als,
YMAN FOR
n
lival. Labor
The Cinema of Attraction:
Early Film, Its Spectator
and the Avant-Garde
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min
By Tom Gunning
‘Waiting in 1922, flushed with the excitement of
secing Abel Gance’s La Rowe, Femand Léger tried
to define something of the radical possibilities of
the cinema, The potential of the new art did not
“the mistaken path” ofits resemblance to theater
Tis unigue power was a “matter of making images
seen." It is precisely this hamessing of visibility,
fay in tatingIDE ANGLE
‘his act of showing sa exhibition which J fel
Cinema before 1905 crplaye mot ines. 1
Itgpation for heaved of te uty Socades
ths cnay seed go be reeaponee
Witte by they meri (Foust, Dudas
td Suet) on the cen oom 3 pte st
lato ger: emtuslacn for thsnew medi sad
1h pots, and daappeintnent a fe way thas
aia veloped tr eadeenent fo ional
ie forms, pardulty fewer od Werte. Tis
fn th theo of ned a he
‘Seempanying fay of eng tener fe tk
‘purgeat te a pat m) cane ane
Sod tas auber 9 rpoits want tous
tolluminne atone have sproached been fet
‘other ange, de sang heterogeneous flea
Shatin eo 1906 (or) bean te aor bat
allow, and he way a aking count of ser
iy seas nt conee pin of fim stony and
fis fom, My work in his osha pusued i
calsboraion wih andi Gavdresle®
Toe history of eat eins Uke he history of
ip Srey. Ras en ten td ea
Under te hegemony of parave Bie, Ey A
sakes Ue Sruth, MBL, and Porte hae been
Studied primatl fiom the ewpoit ofr eet
Suton timo a story edn puislary
the volun of arate editing Although suc
Approuces ae not totaly misguided hey te ene
Adedandpoteusly ator both te wos of se
Fimualase and he actual forss shaping cinema
Before 1906. A few oberon il inate he way
{hateaay enema wasnt dominaed by the mare
inp hat we nowred tava one the mec
Fist thee isthe extiemely portant soi tat
‘ett plays neal fn progocton, ast
faton of the fins copyrghied the US. showe
tha ata ms outnumbered eval ewe
tnt 1906.) The Lemire tadton of “plang the
‘rl within one’s each though trv flim and
tepals didnot disappear with the ext of the
ismstosrape rom fim prosucton.
But even wid sonartalty lming-what has
soit oes wteredto a the “MELD ai
“tn ce narrative plays gute afferent than
Geena arate Bim, Mebe himself decaed
ddiusing ie wrkng mtiod
As forthe scenario, te “fable,” oF “tle, I only
osider tthe ond a state tht she Scenario
ovsacredn aus manner hat no portaneh, ee
ate mere ee preset or the tae fete
“ets "or fore mec areige ble
Whaieriernets one might find between
Lime and Mads, ey sould no epee the
ppedton econ naa nd senate
sng at at ute underood toGay, Rate, one
an ie heen a comaepaon that wet cee
‘Sa key of ling stoner a sway of preening
$s of iva fo an meine, ia See
afc ony poner whet: ene Hagen
tmetion offedto het seences by Luni,
te mage on sancocte by MER) and
‘tom In ober wos eve tate aon
Xo te specter tp by he ss of bos Lunes
and Mb and many oer fmake bere. 1908)
itd acomaen bas and one til fom the
Palas spectator ilaons tp by narae Ain
ter Tb wal cals eae escent
latin, "ie coma of ateacdons? [Sone at
‘is wception omits nana ul abot 1906
130% Alhoub acento the faa
storing exploted by the nes fem te ne of
Gals, iinet oscesaly opened oT tn at the
Sinem‘ atacton does rot dsappes! vith tre
laminae of are, but rater ges unerroind,
both tain nar pate nd a com
Done! of save fins moe eet a sone
Ermes(ea. the muncal ann oes
What secely is he cinema of attraction Fit ic
SS gevema that bans lf on the quay tat Lege
Celebrated: ty to show something, Conaeed
to tevoyeunsi pect ofnatainecnewn snes
by Chastan Met tus an exhibitions dens
An sect ofemy cinema which hve wsten about
in ots sts is emblems of thi diferent
futahip the cnema of atection conus
‘with iy sfectaton the wecung Took at Be
‘era by sto. This actin ws ner pereind
SS'potng ie watsue son ofthe cinema shee
Under with bo, etabling ontnet with te
{idee From comedians smihing a te caer,
{othe ongtant bowing and pests fhe Gojoe
in mage fi, diss ner that copay a
bailing to ruplure 2 seenovedfctonal
sou for a hance fo mc Be steno of te
"Exdubsniam become itera the ees of roe
ns we ply an inportant rl in eat fim
produaion (the sume Path eatlogue Would nd
‘erie te Pasion Pay. long. with "scenes,
‘ivi Gun chaetém pint" erotic Ame
often ning fl ney),
round ininer yous ASCE,
Et in conection lene Hn
‘lene: Gore) thie
(Gitte, 0) seed a fre
Setwech dur exnibidenstle ter
fim snd dw enation of fete
man unde fred hi)
int Herm bend te
Trove Coneran he ene
adeoes her erode sete
‘fei ing mero da
‘Ag the quote (zen MBs pone
fn petnape the dominate 20
te bole 1906, Lease
EF'mapial atactons, vatlar €
Setchot nara coin
‘Hn oper wih ie cone
Iocharstezznton. Bato
flied x ns nich a
ucts roms ts gout. T
vides 2 fume upon which io
Faton of te magica posit
Modes of exibition Ia en cb
MEL camem car
arate moriupon te screen
arahowa,® tie ely shown
{peat ddl of contra oer se
fente, sual weewng
rhs and sopping #
Blement, sock az sound eee
‘ferent Pechape moa extt
‘Tous, the larest chan of es
‘owg i eto 1963, Nt
‘mowing eh (msl tra)
‘elf war srange a3 tn cat
eho took teks ad sound ¢
The cekeisk of weds and
Sven wewing expences rll
aclsns of be fproung hs
(fibe legume beat. The 1
‘lm and the emergence of te
par, such ss Coney Ian
Ett promées neh sound
rots ay cane,
Norshould ws eve font that8 One might ad. betwecn
5 Bey saul not
sncepon thts Cnet
rete he elt Ha
"he aiden Le
rons Tbeeve tat ie isto
1p bythe ns af bot Lane
other makers efve 1966)
ind cet den tom te
al hs eae concept ot
of ations” T eve Bat
3y the cnems frm the ne
does to dsappee with te
ese practi snes co
lh move evident in sone
cinema of striction? Fi it
lseion te uakty tha
19 thom something. Contested
‘toate eins naysce
1s is an exibition arene
Blinc oft difenat
6 teouring look a te
selon wih ter peresiveg
gishing cont wth oe
ioe skg a he emer
ciera Dat apy ts
Ia ellendone tevonl
the ate of the
potant rei uty in
Pa eatdoge would
9 along. wh “sores
Pig" erote As
Lsundestod say Rate
Fed eee aed etal
tie, ney, pots, aes of easfomatione
See cee ucnetee
lemmas, euch sound tflects and spoken
‘Sowa ns Before 1966, Not oly dd he ns
‘moving velcles (usualy trai), but the theate
‘Rtaelon of Se tupound than to the tations
Nor hou we oer forget dha nde eas years
SPERNbiion be nem if ws ation