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Guitar On The Spot Free
Guitar On The Spot Free
Guitar On The Spot Free
Free E-Book
Make Up Songs On the Guitar ...On the Spot!
p U s g a in is s ie ak s a D M ng sy a So Ea ling ol
Jesse Hunt
Copyright 1997-2005 On the Spot Publishing All Rights Reserved
Jesse Hunt
Copyright 1997-2005 On the Spot Publishing All Rights Reserved
INTRODUCTION
Introduction - Part I
Dear Friend, Congratulations! Youve taken your first step towards making your guitar playing career a reality! Get ready to make up songs right now. Even if youre a complete beginner. Its as easy as rolling dice! The secret is knowing the Key Concept. You just follow three simple steps:
1 PICK
2 ROLL
3 PLAY
Song!
Your
You can play guitar and make up songs right away without having to read a ton of stuff first. Just roll the die! Its an Endless Song Making Machine! You You You You dont dont dont dont need need need need to take years of lessons to read musical notes a good ear any guitar experience
In Guitar On the Spot youll discover how to: 4 Play guitar right away Make up songs right away by rolling a die Make up solos off the top of your head Create emotions in your songs Create melodies that you can sing
Youll also find out how to make up your own: Reggae Songs Rock Songs Spanish Songs Jazz Songs Blues Songs
If youve got the ambition to play guitar, but youre having a hard time making sense of it, I feel your PAIN! I struggled for years until I FINALLY discovered the Key Concept. Then it all made sense and I could make up my own songs, solos and riffs on the spot. Thats when I knew I had to share this with you! Because theres no reason you should have to go through what I went through. When you know the Key Concept practicing the guitar is no longer a chore. It becomes fun because youre always making stuff up off the top of your head! After you start making up your own songs youll realize that The song youve been dying to hear is the one created by YOU! ********************************** Hi my name is Jesse Hunt and I could never make sense of the guitar. I always wanted to make up my own songs, but I found the process really frustrating. When I finally figured it out, I realized its really simple. The secret is the Key Concept. Once you know it, you can make up your own songs on the guitar on the spot. Its really easy. Note: If youre a complete beginner, check out the Guitar Basics section first. If you can already strum some chords continue on to Step 1. But before you do anything make sure your guitar is in tune, or else your songs wont sound very good. I suggest you buy a guitar tuner at first. Then learn how to tune a guitar without a tuner. You can learn how to tune a guitar with or without a tuner in the Appendix.
INTRODUCTION
Heres an overview of the 5 steps that you can follow to get started right away: Step 1 - Discover the Secret to Making Up Songs First discover the secret to playing the guitar and making up your own songs called the Key Concept. Step 2 - Make Up Songs Right Away by Rolling a Die Make up your own songs right away by rolling a die. Step 3 - Song Making Tips Then learn some song tips that you can use to spice up your songs. This step contains these chapters: Tips to Create Emotions in Your Songs, Make Up a Song With a Verse and a Chorus, The Secret Is in the Numbers, Song Making Tips and Make Up a Melody. Step 4 - Make Up Different Types of Songs Discover how to make up different types of songs including reggae, rock, spanish, jazz and blues songs. Step 5 - Make Up Solos On Lead Guitar Then youre ready to make up solos on lead guitar. Youll discover one simple pattern that you can use to solo over any song. And then learn how to move up the guitar neck using 4 other patterns. Step 6 - Make Up Riffs On Guitar Make up your own riffs on guitar by playing parts of chords and mixing in notes from the simple solo pattern. I created this course because its exactly what I wish I had in my hands when I first started playing. Unfortunately, I learned the hard way, but you dont have to. I wish you the best and look forward to hearing your songs! Have Fun! Jesse Hunt If you have any questions or comments please e-mail me at guitaronthespot@hotmail. com. Id love to hear from you.
STEP 2 MAKE UP SONGS RIGHT AWAY BY ROLLING A DIE Chapter 2 - Make Up Songs Right Away in Three Steps by Rolling a Die 32
TABLE OF CONTENTS
STEP 3 SONG MAKING TIPS Chapter Chapter Chapter Chapter Chapter 3 4 5 6 7 Tips to Create Emotions in Your Songs Make Up a Song With a Verse and a Chorus The Secret Is in the Numbers Song Making Tips Make Up a Melody 38 41 43 46 47
STEP 4 MAKE UP DIFFERENT TYPES OF SONGS Chapter 8 - Make Up a Reggae Song Chapter 9 - Make Up a Rock Song Chapter 10 - Make Up a Spanish Song Chapter 11 - Make Up a Jazz Song Chapter 12 - Make Up a Blues Song 52 53 54 55 58
STEP 5 MAKE UP SOLOS ON LEAD GUITAR Chapter 13 - How to Jam With Other People Chapter 14 - Make Up Solos on Lead Guitar Chapter 15 - Make Up Solos Up And Down the Guitar Neck STEP 6 MAKE UP RIFFS ON GUITAR Chapter 16 - Make Up Riffs On Guitar 76 64 67 73
Guitar Basics
BASICS
Body
Nut
Frets
Tuning Pegs
ELECTRIC GUITAR
Nut Tuning Pegs Body Bridge Pick-ups Fretboard Headstock
Neck
Whammy Bar Output Socket Pick-up Selector Volume & Tone Controls
Fret Markers
Frets
An electric guitar is plugged into an amplifier in order to make the sound louder. The electronic pick-ups pick up the vibrations of the strings and convert them into an electronic signal, which is then sent to the output socket. Each pick-up sounds different because of its location on the guitar body. You use the pick-up selector to choose which pick-ups to turn on. The back pick-up sounds twangy and vibrant (good for lead guitar), while the front pick-up sounds full and rich (good for rhythm guitar). The body holds the pick-ups in place. The volume control knobs control the volume for each pick-up and the tone control knob controls the brightness of the sound. Some electric guitars have a whammy bar connected to a floating bridge to change the tension in the strings while playing so you can make cool sounds. The neck and headstock on the electric guitar are basically the same as the acoustic guitar, however the tuning pegs on this electric guitar are all on one side.
PARTS OF THE GUITAR
11
BASICS
There are right-handed and left-handed guitars. These pictures show righthanded playing. Rest your inner right elbow on the edge of the guitar body as a stabilizer for your arm. Use your right hand to strum the strings of the guitar. Use the fingers of your left hand to push down the strings on the fretboard. Be sure that your left elbow is not resting on your left thigh so that your left hand is free to move up and down the neck.
STANDING
Playing the guitar while standing is more fun, but more difficult. Adjust the strap to a comfortable length. If your left wrist hurts, make the strap shorter or tilt the neck upwards.
12
USING A PICK
You can use a guitar pick instead of your fingernails
Hold the pick between your thumb and index finger. Thin picks are good for strumming. Thick picks are good for plucking strings one at a time and for soloing. I personally use Fender medium picks for everything. Alternate picking strokes between downstrokes and upstrokes to keep your picking consistent. This is called alternate picking.
13
BASICS
The Note G
Nut Frets
Single Note G
CHORDS
Three or more different notes played at once is a chord
You play chords by reading chord diagrams. See the G Major chord diagram on the right. There are two main types of chords: Major chords and minor chords. The next page shows you how to play chords in three steps. 14
Nut
chord diagram
G Major
You play chords by reading chord diagrams (see left). The black dots represent your fingers. The numbers on the top of each chord diagram tell you which fingers to use on each string according to the Fingering Key in step 2.
chord diagram
G Major
Chord diagrams with a double line on the top are played near the end of the guitar neck. The double line is the nut.
2 LOOK AT
123 4
Fingering Key
3 PUT
G Major
210003
Fingering Key
G Major
123
G Major
=
15
OPEN CHORDS
Chords can be played in many different places. The versions of G Major and D Major below are called open chords because you strum at least one string open (the strings with the 0s).
Open Strings
Don't strum
G Major
D Major
Notice that in the G Major chord diagram (above left) there are three 0s and no Xs. This means that you strum all six strings even though youre only pushing down three strings. The D Major chord (above right) has two Xs and one 0. Remember, dont strum the strings with the Xs, but do strum the string with a 0. When you play D Major, you only strum four strings.
16
G Major
The 3 fr on the right side of the G Major diagram above, tells you which fret number the chord is played on. At first, playing bar chords can be tiring for your hand, but after some practice youll get used to it.
ALTERNATE FINGERINGS
Some chords have an ALTERNATE FINGERING to give you an option to use different fingers
The alternate fingering is noted in parenthesis on the top of the B Major chord diagram on the right. The photo shows this alternate fingering.
Alternate Fingering
3 fr
Fret Number
An Alternate Fingering
X12341 (X 1 3 3 3 X )
Alternate Fingering
B Major
(
17
BASICS
G Major
\ 1 \ 2 \ 3 \ 4
D Major
\ 1 \ 2 \ 3 \ 4
E minor
\ 1 \ 2 \ 3 \ 4
C Major
\ 1 \ 2 \ 3 \ 4
Chord progressions can be drawn above a staff. A staff is split into measures that mark off equal units of time. A measure is one unit of time. The four slashes below each measure in the figure are strumming strokes. The numbers below each strumming stroke are the beat count. In this example, there are four beats per measure. Tap your foot as you count in your head 1, 2, 3, 4 over and over again. Then play the chord progression above by strumming every time you tap your foot. Since each chord has four strumming strokes, you strum each chord four times.
18
BASICS
C# DH
D# EH
F# GH
G# AH
Some notes have two names. They are called sharps (#) or flats (H). For example, A# (A sharp) is the same note as BH (B flat).
C# DH
D# EH
F# GH
G# AH
No Sharps or Flats
19
A distance of one note is called a half step and distance of two notes is called a whole step
A
A# BH
C# DH
D# EH
F# GH
G# AH
C# DH
D# EH
F# GH
G# AH
A# BH
20
1E 2B 3G 4D 5A 6E
Thinnest String
Thickest String
The strings are numbered from 6, the thickest string, to 1, the thinnest string. When you pluck a string without pushing it down with a finger, you are playing the string open. For example, when you pluck the D string without pushing it down, you are playing the D string open. See Appendix A to learn how to tune a guitar.
Fret Numbers
1E 2B 3G 4D 5A 6E F
3rd
5th
7th
9th
12th
15th
17th
19th High
String
F# GH
G# AH
A# BH
B C
C# DH
D# EH
E F
F# GH
G# AH
A# BH
Low String
12 Note Cycle
Repeats Over
12 Notes Repeat
21
F# GH
G# AH
Same Note
A# BH
C# DH
D A
D# EH A# BH
E B
C# DH
D# EH
22
A# BH
C# DH
Same Note
G to G
The G note, played by placing a finger on the 5th fret of the D string, is the same G note played by plucking the G string.
1 2 3 4 5 6
E B G D A E
3rd
5th
D# EH
F# GH
Same Note
B to B
The B note, played by placing a finger on the 4th fret of the G string, is the same B note played by plucking the B string.
1 2 3 4 5 6
E B G D A E
3rd
G# AH A# BH
5th
Same Note
E to E
The E note, played by placing a finger on the 5th fret of the B string, is the same E note played by plucking the E string.
1 2 3 4 5 6
E B G D A E
3rd
5th
C# DH
D# EH
Same Note
23
E G D A
Same Notes
12th
D# EH A# BH F# GH C# DH G# AH D# EH
15th
F# GH C# DH
17th
19th
F# GH
1E 2B 3G 4D 5A 6E
G# AH D# EH A# BH
F C
F# GH C# DH
F# GH
A E B
A# BH
G D
G# AH D# EH F# GH C# DH G# AH
F C G
A E C G D A
A# BH C# DH G# AH D# EH A# BH
F# GH
D A E B
D# EH A# BH
C G
F C
F# GH C# DH
E B
D A F C G D
E B G D A E
G# AH D# EH A# BH
F C
F# GH
A E B
A# BH
G D F C G
G# AH D# EH F# GH C# DH G# AH
A E C G D A
A# BH C# DH G# AH D# EH A# BH
D A E B
But you dont need to memorize them. You only need to know the notes on the low E (6th) and A (5th) string so you can play chords and jam up and down the guitar neck. You can learn how in Guitar On the Spot - Using the Code. Click here to learn more about Guitar On the Spot - Using the Code.
24
Step
CHAPTER
26
NOTES
Notes
When you play one string on the guitar, youre playing a note. Each fret on the guitar is one note. Notes are named using some of the letters of the alphabet. There are 12 different notes that repeat over and over again. The pictures below show the note G on the guitar. To play a single note: Push down one string right above any fret with one finger. Then pluck that string with a finger of your other hand. Pluck the string over the sound hole on an acoustic guitar or over the pick-ups in the body of an electric guitar.
The Note G
Nut Frets
Single Note G
27
CHORDS
Chords
When you play three or more strings on the guitar at once youre playing a chord. Chords have names like C Major, A minor or G Major. You play chords by reading chord diagrams. See the G Major chord diagram on the right. There are two main types of chords: Major chords and minor chords. See Basics 3 to learn how to play chords in three steps.
Nut
chord diagram
G Major
CHORD PROGRESSIONS
Chord Progressions
An easy way for you to start making up your own songs is to play chords one after another in a chord progression. You could play G Major, then D Major, then E minor, then C Major. See Basics 4 to learn more about chord progressions.
Chord Progression
210003 XX 0 1 3 2 023000 X3 2 0 1 0
G Major
1st Chord
D Major
2nd Chord
E minor
3rd Chord
C Major
4th Chord
So the question is: How do you know which chords to play to make up songs? The answer is the Key Concept. Here it is again: You mainly play chords that belong to the same key. Read on to learn more about keys. 28
GUITAR ON THE SPOT - FREE E-BOOK - MAKE UP SONGS
KEYS
Keys
A key is basically a group of notes and chords that go together. Keys have names like the key of G or the key of D. Songs are played in different keys, which means that they mainly use the notes and chords that belong to that key. For example, you may have heard titles of classical songs like, Mozarts Symphony No. 38 in the Key of D. This means that Mozart is mainly using the notes and chords in the key of D for his symphony. Now notice that I said mainly. The idea here is to get started by mainly using the notes and chords from one key and then experiment from there. Just keep in mind, there are no rules. You can play notes and chords from different keys or switch keys in the middle of a song. The key concept is simply a guideline to get you going. The next page shows you the six main chords in the key of G and the key of C.
29
KEYS
You can make up songs by picking one of these keys and choosing from the six chords in that key
I put a picture of a die above each chord so you can just roll a die to choose from them if you want to. Read on to see an example.
I
X3 2 0 1 0
IIm
XX 0 2 3 1
IIIm
023000
IV
XX 3 2 1 1
V
210003
VIm
X0 2 3 1 0
C Major
D minor
E minor
F Major
G Major
A minor
I
210003
IIm
X0 2 3 1 0
IIIm
XXX 3 2 1
IV
X3 2 0 1 0
V
XX 0 1 3 2
VIm
023000
G Major
A minor
B minor
C Major
D Major
E minor
Note: There are 12 keys total. These are only two of them. You can discover how to create these chord diagrams yourself using a simple code in Guitar On the Spot - Using the Code. Click here to learn more about Guitar On the Spot - Using the Code.
30
Step
CHAPTER
1 PICK
2 ROLL
3 PLAY
Song!
Your
32
Example 2.1
IIm
XXX3 2 1
2 fr
IIIm
XXX3 2 1
4 fr
IV
XX0 1 3 2
V
023100
VIm
XX3 1 1 1
Key of A
For this first example Im going to pick the key of G because it has the easiest chords to play.
A Major
X32010
B minor
XX0 2 3 1
C#/DH minor
023000
D Major
XX3 2 1 1
E Major
210003
F#/GH minor
X02310
Key of C
C Major
XX0 1 3 2
D minor
023000
E minor
XX3 1 1 1
F Major
210003
G Major
X01230
A minor
XXX3 2 1
2 fr
Key of D
D Major
023100
E minor
XX3 1 1 1
F#/GH minor
XX3 1 1 1
4 fr
G Major
X01230
A Major
XXX3 4 1
B minor
XXX3 2 1
4 fr
Key of E
E Major
210003
F#/GH minor
X02310
G#/AH minor
XXX3 2 1
2 fr
A Major
X32010
B Major
XX0 1 3 2
C#/DH minor
023000
Key of G
G Major
A minor
B minor
C Major
D Major
E minor
IIm
X0 2 3 1 0
IIIm
XXX 3 2 1
IV
X3 2 0 1 0
V
XX 0 1 3 2
VIm
023000
Key of G
G Major A minor B minor C Major D Major E minor
33
IIm
XXX 3 2 1
IIIm
XXX 3 2 1
4 fr
IV
XX 0 1 3 2
V
023100
VIm
XX 3 1 1 1
Key of A
A Major
X3 2 0 1 0
B minor
XX 0 2 3 1
C#/DH minor
023000
D Major
XX 3 2 1 1
E Major
210003
F#/GH minor
X0 2 3 1 0
Key of C
C Major
XX 0 1 3 2
D minor
023000
E minor
XX 3 1 1 1
F Major
210003
G Major
X0 1 2 3 0
A minor
XXX 3 2 1
Key of D
D Major
023100
E minor
XX 3 1 1 1
F#/GH minor
XX 3 1 1 1
4 fr
G Major
X0 1 2 3 0
A Major
XXX 3 4 1
B minor
XXX 3 2 1
4 fr
Key of E
E Major
210003
F#/GH minor
X0 2 3 1 0
G#/AH minor
XXX 3 2 1
A Major
X3 2 0 1 0
B Major
XX 0 1 3 2
C#/DH minor
023000
Key of G
G Major A minor B minor C Major D Major E minor
You can discover how to create this chart yourself using a simple code in Guitar On the Spot - Using the Code. Click here to learn more about Guitar On the Spot - Using the Code. 34
GUITAR ON THE SPOT - FREE E-BOOK - MAKE UP SONGS
ROLL a Die
to Select Chords from that Key!
IIm
X0 2 3 1 0
IIIm
XXX 3 2 1
IV
X3 2 0 1 0
V
XX 0 1 3 2
VIm
023000
Key of G
G Major A minor B minor C Major D Major E minor
I
210003
V
XX 0 1 3 2
VIm
023000
IV
X3 2 0 1 0
G Major
1st Chord
D Major
2nd Chord
E minor
3rd Chord
C Major
4th Chord
PLAY Your
Song!
Roll
Play the chords in the order that you rolled the die.
I
210003
V
XX 0 1 3 2
VIm
023000
IV
X3 2 0 1 0
Strum each chord four times and repeat your song as many times as you like.
G Major
Play 1st Chord
D Major
2nd Chord
E minor
3rd Chord
C Major
4th Chord
35
Worksheet 2.1
IIIm
XXX 3 2 1
4 fr
IV
XX 0 1 3 2
V
023100
VIm
XX 3 1 1 1
Key of A
A Major
X3 2 0 1 0
B minor
XX 0 2 3 1
C#/DH minor
023000
D Major
XX 3 2 1 1
E Major
210003
F#/GH minor
X0 2 3 1 0
Key of C
C Major D minor
023000
E minor
XX 3 1 1 1
F Major
210003
G Major
X0 1 2 3 0
A minor
XXX 3 2 1
XX 0 1 3 2
Key of D
D Major
023100
from Jesses Easy Chord Chart. See page 36 for the larger version.
E minor
XX 3 1 1 1
F#/GH minor
XX 3 1 1 1
4 fr
G Major
X0 1 2 3 0
A Major
XXX 3 4 1
B minor
XXX 3 2 1
4 fr
Key of E
E Major
210003
F#/GH minor
X0 2 3 1 0
G#/AH minor
XXX 3 2 1
A Major
X3 2 0 1 0
B Major
XX 0 1 3 2
C#/DH minor
023000
Key of _____
Key of G
G Major A minor B minor C Major D Major E minor
ROLL a Die
to Select Chords from that Key!
2nd Chord
3rd Chord
4th Chord
PLAY Your
Song!
Roll To Play Each Chord Refer to Jesses Easy Chord Chart Play 1st Roll
1st Chord
2nd Chord
3rd Chord
4th Chord
Step
CHAPTER
You can make the same chord progression sound different just by changing your strumming
The following examples are in the key of G. 1. Change the NUMBER of times you strum each chord.
V
XX 0 1 3 2
VIm
023000
IV
X3 2 0 1 0
G Major
\ 1 \ 2 \ 3 \ 4
D Major
\ 1 2 \ 3 4
E minor
\ 1 \ 2 \ 3 \ 4
C Major
\ 1 2 \ 3 4
Strum 4X
Strum 2X
Strum 4X
Strum 2X
V
XX 0 1 3 2
VIm
023000
IV
X3 2 0 1 0
G Major
\ 1 \ 2 \ 3 \ 4
D Major
\ 1 2 \ 3 4
E minor
\ 1 \ 2 \ 3 \ 4
C Major
\ 1 2 \ 3 4
Strum Louder
Strum Louder
38
V
XX 0 1 3 2
VIm
023000
IV
X3 2 0 1 0
G Major
Strumming Strokes Beat Count
\ 1 \ 2 \ 3 \ 4
D Major
\ 1 \ 2 \ 3 \ 4
E minor
\ 1 \ 2 \ 3 \ 4
C Major
\ 1 \ 2 \ 3 \ 4
V
XX 0 1 3 2
VIm
023000
G Major
Strumming Strokes Beat Count
\ 1 \ 2 \ 3 \ 4
D Major
\ 1 \ 2 \ 3 \ 4
E minor
\ 1 \ 2 \ 3 \ 4
39
I
210003
IIm
X0 2 3 1 0
IIIm
XXX 3 2 1
IV
X3 2 0 1 0
V
XX 0 1 3 2
VIm
023000
G Major
A minor
B minor
C Major
D Major
E minor
I
210003
IIm
X0 2 3 1 0
IIIm
XXX 3 2 1
IV
X3 2 0 1 0
V
XX 0 1 3 2
VIm
023000
G Major
A minor
B minor
C Major
D Major
E minor
You can create many more feelings by using the chord variations you learn about in Guitar On the Spot II - Expanding the Code. Click here to learn more about Guitar On the Spot II - Expanding the Code. 40
GUITAR ON THE SPOT - FREE E-BOOK - MAKE UP SONGS
CHAPTER
Most songs have two parts with different chord progressions: a verse and a chorus
The lyrics in the verse usually change each time you play it, while the lyrics in the chorus usually stay the same. A common song format is to alternate between the verse and the chorus.
I
210003
V
XX0 1 3 2
VIm
023000
IV
X3 2 0 1 0
G Major
\ 1 \ 2 \ 3 \ 4
D Major
\ 1 \ 2 \ 3 \ 4
E minor
\ 1 \ 2 \ 3 \ 4
C Major
\ 1 \ 2 \ 3 \ 4
Chorus
Repeat this chorus as many times as you like before going back to the verse
VIm
023000
V
XX0 1 3 2
E minor
\ 1 \ 2 \ 3 \ 4
D Major
\ 1 \ 2 \ 3 \ 4
Verse
G Major
\ \ \ \
D Major
\ \ \ \
E minor
\ \ \ \
C Major
\ \ \ \
Chorus
E minor
\ \ \ \
D Major
\ \ \ \
41
IIm
X0 2 3 1 0
IIIm
XXX 3 2 1
IV
X3 2 0 1 0
V
XX 0 1 3 2
VIm
023000
Key of G
G Major A minor B minor C Major D Major E minor
1st Chord
\ \ \ \
2nd Chord
\ \ \ \
3rd Chord
\ \ \ \
4th Chord
\ \ \ \
Chorus
1. ROLL a Die
5th Roll 6th Roll
5th Chord
\ \ \ \
6th Chord
\ \ \ \
Repeat your verse and chorus as many times as you like. You can add more chords to each part if you want to. 42
GUITAR ON THE SPOT - FREE E-BOOK - MAKE UP SONGS
CHAPTER
43
IV
\ \ \ \
V
\ \ \ \ \ \ \
44
IV
X3 2 0 1 0
V
XX 0 1 3 2
Key of G
G Major
Strumming Strokes
\ \ \ \
C Major
\ \ \ \
D Major
\ \ \ \ \ \ \ \
IV
XX 3 2 1 1
V
210003
Key of C
C Major
Strumming Strokes
\ \ \ \
F Major
\ \ \ \
G Major
\ \ \ \ \ \ \ \
45
CHAPTER
Tips
The most common chords in any key are I, IV, V and VI. Chord I is the main chord of any key, therefore it is a good chord to start or end your chord progressions on. Chord IV is versatile and can be used virtually anywhere. Chord V likes to be played right before Chord I. Chord VI is another good chord to start or end your chord progressions on. Its a minor chord, so use it to create a darker sounding song. Chords II and III have unique minor sounds and are usually used as transitional chords between the other four chords.
Each chord has its own unique sound. A song centered around Chord V will have a totally different sound than one centered around Chord II. Experiment all day long. Youll develop favorites depending on what kind of sounds you like. When you get bored of using only six chords you can learn how to switch and mix keys in Guitar On the Spot - The System. Click here to learn more about Guitar On the Spot - The System.
46
CHAPTER
Make Up a Melody
A MELODY
A melody is a sequence of single notes played one after another.
MAKE UP A MELODY
47
Example 7.1
Example 7.2
Example 7.3
G Major
210003
G Major
210003
G Major
210003
Picking Order
1234
Play this string 1st Play this string 2nd Play this string 3rd Play this string 4th
Picking Order
34
2
Play this string 2nd
Picking Order
3 4
Play this string 3rd and 4th
21
Play this string 2nd Play this string 1st
48
Picking Order
1234
\ 1
\ 2
\ 3
\ 4
There are six strings to choose from in this chord, but only play four of them since there are only four beats per measure in this example.
MAKE UP A MELODY
49
PLAY A MELODY
Pick single notes throughout your entire chord progression to play a melody
Play the melodies below by following the picking order for each chord.
I
210003
V
XX0 1 3 2
VIm
023000
IV
X32010
Picking Order
1234
1234
1234
1234
G Major
Picking Strokes Beat Count \ 1 \ 2 \ 3 \ 4
D Major
\ 1 \ 2 \ 3 \ 4
E minor
\ 1 \ 2 \ 3 \ 4
C Major
\ 1 \ 2 \ 3 \ 4
I
210003
V
XX0 1 3 2
VIm
023000
IV
X32010
Picking Order
34
1342
34
342
G Major
Picking Strokes Beat Count \ 1 \ 2 \ 3 \ 4
D Major
\ 1 \ 2 \ 3 \ 4
E minor
\ 1 \ 2 \ 3 \ 4
C Major
\ 1 \ 2 \ 3 \ 4
Step
CHAPTER
Playing reggae is all about the way you strum the strings and your strumming pattern
You only need to know two things: 1. Dont let the chords ring out, dampen them. Keep each chord from ringing out by muting the strings with the palm of your strumming hand. This makes that chk sound you hear in reggae songs. 2. Strum on the off-beats, beats 2 and 4. Tap your foot 1, 2, 3, 4, and only strum on beats 2 and 4. Notice that there are strumming strokes only on beats 2 and 4 in the sample song below. When I play reggae I usually strum using upstrokes, but you can use either up or downstrokes. Heres a sample reggae song in the key of G. Be sure to play Chord V for two measures.
I
210003
IV
X3 2 0 1 0
V
XX 0 1 3 2
G Major
Strumming Strokes Beat Count
C Major
\ \ 1 2 3 \ 4
D Major
\ 1 2 3 \ 4 1 \ 2 3 \ 4
\ 1 2 3
52
CHAPTER
VIm
023000
IV
X3 2 0 1 0
V7
XX 0 2 1 3
E minor
Strumming Strokes Beat Count
C Major
\
4
D7
\
4
\
1
\
2
\
3
\
1
\
2
\
3
\
4
\
1
\
2
\
3
\
1
\
2
\
3
\
4
You can create different moods in rock music by using the different codes you learn about in Guitar On the Spot III - Commanding the Code. Click here to learn more about Guitar On the Spot III - Commanding the Code.
MAKE UP A ROCK SONG
53
CHAPTER
10
I
X3 2 0 1 0
IIm
XX 0 2 3 1
III
023100
IV
XX 3 2 1 1
V
210003
VIm
X0 2 3 1 0
C Major
D minor
E Major
F Major
G Major
A minor
VIm
X0 2 3 1 0
III
023100
IV
XX 3 2 1 1
III
023100
A minor
Strumming Strokes Beat Count
E Major
\ 4 \ 1 \ 2 \ 3 \ 4
F Major
\ 1 \ 2 \ 3 \ 4
E Major
\ 1 \ 2 \ 3 \ 4
\ 1
\ 2
\ 3
To really give your song that spanish flavor, strum downwards slowly so you hear each string played individually then upwards the same way. You can learn how to play any chord as a Major or minor chord in Guitar On the Spot - The System. Click here to learn more about Guitar On the Spot - The System. 54
GUITAR ON THE SPOT - FREE E-BOOK - MAKE UP SONGS
CHAPTER
11
IIm
Another jazzy chord progression that I like uses the I, VIm, IIm and V chords of any key. Read on to see these examples in the key of G.
VIm
IIm
55
I
210003
IIm
X0 2 3 1 0
IIIm
XXX 3 2 1
IV
X3 2 0 1 0
V
XX 0 1 3 2
VIm
023000
G Major
A minor
B minor
C Major
D Major
E minor
V
XX 0 1 3 2
I
210003
A minor
Strumming Strokes Beat Count
D Major
\ 4 \ 1 \ 2 \ 3 \ 4
G Major
\ 1 \ 2 \ 3 \ 4 \ 1 \ 2 \ 3 \ 4
\ 1
\ 2
\ 3
VIm
023000
IIm
X0 2 3 1 0
V
XX 0 1 3 2
G Major
Strumming Strokes Beat Count
E minor
\ 4 \ 1 \ 2 \ 3 \ 4
A minor
\ 1 \ 2 \ 3 \ 4
D Major
\ 1 \ 2 \ 3 \ 4
\ 1
\ 2
\ 3
56
Imaj7
210043
IIm7
X0 2 0 1 0
IIIm7 IVmaj7
X1 4 2 3X X3 2 0 0 0
V7
XX 0 2 1 3
VIm7
020000
(G Major 7)
Gmaj7
(A minor 7)
Am7
(B minor 7)
Bm7
(C Major 7)
Cmaj7
(D Dominant 7)
D7
(E minor 7)
Em7
V7
XX 0 2 1 3
Imaj7
210043
Am7
Strumming Strokes Beat Count
D7
\ 3 \ 4 \ 1 \ 2 \ 3 \ 4
Gmaj7
\ 1 \ 2 \ 3 \ 4 \ 1 \ 2 \ 3 \ 4
\ 1
\ 2
VIm7
020000
IIm7
X0 2 0 1 0
V7
XX 0 2 1 3
Gmaj7
Strumming Strokes Beat Count
Em7
\ 4 \ 1 \ 2 \ 3 \ 4 \ 1
Am7
\ 2 \ 3 \ 4 \ 1
D7
\ 2 \ 3 \ 4
\ 1
\ 2
\ 3
You can find out how to create these chords in Guitar On the Spot II. - Expanding the Code. Click here to learn more about Guitar On the Spot II - Expanding the Code.
MAKE UP A JAZZ SONG
57
CHAPTER
12
12 Bar Blues
IV
IV
58
I
210003
G Major
Strumming Strokes Beat Count
\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3
IV
X3 2 0 1 0
I
210003
C Major
Strumming Strokes Beat Count
G Major
\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3
V
XX 0 1 3 2
IV
X3 2 0 1 0
I
210003
V
XX 0 1 3 2
D Major
Strumming Strokes Beat Count
C Major
G Major
D Major
\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3
59
I
210003
IV
X3 2 0 1 0
I
210003
G Major
Strumming Strokes Beat Count
C Major
G Major
\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
IV
X3 2 0 1 0
I
210003
C Major
Strumming Strokes Beat Count
G Major
\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3
V
XX 0 1 3 2
IV
X3 2 0 1 0
I
210003
V
XX 0 1 3 2
D Major
Strumming Strokes Beat Count
C Major
G Major
D Major
\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3
60
I7
320001
IIm7
X0 2 0 1 0
IIIm7
X1 4 2 3X
IV7
X3 2 4 1 0
V7
XX 0 2 1 3
VIm7
020000
(G Dominant 7)
G7
(A minor 7)
Am7
(B minor 7)
Bm7
(C Dominant 7) (D Dominant 7)
C7
D7
(E minor 7)
Em7
You can find out where these chords come from and how to make up blues solos in Guitar On the Spot II. - Expanding the Code. Click here to learn more about Guitar On the Spot II - Expanding the Code.
61
I7
320001
G7
Strumming Strokes Beat Count
\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3
IV7
X3 2 4 1 0
I7
320001
C7
Strumming Strokes Beat Count
G7
\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3
V7
XX 0 2 1 3
IV7
X3 2 4 1 0
I7
320001
V7
XX 0 2 1 3
D7
Strumming Strokes Beat Count
C7
G7
D7
\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ 4 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3
62
Step
CHAPTER
13
1 PICK
2 RHYTHM 3 LEAD
PICK A KEY
1 PICK
Pick a key for your jam from the five popular keys on the next three pages. For this example, lets pick the key of C.
KEY OF A
RHYTHM Guitarist plays any of these chords Chords in the Key of A
X0 1 2 3 0 XXX 3 2 1 XXX 3 2 1
4 fr
XX 0 1 3 2
023100
XX 3 1 1 1
A Major
B minor
C#/DH minor
D Major
E Major
F#/GH minor
LEAD Guitarist plays any of these notes Note Pattern in the Key of A
1E 2B 3G 4D 5A 6E
3rd 5th 7th 9th 12th
64
KEY OF C
RHYTHM Guitarist plays any of these chords Chords in the Key of C
X3 2 0 1 0 XX 0 2 3 1 023000 XX 3 2 1 1 210003 X0 2 3 1 0
C Major
D minor
E minor
F Major
G Major
A minor
LEAD Guitarist plays any of these notes Note Pattern in the Key of C
1E 2B 3G 4D 5A 6E
3rd 5th 7th 9th 12th
KEY OF D
RHYTHM Guitarist plays any of these chords Chords in the Key of D
XX 0 1 3 2 023000 XX 3 1 1 1 210003 X0 1 2 3 0 XXX 3 2 1
D Major
E minor
F#/GH minor
G Major
A Major
B minor
LEAD Guitarist plays any of these notes Note Pattern in the Key of D
1E 2B 3G 4D 5A 6E
3rd 5th 7th 9th 12th
65
KEY OF E
RHYTHM Guitarist plays any of these chords Chords in the Key of E
023100 XX 3 1 1 1 XX 3 1 1 1
4 fr
X0 1 2 3 0
XXX 3 4 1
XXX 3 2 1
4 fr
E Major
F#/GH minor
G#/AH minor
A Major
B Major
C#/DH minor
LEAD Guitarist plays any of these notes Note Pattern in the Key of E
1E 2B 3G 4D 5A 6E
3rd 5th 7th 9th 12th
KEY OF G
RHYTHM Guitarist plays any of these chords
G Major
A minor
B minor
C Major
D Major
E minor
66
RHYTHM
Once you pick a key for your jam, the person playing rhythm guitar can just strum any chords from that key in any order. If you dont have another person to play with you can just record yourself playing a rhythm part and then play along with it. If you find yourself getting stuck always playing the same chords, try rolling a die to choose the next chord.
C Major
D minor
E minor
F Major
G Major
A minor
210003
X0 2 3 1 0
XX 3 2 1 1
C Major
1st Chord
G Major
2nd Chord
A minor
3rd Chord
F Major
4th Chord
67
Make up a solo as you play along with the back-up song by playing any notes in the solo pattern. As the rhythm person plays chords from the key of C (step 2), the lead person plays notes from the key of C note pattern. See below to learn how to play the note pattern.
1E 2B 3G 4D 5A 6E
Play 11th Play 9th Play 7th Play 5th Play 3rd Play 1st
Play 2nd
Index Finger
Ring Finger
Fingers
To play the 1st note, place the index finger of your left hand (if youre right handed) on the thickest string (the low E string, string 6) just behind (to the immediate left of) the 5th fret (frets are the metal ridges in the guitar neck) and pluck that string with the thumb of your right hand. You can also use a pick instead of your thumb. To play the 2nd note, place your pinky finger just behind the 8th fret on the thickest string (the low E string, string 6) and pluck that string. To play the 3rd note, place your index finger just behind the 5th fret on the second thickest string (the A string, string 5) and pluck that string. To play the 4th note, place your ring finger just behind the 7th fret on the second thickest string (the A string, string 5) and pluck that string. To play the rest of the notes just follow the diagram. Then play the notes in the reverse order. Once you get comfortable playing the notes forward and backward in order, then you can skip around. If you really want to make up mind-blowing solos, I recommend learning the code I teach in you in Guitar On the Spot - Using the Code. Click here to learn more about Guitar On the Spot - Using the Code. 68
GUITAR ON THE SPOT - FREE E-BOOK - MAKE UP SONGS
Pinky
CHAPTER
14
1 CREATE
2 ANCHOR 3 MAKE UP
a Solo!
69
Example 14.2
CREATE a Back-Up
Song in Any Key!
Create and record a back-up song in any key like you did in Chapter 2. If you dont have the means to record a back-up song you can solo along with any song. Click here to go to a page on my website that shows you how. Heres a song in the key of C using chords from Jesses Easy Chord Chart. Record this song on a tape or have a friend play it so you can solo along.
1st Roll
2nd Roll
3rd Roll
4th Roll
X3 2 0 1 0
210003
VIm
X0 2 3 1 0
XX 3 2 1 1
IV
C Major
Play
G Major
2nd Chord
A minor
3rd Chord
F Major
4th Chord
1st Chord
70
ANCHOR the
Super Simple Solo Pattern!
The super simple solo pattern that you learned in the previous example is actually a movable pattern that you can use to solo in any key. You just move it up or down the guitar neck to the correct location depending on the key. Solo patterns can be drawn vertically or horizontally. See the top diagram. Every solo pattern has a root note, R. Whatever note you anchor note R on, is the key that youre soloing in. In this example the backup song is in the key of C. So anchor note R of the super simple solo pattern on the note C.
Root Note
R
=
R
Vertical
Horizontal
Solo Pattern
Play each note one at a time
Play 11th Play 9th Play 7th Play 5th Play 3rd Play 1st Play 12th Play 10th Play 8th Play 6th
Anchor Note R on C
1E 2B 3G 4D 5A 6E
3rd 5th 7th 9th 12th
F# GH
G# AH
A# BH
71
MAKE UP a Solo!
Make up a solo as you play along with the back-up song by playing any notes in the solo pattern.
Back-Up Song
in the Key of C
1st Roll
2nd Roll
3rd Roll
4th Roll
I
X32010
V
210003
VIm
X02310
IV
XX3 2 1 1
C Major
G Major
A minor
F Major
1st Chord
2nd Chord
3rd Chord
4th Chord
Solo Pattern
in the Key of C
1E 2B 3G 4D 5A 6E
3rd
5th
7th
9th
12th
This chapter is just an introduction to soloing. There are four other solo patterns, (youll learn them in the next chapter) but this one is the easiest to play. For more information see Guitar On the Spot - Using the Code. Click here to learn more about Guitar On the Spot - Using the Code.
72
CHAPTER
15
The solo pattern you used in the last chapter is just one pattern of whats called the Major Pentatonic Scale. Scales are 12 frets long and repeat themselves. The Major Pentatonic Scale can be divided into 5 Patterns and numbered 1 thru 5 for reference. Notice that the notes in each pattern overlap.
R R
Pattern 1
R R
Pattern 2
R
Pattern 3
R R
Pattern 4
R R
Pattern 5
MAKE UP SOLOS UP AND DOWN THE GUITAR NECK IN THREE STEPS
73
CREATE
Follow the steps in Chapter 2 to create a back-up song and record it. This example is in the key of C.
1st Roll
2nd Roll
3rd Roll
4th Roll
X3 2 0 1 0
210003
VIm
X0 2 3 1 0
XX 3 2 1 1
IV
C Major
Play
G Major
2nd Chord
A minor
3rd Chord
F Major
4th Chord
1st Chord
ANCHOR a
Anchor note R of the scale pattern on the root note of that key. Anchor note R of Pattern 5 of the Major Pentatonic scale on note C because the back-up song is in the key of C.
3rd 5th
Anchor Note R on C
1E 2B 3G 4D 5A 6E
7th
9th
12th
F# GH
G# AH
A# BH
3 MAKE UP
a Solo!
Once youve anchored Pattern 5, you can branch off into all the other patterns. Remember the notes in each pattern overlap. You can play any notes in this scale over your back-up song and they will sound good.
9th
12th
R R
R R
C R
74
Step
CHAPTER
16
1 CREATE
2 DISCOVER 3 MAKE UP
76
Example 16.1
CREATE
Create a chord progression in the key of G just like you did in Chapter 2. Just follow the steps in the example on the right.
Look Up Each Chord 2 1 0 0 0 3 in the Key of G in Jesses G Major Easy 1st Chord Chord Chart
XX0 1 3 2
VIm
0 2 3 0 0 0
X3 2 0 1 0
IV
D Major
E minor
C Major
2nd Chord
3rd Chord
4th Chord
2 DISCOVER
To make up riffs in the key of G learn the super simple solo pattern on the right. When you first play this pattern, play the notes one at a time in the order shown in the diagram on the far right. Use the specified finger for each note. To play the notes along the top of the diagram you just play the string by itself (as an open string without any fingers on it).
E A D G B E
3rd
3rd Play 2nd Play 4th Play 6th Play 8th Play 10th Play 12th
So to play the first note, just pluck the low E string by itself. To play the second note, place your middle finger on the 3rd fret of the low E string and pluck that string. To play the third note, pluck the A string by itself. To play the fourth note, place your index finger on the 2nd fret of the A string and pluck that string. To play the rest of the notes just follow the diagram. Then try playing the notes in the reverse order. Once you get comfortable playing the notes in order, then you can skip around as long as you only play the notes in this pattern.
MAKE UP RIFFS ON GUITAR
77
MAKE UP
Riffs!
First make up riffs by alternating between strumming each chord and soloing like you did in the previous chapter. In other words, strum the first chord once or twice, then solo by playing any notes in the solo pattern. Do the same thing for the second, third and fourth chords. Once youve gotten the alternating down then just play parts of each chord, like only two strings at once. And then mix in individual notes from the solo pattern between playing the chord parts. See the example on the right. You can play any notes in each chord or in the solo pattern.
Alternate
Alternate between strumming and soloing
Strum Solo Strum Solo Strum Solo Strum Solo
2 1 0 0 0 3
E A D G B E
XX0 1 3 2
E A D G B E
VIm
0 2 3 0 0 0
3rd
E A D G B E
X3 2 0 1 0
IV
E A D G B E
3rd
3rd
3rd
G Major
Solo Pattern
D Major
Solo Pattern
E minor
Solo Pattern
C Major
Solo Pattern
Make Up Riffs
Play parts of chords then notes from the Solo Pattern
Play these notes one after the other. The 1st note is an open string
1st 2nd
2 1XXXX
1st 2nd
G Major
Solo Pattern
Solo
Solo
}
Solo
You could make an entire album just by using the chords in the Key of G and this super simple solo pattern. Its that easy. You can make up riffs up and down the guitar neck using the code that you learn in Guitar On the Spot - Using the Code. Click here to learn more about Guitar On the Spot - Using the Code. 78
GUITAR ON THE SPOT - FREE E-BOOK - MAKE UP SONGS
Appendix
APPENDIX
E B G D A E
80
Tune the low E string using a tuning fork, a pitch pipe, piano or another guitar by playing the E note on one of those devices while plucking the low E string at the same time. Listen for a wah wah wah sound and adjust the E string tuning peg to eliminate the sound. The wah wah wah sound slows down as you get closer to being in tune.
E B G D A E
3rd
5th
1 2 3 4 5 6
Play the A note on the 5th fret of the low E string and at the same time pluck the A string. These are the same notes. Listen for the wah wah wah sound and adjust the A string tuning peg to eliminate the sound.
E B G D A E
3rd
5th
1 2 3 4 5 6
Tune the A string using the A note on the 5th fret of the low E string
3rd 5th
Tune each string using the previous string. With almost every pair of strings, the note on the 5th fret is the same note as the next string. The only exception is the 3rd string where the note B is on the 4th fret. See the diagram on the right.
E B G D A E
1 2 3 4 5 6
81
82
83