DISCOVERY COMMUNICATIONS EUROPE TRUE CRIME WITH APHRODITE JONES S3 930057 EP 03 TRANSMISSION SCRIPT JOB ID: 45795

CLOCK INFO: True Crime with Ap [OBSCURED BY TCR] Ep. 3 Girl, Gone EHD !3""#$B Se%. & ' !(3) Se%. * ' )(+3 Se%. 3 ' &,(&+ Se%. + ' !(*& Tr-./ &( 0ull 1i2 3e4t Tr-./ *( 0ull 1i2 Ri%ht Tr-./ 3( 1i2 1inu5 3e4t Tr-./ +( 1i2 1inu5 Ri%ht TRT +3(#, &# "* &3

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NARRATOR A MISSIN9 CO/ED(

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NARRATOR A YOUN9 MAN HOUNDED BY SUSPICION(

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NARRATOR AND AN IMPORTANT WITNESS WHO HAS NEVER SPOKEN PUBLICLY BEFORE(

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T:e,1: B1e )e: She w-5 tellin% e6er:9o8: her n-me w-5 Ro2:.

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NARRATOR IT;S THE STORY OF HOW ONE CASE CHAN9ED THE WAY VIOLENT CRIMES ARE INVESTI9ATED ON COLLE9E CAMPUSES ACROSS CALIFORNIA(

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I*6 P*:+-6316 Emotion-ll: -5 - p-rent i4 :ou h-6e .hil8ren :ou re-li5e when 5ome9o8: -t th-t -%e i5 mi55in%, th-t .oul8 9e :our .hil8.

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T<T3E SE?UE@CE NARRATOR MY NAME IS APHRODITE JONES(

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NARRATOR AS A TRUE CRIME AUTHOR I TAKE ON CONTROVERSIAL CASES(

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NARRATOR

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I TRACK DOWN THE STORY BEHIND THE STORY< AND I WON;T STOP UNTIL I 9ET THE TRUTH( &"(""(+"(", 9RAPHICS ON SCREEN: True CR<1E =<TH A7HROD<TE ;O@ES &"(""(+$("! NARRATOR I;M IN SAN LUIS OBISPO< LOOKIN9 INTO A MYSTERY THAT HAS HAUNTED THIS TOWN FOR YEARS( &"(""(#3(&! NARRATOR HALFWAY FRANCISCO< VINEYARDS( &"("&("+(&* NARRATOR BUT ITS BI99EST E=PORT ISN;T WINE( 9RADUATES( IT;S COLLE9E BETWEEN THIS LOS AN9ELES TOWN AND SAN COASTAL HAS PICTURE

PERFECT WEATHER< BEAUTIFUL BEACHES AND LUSH

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NARRATOR BECAUSE SAN LUIS OBISPO IS ALSO HOME TO CALIFORNIA STATE POLYTECHNIC UNIVERSITY< SIMPLY CALLED CAL POLY(

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NARRATOR

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FOR MOST STUDENTS HERE< ATTENDIN9 CAL POLY REPRESENTS A DREAM COME TRUE( &"("&(*#("" NARRATOR BUT FOR ONE YOUN9 CO/ED AND HER FAMILY< IT WAS A NI9HTMARE( &"("&(3&(** A5>:12-)e J16e3 An: time - :oun% wom-n %oe5 mi55in%, -n8 thereA5 - .rime th-t .oul8 po55i9l: 9e 5ol6e8, -n8 weAre 5o .lo5e -n8 :et we .-nAt 5ol6e it. <t m-/e5 m: 9loo8 9oil. &"("&(#+(&3 NARRATOR THE STORY BE9INS BACK IN MAY "99?( &"("&(#)("* &"("*("&(&* 9RAPHICS SCREEN: Re.on5tru.tion &"("*("+(&) NARRATOR HER FIRST YEAR OF COLLE9E HAS BEEN DEMANDIN9< BUT KRISTIN HAS RISEN TO THE CHALLEN9E< AND NOW ON THIS FRIDAY BEFORE A LON9 MEMORIAL DAY WEEKEND< SHE;S READY TO CELEBRATE( &"("*(&#(*+ C:@3)* < .-nAt w-it to %et out o4 here, -re :ou 5t-:in% in town the whole wee/en8B ON NARRATOR "9 YEAR OLD KRISTIN SMART IS A FRESHMAN AT CAL POLY< AND AN ASPIRIN9 ARCHITECTURE MAJOR(

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K:-3)-6 S.*:) Ye-h, .ele9r-tin% m-/in% it throu%h 0re5hm-n :e-r.

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NARRATOR HER ROOMMATE< CRYSTAL< IS HEADIN9 OUT OF TOWN< BUT KRISTEN HAS PLANS TO BLOW OFF SOME STEAM(

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C:@3)* B:e.

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NARRATOR WHEN CRYSTAL RETURNS FROM THE LON9 WEEKEND< SHE SEES KRISTEN;S BELON9IN9S AT THE FOOT OF HER BED< E=ACTLY WHERE KRISTIN LEFT THEM THREE DAYS BEFORE(

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NARRATOR IT JUST DOESN;T MAKE SENSE< UNLESS KRISTIN NEVER CAME HOME AFTER PARTYIN9(

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NARRATOR WHEN NO/ONE IN THE DORM CAN REMEMBER EVEN SEEIN9 KRISTIN ALL WEEKEND< CRYSTAL CALLS CAMPUS POLICE(

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C:@3)* C %ot 9-./ -n8 < 8onAt /now where m: roomm-te i5. All o4 her 5tu44 i5 5till on the 9e8, nothin%A5 9een tou.he8. <Am in 1uir H-ll.

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NARRATOR AS THE LON9 WEEKEND COMES TO A CLOSE WITH NO WORD FROM THEIR DAU9HTER< KRISTIN;S PARENTS

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BE9IN TO WORRY TOO( &"("3(*+(*" NARRATOR HER MOTHER< DENISE SMART< HAS NO TROUBLE REMEMBERIN9 THAT AWFUL MONDAY( &"("3(3"(&# 9RAPHICS SCREEN: DE@<SE S1ART Dri5tin Sm-rtA5 mother &"("3(3&("& A5>:12-)e J16e3 =hen w-5 the 4ir5t time :ou h-8 - 5en5e, or /new in :our %ut, th-t 5omethin% w-5 8e5per-tel: wron%B &"("3(3!(&& De6-3e S.*:) < w-5 home -n8 thin/in% -9out we 5houl8 .-ll her -n8 5ee how the wee/en8 h-8 %one, -n8 then we re.ei6e8 - .-ll, -n8 it w-5 4rom the C-l 7ol: 7oli.e. ON

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NARRATOR THEY ASKED DENISE SMART IF SHE KNOWS WHERE KRISTIN IS(

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De6-3e S.*:) SoC we imme8i-tel: /new thi5 w-5 not %oo8, -n8 then, :ou /now, he trie8 to 5-: on the phone Eoh, <Am 5ure th-t 5he w-5 out with her 4rien85, 9ut, :ou /now, 5he 8i8nAt .ome 9-./ to her 8orm roomF.

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NARRATOR BY THE FOLLOWIN9 TUESDAY< THERE;S STILL NO SI9N OF KRISTIN AT CAL POLY< BUT CAMPUS POLICE HAVE YET TO TAKE A MISSIN9 PERSONS REPORT(

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NARRATOR THEY DO BE9IN CONDUCTIN9 PRELIMINARY INTERVIEWS WITH KRISTIN;S FRIENDS< AND WITH STUDENTS WHO SAW HER AT A PARTY(

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NARRATOR AND SLOWLY A PICTURE BE9INS TO FORM OF WHAT KRISTIN DID THAT PREVIOUS FRIDAY NI9HT(

&"("+(*!(", 9RAPHICS SCREEN: Re.on5tru.tion &"("+(3"(&3 NARRATOR MAY &4TH< "99?( AT ABOUT EI9HT O;CLOCK THAT FRIDAY NI9HT KRISTIN AND HER FRIENDS HEAD OUT TO FIND A PARTY( &"("+(3)(*& Y1867 '1.*6 <tA5 pro9-9l: the 4ir5t p-rtC &"("+(+*(&* NARRATOR NOT LON9 INTO THEIR LOOK< THEY FLA9 DOWN A FRIEND IN A PICKUP TRUCK( &"("+(+$("$ Y1867 .*6 ON

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=ell he:G &"("+(+)("" Y1867 '1.*6 He:G =h-tA5 h-ppenin%B &"("+(#&("& Y1867 '1.*6 =hereA5 the p-rt: -tB &"("+(#*("3 Y1867 '1.*6 Sh-ll we %o loo/B &"("#(""("+ NARRATOR THEY CRUISE THE CAMPUS AND SURROUNDIN9 NEI9HBOURHOODS IN SEARCH OF A 9OOD TIME( &"("#(&&(*" NARRATOR TWO HOURS LATER< KRISTIN FINALLY FINDS HER PARTY( AT "35 ACRANDALEB WAY< JUST A BLOCK OFF CAMPUS( &"("#(*&(&# K:-3)-6 S.*:) Alri%ht .ome on, letA5 %o, thi5 i5 it. &"("#(*3(&! Y1867 '1.*6 @o th-n/5. &"("#(*+(&# K:-3)-6 S.*:) He:, :ou 5-i8 :ou woul8 %o. &"("#(*,(&+ Y1867 '1.*6 <Am Hu5t not 4eelin% up to it toni%ht. &"("#(*)(&! NARRATOR DESPITE HER ATTEMPTS TO CONVINCE THEM< HER

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FRIENDS ARE RELUCTANT TO ACCOMPANY HER( &"("#(33("! K:-3)-6 S.*:) Alri%ht, :ou 5ureB &"("#(3#("3 Y1867 '1.*6 Ye-h, <Am 5ure. &"("#(3#(&) K:-3)-6 S.*:) O/-:, <All 5ee :ou %u:5 l-ter, o/-:B &"("#(3)("& Y1867 '1.*6 You 9etter 9e 5-4e o/-:B &"("#(3!(&, K:-3)-6 S.*:) < will. B:e. &"("#(+"(&* Y1867 '1.*6 Alri%ht. &"("#(+*("! NARRATOR SO KRISTIN DECIDES TO 9O IT ALONE( &"("#(+,("" A5>:12-)e J16e3 <t w-5nAt - 9i% p-rt:, it w-5 -.tu-ll: - 5m-ll p-rt:B &"("#(+)(&# De6-3e S.*:) There were -9out *" people there. &"("#(+!(*& A5>:12-)e J16e3 O/-:. &"("#(#"(") De6-3e S.*:) So th-tA5 not li/e in the 6-.uum, itA5 not li/e two people.

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NARRATOR WHEN KRISTIN ARRIVES AROUND "0(30 P(M(< SHE;S COMPLETELY SOBER(

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NARRATOR MANY OF THE STUDENTS ARE UNDER/A9E< BUT THIS IS A COLLE9E PARTY< SO< YES< THERE;S BEER AND ALCOHOL FOR PRETTY MUCH ANYONE WHO WANTS IT(

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Y1867 '1.*6 <t nee85 more.

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NARRATOR KRISTIN STANDS OUT AT THE PARTY( ACCORDIN9 TO ONE STUDENT SHE;S SEEN DRINKIN9 TECUILA SHOTS< WHILE ANOTHER CLAIMS TO HAVE SEEN HER CHU99IN9 VODKA(

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Y1867 .*6 Cheer5 to %r-8u-tion.

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9:185 Ye-hG

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Y1867 .*6 [&"(",(3"("+ <@AUD<B3E] time.

&"(",(3$(&# 9RAPHICS SCREEN: Re.on5tru.tion ON

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NARRATOR BY TWO A(M( KRISTIN IS FOUND LYIN9 FACE DOWN< PASSED OUT ON THE LAWN NE=T DOOR(

&"(",(++("! &"(",(+!("+ 9RAPHICS SCREEN: 1ARD CO@@E3Y Sm-rt 4-mil: -ttorne: &"(",(#)(*3

M*:+ C166e @ How th-t -ll h-ppene8 -n8, -n8 how 5he %ot there, who /now5B She .-me in 5o9er -n8 5he woun8 up in - 6er: 4-irl: 9rie4 5p-n ON o4 time .ompletel: out o4 it on the %r-55 out5i8e.

T-. D*,-3 He:G He:G You o/-:B

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NARRATOR A SENIOR< TIM DAVIS< TRIES TO ROUSE HER< AND OFFERS TO HELP HER 9ET BACK TO HER DORM(

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T-. D*,-3 You %ott- w-/e up, :ou .-nAt 5t-: here. Alri%ht, letA5 %o. Up, up, up, up.

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C>e:@ A62e:316 He: TimB

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T-. D*,-3 Ye-hB

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NARRATOR WITH A WOBBLY KRISTIN FINALLY ON HER FEET< ANOTHER FRESHMAN< CHERYL ANDERSON< JOINS THEM

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FOR THE SHORT WALK BACK TO THE DORMS( &"("$(*$("$ NARRATOR THEN< JUST AS THE THREE SET OUT< THEY;RE JOINED BY ANOTHER STUDENT FROM THE PARTY< PAUL FLORES( &"("$(3+(", P*8 F 1:e3 Help :ou %u:5 out. &"("$(3,(&3 Y1867 '1.*6 CoolG &"("$(3)(*3 NARRATOR IN THEIR INTERVIEWS WITH CAMPUS POLICE< TIM< CHERYL AND PAUL ALL SAY THE WALK BACK IS UNEVENTFUL( &"("$(+!("* T-. D*,-3 Alri%ht, :ou %u:5 %oo8B Thi5 i5 m: 5treet 5o <Am %onn- t-/e o44. &"("$(#&(&$ NARRATOR BUT TIM DOESN;T 9O FAR WITH THE 9ROUP( HE SOON PEELS OFF TO HEAD TOWARD HIS OFF CAMPUS HOME< LEAVIN9 KRISTIN WITH CHERYL AND PAUL( &"(")(")(&! NARRATOR IT;S NOT A LON9 WALK TO THE DORMS< BUT BECAUSE OF KRISTIN;S CONDITION< THE TRIO MOVES AT A SLOW PACE( &"(")(&,("& NARRATOR IT SEEMS LIKE A FAIRLY TYPICAL CHAIN OF EVENTS FOR A 9ROUP OF FRESHMEN OUT ON A FRIDAY NI9HT(

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A5>:12-)e J16e3 1: impre55ion o4 Dri5tin Sm-rt w-5 th-t 5he i5 - 9e-uti4ul :oun% inno.ent n-i6e %irl, who w-nte8 to 4it in -n8 w-nte8 to 9e lo6e8.

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NARRATOR CHERYL LEAVES KRISTIN AND PAUL AT THE CORNER OF 9RAND AVENUE AND PERIMETER ROAD TO HEAD HOME(

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NARRATOR THE LAST TIME SHE SEES KRISTIN< PAUL IS ESCORTIN9 HER TO HER DORM(

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M*:+ C166e @ An8 th-t w-5 -9out *.3" in the mornin%, th-tA5 the l-5t time -n:one 5een or he-r8 4rom Dri5tin.

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NARRATOR I THINK THE ONLY WAY TO FIND OUT WHAT REALLY HAPPENED TO KRISTIN IS TO 9O BACK TO THAT PARTY ON CRANDALE WAY(

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NARRATOR NO/ONE WHO WAS ACTUALLY THERE HAS EVER SPOKEN WITH THE MEDIA< UNTIL NOW(

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NARRATOR ONE YOUN9 MAN REMEMBERS SEEIN9 KRISTIN AT THE PARTY THAT NI9HT< AND NOW HE;S TELLIN9 HIS SIDE OF THE STORY(

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A5>:12-)e J16e3

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You /new who 5he w-5, or :ou 8i8nAt /now who 5he w-5B

&"("!(&#(&# 9RAPHICS SCREEN: TREIOR BOE3TER &"("!(&$(&$ T:e,1: B1e )e: @o, <A8 ne6er met her 9e4ore. < h-8 5een her -t the pool, < u5e8 to 5wim - lot -n8 5he w-5 - li4e%u-r8, 9ut < re-ll: 8i8nAt /now th-t til -4ter the 4-.t. &"("!(*#(&) 9RAPHICS SCREEN: CO1<@G U7C &"("!(*,(&" NARRATOR UP NE=TD &"("!(*$(") M*:+ C166e @ She .le-rl: w-5 un8er the in4luen.e o4 5omethin%, 5u.h th-t 5he .oul8nAt e6en 5t-n8 up on her own. &"("!(3+("" 9RAPHICS ON SCREEN: true CR<1E =<TH A7HROD<TE ;O@ES ON ON

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END OF PART "

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CLOCK INFO: @O C3OCD SCREE@

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&"(&&(""("& &"(&&(""("& 9RAPHICS ON SCREEN: true CR<1E =<TH A7HROD<TE ;O@ES &"(&&(",("&

PART &

NARRATOR IT;S JUNE 3RD< "99?< AND "9 YEAR OLD CAL POLY FRESHMAN KRISTIN SMART HAS BEEN MISSIN9 FOR A WEEK(

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NARRATOR HER PARENTS AREN;T HAPPY WITH HOW THE CAMPUS POLICE ARE HANDLIN9 HER DISAPPEARANCE(

&"(&&(*"(") &"(&&(*"(*& 9RAPHICS SCREEN: DE@<SE S1ART Dri5tin Sm-rtA5 mother &"(&&(*)("* ON

De6-3e S.*:) The: Hu5t m-8e the -55umption th-t 5he Hu5t le-pt into the 5/: -n8 went to T-hiti or 5omewhere.

NARRATOR CAMPUS POLICE SIMPLY DON;T CONSIDER IT UNUSUAL FOR A FRESHMAN TO DISAPPEAR WEEKEND( OVER A LON9

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I*6 P*:+-6316 <tA5 not unu5u-l to h-6e - .olle%e 5tu8ent %oin% out -t - p-rt:, or 8own to - B-r, 5t-:in% the ni%ht -t - 4rien8A5 hou5e.

&"(&&(+*(&! &"(&&(+3("* 9RAPHICS SCREEN: <A@ 7ARD<@SO@ Sheri44, S-n 3ui5 O9i5po Count: &"(&&(+)(*+ ON

I*6 P*:+-6316 You h-6e to t-/e into -..ount th-t thi5 i5 - .olle%e en6ironment, th-t thi5 i5 not un.ommon, itA5 -.tu-ll: 6er: .ommon.

A5>:12-)e J16e3 The 4eelin% < 4elt on th-t .-mpu5 when < w-5 there w-5, < 4elt 5-4e, -n8 < /now Dri5tin 4elt 5-4e, -n8 < thin/ the .-mpu5 7oli.e re5pon8e8 -n8 thou%ht E:ou /now wh-tB She pro9-9l: r-n o44 with 5ome %u:, 5he pro9-9l:, :ou /now, 4ell in lo6e -n8 went o44 on - wee/en8F. A5>:12-)e J16e3 < .-n 5ee how th-t .oul8 h-ppen.

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A5>:12-)e J16e3 Di8 :ou noti4: -n: o4 the -uthoritie5 -t the .olle%e, 8i8 :ou %o thereB

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De6-3e S.*:) < .-lle8 the 7re5i8ent o4 the .olle%e 9e.-u5e < re-ll: thou%ht we nee8e8 5ome le6er-%e, 9ut when < .-lle8 < %ot the 5e.ret-r: to the 7re5i8ent, -n8 5he tol8 me th-t i4 we 8i8nAt /now where our

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8-u%hter w-5, we 5houl8 .ont-.t the Re5i8ent A86i5or. &"(&*(*3("* A5>:12-)e J16e3 So :ouAre tellin% me the: 8i8nAt /now -n:thin% -9out itB &"(&*(*+(*+ De6-3e S.*:) <t w-5 prett: .le-r th-t the: 8i8nAt h-6e the re5our.e5 to 8e-l with - .-5e li/e Dri5tinA5. &"(&*(3&("* NARRATOR TREVOR BOELTER ATTENDED THE PARTY AT "35 CRANDALE WAY( &"(&*(3#("# NARRATOR NO/ONE WHO WAS THERE THAT NI9HT HAS EVER TALKED PUBLICLY ABOUT KRISTIN< OR ABOUT WHAT HAPPENED AT THAT PARTY< BUT TREVOR A9REED TO SIT DOWN WITH ME( &"(&*(+#(&+ &"(&*(+#(** 9RAPHICS SCREEN: TREIOR BOE3TER &"(&*(+$(*+ T:e,1: B1e )e: UhJuh. ON A5>:12-)e J16e3 <n the Dri5tin Sm-rt 8i5-ppe-r-n.eC

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A5>:12-)e J16e3 C the %ener-l pu9li. 9elie6e5 th-t 5he w-5 -t - 4r-ternit: hou5e

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-n8 it w-5 - 9i% p-rt:. <5 th-t ri%htB &"(&*(#,("3 T:e,1: B1e )e: @o. <t w-5 not - 4r-t hou5e. &"(&*(#!(&) 9RAPHICS SCREEN: Re.on5tru.tion &"(&3(""("* T:e,1: B1e )e: <t w-5 the 9irth8-: p-rt: o4 - 4rien8 -n8 it w-5 Hu5t 6er: /in8thrown to%ether. &"(&3(",(&! A5>:12-)e J16e3 How 8i8 Dri5tin e6en win8 up thereB You 8i8nAt /now her until th-t ni%htB &"(&3("!(&) T:e,1: B1e )e: @o, < 8i8nAt, < %ot there - little -4ter ten -n8 5he w-5 -lre-8: there. &"(&3(&+("" 9:185 OhG &"(&3(&#(*" T:e,1: B1e )e: @o9o8: -t the p-rt: re-ll: /new who 5he w-5. She w-5 tellin% e6er:9o8: her n-me w-5 Ro2:. &"(&3(*"("! A5>:12-)e J16e3 =h: woul8 5he 8o th-tB &"(&3(*&(") T:e,1: B1e )e: ON

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< 8onAt /now. Somethin% w-5 up. She w-5 -.tin% 9iK-rre. &"(&3(*,("# A5>:12-)e J16e3 3i/e howB &"(&3(*)("$ T:e,1: B1e )e: Re-ll: 4lirt-tiou5, 5he w-5 5we-rin% - lot. She 5eeme8 li/e 5he w-5 8run/, 9ut < ne6er 5-w her 8rin/in% -n:thin%. &"(&3(3)(") NARRATOR AT ONE POINT THAT EVENIN9< KRISTIN DRA9S TREVOR INTO THE BATHROOM FOR A CHAT( &"(&3(+3(&# NARRATOR SHE;S INTERESTED IN SOMEONE HE KNOWS( &"(&3(+,(", T:e,1: B1e )e: She .-me up to me -n8 5he 5-i8 E:ou /now, who woul8 :ou hoo/ up withB =oul8 :ou hoo/ up with Ro55 or hoo/ up with thi5 other %u:BF -n8 <Am li/e E< 8onAt /nowF. She 5-i8 E.ome on, i4 :ou &"(&3(#$(&# h-8 to pi./ oneBF -n8 < 5-i8 Ewell < /now Ro55 5o < %ue55 <A8 pi./ Ro55F. =ell < %ue55 th-t w-5 li/e the ri%ht -n5wer 4or her, wh-te6er. &"(&+("&(** A5>:12-)e J16e3 So -re, -re :ou not /in8 o4 li/e 4re-/e8 out -9out her .on4e55in% to :ouB &"(&+("$(&+ T:e,1: B1e )e: < Hu5t 4elt li/e, :ou /now, well thi5 %irlA5 /in8 o4 into2i.-te8. &"(&+(&&("+ NARRATOR BUT TREVOR SAYS HE NEVER SAW KRISTIN WITH A

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DRINK IN HER HAND< SO HOW DID SHE END UP PASSED OUT ON THE FRONT LAWNE &"(&+(&!("$ NARRATOR WAS SHE DRUNK OR HAD SHE BEEN DRU99EDE &"(&+(**("! T:e,1: B1e )e: < Hu5t h-6e to thin/ -9out 8i8 < 5ee her 8rin/in%B @o. Di8 5he 5eem into2i.-te8B Ye5. < 8i8nAt thin/ til :e-r5 l-ter th-t m-:9e 5he w-5 8ru%%e8. &"(&+(3"("* NARRATOR AT THE TIME< DATE RAPE DRU9S LIKE 9HB AND ROHYPNOL< THE FOR9ET PILL< ARE POPPIN9 UP ON CAMPUSES NATIONWIDE( &"(&+(3)(&" NARRATOR TASTELESS< ODOURLESS AND COLOURLESS< A TINY DOSE IN ONE BEER CAN TAKE A WOMAN FROM A FUN NI9HT OUT INTO THE UNKNOWN( &"(&+(+,(*3 &"(&+(#*("$ 9RAPHICS SCREEN: ARD CO@@E3Y Sm-rt 4-mil: -ttorne: &"(&+(#,(&& T:e,1: B1e )e: 1: %ut 4eelin% i5 5omeone 5lippe8 her 5omethin%, -n8 8urin% th-t time -t C-l 7ol: there were in5t-n.e5 where 8-te r-pe M*:+ C166e @ She .le-rl: w-5 un8er the in4luen.e o4 5omethin%. ON own. She w-5 .le-rl: imp-ire8, 5u.h th-t 5he .oul8nAt e6en 5t-n8 up on her

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-55-ult5 were h-ppenin%. &"(&#(",(&$ C>e:@ A62e:316 1: n-me i5 Cher:l An8er5on. &"(&#("!(") De)e0)-,e An8 prior to the ni%ht o4C &"(&#(&&("* NARRATOR AS CAMPUS POLICE INTERVIEW MORE STUDENTS FROM THE PARTY< SOME UNSETTLIN9 DETAILS EMER9E( &"(&#(&$("+ De)e0)-,e C wh-t 8i8 :ou 8o thenB &"(&#(&)("& T-. D*,-3 < helpe8 her up o44 the %r-55. &"(&#(&!(*3 NARRATOR IT;S JUST AFTER TWO A(M( WHEN SENIOR TIM DAVIS SPOTS KRISTIN SPRAWLED ON THE LAWN NE=T DOOR( &"(&#(*&(&! 9RAPHICS SCREEN: Re.on5tru.tion &"(&#(*,(&* T:e,1: B1e )e: Dri5tin w-5 on the l-wn, 4-.e 8own < 9elie6e, -n8 he pi./e8 her up -n8 5-i8 E:ou nee8 to %o 9-./ to :our 8orm roomF, .o5 e6er:one w-5 le-6in%. &"(&#(3)("$ NARRATOR ON

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KRISTIN;S DORM< MUIR HALL< IS JUST A TEN MINUTE WALK AWAY< BUT SHE;S IN NO CONDITION TO 9ET THERE ALONE( &"(&#(+,("& C>e:@ A62e:316 Do :ou nee8 - h-n8B &"(&#(+,(*& T-. D*,-3 Ye-h. &"(&#(+$(") T:e,1: B1e )e: Th-tA5 when Cher:l 5-i8 Ewell <Am w-l/in% up th-t -n:w-: 5o <All Hu5t w-l/ with :ou %u:5F. &"(&#(#&("$ A5>:12-)e J16e3 An8 5he w-5nAt 4rien85 with Dri5tinB &"(&#(#3("# T:e,1: B1e )e: @o, <, -%-in < 8onAt /now -n:9o8: who /new her. &"(&,("&(&* NARRATOR ACCORDIN9 TO CHERYL ANDERSON;S STATEMENT TO CAMPUS POLICE< SOON AFTER THEY START WALKIN9 ANOTHER STUDENT APPEARS FROM OUT OF NOWHERE( &"(&,("!(&" P*8 F 1:e3 He: %u:5C &"(&,("!(** NARRATOR THAT STUDENT IS PAUL FLORES( &"(&,(&*(&) A5>:12-)e J16e3 An8 Cher:l /new who 7-ul 0lore5 w-5, 5he /new the n-meB

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&"(&,(&#(&!

T:e,1: B1e )e: < 8onAt thin/ 5he /new him -t -ll.

&"(&,(&!(&+

C>e:@ A62e:316 O/-:B

&"(&,(*&("!

T-. D*,-3 Alri%ht %u:5, %oo8B <Am %onn- t-/e o44, thi5 i5 m: 5treet 5oC

&"(&,(*+(&&

NARRATOR AFTER TIM PEELS OFF AND HEADS HOME< KRISTIN< CHERYL AND PAUL CONTINUE TO MAKE THEIR WAY UP PERIMETER ROAD(

&"(&,(3*(")

A5>:12-)e J16e3 @ow tr: to %o 9-./ in time to &!!,, when, in - pl-.e li/e S-n 3ui5 O9i5po -n8 C-l 7ol:, where e6er:thin%A5 /in8 o4 5low -n8 4ol/: -n8 e6er:9o8:A5 h-6in% - %oo8 time, itA5 6er: tru5tworth:, -n8 5-4e.

&"(&,(+!("3

A5>:12-)e J16e3 There h-8nAt 9een -n: re-l .rime5.

&"(&,(#+(""

NARRATOR WHEN THEY STOP AT 9RAND AVENUE< KRISTIN;S DORM IS JUST UP THE ROAD< BUT CHERYL;S DORM IS IN ANOTHER DIRECTION(

&"(&$("&(""

C>e:@ A62e:316 <Am %onn- %o up th-t w-:, [&"(&$("&(*& <@AUD<B3E] 5o, -re :ou, -re :ou o/-:B

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&"(&$("#("$

NARRATOR ACCORDIN9 TO CHERYL;S STATEMENT TO CAMPUS POLICE< PAUL PROMISES TO SEE KRISTIN SAFELY TO MUIR HALL(

&"(&$(&&(*"

NARRATOR BUT FIRST HE ASKS CHERYL SOMETHIN9 VERY STRAN9E(

&"(&$(&#(*"

P*8 F 1:e3 C-n < %et - /i55B

&"(&$(&)(*&

C>e:@ A62e:316 @o.

&"(&$(*"(&"

P*8 F 1:e3 How -9out - hu%B

&"(&$(*&("$

C>e:@ A62e:316 @oG

&"(&$(*3(&+

NARRATOR AFTER PAUL;S INAPPROPRIATE REMARKS< CHERYL DOESN;T LIN9ER( SHE LOOKS BACK ONLY ONCE< AND SEES PAUL FLORES< HIS ARM AROUND KRISTIN;S WAIST< WALKIN9 HER UP PERIMETER ROAD(

&"(&$(3,("!

NARRATOR IT WILL BE THE LAST TIME CHERYL ANDERSON EVER SEES KRISTIN SMART(

&"(&$(+*("3

De6-3e S.*:) <n our opinion, not onl: Cher:l 9ut po55i9l: other5 -t th-t p-rt:

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h-6e more in4orm-tion -9out wh-t h-ppene8 th-t ni%ht, whi.h woul8 m-/e it e-5ier 4or l-w en4or.ement to 5ol6e thi5 .rime. &"(&)(""(*" NARRATOR FOR YEARS DENISE SMART HAS BEEN HOPIN9 FOR MORE SPECIFIC DETAILS FROM CHERYL AND OTHER STUDENTS WHO WERE AT THE PARTY( &"(&)(")("+ De6-3e S.*:) < 8onAt thin/ 5he .-n le-8 u5 to Dri5tin, 9ut .oul8 5he 4ill in more pie.e5 to the puKKle, .oul8 5he help %i6e our 4-mil: pe-.eB Coul8 5he help %i6e u5 5ome .lo5ureB po55i9ilit:. &"(&)(*&(&+ NARRATOR NOT EVERYONE A9REES( &"(&)(*3(&) T:e,1: B1e )e: E6er:9o8: -t th-t p-rt: w-5 - 5u5pe.t 4or them. &"(&)(*,(&# T:e,1: B1e )e: E=ho i5 -t thi5 p-rt:B =ho i5 t-l/in% to our 8-u%hterB An: one o4 them .oul8 h-6e 8one thi5, ri%htBF &"(&)(3&(*3 NARRATOR AS FAR AS TREVOR;S CONCERNED< CHERYL;S STORY HOLDS UP( &"(&)(3#(&# T:e,1: B1e )e: <A6e t-l/e8 -9out thi5 to Cher:l - num9er o4 time5. 7eople -re -lw-:5 loo/in% th-t thereA5 5ome 5ort o4 moti6e or 5e.ret, or 5ome re6el-tion th-tA5 %onn- .ome out o4 it, th-t 5heA5 5ome8-: =e thin/ th-tA5 -

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%onn- .ome 9-./ -n8 5-: E< h-6e 5omethin% to tell :ouF. &"(&)(+)("# T:e,1: B1e )e: <tA5 not the .-5e. &"(&)(#"("# NARRATOR ABOUT ONE FACT HOWEVER THERE IS NO DISPUTE(

&"(&)(#+("$

NARRATOR THE LAST PERSON SEEN WITH KRISTIN SMART IS PAUL FLORES(

&"(&)(#!(*3

I*6 P*:+-6316 The pro9lem i5, i5 we -ll .oul8 h-6e our own 6iew5 on wh-t mi%ht h-ppen, wh-t .oul8 h-6e h-ppene8, -n8 :ou, :ou .oul8 .ert-inl: 5urmi5e - num9er o4 5.en-rio5 th-t 5ome9o8: el5e .-me -lon%. But the truth i5, i5 we h-6e to 9-5e wh-t we 8o on 4-.t, -n8 4-.tu-ll: wh-t we /now i5 wh-tA5 9een reporte8 -t thi5 point, 7-ul i5 the l-5t one to 5ee Dri5tin when the: 5ep-r-te8. @o9o8: el5e h-5 .ome 4orw-r8 with -n: -88ition-l in4orm-tion -5 to 5eein% her, or h-6in% .ont-.t with her.

&"(&!(&3("$

&"(&!(*)(**

NARRATOR JUST WHO IS THIS YOUN9 MANE

&"(&!(3&(&) 9RAPHICS SCREEN: CO1<@G U7C &"(&!(3*("! NARRATOR UP NE=TD ON

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&"(&!(3+("&

De66-3 M*>16 Dri5tin w-5 in the wron% pl-.e -t the wron% time -roun8 the wron% per5on.

&"(&!(3!("" 9RAPHICS ON SCREEN: true CR<1E =<TH A7HROD<TE ;O@ES

&"(&!(+3(""

END OF PART &

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CLOCK INFO: @O C3OCD SCREE@

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&"(*&(""("& &"(*&(""("& 9RAPHICS ON SCREEN: true CR<1E =<TH A7HROD<TE ;O@ES &"(*&(",(""

PART 3

NARRATOR JUNE< "99?( AS THE INVESTI9ATION INTO THE DISAPPEARANCE OF "9 YEAR OLD KRISTIN SMART INCHES FORWARDD ONE FACT STANDS OUT(

&"(*&(&,("& 9RAPHICS SCREEN: Re.on5tru.tion &"(*&(&$("3 NARRATOR THE LAST PERSON TO BE SEEN WITH KRISTIN IS A FELLOW CAL POLY STUDENT< PAUL FLORES( &"(*&(*+(&& 9RAPHICS SCREEN: TREIOR BOE3TER &"(*&(*+(&! A5>:12-)e J16e3 =hereA5 7-ul 0lore5 in -ll thi5B Do :ou remem9er 5eein% him -t ON ON

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th-t p-rt:B &"(*&(*)(&# T:e,1: B1e )e: Ye-h < 8o remem9er 5eein% him -t the p-rt:. &"(*&(33(&$ NARRATOR PAUL IS A "9 YEAR OLD FRESHMAN FROM NEARBY ARROYO 9RANDE( &"(*&(3$(*3 NARRATOR BY THE END OF THE SCHOOL YEAR< HE;S BARELY HAN9IN9 ON ACADEMICALLY( &"(*&(+&(*+ NARRATOR HE;S FLUNKED EN9LISH AND MATH< AND 9OT A D IN A COURSE IN FOOD SCIENCES< WHICH ARE SUPPOSED TO BE HIS MAJOR( &"(*&(+!(&3 A5>:12-)e J16e3 To 5-: 7-ul 0lore5 w-5nAt :our -6er-%e 5tu8ent woul8 9e -n un8er5t-tement. &"(*&(#+(&) NARRATOR HE ALSO SEEMS TO HAVE A PROBLEM WITH ALCOHOL( &"(*&(#$(*3 NARRATOR ACCORDIN9 TO STUDENTS WHO KNOW HIM< HE CAN BE OBNO=IOUS WHEN HE;S BEEN DRINKIN9< AND PRIDES HIMSELF ON KEEPIN9 A SMALL REFRI9ERATOR IN HIS DORM< STOCKED WITH BEER( &"(**(&"(&! NARRATOR BUT TREVOR BOELTER SAYS THAT AT THE PARTY< PAUL

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ACTS LIKE A WALL FLOWER FOR MOST OF THE NI9HT( &"(**(&,(&! 9:185 Ye-hG &"(**(&!("+ NARRATOR THOU9H AT ONE POINT HE DOES MAKE UNWELCOME ADVANCES ON A YOUN9 WOMAN< UNTIL HER BOYFRIEND PUTS A STOP TO IT( &"(**(*#("& M*6 F *0+ )15 He:, enou%hG ;u5t %et outt- here. &"(**(33(") NARRATOR LATER< AFTER KRISTIN TAKES TREVOR INTO THE BATHROOM FOR A PRIVATE CHAT< PAUL PARKS HIMSELF RI9HT OUTSIDE THE DOOR( &"(**(+*(&) NARRATOR I TALKED WITH DENNIS MAHON< A FRIEND OF THE SMART;S WHO HAS BEEN FOLLOWIN9 KRISTIN;S CASE FOR MORE THAN TEN YEARS( &"(**(+!(*& A5>:12-)e J16e3 3et me tell :ou 5omethin% th-t 5tru./ me when < w-5 there, 8oin% m: own little in6e5ti%-tion. < 9elie6e th-t 7-ul 0lore5 -lre-8: h-8 hi5 e:e on Dri5tin Sm-rt 4or 5ome time. =h-t 8o :ou thin/B &"(**(#,(&3 9RAPHICS SCREEN: DE@@<S 1AHO@ ON

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Sm-rt 4-mil: 4rien8 &"(*3("+("& De66-3 M*>16 < thin/ 7-ul w-5 - 5o.i-l out.-5t, he h-8 trou9le %ettin% -lon% with people, he 5ol6e8 - lot o4 hi5 pro9lem5 9: 8rin/in%, -n8 he w-5 horn:, -n8 Dri5tin h-ppene8 to 9e in hi5 5i%ht5 -t th-t p-rt:, -n8 < thin/ -t the p-rt: he m-: h-6e lo./e8 on to her. &"(*3(&$(&) De66-3 M*>16 But whether or not he w-5 5.opin% her out two or three 8-:5 9e4ore, <C < 8onAt /now i4 < 9elie6e th-t. < Hu5t thin/ it w-5, Dri5tin w-5 -t the wron% pl-.e -t the wron% time -roun8 the wron% per5on. &"(*3(*!(&3 A5>:12-)e J16e3 < 8onAt /now, weAre 5pe.ul-tin% here, 9ut o4 thi5 < -m 5ureL thi5 w-5 - %irl who w-5 6ulner-9le, 5he w-5 hi%h, perh-p5 -l5o 8run/, 5he w-5 o44 /ilter th-t e6enin%. &"(*3(++("3 NARRATOR KRISTIN SMART IS LOOKIN9 FOR ATTENTION AT THE PARTY< BUT 9OIN9 ABOUT IT THE WRON9 WAY( &"(*3(+!(*" T:e,1: B1e )e: Her 9eh-6iour w-5 5tr-n%e. w-5nAt 6er: -ttr-.ti6e. &"(*3(##(", A5>:12-)e J16e3 <t w-5 o44Jputtin% to :ou -n:w-:B &"(*3(#,(*& T:e,1: B1e )e: Ye-h, it w-5 o44Jputtin% to me -t th-t point, 9ut it w-5 -l5o o44J <t w-5 not re-ll: .ompellin%, it

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puttin% to m: other 4rien85. The: were Hu5t li/e Ewh-t i5 5he 8oin% hereB =h-tA5 her 8e-lBF &"(*+("3("* A5>:12-)e J16e3 UhJuh, uhJuh. &"(*+("3(*+ T:e,1: B1e )e: You /now %irl5 norm-ll:, e5pe.i-ll: - %irl li/e th-t, 8i8nAt h-6e to -.t li/e th-t. Gu:5 5houl8 9e 4lo./in% to her, 9utC th-t w-5nAt the .-5e. &"(*+(&+("+ NARRATOR I THINK THE ONLY 9UY PAYIN9 ATTENTION TO KRISTIN THAT NI9HT IS PAUL FLORES< WHO JUST HAPPENS TO BE AROUND WHEN IT;S TIME FOR AN OBVIOUSLY IMPAIRED KRISTIN TO 9O HOME( &"(*+(*$(&+ A5>:12-)e J16e3 The i8e- th-t he Hu5t h-ppen5 to pop up -5 Dri5tin nee85 to 9e w-l/e8 home 9e.-u5e 5heA5 too 8run/, or hi%h, to w-l/ on her own, 8oe5nAt w-5h with me. &"(*+(3$(&) P*8 F 1:e3 He: %u:5. &"(*+(3)(&$ NARRATOR PAUL ADMITS TO WALKIN9 KRISTIN BACK THAT NI9HT< BUT TELLS CAMPUS POLICE HE LEFT HER NEAR THE ENTRANCE TO HER DORM( &"(*+(+,(", T:e,1: B1e )e: @ow wh-te6er 5tor: th-t 7-ul 5-i8 -4terw-r85 -9out whether he

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too/ her into the 8orm -n8, :ou /now, 9-5i.-ll: 5-i8 E5ee :-, %oo8ni%htF, well thereA5 noJone there to 5-: E:e-h we 5-w th-t un8er 6i8eo orCF &"(*+(#,("! A5>:12-)e J16e3 Ri%ht, thereA5 no proo4. &"(*+(#)("$ &"(*#("&(&+ 9RAPHICS SCREEN: 1ARD CO@@E3Y Sm-rt 4-mil: -ttorne: &"(*#("$(** NARRATOR THERE MAY BE NO EVIDENCE TO SUPPORT PAUL;S STORY< BUT THERE;S NO EVIDENCE TO REJECT IT EITHER( &"(*#(&+(** I*6 P*:+-6316 =ell ultim-tel: in -n: .-5e whether itA5 - mi58eme-nour, - .rime or - 4elon: .rime, :ou h-6e to h-6e enou%h e6i8en.e in or8er to pro6e it 9e:on8 - re-5on-9le 8ou9t in .ourt. &"(*#(**(&& 9RAPHICS SCREEN: <A@ 7ARD<@SO@ Sheri44 S-n 3ui5 O9i5po Count: &"(*#(*,(&) I*6 P*:+-6316 ON M*:+ C166e @ <t 8oe5nAt re-ll: -88 up 6er: well. < me-n i4 5heA5 5o imp-ire8 th-t 5he .-nAt w-l/ 6er: well, how 8oe5 5he -ll o4 - 5u88en 9e.ome ON unimp-ire8 -n8 w-l/ -w-:B

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So /nowin% .ert-in thin%5, 5u.h -5 7-ul h-6in% the l-5t .ont-.t with her, 8oe5 not ne.e55-ril: pro6e - .-5e 9e:on8 - re-5on-9le 8ou9t. &"(*#(3$(&" M*:+ C166e @ <niti-ll: the: thou%ht 5he w-5 5till - run-w-:, or Hu5t h-8 8e.i8e8 to t-/e - 6-.-tion, -n8 the: 8i8nAt re-ll: tre-t 7-ul -5 mu.h o4 5u5pe.t. &"(*#(+,("! M*:+ C166e @ The: 8i8nAt 8o -n:thin% to 5e.ure hi5 room, to loo/ 4or e6i8en.e o4 Dri5tin 9ein% there, -n8 the: 8i8nAt 5e.ure Dri5tinA5 room in -n: w-: to, to tr: to tr-./ wh-t w-5 %oin% on. &"(*,("&(&* NARRATOR BY THE TIME CAMPUS POLICE CALL ON THE DISTRICT ATTORNEY;S OFFICE FOR HELP< DAYS HAVE 9ONE BY< AND OPPORTUNITIES LOST( &"(*,("!(&* M*:+ C166e @ Be.-u5e o4 the 8el-: in the in6e5ti%-tion, 7-ul h-8 -lre-8: t-/en -ll o4 hi5 5heet5, hi5 9e88in%, hi5 .lothe5, e6er:thin% home -n8 it h-8 9een w-5he8, -n8 the .le-nin% .rew5 h-8 -lre-8: .ome in -n8 8one their, their t:pi.-l .le-nin% up o4 the 8orm room. &"(*,(*+(*& A5>:12-)e J16e3 The opportunit: 4or -n: e6i8en.e t:pi.-ll: h-ppen5 in the 4ir5t +) hour5. <n thi5 .-5e, e6er:thin% w-5 t-/en out -n8 .le-ne8 -w-:, there w-5 no opportunit: -n:more 4or e6i8en.e e6er -%-in. &"(*,(+"(&! De6-3e S.*:) @o, -n8 :ou .-nAt re.re-te th-t, :ou .-nAt 8o it o6er -%-in.

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

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&"(*,(+#(""

NARRATOR TO9ETHER< CAMPUS POLICE AND INVESTI9ATORS FROM THE DA;S OFFICE CHECK OUT "35 CRANDALE WAY< THE HOUSE WHERE THE PARTY TOOK PLACE(

&"(*,(##(""

NARRATOR THEY FOLLOW THE ROUTE WALKED BY TIM< CHERYL< KRISTIN AND PAUL(

&"(*$("&(&,

NARRATOR AND THE INSPECT THE DORMITORIES WHERE KRISTIN AND PAUL LIVED(

&"(*$("#(",

De)e0)-,e At thi5 pointC

&"(*$(",(&3

NARRATOR BUT ACCORDIN9 TO DENISE SMART< THEY DON;T 9O FAR ENOU9H(

&"(*$(&"(&*

De6-3e S.*:) So then < 5-i8 Ewell, 8i8 :ou %o into hi5 roomBF E@o, we 8i8nAt nee8 toF the: 5-i8, -n8 itA5 li/e Ewell i4 :ou 9elie6e th-t he h-5 5ome .ulp-9ilit:, wh: woul8nAt :ou 8o th-tBF -n8 5o then one o4 Mem Hu5t 5-t ri%ht there -n8 5-i8 Ewell we loo/e8 throu%h hi5 8r-wer5 -n8 there w-5 nothin% thereF. An8 <Am li/e E9ut were there, were Dri5tinA5 4in%erprint5 -n:where in the roomBF E@oF.

&"(*$(*$("!

&"(*$(3)(""

De6-3e S.*:) E=ell how 8o :ou /nowBF -n8 then one o4 them 5-i8 Ewell we Hu5t 8i8 not nee8 - 4oren5i. te-mF.

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

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&"(*$(+*(*&

A5>:12-)e J16e3 Th-t, th-t re-ll: h-ppene8B

&"(*$(++("$

De6-3e S.*:) Th-t re-ll: h-ppene8.

&"(*$(+,(*&

De6-3e S.*:) < 8onAt thin/ the: thou%ht thi5 w-5 5eriou5.

&"(*$(+!(&&

T:e,1: B1e )e: The:Are thin/in% the %irl w-5 not 8oin% well in 5.hool, -n8 run5 -w-:. But the: re-ll: 8onAt 4o.u5 on the 5.en-rio5.

&"(*$(#$(&$

De6-3e S.*:) You /now, in 4-irne55 to .olle%e poli.e, the:Are not tr-ine8 to h-6e th-t Ho9. So itA5 -.tu-ll: re-ll: not their re5pon5i9ilit:, 9ut wh-t i5 their re5pon5i9ilit: i5 to 9rin% in people who h-6e -..e55 to the tool5 th-t will help.

&"(*)(&,(&,

A5>:12-)e J16e3 <4 < were the Sm-rtA5 9-./ in time -n8 thi5 h-ppene8 to m: 8-u%hter -n8 5he w-5 %one, -n8 mi55in%, < woul8 9e 5.re-min% to the mount-in top5. < woul8 9e 5ittin% on the l-wn o4 the =hite Hou5e to %et 5ome9o8:A5 -ttention.

&"(*)(3"(**

NARRATOR IT WILL TAKE THREE WEEKS AFTER KRISTIN SMART;S DISAPPEARANCE BEFORE INVESTI9ATORS TURN UP THE HEAT ON PAUL FLORES(

&"(*)(+&(*"

NARRATOR ON JUNE "9TH< "99?< THREE WEEKS AFTER THE

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41

&"(*)(#&(&* 9RAPHICS SCREEN: Re.on5tru.tion &"(*)(##("3 &"(*)(#$(&3

DISAPPEARANCE OF "9 YEAR OLD CAL POLY STUDENT ON KRISTIN SMART< INVESTI9ATORS FROM THE DA;S OFFICE 9RILL THE PRIMARY SUSPECT IN THE CASE< PAUL

FLORES( NARRATOR WHEN THEY DO< PAUL 9ETS CAU9HT LYIN9(

&"(*!(""(*"

De)e0)-,e You too/ - 5hower th-t ni%htB

&"(*!("*(&3

P*8 F 1:e3 Ye-h. So wh-tB

&"(*!("+(&)

NARRATOR ACCORDIN9 TO INVESTI9ATORS< HE SAYS HE WENT STRAI9HT TO BED AFTER LEAVIN9 KRISTIN NEAR THE ENTRANCE TO MUIR HALL(

&"(*!(&&(*"

NARRATOR BUT INVESTI9ATORS LEARN THAT PAUL TOOK A SUSPICIOUS EARLY MORNIN9 SHOWER(

&"(*!(&$(&) &"(*!(&)(") 9RAPHICS SCREEN: DE@<SE S1ART ON

De6-3e S.*:) He 5-i8 he w-5 t-/in% - 5hower -t three in the mornin%, -n8 e6i8entl: there w-5 5omeone in there who 5-w him.

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

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Dri5tin Sm-rtA5 mother &"(*!(*3("" A5>:12-)e J16e3 There w-5 - witne55 to him 9ein% in hi5 8ormitor:B At th-t hourB &"(*!(*,(&" De6-3e S.*:) Ye-h, in the 5hower. &"(*!(*!(&" NARRATOR AND THERE;S MORE( &"(*!(3"(&" NARRATOR WHEN CAL POLY POLICE FIRST INTERVIEWED PAUL< HE HAD A BLACK EYE(

&"(*!(3#(&+

De)e0)-,e How 8i8 :ou %et th-t 9l-./ e:eB

&"(*!(3,(&$

M*:+ C166e @ The <n6e5ti%-tor5 -5/e8 7-ul where he %ot the 9l-./ e:e 4rom, -n8 he in8i.-te8 th-t he h-8 9een el9owe8 -t - pi./up 9-5/et9-ll %-me the: pl-:e8 with 5ome 4rien85.

&"(*!(++(&)

M*:+ C166e @ The 4rien85 5-i8 th-t, :e5, heA8 pl-:e8 9-5/et9-ll 9ut heA8 -lre-8: h-8 - 9l-./ e:e when he 5howe8 up.

&"(*!(+!(*+

De)e0)-,e =h: 8i8 :ou lie to u5B

&"(*!(#&(&3

NARRATOR CONFRONTED WITH HIS SECOND LIE< PAUL CHAN9ES HIS

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

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STORY< CLAIMIN9 HE HURT HIMSELF WHILE WORKIN9 ON HIS PICKUP TRUCK( &"(*!(#)(&) M*:+ C166e @ An8 he 5-i8 th-t he w-5 un8erne-th the 5teerin% wheel, or un8er the 8-5h, -n8 h-8 5-t up or 8one 5omethin%, -n8 h-8 hit him5el4 in the 4-.e -n8 9l-./ene8 hi5 e:e th-t w-:. &"(3"("!(&, De)e0)-,e How 8o we /now th-t e6er:thin% :ouA6e tol8 u5 5o 4-r i5nAt - lieB How 8o we /nowB

&"(3"(&+(&+

A5>:12-)e J16e3 The 7oli.e %rille8 thi5 %u:, 0lore5, -n8 the -n5wer5 th-t 7-ul %-6e turne8 out to 9e lie -4ter lie.

&"(3"(*+(*"

NARRATOR AND FOR A WHILE IT LOOKS LIKE PAUL MI9HT BREAK UNDER PRESSURE(

&"(3"(*!("$

NARRATOR BUT ONCE HE REALISES THE COPS ACTUALLY KNOW VERY LITTLE< HE CALLS THEIR BLUFF(

&"(3"(3#("3

P*8 F 1:e3 =ell i4 :ou /now 5o mu.h, then whereA5 the 9o8:B

&"(3"(3)(&$

NARRATOR AND THEN WALKS OUT(

&"(3"(+&("&

M*:+ C166e @ He ultim-tel:, -4ter the inter6iew, 5toppe8 t-l/in%, 5toppe8 9ein%

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

44

p-rt o4 the inter6iew pro.e55 -n8 < 9elie6e o9t-ine8 -n Attorne:. &"(3"(#)("+ NARRATOR A MONTH AFTER KRISTIN;S DISAPPEARANCE< CAL POLY POLICE REACH OUT FOR MORE HELP( &"(3&("3("$ NARRATOR THIS TIME< FROM THE SAN LUIS OBISPO SHERIFF;S DEPARTMENT( &"(3&(")("" NARRATOR THE FIRST THIN9 SHERIFF;S DEPARTMENT DETECTIVES DO IS E=AMINE PAUL;S DORMITORY ROOM( &"(3&(&,("& M*:+ C166e @ The Sheri44A5 Dep-rtment, -5 p-rt o4 their in6e5ti%-tion, 9rou%ht in wh-t -re .ommonl: .-lle8 .-8-6er 8o%5. &"(3&(*+("! M*:+ C166e @ =hen :ou 8ie :our ele.tri.-l .h-r%e5 4-il -n8 it %i6e5 o44 -, - 6er: uniNue o8our, th-tA5 5pe.i4i. to hum-n5, th-t the5e 8o%5 .-n then i8enti4:. &"(3&(3,(&, M*:+ C166e @ The 8o%5 -ll went into, -n8 onl: into 7-ul 0lore5A room. &"(3&(+*(*+ NARRATOR WHILE POLICE SUSPECT PAUL BROU9HT KRISTIN TO HIS ROOM< THEY NEED SOME KIND OF PHYSICAL EVIDENCE< KRISTIN;S FIN9ERPRINTS< HAIR OR DNA TO PROVE IT( &"(3&(#3(*" M*:+ C166e @ An8 the: 5wept up -n8 6-.uume8 wh-t the: .oul8. < 9elie6e

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

45

the: too/ the 9e8 it5el4, -n8 initi-ll: the: 5ent it to the Dep-rtment o4 ;u5ti.e, 4or the 0B<. &"(3*("*(", M*:+ C166e @ Th-t 8i8nAt .ome 9-./ with -n:thin%.

&"(3*("#(**

NARRATOR FIVE MONTHS AFTER KRISTIN;S DISAPPEARANCE< OFFICIALS SUBPOENA PAUL TO ANSWER CUESTIONS BEFORE A 9RAND JURY(

&"(3*(&3("+

NARRATOR REPORTERS FOLLOWIN9 THE CASE APPROACH HIM AT THE COURTHOUSE(

&"(3*(&,(&)

Ne'3 Re51:)e: 7-ul, 8o :ou h-6e -n:thin% th-t :ouA8 li/e to 5-: th-t :ou thin/ the pu9li. 5houl8 un8er5t-n8B

&"(3*(&!(*3

NARRATOR BUT PAUL DECLINES TO RESPOND(

&"(3*(*3(*& &"(3*(*$("& 9RAPHICS SCREEN: ACTUA3 DE7OS< [OBSCURED BY TCR] &"(3*(3+(*+

NARRATOR AND WHEN CUESTIONED< DURIN9 THE CLOSED DOOR PROCEEDIN9S THAT FOLLOW< PAUL ANSWERS< AS HE ON WILL ON SUBSECUENT OCCASIONS< BY PLEADIN9 THE FIFTH AMENDMENT(

9:*62 J8:@ C>*-:.*6

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

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On or -9out 1-: **n8 or 1-: *3r8 o4 &!!, 8i8 :ou w-l/ Dri5tin Sm-rt to her 8orm room -4ter - p-rt: th-t ni%htB &"(3*(+3(*" P*8 F 1:e3 On the -86i.e o4 m: Attorne: < re4u5e to -n5wer th-t Nue5tion 9-5e8 on the 0i4th Amen8ment o4 the Unite8 St-te5 Con5titution. &"(3*(+!("& 9:*62 J8:@ C>*-:.*6 Di8 :ou h-6e -n: in6ol6ement in the 8i5-ppe-r-n.e o4 Dri5tin Sm-rtB &"(3*(#3("& P*8 F 1:e3 On the -86i.e o4 m: Attorne: < re4u5e to -n5wer th-t Nue5tion 9-5e8 on the 0i4th Amen8ment o4 the Unite8 St-te5 Con5titution. &"(33("&(&" A5>:12-)e J16e3 7-ul 0lore5 i5 5omewh-t o4 -n eni%m-. He h-5 rem-ine8 9ehin8 - .urt-in 4or the 9ul/ o4 hi5 li4e, 9ut itA5 o/-:, :ou 8onAt h-6e to .ooper-te with 7oli.e. &"(33(&3("$ A5>:12-)e J16e3 You 8onAt h-6e to in.rimin-te :our5el4. =e h-6e th-t ri%ht in Ameri.-. &"(33(&$(&! NARRATOR I ASKED DENNIS MAHON< WHO HAS BEEN FOLLOWIN9 KRISTIN;S CASE FOR YEARS< WHAT HE THOU9HT ABOUT ALL THIS( &"(33(*+(&& De66-3 M*>16 < 9elie6e 7-ul Hu5t li/e -n: other 4ree Ameri.-n .itiKen, h-5 the ri%ht to %o %et hi5 .olle%e e8u.-tion, %o %et - Ho9, own - home,

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

47

9ut < 8onAt 9elie6e, not 4or one 5e.on8, th-t he h-5 .ome within mile o4 9ein% .le-n with the Sheri44A5 Dep-rtment.

&"(33(+&("+

NARRATOR DENNIS ALSO BELIEVES THAT PAUL IS 9UILTY AS SIN(

&"(33(+#(&+

A5>:12-)e J16e3 =h: 5houl8 we 9elie6e, without -n: ph:5i.-l e6i8en.e, th-t 7-ul 0lore5 woul8 h-6e h-8 -n:thin% to 8o with Dri5tin Sm-rtA5 8i5-ppe-r-n.eB

&"(33(#+(&"

De66-3 M*>16 Be.-u5e 7-ul 0lore5A Attorne: m-8e -n o44er to the St-te o4 C-li4orni-, E8rop the .h-r%e -%-in5t m: .lient 8own to mi58eme-nour -n8 we will le-8 :ou to Dri5tinA5 9o8:F.

&"(3+("3(&!

A5>:12-)e J16e3 So 7-ul 0lore5 5uppo5e8l: then /now5 where Dri5tinA5 9o8: i5B

&"(3+(",(*&

De66-3 M*>16 He 5-i8 Eno, :ou .oul8 tou.h her 9o8:, 9ut 4ir5t :ou %ott- 8rop the .h-r%e5F.

&"(3+(&"(*"

NARRATOR AS DENISE SMART TOLD ME< THAT PLEA DEAL OFFER CAME ALMOST A YEAR AFTER KRISTIN;S DISAPPEARANCE(

&"(3+(&)(",

A5>:12-)e J16e3 =h-t w-5 the ple- 8e-l, 8o :ou /nowB

&"(3+(*"(&"

De6-3e S.*:)

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

48

< -.tu-ll: 8onAt remem9er wh-t the: were -5/in% 4or e2-.tl:, 9ut it w-5 5omewhere to - 5l-p on the h-n8. &"(3+(*)(*3 NARRATOR THE DEAL CALLS FOR PAUL TO PLEAD 9UILTY TO INVOLUNTARY MANSLAU9HTER< REVEAL WHAT REALLY HAPPENED< AND LEAD POLICE TO KRISTIN;S BODY( &"(3+(3)("& NARRATOR IN E=CHAN9E< HE;LL BE SENTENCED TO SI= YEARS IN PRISON( &"(3+(+&(&$ De6-3e S.*:) =e were in ne%oti-tion5 with the Di5tri.t Attorne:, -n8 hi5 Attorne:, -n8 thereupon the Sheri44 -t the time, E8 =illi-m5, m-8e - pu9li. 5t-tement. &"(3+(#+(&* A5>:12-)e J16e3 =h-t 8i8 thi5 Sheri44 5-:B &"(3+(#,(&& De6-3e S.*:) Thi5 Sheri44 5-i8 E5hort o4 7-ul 0lore5 tellin% u5 wh-t h-ppene8 th-t ni%ht, thi5 .-5e will not 9e 5ol6e8F. &"(3#(")("" A5>:12-)e J16e3 So the Sheri44 re5pon5i9le 4or -.tu-ll: pro5e.utin% thi5 .rime hel8 - 7re55 .on4eren.e, 5t-tin% th-t unle55 7-ul 0lore5 .-me 4orw-r8 him5el4, the: h-8 no e6i8en.e 9-5i.-ll:B &"(3#(*"(&& De6-3e S.*:) Ri%ht, -n8 5o o4 .our5e < me-n 7-ul 0lore5 i5 not - 9r-in 5ur%eon 9ut heA5 5m-rt enou%h to /now th-t, Ehe:, the 8e-lA5 o44F.

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

49

&"(3#(3*(",

A5>:12-)e J16e3 =hen :ouAre - mem9er o4 l-w en4or.ement, itA5 :our Ho9 to 9e po/er 4-.e8.

&"(3#(3$(")

A5>:12-)e J16e3 <tA5 :our Ho9 to hol8 e6er:thin% .lo5e to :our 6e5t. Th-tA5 how :ou .-t.h .rimin-l5.

&"(3#(+3(*&

A5>:12-)e J16e3 How 8o :ou .ome out -n8 m-/e - pu9li. 5t-tement, lettin% the worl8 /now th-t :ou h-6e nothin%B

&"(3#(#"(&#

A5>:12-)e J16e3 ;u5t 4or -r%ument5 5-/e, h-8 7-ul 0lore5 .ome 4orw-r8 -n8 8e.i8e8, throu%h hi5 Attorne:, to m-/e - ple- 8e-l, woul8 :ou h-6e 9een -9le to -..ept th-tB

&"(3,("+(*3

De6-3e S.*:) A5 - mother o4 - .hil8 whoA5 mi55in%C < pro9-9l: woul8 9e le-nin% to -%ree, Hu5t 9e.-u5e where 5he i5, i5 not where < w-nt her to 9e, -n8 < woul8 li/e to h-6e the opportunit: to lie her to re5t in the pre5en.e o4 Go8 -n8 her 4-mil:.

&"(3,(*,("&

NARRATOR IN &00&< SI= YEARS AFTER KRISTIN DISAPPEARED< A JUD9E DECLARES HER LE9ALLY DEAD< BUT THAT DOESN;T STOP THE SMART;S< OR THEIR SUPPORTERS(

&"(3,(3,(&,

De66-3 M*>16 <4 7-ulA5 %onn- .ontinue to not .ooper-te with the 7oli.e -n8 he Hu5t w-nt5 to %o on with hi5 li4e, < w-nn- u5e the 0ir5t

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

50

Amen8ment Ri%ht o4 4ree 5pee.h to let the worl8 /now where he &"(3,(+!(** i5 -t e6er: 5e.on8, 5o heA5 not .om4ort-9le, -n8 th-t one 8-: he will 9re-/ -n8 Hu5t thin/ EitA5 9etter 4or me Hu5t to %et thi5 o44 m: .he5t -n8 .ooper-te with the Sheri44A5 Dep-rtmentF. &"(3,(#,("* A5>:12-)e J16e3 So :ouAre %onn- 4ollow him to the en8 o4 the e-rthB &"(3,(#$(&$ De66-3 M*>16 Ye5. &"(3$("*("& 9RAPHICS SCREEN: CO1<@G U7C &"(3$("*(&$ NARRATOR UP NE=TD &"(3$("3(*+ De6-3e S.*:) =e were 6er: optimi5ti. -9out the new D@A 5u9mitte8 9: Sheri44 7-r/in5on -n8 hi5 Dep-rtment. &"(3$(&"("" 9RAPHICS ON SCREEN: true CR<1E =<TH A7HROD<TE ;O@ES &"(3$(&+("" END OF PART 3 ON

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

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CLOCK INFO: @O C3OCD SCREE@

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

52

&"(3)(""("& &"(3)(""("& 9RAPHICS ON SCREEN: true CR<1E =<TH A7HROD<TE ;O@ES &"(3)("#(*+

PART 4

NARRATOR MORE THAN "? YEARS HER AFTER BODY KRISTIN SMART;S BEEN DISAPPEARANCE< HAS NEVER

RECOVERED< AND HER CASE REMAINS UNSOLVED( &"(3)(&#(*" A5>:12-)e J16e3 <4 7-ul 0lore5 i5 inno.ent, 5tone .ol8 inno.ent, wh: 8oe5nAt he .ome out -n8 :ell it 4rom the roo4top5B &"(3)(*3(&+ &"(3)(*+(&# 9RAPHICS SCREEN: TREIOR BOE3TER &"(3)(33("$ T:e,1: B1e )e: You 5ee how hurt Deni5e -n8 St-n -re, -n8 their .hil8ren. &"(3)(3)(&, T:e,1: B1e )e: <, <, < 8onAt /now how :ou .oul8 not h-6e - he-rt 4or th-t, or how T:e,1: B1e )e: =ell 5ee th-tA5, th-tA5 wh-t < w-nn- /now, 9e.-u5e 4or meC -lthou%h <Am not ple-5e8 to 9e t-l/in% -9out thi5 &, :e-r5 l-ter, ON <Am willin% to.

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

53

:ou .oul8 not 4eel li/e th-t mo6e5 :ou in 5ome w-:. &"(3)(+$(*+ NARRATOR EVENTUALLY THE SMART;S TRIED REACHIN9 OUT TO PAUL AND HIS FAMILY DIRECTLY( &"(3)(#3("! &"(3)(#+(*+ 9RAPHICS SCREEN: DE@<SE S1ART Dri5tin Sm-rtA5 mother &"(3!(")("+ De6-3e S.*:) < w-nte8 them to 5ee th-t thi5 w-5 who w-5 mi55in%. &"(3!(&*(&3 A5>:12-)e J16e3 A re-l %irlB &"(3!(&3("$ De6-3e S.*:) A re-l per5on, -lon% with - letter, - 6er: he-rt4elt letter th-t 5-i8 E<Am 5ure 5omethin% horri9le h-ppene8 th-t ni%ht, <Am 5ure it w-5 -n -..i8ent, <Am 5ure :our 5on p-ni./e8, 9ut we nee8 to mo6e 4orw-r8, -n8 we nee8 to /now where our 8-u%hter i5F. &"(3!(*!(*" De6-3e S.*:) < Hu5t %ot - 6er: n-5t: repl:, Ei4 < w-nte8 pi.ture5 o4 :our 8-u%hter < woul8 -5/ 4or themF. De6-3e S.*:) =e m-8e multiple o6erture5 e-rl: on, li/e -5 5oon -5 we /new o4 him, -n8 where he li6e8. < put - .oll-%e to%ether o4 pi.ture5 o4 ON Dri5tin. < in.lu8e8 - 9-9: pi.ture, < in.lu8e8 - Hi%h S.hool %r-8u-tion pi.ture.

&"(3!(3#(",

A5>:12-)e J16e3

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

54

0rom the 4-therB &"(3!(3,(", De6-3e S.*:) @o, 4rom the mother. &"(3!(3$(&$ 9RAPHICS SCREEN: Re.on5tru.tion &"(3!(3!("3 NARRATOR POLICE SAY THAT EVIDENCE IN THIS CASE ALL SEEMS TO POINT TO PAUL FLORES< BUT THERE;S NOT ENOU9H EVIDENCE TO FILE CHAR9ES A9AINST HIM( &"(3!(+)("! A5>:12-)e J16e3 An8 in 4-.t, thereA5 no re-l .on.rete e6i8en.e to 5-: th-t he .ommitte8 thi5 .rime, or i5 thereB &"(3!(##(&" De6-3e S.*:) =ell -%-inC thereA5 lot o4 .ir.um5t-nti-l e6i8en.e. Cir.um5t-nti-l e6i8en.e h-5 him -8mittin% to 9e the l-5t per5on to 9e 5een with Dri5tin Sm-rt, o/-:B <n -88ition to th-t, he h-5 not 9een truth4ul with l-w en4or.ement 4rom the 9e%innin%. &"(+"(&)(&$ NARRATOR OVER THE YEARS< THE SCRAMBLE TO BUILD A CASE A9AINST PAUL HAS 9IVEN RISE TO A LOT OF THEORIES( ON

&"(+"(*#(")

NARRATOR ONE THEORY SU99ESTED KRISTIN WAS BURIED IN THE

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

55

BACK YARD OF HIS MOTHER;S HOME IN ARROYO 9RANDE( &"(+"(3&("& M*:+ C166e @ =e 8i8 the e2-min-tion, we h-8 the 5oil5 .he./e8 9: the 4oren5i. %u:5 to 5ee i4 there w-5 -n: e6i8en.e o4 8e.-:, i4 there w-5 -n: e6i8en.e o4 hum-n rem-in5, or 5omethin% th-t .oul8 5till 9e i8enti4ie8, -n8 it .-me 9-./ ne%-ti6e. &"(+"(+#(&+ 9RAPHICS SCREEN: 1ARD CO@@E3Y Sm-rt 4-mil: -ttorne: &"(+"(+#(&$ M*:+ C166e @ There w-5 nothin% there. There w-5 no e6i8en.e th-t there h-8 9een -n:thin% there. &"(+"(#+("# NARRATOR I BELIEVE KRISTIN NEVER MADE IT BACK TO HER ROOM THAT FRIDAY NI9HT( &"(+"(#!(", NARRATOR NONE OF HER BELON9IN9S HAD BEEN TOUCHED WHEN HER ROOMMATE RETURNED ON MONDAY( &"(+&("+(** NARRATOR AND YET CHERYL SAYS THEY WERE ONLY YARDS AWAY FROM MUIR HALL WHEN SHE LEFT KRISTIN IN PAUL;S CARE( ON

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

56

&"(+&(&*(",

NARRATOR SO< IN MY OPINION< PAUL MUST HAVE TAKEN HER TO HIS ROOM(

&"(+&(&,("3

P*8 F 1:e3 Alri%ht, well .-n < %et - /i55B

&"(+&(&)(&)

C>e:@ A62e:316 @o.

&"(+&(&!(&)

NARRATOR WE KNOW HE WAS LOOKIN9 FOR SOME AFFECTION FROM CHERYL EARLIER THAT NI9HT(

&"(+&(*+(&"

NARRATOR MAYBE HE THOU9HT THE BLEARY/HEADED KRISTIN WOULD MAKE AN EASIER MARK(

&"(+&(*!(*"

NARRATOR ONLY PAUL KNOWS WHAT HAPPENS NE=T< BUT OBVIOUSLY SOMETHIN9 9OES TERRIBLY WRON9 AND I THINK KRISTIN MEETS HER FATE IN PAUL;S ROOM BEFORE DAWN(

&"(+&(+*(&3

NARRATOR BUT THEN WHATE

&"(+&(++("$

NARRATOR WELL< PAUL;S 9ROUND FLOOR ROOM FACES A SERVICE DRIVEWAY AT THE BACK OF THE DORM< AND HE COULD EASILY HAVE TAKEN KRISTIN;S BODY OUT THROU9H THE WINDOW(

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

57

&"(+&(#3(*+

NARRATOR IF HE PUT KRISTIN;S BODY IN THE TRASH BINS HERE< SHE WOULD HAVE ENDED UP BURIED UNDER TONS OF WASTE IN THE COLD CANYON LANDFILL(

&"(+*("3(*3

NARRATOR BUT WHEN CAL POLY OFFICIALS HAD THE LANDFILL SEARCHED< BACK IN "99?< THEY CAME UP EMPTY/ HANDED(

&"(+*(&*(**

NARRATOR I THINK KRISTIN;S BODY IS BURIED SOMEWHERE ELSE< BUT WE MAY NEVER LEARN THE DETAILS IF NO/ONE IS EVER CHAR9ED AND BROU9HT TO TRIAL(

&"(+*(*"(&#

A5>:12-)e J16e3 At thi5 point in time, -4ter -ll the5e :e-r5, wh-t i5 it %oin% to t-/e to h-6e the .ulprit .ome 4orw-r8B

&"(+*(3&(*&

De6-3e S.*:) =ell < 8onAt thin/ hes %oin% to .ome 4orw-r8, 9ut < thin/ weAre 6er: optimi5ti. -9out the new D@A th-t h-5 9een 5u9mitte8 9: Sheri44 7-r/in5on -n8 hi5 Dep-rtment.

&"(+*(+3(&*

I*6 P*:+-6316 =e %ott- e2p-n8 -n8 4o.u5 onC

&"(+*(+#(")

NARRATOR IAN PARKINSON ONLY BECAME SAN LUIS OBISPO COUNTY SHERIFF IN &0""< BUT KRISTIN;S CASE HAS TROUBLED HIM FOR YEARS(

;o9 <D( +#$!# True Crime =ith Aphro8ite ;one5 S3 !3""#$ Ep "3 T> S.ript

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&"(+*(#3(&, &"(+*(##(&# 9RAPHICS SCREEN: <A@ 7ARD<@SO@ Sheri44 S-n 3ui5 O9i5po Count: &"(+3(""(") ON

I*6 P*:+-6316 =ell :ou emotion-ll: %et tie8 to .-5e5. You emotion-ll: %et tie8 to, to, to 6i.tim5 -n8 to 6i.tim5 4-milie5.

I*6 P*:+-6316 So :ou trul: -re tr:in% to 8o wh-te6er :ou .-n to 9rin% re5olution to them, -n8 in thi5 .-5e e6en to - .ommunit: th-t i5 5till mi55in% Dri5tin, -n8 i5 5till won8erin% wh: -n8 how thi5 h-ppene8.

&"(+3(&$("!

NARRATOR PARKINSON;S OFFICE HAS RE/DEDICATED ITSELF TO SOLVIN9 KRISTIN;S CASE< AND THAT MEANS 9OIN9 BACK TO SCUARE ONE(

&"(+3(*+(&!

I*6 P*:+-6316 Our -ppro-.h w-5, w-5 to t-/e e6er: item o4 ph:5i.-l e6i8en.e, -n8 letA5 8o - reJe2-min-tion, -n8 we went item 9: item throu%h e-.h pie.e o4 ph:5i.-l e6i8en.e in the .-5e, loo/in% 4or new e6i8en.e, e6i8en.e th-t either w-5nAt e2-mine8 9-./ &, :e-r5 -%o thorou%hl:, or utili5in% new te.hnolo%: 4or th-t e2-min-tion. A5>:12-)e J16e3 < thin/ un9e/nown5t to the %ener-l pu9li., the D@A e6i8en.e th-t i5 9ein% te5te8 -t thi5 moment hol85 po55i9ilit: th-t we .oul8 4in8 - re5olution in thi5 .-5e.

&"(+3(+3(&, &"(+3(+!("$

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&"(++(",(&$

NARRATOR BUT WHAT HAPPENS IF NO NEW SCIENTIFIC EVIDENCE IS FOUNDE

&"(++(&&("+

I*6 P*:+-6316 =itne55e5 o96iou5l: .-n 9e 6er: .riti.-l. Sometime5 itA5 - .-5e o4 people mi%ht h-6e 5een or /now 5omethin% th-t the: trul: .-nnot -55o.i-te with Dri5tin, or -55o.i-te with the in.i8ent.

&"(++(*,("&

I*6 P*:+-6316 The 5e.on8 w-: to help, :ou /now, help 5ol6e thi5 i5 ph:5i.-l e6i8en.e. <5 there - pie.e o4 ph:5i.-l e6i8en.e th-t tie5 the 5u5pe.t, or 5u5pe.t5, to the 8i5-ppe-r-n.eB

&"(++(3)(",

A5>:12-)e J16e3 Some9o8: /now5 5omethin% more th-n wh-t h-5 9een reporte8.

&"(++(++(&#

A5>:12-)e J16e3 <4 -ll o4 tho5e 5ome9o8:A5 who /now thi5 9it -n8 th-t pie.e 5t-rt to .ome to the S-n 3ui5 O9i5po Sheri44A5 Dep-rtment -n8 5t-rt to tell their pie.e o4 the 5tor:, the puKKle .-n %et 5ol6e8.

&"(+#(""(&*

NARRATOR TODAY< "? YEARS THE AFTER SMART;S THEIR 9ET THE DAU9HTER KIND OF DISAPPEARED<

COOPERATION FROM AUTHORITIES THEY FELT WAS MISSIN9 WHEN THE CASE BE9AN( &"(+#("!(&) &"(+#(&*("3 9RAPHICS De66-3 M*>16 The: were not h-pp: with the S-n 3ui5 O9i5po Sheri44A5 Dep-rtment 4or m-n: :e-r5. @ow thereA5 - new Sheri44 in town, ON -n8 the: re-ll: li/e the new %u:, Sheri44 7-r/in5on.

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SCREEN: DE@@<S 1AHO@ Sm-rt 4-mil: 4rien8 &"(+#(&)("+ De66-3 M*>16 The:A6e -lw-:5 5-i8 to me EDenni5, we Hu5t w-nn- /now th-t thereA5 - pilot up in the .o./pit. The: 8onAt h-6e to tell u5 e6er:thin%, we Hu5t w-nn- /now thereA5 5ome9o8: up thereF. &"(+#(*,("$ I*6 P*:+-6316 Some people 5eem to /eep .-te%ori5in% Dri5tinA5 .-5e -5 - .ol8 .-5e, -n8 it5 ne6er 9een - .ol8 .-5e, it5 -lw-:5 9een -n -.ti6e .-5e, -n8 < thin/ th-t th-t w-5 not -lw-:5 .on6e:e8 to the 4-mil:. &"(+#(+&(&# But -5 lon% -5 we .ontinue to in6e5ti%-te, -5 lon% -5 thereA5 in4orm-tion th-t .ontinue5 to .ome in, whether itA5 .re8i9le in4orm-tion, whether it p-n5 out, weAll .ontinue to in6e5ti%-te. &"(+#(+!(*" NARRATOR IN ADDITION TO ITS ON9OIN9 EFFORTS< PARKINSON;S DEPARTMENT FORMALLY REVIEWS KRISTIN;S CASE EACH MONTH< AND THE FBI CONTINUES TO HAVE HER ON &"(+,("&(** FILE AS A HI9H PRIORITY MISSIN9 PERSON< WITH A REWARD OF G75<000 FOR INFORMATION THAT MI9HT RESOLVE HER CASE( &"(+,("$(&# A5>:12-)e J16e3 How 8o :ou .ope with thi5 in6e5ti%-tion th-t .ontinue5 to 5eem to %o onB &"(+,(&!(&) De6-3e S.*:) &, :e-r5 i5 - lon%, lon% time. &"(+,(*3("& De6-3e S.*:)

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7eople 5-: F< 8onAt /now how :ou 8o wh-t :ou 8oF, -n8 we 8onAt 8o wh-t we 8o 9e.-u5e itA5 - .hoi.e. =e 8o wh-t we 8o 9e.-u5e the5e -re the .-r85 th-t were %i6en to u5. &"(+,(33("* A5>:12-)e J16e3 1: impre55ion o4 Deni5e -n8 St-n Sm-rt i5 th-t the5e -re %oo8 people, up5t-n8in% people, who re-ll:, -t thi5 point, -re Hu5t 5o 8e5per-te 4or Hu5t -, - tin: 9it o4 Hu5ti.e. &"(+,(+)(") NARRATOR IF THIS CASE HAS A SILVER LININ9< IT;S THE KRISTIN SMART CAMPUS SECURITY ACT OF "99!( &"(+,(##(&! NARRATOR THE CALIFORNIA LAW RECUIRES PUBLIC COLLE9ES AND UNIVERSITIES TO NOTIFY LOCAL LAW ENFORCEMENT ABOUT CASES INVOLVIN9 VIOLENCE A9AINST STUDENTS< INCLUDIN9 MISSIN9 STUDENTS( &"(+$("!(&) NARRATOR HOPEFULLY KRISTIN;S LAW WILL HELP FAMILIES LIKE THE SMART;S FIND THE JUSTICE THEY DESERVE( &"(+,(#&("" END CREDITS: $R1 -67 1,e: 2-* 178e% Ho5t A7HROD<TE ;O@ES E2e.uti6e 7ro8u.er 33OYD 0A3ES

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CoJE2e.uti6e 7ro8u.er A7HROD<TE ;O@ES Serie5 7ro8u.er BRUCE DE@@EDY 7ro8u.e ;O@ GOOD1A@ E8itor 1<DE 7ERUSSE A55o.i-te 7ro8u.er ROB ;OH@SO@

Dire.tor5 o4 7hoto%r-ph: A; R<CDERTJE7STE<@ ;OH@ 0OSTER Soun8 Re.or8i5t5 ;E@@<0ER R<CC<ARD< ;ACD @OR03US A55i5t-nt C-merDEI<@ =A3TERS @<CD 3O7EO Grip OACH RAS1USSE@

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H-ir 1-/eup @OA BO3OODY @<CO3E B3A@CO 3ine 7ro8u.er ROBY@ A3COCD Te.hni.-l Oper-tion5 1-n-%er ;O@ATHA@ DA1OUR 7o5t 7ro8u.tion Super6i5or BRA@DT GASS1A@

A55i5t-nt E8itor5 G<@A G<ROD<ER DAI<D SCORCA 7ro8u.tion A55i5t-nt5 DA@< H<RAIY AARO@ E7STE<@ =<33<A1 =EST @ATHA@ =<33<A1S C-5tin% Dire.tor ER<@ BRO=@E Gr-phi. De5i%ner5

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D<SCOIERY CREAT<IE 7o5t 7ro8u.tion 0-.ilit: TECH@<CO3OUR 7OST=ORDS Online E8itor SEA@ R. S1<TH A55i5t-nt Online E8itor 1<CHE33E CHER<7DA Au8io 1i2er ;ARED SE<D1A@ Ar.hi6-l 0oot-%e DSBY Spe.i-l Th-n/5 STA@ A@D DE@<SE S1ART DE@@<S 1AHO@ 1ARD CO@@E3Y SA@ 3U<S OB<S7O COU@TY SHER<00AS O00<CE SHER<00 <A@ 7ARD<@SO@ Spe.i-l Th-n/5 TREIOR BOE3TER SHAE 7A3<C DEI<@ DYER A3E> S7ECD ER<C COTT<

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Spe.i-l Th-n/5 STAC<E 1AGDA@O C3A<RE ED1O@DS BROODE 1ART<@ DAI<D @ORU1 SCOTT ;E@D<@S BRE@T DEAST E2e.uti6e 7ro8u.er D@UTE =A3DER E2e.uti6e 7ro8u.er BE@;A1<@ R<@GE

E2e.uti6e in Ch-r%e o4 7ro8u.tion SHARO@ SCOTT 0or <n6e5ti%-tion Di5.o6er: E2e.uti6e 7ro8u.er EUGE@<E I<@D 7ro8u.er DE<3A =OODARD Senior Ii.e 7re5i8ent o4 7ro8u.tion SARA DOOAD

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7re5i8ent -n8 Gener-l 1-n-%er HE@RY SCH3E<00 7ro8u.e8 9: 7e-.o./ 7ro8u.tion5 4or <n6e5ti%-tion Di5.o6er: P 11><< D<SCOIERY CO11U@<CAT<O@S, 33C