiening io glosily iecoidings. Foi Baudiillaid we aie living
in a iime in wlicl iime las siopped, and aie siucl in a loop ieplaying oui own eiiois lile a film,
"iewind|ingj modeiniiy lile a iape . . . |cjondemned . . . as Caneiii las ii, io ile ieiiospeciive
melanclolia of living eveiyiling iliougl again in oidei io coiieci ii all" (}ean Baudiillaid, Tbe
lllusion of tbe EnJ, iians. Cliis Tuinei |Palo Alio: Sianfoid Univeisiiy Piess, iqq(j, io).
i
Deleuze and Guaiiaii, Anti-OeJipus, .
:
Gioigio Agamben, Homo Socer. Sovereiqn Power onJ Bore life, iians., Daniel Hellei-Roazen
(Sianfoid: Sianfoid Univeisiiy Piess, iqqS), ii(.
j.G. BollorJ. Quotes, eds. V. Vale and Mile Ryan (San Fiancisco: RE]Seaicl Publicaiions, :oo(), :q.
Texi and biacleis oiiginally piinied in Mississippi Review (iqqi).
(
In "Violence in Tliee Slades of Meial: Deail, Doom and Blacl," Ronald Bogue puis foiwaid ile
idea ilai, accoiding io Deleuze, music "de]ieieiiiioiializes" sounds fiom ile naiuial woild in ile
piocess of sialing oui claim ovei a given enviionmeni, and ilai Meial (wlilsi noi exacily imiiaiing
ile sonic meclanics of ile macline woild) noneileless pioduces "sonic analogues of ile sounds,
ilyilms, and paiieins of ile modein ieclnological lifewoild," aiiempiing a "deieiiiioiializaiion of
ile diveise iefiains of coniempoiaiy indusiiial macline culiuie"
(Ronald Bogue, "Violence in Tliee
Slades of Meial: Deail, Doom and Blacl," Deleuze onJ Music, eds. Ian Buclanan and Maicel
Swiboda |Edinbuigl: Edinbuigl Univeisiiy Piess, :oo(j, ioo). Foi some ieason, ilis iiacl (maybe ioo
meiely ieaciive in Deleuzian ieims) does noi inieiesi Biogue, peilaps because ile genies le analyzes
(Deail, Doom, and BM) iend io disavow ileii ielaiions io maclinic culiuie, insiead seeling escape
in myilological and faniasiic iealms. Indusiiial music (by coniiasi) openly and consciously embiaces
iis ielaiions io ile macline woild, posiiing ilem as iis piinciple iaison d'iie. Indusiiial music exisis
as a ielaiion io maclineiy, a way of ielaiing io, and sialing oui ile claim of ile luman wiilin ilai
woild. As if, in oidei io communicaie wiil ile maclines (wlo lave invaded) lumans lad leained io
speal ileii language and sing io ilem, peilaps io placaie ileii inexoiable onwaid giind. A siaiemeni
by Tliobbing Giisile visionaiy Genesis P-Oiiidge speals io ilis ielaiion, by wlicl Indusiiial music
exisis as an aiiempi io come io ieims wiil ile new macline woild: "iill ilen ile music lad been
lind of based on ile blues and slaveiy, and we ilougli ii was iime io updaie ii io ai leasi Vicioiian
iimesyou lnow, ile Indusiiial Revoluiion . . . Wlen we finisled ilai fiisi iecoid, we weni ouiside
and we suddenly leaid iiains going pasi, and liiile woilslops undei ile iailway aicles, and ile
DANIEL LUKES
q:
lailes going, and eleciiic saws, and we suddenly ilougli 'We laven'i aciually cieaied anyiling ai all,
we've jusi ialen ii in subconsciously and ie-cieaied ii'" (V. Vale, ed., RE}Seorcb. lnJustriol Culture
HonJbook |San Fiancisco: RE]Seaicl, iqSj, q-ii).
Benjamin Noys, "'Remain Tiue io ile Eaiil!': Remails on ile Poliiics of Blacl Meial," in HiJeous
Gnosis. Block Metol Tbeory Symposium i, ed. Nicola Masciandaio (Seaiile: CieaieSpace, :oio), iio-ii.
6
Honoiable meniions musi go io eaily noi-always-so-successful aiiempis ai mixing Teclno and BM,
sucl as ile woil of Mysiicum and Diabolos Rising]Raism, a collaboiaiive piojeci beiween Impaled
Nazaiene's Luiiinen and Neciomaniia's Magus Wampyi Daoloil.
y
See also Alejandio }odoiowsly and Fied Beliian's giaplic novel Meqolex (Los Angeles: Huma-
noids, :ooo).
S
Agamben desciibes low noiions of ile luman oiganism]oiganizaiion, based up uniil ile pieseni
on noiions of "becoming" (fiom animal io luman), lave now goiien siucl. Diawing fiom ile
Deleuzian ciiiical appaiaius, Agamben ieims ile discuisive meclanism wlicl pioduces ile
lnowledge of luman as beyond-animal ile "aniliopological macline." Bui now ilai value of ile
disiinciion las closed (lumans aie noi only animals, bui exisi exploiiaiively and symbioiically
iliougl non-luman animals)ile aniliopological macline is giinding io a lali, is "idling." Tle
luman piojeci is ilus configuied leie as an obsoleie macline ilai las ceased io funciion coiiecily,
and is now awaiiing someiling: subsiiiuiion, (geneiic) iepiogiamming, and maclinic ieplacemeni;
"|Fjaced wiil ilis exiieme figuie of ile luman and inluman, ii is noi so mucl a maiiei of asling
wlicl of ile iwo maclines (oi of ile iwo vaiianis of ile same macline) is beiiei oi moie effeciive
oi, iailei, less leilal and bloodyas ii is of undeisianding low iley woil so ilai we migli,
eveniually, be able io siop ilem" (Gioigio Agamben, Open. Mon onJ Animol, iians. Kevin Aiiell
|Sianfoid: Sianfoid Univeisiiy Piess, :ooj, S).
q
Tle iiile of a song on lnternol Punisbment Proqroms (Nociuinal Aii Pioduciions, :oo().
(o
}onailan Selzei, linei noies, Godflesl, Streetcleoner (Eaiacle, :oio).
(i
"Godiecl," Red Haivesi, Sick Tronsit Glorio MunJi (Nociuinal Aii Pioduciions, :oo:).
(:
Maislall McLulan, UnJerstonJinq MeJio. Tbe Extensions of Mon (New Yoil: McGiaw Hill, iq6(),
6.
(
Red Haivesi, lnternol Punisbment Proqroms (Nociuinal Aii Pioduciions, :oo().
((
Red Haivesi, lnternol Punisbment Proqroms.
(
Nicl Land, "Maling ii wiil Deail: Remails on Tlanaios and Desiiing-Pioduciion," in FonqeJ
Noumeno. CollecteJ Vritinqs i8,-:oo,, eds. Robin MacKay and Ray Biassiei (London: Uibanomic,
:oii), :6.
(6
"AEP (Advanced Evoluiionaiy Piogiession)," Red Haivesi, Sick Tronsit Glorio MunJi (Nociuinal Aii
Pioduciions, :oo:).
(y
I lave ialen ile iiile of ilis seciion fiom a Covenani song off ileii Nexus Poloris (iqqS), a galaxy-
galloping ligl-poini of Cosmic BM. Tleii iqqq album Animotronic (by wlicl iime iley weie lnown
as Tle Kovenani), saw ilem puisue a Cybei-BM appioacl, looling io sucl acis as Rammsiein and
EBM foi inspiiaiion. Cybei BM las found adleienis, ilougl noi majoi commeicial success yei, in
sucl acis as Tclnoplobia, Neo Infeino :6:, Neo Culiis, oOo, Blacllodge, and Alien Deviani Ciicus.
A biief meniion slould also go io ile subgenie of Cosmic Eleciionic BM, iepiesenied by ile Pinl
Eleciio BM aesileiics of Zweizz (biainclild of DHG's Hailevil), and ile Psycledelic Indusiiial BM of
Fullmoon Bongzai fiom Gieece.
(S
"Sliva Inieifeie," Dodleimsgaid, 666 lnternotionol (Moonfog, iqqq).
(q
"Final Conquesi," Dodleimsgaid, 666 lnternotionol.
o
"Compleiion," Dodleimsgaid, 666 lnternotionol.
BLACK METAL MACHINE
q
i
E.M. Cioian, On tbe Heiqbts of Despoir, iians. Ilinca Zaiifopol-}olnsion (Clicago: Univeisiiy of
Clicago Piess, iqq:), qo.
:
Bill McKibben, Enouqb. Genetic Enqineerinq onJ tbe EnJ of Humon Noture (London: Bloosmbuiy,
:oo(), i6.
"iqqq Kaimageddon Waiiiois," lmpoleJ Nozorene, lotex Cult (Osmose, iqq6). Pusling lome ile
poini, ile special ediiion album comes in a meial iin.
6
"Genocide," Impaled Nazaiene, Suomi FinlonJ Perkele (Osmose, iqq().
y
Tlis being BM, ileie aie also ilose wlo undeisiand apocalypiic singulaiiiy in iacial ieims: Fiencl]
Iialian quaiiei Ad Hominems's Plonet ZOG. Tbe EnJ (Musique and Tiadiiions, :oo:) and A New Roce
for o New VorlJ (Undeicovei Recoids, :oo), abbieviaied io ". . . Foi A New Woild" on ile US Elegy
Recoids double-album ediiion, wlicl feaiuie sucl iiacls as "Ausclwiiz Rules" (abbieviaied io "A.
Rules"), "Tle Psalmody of Sub-Humans," "Nucleai Blacl Meial Kampf," and "Aibeii Macli Toi."
S
Robeii A. Fieiias, }i., "Some Limiis io Global Ecoplagy by Biovoious Nanoieplicaiois, wiil Public
Policy Recommendaiions," Tbe Foresiqbt lnstitute, Apiil :ooo. liip:]]www.foiesigli.oig]nano]
Ecoplagy.liml.
q
}.G. Ballaid, Crosb (New Yoil: Picadoi, iqy), i6. See Viius's Corbeort (}esiei Recoids, :oo),
anoilei Cail-Miclael Eide (Czial) piojeci, foi an example of posi-BM wlicl places ile auiomobile ai
ile ceniei of iis conceins.
6o
Veneiian Snaies's aesileiic iesoluiely puisues ilis scenaiio's infiniie iecombinaioiy possibiliiies in
ile covei aii foi ileii :oo6 album CovolcoJe Of Glee AnJ DoJoist Hoppy HorJcore Pom-Poms, wlicl
feaiuies cows ioin apaii by maclines in ile sly.
THIS IS ARMAGEDDON
THE DAWN MOTIF AND
BLACK METALS ANTI-CHRISTIAN PROJECT
Joel Cotterell
Rising concomiianily wiil ile adveisaiial nililism of Blacl Meial, discouises of dailness
lave claiacieiised ile genie's visual and iexiual aspecis since iis genesis.
i
And yei, Blacl
Meial's focus on all ilings dail and nociuinal finds iiself apposed wiil invocaiions
(peilaps less fiequeni, ilougl equally significani) vis--vis ile genie's defining anii-
Cliisiian piojeci of ile Dawn. Woiling complemeniaiily wiil saianic invocaiions of nigli
and dailness, Dawn's ioleas a soii of "ligli ai ile end of ile iunnel" ilai nigli
iepiesenisis of iiemendous impoii io Blacl Meial's ideological siiuggle. Ii is ile goal of
ilis aiiicle io siiuaie ile Dawn moiif wiilin ilis siiuggle. Fiom ilis gained lnowledge, we
may examine ai once low Blacl Meial may infoim oui undeisianding of ile Dawn, and
low Blacl Meial peispeciives on ile Dawn and iis culiuial weigli migli influence oui
appioacles io Blacl Meial ileoiy and ideology.
Wlile ile Dawn as a lyiical moiif feaiuies piominenily in ile Blacl Meial canon, foi
ile sale of claiiiy and in iespeci of ilis aiiicle's consiiainis, we will conceniiaie oui
analysis on iwo of ile moie piomineni iieiaiions of ile Dawn moiif: "Awaiiing ile Dawn"
fiom Piimoidial's iqq ielease lmromo, and Saiyiicon's "Tle Dawn of a New Age" on ileii
}OEL COTTERELL
q6
iqq6 LP Nemesis Divino.
:
Piomineni, ilai is, foi ile aiiisis' ligl piofile in ile inieinaiional
Blacl Meial scene and ile ceniialiiy of ile Dawn moiif io ile iexi's meaning. We will
addiiionally considei Inquisiiion's "Siiile of ile Moining Siai" (Neforious Dismol Orotions,
:ooy) and Nazxul's "Diagon Dispiious" and "Iconoclasi" (lconoclost, LP, :ooq), foi ileii
significance as moie ieceni woils ioucling on ile Dawn moiif.
&7* $20#/*+#%( 0'(('&%&#'(- '/ &7* "%8( 5'&#/
So ilai we can beiiei undeisiand ile ielaiion of ile Dawn moiif io ile Blacl Meial
paiadigm in wlicl we encouniei ii, we ougli io biiefly considei ile iole ilai Dawn
imageiy las lisioiically played wiil iegaid io Cliisiian ileology. Dawn, foi insiance, is ile
iiadiiional iime of ile Euclaiisia summoning of soiis of }esus Cliisi. Ii is a iime of
beginning and puiificaiion, wleie ligli is sled, and confusion and dailness banisled.
Tle
paiallels beiween ilis piocess of "puiificaiion" and ile iedempiive iepuiaiion of Cliisi aie
obvious: iliougl Cliisi, puiificaiion; iliougl Dawn, ligli.
Eniei Blacl Meial, and wiil ii ile ialing (oi peilaps libeiaiion) of ile pioveibial
ioicl of culiuial iepieseniaiion of Dawn. As is undeisiood in boil Cliisiian and Blacl
Meial peispeciives, Dawn is ilai paii of ile day-nigli cycle ilai unfuils ligli upon ile
woild. Ii is a iime of iebiiil, a(n) (ie)awalening of ilougli and expeiience. Tle
obfuscaiing dailness offeied by ile nigli is lified, ieplaced by illuminaiion and claiiiy. In
ilis way, ile Dawn offeis libeiaiion.
Wlen woiling wiilin ile anii-Cliisiian ideological piojeci of Blacl Meial, io invole
ile Dawn is io invole ile Lucifeiian. Tle biilliani iise of ile sun, ai once seaiing and
ievelaioiy, is an embiace of ile foibidden lnowledges ilai ile coming of Lucifei"son of
ile Dawn"iepiesenis.
(
As we will soon demonsiiaie, because ilese Lucifeiian lnow-
ledges necessaiily exisi ouiside ile bounds of divine appioval, iieiaiions of ile Dawn
peimii ile escape fiom, and ile desiiuciion of, Cliisiianiiy's symbolic auiloiiiy. As ii
weie, we iuin oui bacl on ile Failei and Son wiil ile iise of ile sun.
Ii is insiiuciive io iefleci foi a momeni on ile claiaciei of ilis iejeciion, ilai lailing
ile Dawn and Lucifei ile Moining Siai wiilin a Blacl Meial coniexi slould be an anii-
Cliisiian aci is unsuipiising.
Elizabeil Siuaii, "Exploding Mysieiy: Feminisi Tleology and ile Saciamenial," Feminist Tbeoloqy i:
(:ooS): ::.
(
Ronald F. Youngblood, "Fallen Siai: Tle Evoluiion of Lucifei," Bible Review i(.6 (iqqS): ::-i, (y;
Caiel Rowe, "Illuminaiing Lucifei," Film Quorterly :y.( (iqy(): :y |:(-j.
As well as being commonly consideied one of Saian's iiiles, "Lucifei" (as many lave poinied oui) is
a name iefeiiing io Venus, ile "Moining Siai." Tle complex and evolving ideniiiy of Lucifei is
discussed in ile above-ciied "Fallen Siai" by Youngblood and L.T.I. Penman in "Repulsive
Blasplemies," Dopbnis S.]( (:ooq): qy-6:o.
6
"Siiile of ile Moining Siai," Inquisiiion, Neforious Dismol Orotions (No Colouis Recoids, :ooy).
y
"Diagon Dispiious," Nazxul, lconoclost (Eisenwald Tonsclmiede, :ooq).
S
"Awaiiing ile Dawn," Piimoidial, lmromo (Cacoplonous Recoids, iqq).
q
We speal of "cainaliiy" in iis sexual sense in ilis insiance, ilougl ile apposiiion of "wounds" and
"lusi" suggesis a bluiiing of any disiinciion beiween ile "sexual" and ile "fleslly" meanings of ile
ieim.
io
"Tle Dawn of a New Age," Saiyiicon, Nemesis Divino (Moonfog Pioduciions, iqq6).
ii
Noiably in }acques Deiiida, Of Grommotoloqy, iians. G. Spival (Baliimoie: }olns Hoplins
Univeisiiy Piess, iqy6), iS-iq.
i:
Guy Deboid, Tbe Society of tbe Spectocle, iians. Donald Niclolas-Smiil (New Yoil: Zone Bools,
iqq), i(.
i
Deboid, Society of tbe Spectocle, i(6.
i(
Ai ilis poini we migli addiess ile concein ilai Saiyiicon's saianic ievoli is gianied ioo mucl
ciediiile cluicl iemains poweiful, and Saiyiicon aie fai fiom ile fiisi gioup io aiiacl Cliisiian
modes of ilougli and auiloiiiy. Tle value of "Tle Dawn of a New Age" lies in iis siaius as a
noiewoiily coniiibuiion io Blacl Meial as an anii-Cliisiian discouise.
i
Tlis noiion of Blacl Meial as an adveisaiial genie is discussed in }uliei Foislaw's "Meial in Tliee
Modes of Enmiiy: Poliiical, Musical, Cosmic," Current Musicoloqy qi (:oii), i(o-i6:, and buili upon in
Huniei Huni-Hendiix's piovocaiive essay "Tianscendenial Blacl Meial: A Vision of Apocalypiic
Humanism," in HiJeous Gnosis. Block Metol Tbeory Symposium i, ed. Nicola Masciandaio (London:
CieaieSpace, :oio).