CENTRE FOR MUSEOLOGY AND HERITOLOGY AT THE FACULTY OF

PHILOSOPHY IN BELGRADE AND VIEWS RESEARCH NETWORK

are inviting !" t! atten#
PHOTOGRAPHY CONCOURS VIEWS $%&$
HERITAGE OF SOCIALIST PERIOD AND CULTURE MEMORY IN THE
FRAME OF CONTEMPORARY VIEWS'
CITY AS A TREASURY
R"(e) !* +!n+!"r)e,
C!nte)tant) are #"e t! )en# - in#ivi#"a( ./!t!gra./) .er a"t/!r !r &% i* t/e are in
)erie)0 re)!("ti!n 1%%#.i !r 2ini2"2 - 2ega.i3e() 4$-5%3&6$%7 in t/e e82ai(
atta+/2ent 9it/ !:(igat!r #ata, a"t/!r;) na2e an# )"rna2e0 a##re)) an# te(e./!ne
n"2:er0 tit(e !* t/e ./!t!gra./0 9/en an# 9/ere it 9a) ta<en0 a) 9e(( a) #e)+ri.ti!n
4a#vi)a:(e7'
P/!t!gra./) )/!"(# :e )ent : e82ai( vi#=en=a > g2ai( '+!2 !r via .!)t e3.re)) 4!n
CD !r in a .rint *!r27 t! a##re)), Fa+"(t !* P/i(!)!./ ? Centre *!r M")e!(!g an#
Herit!(!g0 @i<a L=":ina Street &AB$%0 &&%%% Be(gra#e'
C/!)en 9!r<) 9i(( :e #i).(ae# at t/e !.ening nig/t !n a )/!9 in t/e Ga((er !*
2!#ern art in S2e#erev!0 Ser:ia0 !n C"( $%&$0 an# t/en in !t/er +itie) a) 9e((0 a)
.(anne# : t/i) .r!=e+t'
B entering t/e +!n+!"r)e0 t/e a"t/!r g"arantee) t! t/e !rganiDer) t/e !9ner)/i. !*
t/e 9!r< )":2itte#0 an# give) +!n)ent *!r t/e ")e !* 9!r<) *!r t/e ."r.!)e !*
.r!2!ting t/e e3/i:iti!n' An !t/er ."r.!)e) 9i(( n!t :e ta<en int! +!n)i#erati!n
9it/!"t t/e t/e .ri!r a"t/!r;) .er2i))i!n' T/e #ea#(ine *!r )":2i))i!n) i) July 7
th
,
2012.
Pr!=e+t VIEWS $%&$, HERITAGE OF SOCIALIST PERIOD AND MEMORY
CULTURE IN THE FRAME OF CONTEMPORARY VIEWS' CITY AS A
TRESURY i) #e)igne# a) a )eE"e( t! t/e .revi!") t9! )"++e))*"(( a++!2.(i)/e#
.r!=e+t) 4Vie9) an# Vie9) $%&&7 9/i+/ #ea(t 9it/ i))"e) !* 2!#ern .er+e.ti!n) !*
t/e .a)t an# it) r!(e) in t/e (i*e !* )!+ia( +!22"nit t/r!"g/ t/e 2e#ia !*
./!t!gra./' T/i) ear t/e2e) are #ee.ene# an# ).e+i*ie# t! /eritage !* )!+ia(i)t
.eri!#' T/e .r!=e+t i) +!n+e.t"a(i)e# a) a (ine !* ./!t! )/!9)0 gran#)tan#) an# .":(i+
)tan#) 9/i+/ 9!"(# ).ar< #i)+"))i!n) a:!"t /eritage *r!2 t/e ti2e !* )!+ia(i)t
Y"g!)(avia0 in t/e +/!)en Ser:ian +itie)' T/e .r!=e+t eE"a(( initiate) +!!.erati!n an#
.arti+i.ati!n !* t/e in#ivi#"a() an# gr!".) *r!2 !t/er *!r2er )!+ia(i)t +!"ntrie)'
How do we, as a community and individuals, percieve the elements of city
environment which emerged after The World War II? Do we recognize them as
witnesses of city life and as a part of our everyday life or are they in a blind field,
outside the frame of our view? Do we take the risk of our own framing or are we
moving in the scope of dominant city panoramas and vistas?
CITY a) a TREASURY i) i22en)e? *r!2 +"(t"ra( a++!2.(i)/2ent) e2erge# *r!2
t/e .eri!# !* )!+ia(i)2 an# 2e2!r +"(t"re 9/i+/ : )/a.ing t/e .a)t gave 9a t!
t/e rea(it0 t! .re)ent ti2e in 9/i+/ t/i) /eritage i) neg(e+te# !r .artia(( inter.rete#'
T/e ai2 !* t/e .r!=e+t) i) t! #ee.en t/e "n#er)tan#ing an# t/e <n!9(e#ge a:!"t
re+ent .a)t a) a .art !* t/e /i)t!r !* Ser:ian +itie) an# !t/er *!r2er )!+ia(i)t
+!"ntrie) : +!nne+ting ./!t!gra./er)0 e3.ert) an# in)tit"ti!n)0 a) 9e(( a) t!
.arti+i.ate in n"rt"ring +riti+a( a..r!a+/ t! )!+ia(i)t .eri!# an# it) inter.retati!n )!
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