d aa B I / f f g g f h h a

d a a I e Ba f d /
10

d a d a d a

Pavane 4
d d b d a / ba a e
5

B d

db

a a a d e a

a a b fd g a

efhd a d g a a d a B

Daniel Bacheler
i h fh i f h

e e f a

/ f a b a d d d a B
15

/ aa a
20

a d d d a d d a d a I a e B e e a / ad / a d a /

d a a

d d

d d e a h ef

b d a

/ B a

d a a B I b a d

d b / i h fh

b abdbdbdba a a bd d d a e ef a

efh

i h

h hfh i h

g a

/ / fh i f fh i g fd a / f d d g f d df g g f a a d dddd d efa i [A] / f i g i l i gd df i

a a d d d a aa

25

d f g d

df h [A]
2)

/ dd f [b] d d g df f f
3)

/ / / / f fd dd b d d

f dba aba d da d a 1) [B]

30

/ / db a i d b i l a a d i

/ / / h i h d f f fd a a a a

/ f d d

/ / / db fd d b a d a a

35 a f a f b da b fd df d d d g b f d a ef d d f d d d f d g g fdf

/ eaa f ba d a / dd bdd g df f [f]

4)

/ a bdf h dbda b bd b [A]

bd

a bdaf adf

40

1) "a" in orig. 2) One course lower in orig. Same in bar 38, 39, and 58. 3) "d" in orig. But compare bar 41. 4) "d" in orig.

GB-Cu:Cambridge University Library Nn.6.36(b) (1610), f.40. Encoded and edited by Sarge Gerbode.

/ / f d b d a b d dd d d

b a b

a b a d

i b i l i

i h f h f

f h d

h fdf

df

45

fdbda bd a a

dbab

ab

a d babdabd d dfd d e f a

a dad a ef d ad a

/ 50 d[f] [f] e a a df g [f] [d] db a f a df g d a [d] f [d] d a a a a a bd d b ff b a f dd d d a /

1)

h f da d ff e a d a a ad b ba d a d a d

i h g g h a

55 db fd b a fd b dfd f f a a a a ad d a a d a

/ a b a d d B a bd

65

a dd a a hf [a]

d dd [A] a

ab d d a B

60

b d dd b a a a

d a fd ef d

/ f h i h f h f f h i a f i f a d ba db a

dfd a d a a a d

a b

d b d

d a

a df h i

fd b a d b a a /

db

70

a bd d

bd

a bd

abd d df

b a [a] a b d [b] b [b] a d a d [d] d

3)

2)

4)

d d [A] a

aba d d a B

75

bd

aba

bd

ba a a

bd

a bd

[b] ba dbd a da a d a a
5)

d b d a b d d a e f

a a d a a d

a d

a b a d d d d d b d B

80

1) Last 4 chords in this bar missing in orig. 2) Rhythm flag 2 positions to right in orig. 3) Chord added by editor (Martin Long). 4) Notre added by editor (Martin Long) for continuity of bass line. 5) Note one course lower in orig.