79

!
! !! !!
!
" "" ""
!
# ## ##
!
$ $$ $$
%&'()* ,)-.)/0 12/34
!
This line uses two triads: C and Gb. It sounds original and modern.
Try the line over C7(b5), C7, C7(b9), C7(b5,b9), Gb7, Gb7(b5), Gb7(b9) or Gb7(b5,b9).
!
This is a nice intervallic phrase.
Try this phrase over F"7(#11), F7(9,#11), Dm7, Dm6 or G7(add sus4).
!
Try this next phrase with and without letting the notes ring.
G"7, Em7 or Em7(9,11).
!
Here is a phrase that uses notes from Am and Bbm pentatonic scales.
It has a nice polyrhythmic effect.
Am7
The next examples are based on lines that can be used in jazz improvisation and
other styles. Make sure that you try the phrases over all the suggested chords.
The best thing is to record you playing the chords and then play the lines over it.
A same phrase over different chords will change its color. Notice that some
phrases are atonal. Also, try to write your own phrases using the hybrid picking.