Scene Number: 1

Storyboard Page: 1

Camera Movement: Transition in: Dialogue

Following Pan Cut None

Shot Type: Transition out:

Medium Shot Cut

Angle: Scene duration

Eye Level 5 SECONDS

Narrative /Direction

Trife is running outside the back garden holding a black bag. He jumps a fence.)

LIGHTING: KEY LIGHT

Yes /

No

Scene Number: 2

Storyboard Page: 2

Camera Movement: Transition in: Dialogue

Following Pan Cut None

Shot Type: Transition out:

Long shot Cut

Angle: Scene duration

Eye Level 5 SECONDS

Narrative /Direction

The owner of the money jumps the fence but he ends up falling on the ground.

LIGHTING: KEY LIGHT

Yes /

No

Scene Number: 3

Storyboard Page: 3

Camera Movement: Transition in: Dialogue Narrative /Direction

Following Pan Cut None

Shot Type: Transition out:

Medium Close Up Cut

Angle: Scene duration

Eye Level 5 SECONDS

Trife throws the money over the second LIGHTING: fence and then buckles as he jumps it. KEY LIGHT

Yes /

No

Scene Number: 4

Storyboard Page: 4

Camera Movement: Transition in:

Following Pan Cut

Shot Type:

Long shot

Angle:

Eye Level

Transition out:

Cut

Scene duration

3 SECONDS

Dialogue

Ay give me back my money

Narrative /Direction

Incapable of jumping the fence, the owner of LIGHTING: the money gives up the chase. KEY LIGHT

Yes /

No

Scene Number: 5

Storyboard Page: 5

Camera Movement: Transition in: Dialogue

Following Pan CUT

Shot Type: Transition out:

MEDIUM SHOT CUT

Angle: Scene duration

EYE LEVEL 2 SECONDS

I got the money!

Narrative /Direction

(Trife is on the phone.)

LIGHTING: NORMAL LIGHT

Yes /

No

Scene Number: 6

Storyboard Page: 6

Camera Movement: Transition in: Dialogue

Following Pan

Shot Type: Transition out:

Long shot

Angle: Scene duration

Narrative /Direction

(Tyrone sees Trife running with a black bag Lip Sync and assumes it has the money that he is after. So then he begins to follow Trife. After trailing Trife, he sneaks behind him. He begins to have a flashback.)

Yes

No

Scene Number: 7

Storyboard Page: 7

Camera Movement: Transition in: Dialogue

Following Pan CUT

Shot Type: Transition out:

MEDIUM SHOT CUT

Angle: Scene duration

LOW ANGLE 5 SECONDS

Yo Trife! Trife are you home!

Narrative /Direction

(Tyrone is walking up the stairs to his new flat while talking to himself.) (No one answers him. He goes into his room to check.)

LIGHTING: NATURAL LIGHT

Yes /

No

Scene Number: 8

Storyboard Page: 8

Camera Movement: Transition in: Dialogue

PAN CUT

Shot Type: Transition out:

MEDIUM SHOT CUT

Angle: Scene duration

EYE-LEVEL 1 MINUTE

TYRONE Wheres this boy? TYRONE Whats that smell? TYRONE Tell me this aint

Narrative /Direction

(Tyrone walks into the room, and looks around for his brother - hes frustrated.) TYRONE (Tyrone looks to find the source of that smell; he sees a table with the drawer open and goes to look through it.)

LIGHTING: NATURAL LIGHT

Yes /

No

TYRONE (The door slams downstairs, blocking out before he could finish speaking.)

Scene Number: 9

Storyboard Page: 9

Camera Movement: Transition in:

NONE

Shot Type:

CLOSE UP

Angle:

EYE-LEVEL

CUT

Transition out:

CUT

Scene duration

3MINUTES

Dialogue

TYRONE Trife is that you! TRIFE Yeah. TYRONE Where you been? TRIFE There was Tra...Traffic.

TYRONE I came from your way, so you sure you aint got suttin to tell me? TRIFE Im sure; the bus was taking long as well. TYRONE Say nuttin. So why you breathing heavily, acting like you got chased. Did anything bad happen? TRIFE Ah ah, just had a long day and no, not really, kind off TYRONE Speak up man! TRIFE Um um I got myself in a terrible situation. TYRONE Like what? TRIFE Dru Druuu Druu TYRONE Drugs! Found it in your room. You are shotting food! You chilling with them thug niggas? TRIFE Nah dont worry. Stay out of it! TYRONE Na you dont tell me what to do! Ill get you the money.

Narrative /Direction

*From here begins the conversation between Tyrone and Trife* *SHOT REVERSE SHOT*

LIGHTING

Yes

No

Scene Number: 10

Storyboard Page: 10

Camera Movement: Transition in: Dialogue

ZOOM OUT CUT NONE

Shot Type: Transition out:

Long shot FADE TO WHITE

Angle: Scene duration

EYE LEVEL 30 SECONDS

Narrative /Direction

(Trife goes upstairs to his room. TYRONE goes to sit down)

LIGHTING NATURAL LIGHT (BULB)

Yes

No /

Scene Number: 11

Storyboard Page: 11

Camera Movement: Transition in: Dialogue

NONE CUT

Shot Type: Transition out:

CLOSE-UP FAE TO WHITE (Below) Ahhhhh

Angle: Scene duration

HIGH ANGLE 3 MINUTES

(He starts to cry and sob. He puts his hand on his head as a sign of depression.) TYRONE (Softly) What have I done? Shit, my one and only brother. It cant be no way. Narrative /Direction (Back to present Tyrone is standing behind Trife, he strangles him and begins to stab him from the back. Trife collapses on the floor. After stabbing him he turns Trife body around and sees that he stabbed his brother. He drops the knife and he drops to the floor after. There is a brief silence.) LIGHTING NATURAL LIGHT Yes No /

Scene Number: 12

Storyboard Page: 12

Camera Movement: Transition in: Dialogue

NONE CUT

Shot Type: Transition out:

EXTREME CLOSE UP CUT

Angle: Scene duration

HIGH ANGLE 10 SECONDS

Narrative /Direction

(TYRONE starts to rock Trifes head back LIGHTING: and forward in an attempt to wake him up. NATURAL LIGHT He puts his head down into his brothers arms.)

Yes

No /

Scene Number: 13

Storyboard Page: 13

Camera Movement: Transition in: Dialogue

PAN CUT TYRONE

Shot Type: Transition out:

EXTREME CLOSE UP FADE TO BLACK

Angle: Scene duration

HIGH ANGLE 35 SECONDS

Why it is always to which little is given much is tested? Are me and my brother other victims of fate? Fate has killed my mother and now my brother. Why is fate so cruel? Is death preserving Trife from being my brother? Tired of the domination of fate what better ways is there for me to die? Today I will sleep with my brother alongside the worms and then maybe death itself will reconcile our money problems cos if I die fate has no power. Eyes look your last. Arms take your last embrace. I guess when you try hard is when you die hard. What is gone is forever lost now all we can do is die. Narrative /Direction (He picks up the knife from the floor and stabs himself to death.) LIGHTING: NATURAL LIGHT Yes No /