This document announces a graduate seminar on the use and significance of photography in colonialism and decolonization. The seminar will be held on April 2nd from 3-3:30pm in the History Department library at MIT. All graduate students are welcome to participate and should contact the listed email to join and acquire readings. The seminar will explore how new photographic technologies at the turn of the century shaped and were shaped by the institutions and cultures of imperialism in the Philippines and Indonesia. Participants will embark on a visual journey exploring essays and chapters on photography and power in the colonial Philippines, photography and death during the Philippine-American war, and how everyday photographic practices in Java generated visual habits and political subjects.
This document announces a graduate seminar on the use and significance of photography in colonialism and decolonization. The seminar will be held on April 2nd from 3-3:30pm in the History Department library at MIT. All graduate students are welcome to participate and should contact the listed email to join and acquire readings. The seminar will explore how new photographic technologies at the turn of the century shaped and were shaped by the institutions and cultures of imperialism in the Philippines and Indonesia. Participants will embark on a visual journey exploring essays and chapters on photography and power in the colonial Philippines, photography and death during the Philippine-American war, and how everyday photographic practices in Java generated visual habits and political subjects.
This document announces a graduate seminar on the use and significance of photography in colonialism and decolonization. The seminar will be held on April 2nd from 3-3:30pm in the History Department library at MIT. All graduate students are welcome to participate and should contact the listed email to join and acquire readings. The seminar will explore how new photographic technologies at the turn of the century shaped and were shaped by the institutions and cultures of imperialism in the Philippines and Indonesia. Participants will embark on a visual journey exploring essays and chapters on photography and power in the colonial Philippines, photography and death during the Philippine-American war, and how everyday photographic practices in Java generated visual habits and political subjects.
This document announces a graduate seminar on the use and significance of photography in colonialism and decolonization. The seminar will be held on April 2nd from 3-3:30pm in the History Department library at MIT. All graduate students are welcome to participate and should contact the listed email to join and acquire readings. The seminar will explore how new photographic technologies at the turn of the century shaped and were shaped by the institutions and cultures of imperialism in the Philippines and Indonesia. Participants will embark on a visual journey exploring essays and chapters on photography and power in the colonial Philippines, photography and death during the Philippine-American war, and how everyday photographic practices in Java generated visual habits and political subjects.
A Graduate Sem|nar wlLh Chr|stopher Capozzo|a Department of n|story, MI1 Wednesday Aprll 2 nd , 3:00-3:30pm PlsLory ueparLmenL Llbrary 2330 uole SLreeL, Sakamakl Pall A201
A|| graduate students are we|come to part|c|pate - p|ease not|fy V|na Lanzona < v|anzonaQhawa||.edu> to [o|n and acqu|re the read|ngs
We wlll explore Lhe use and slgnlflcance of phoLography, and more generally vlsual culLure, ln Lhe processes of colonlallsm and decolonlzaLlon. WheLher from Lhe camera of Amerlcan eLhnographer and uS colonlal governmenL offlclal uean WorcesLer or from Lhe lens of ordlnary lndoneslans, phoLography and Lhe ldeas and emoLlons Lhey evoke, play a cruclal role ln enhanclng colonlal power, manlfesLlng reslsLance or slgnlfylng naLlonhood and ldenLlLy.
1hls week's readlngs ask us Lo conslder how aL Lhe Lurn of Lhe cenLury, Lhe new Lechnologles of phoLography shaped - and were shaped by - Lhe lnsLlLuLlons and culLures of lmperlallsm ln Lhe hlllpplnes and lndonesla. 1he vlsuallzlng CulLures unlL also encourages us Lo conslder Lhe opporLunlLles and challenges posed by lnvesLlgaLlng Lhls quesLlon ln Lhe realms of dlglLal hlsLory and publlc hlsLory.
We wlll embark on a vlsual [ourney wlLh Lhe followlng maLerlals:
A publlc hlsLory pro[ecL for vlsuallzlng CulLures, lncludlng an essay by rof. Capozzola, on phoLography and power ln Lhe colonlal hlllpplnes: hLLp://ocw.mlL.edu/ans7870/21f/21f.027/phoLography_and_power_02/lndex.hLml An essay by llllplno hlsLorlan vlnce 8afael on phoLography and deaLh durlng Lhe hlllpplne- Amerlcan war. And chapLers from lndoneslan anLhropologlsL karen SLrassler's book "8efracLed vlslons: opular hoLography and naLlonal ModernlLy ln !ava," LhaL explore how everyday phoLographlc pracLlces generaLe vlsual hablLs LhaL ln Lurn glve rlse Lo pollLlcal sub[ecLs and communlLles.