1. The document discusses the relationship between the casting stroke, stop, and the resulting fly casting loop. It examines how different casting strokes and stops produce tight, open, wide, tailing, and non loops.
2. Traditional teachings are explained as attributing loops to either the casting stroke path or rod tip movement after launch, rather than both. The presentation provides a more comprehensive explanation of how both the stroke and stop shape the loop.
3. Common student questions are addressed, such as how to make loops tighter, wider, or tailing. The answers emphasize the importance of the straight line path of the casting stroke as well as manipulating the stop.
Original Description:
Original Title
Slides Relationship Between Cast And Loop copy-2-7.ppt
1. The document discusses the relationship between the casting stroke, stop, and the resulting fly casting loop. It examines how different casting strokes and stops produce tight, open, wide, tailing, and non loops.
2. Traditional teachings are explained as attributing loops to either the casting stroke path or rod tip movement after launch, rather than both. The presentation provides a more comprehensive explanation of how both the stroke and stop shape the loop.
3. Common student questions are addressed, such as how to make loops tighter, wider, or tailing. The answers emphasize the importance of the straight line path of the casting stroke as well as manipulating the stop.
1. The document discusses the relationship between the casting stroke, stop, and the resulting fly casting loop. It examines how different casting strokes and stops produce tight, open, wide, tailing, and non loops.
2. Traditional teachings are explained as attributing loops to either the casting stroke path or rod tip movement after launch, rather than both. The presentation provides a more comprehensive explanation of how both the stroke and stop shape the loop.
3. Common student questions are addressed, such as how to make loops tighter, wider, or tailing. The answers emphasize the importance of the straight line path of the casting stroke as well as manipulating the stop.
And Cast SOON LEE Soon S. Lee This slide presentation accompanies the article Loop DynamicsThe Legacy Of A Definition in The Loop, September issue, 2013. 2 Casting stroke begins at the start and ends when fly line launches. Stop launches fly line and ends when rod tip halts. SOON LEE Casting Stroke & Stop 3 The Cast
The cast can be divided into three parts: Casting stroke: governs profile of the upper leg. Stop: governs loop size and shape. Post stop: Rod tip vibration governs profile of the lower leg. SOON LEE 5 Relationship Between Loop And Cast
The relationship between loop and cast may be appreciated from different perspectives. In the next five slides each loop may be explained by how its casting stroke and stop are executed. SOON LEE 5 Tight loop has casting stroke with SLP for its straight upper leg, and an abrupt/brisk stop for its narrow loop size.
SOON LEE Tight loop S.S. LEE 6 Open loop has casting stroke with an ascending SLP for its dome-shaped upper leg and a lengthy extended stop for its large loop size. SOON LEE Open loop S.S. LEE 7 Wide loop has casting stroke with SLP for its straight upper leg, and a gradual stop for its wide loop size. SOON LEE Wide loop S.S. LEE 8 Tailing loop has casting stroke with dipping tip path for its tailing upper leg and usually a brisk stop. SOON LEE Tailing loop S.S. LEE 9 Non-loop is not a true loop: it has casting stroke with pure convex rod tip path. Fly line cartwheels off rod tip path. There is no energized straight upper leg. SOON LEE Non-loop S.S. LEE 11 Relationship Between Loop And Cast The same five slides appear next but with traditional teachings added. SOON LEE 11 Tight loop has casting stroke with SLP for its straight upper leg, and an abrupt/brisk stop for its narrow loop size.
SOON LEE Traditional teaching attributes tight loop to SLP alone, reasoning that rod tip movement after line launch is insignificant. Tight loop S.S. LEE 12 Open loop has casting stroke with an ascending SLP for its dome-shaped upper leg and a lengthy extended stop for its large loop size. SOON LEE Traditional teaching attributes open loop to convex tip path. Open loop S.S. LEE 13 Wide loop has casting stroke with SLP for its straight upper leg, and a gradual stop for its wide loop size. SOON LEE Traditional teaching attributes wide loop also to convex tip path. The difference between open loop and wide loop is not appreciated. Wide loop S.S. LEE 14 Tailing loop has casting stroke with dipping tip path for its tailing upper leg and usually a brisk stop. SOON LEE Traditional teaching: concave, dipping tip path. Tailing loop S.S. LEE 15 Non-loop is not a true loop: it has casting stroke with pure convex rod tip path. Fly line cartwheels off without regard to stop. There is no energized straight upper leg. SOON LEE In traditional teaching, no casting stroke is made at all because no loop is thrown. Non-loop S.S. LEE 17 Relationship Between Loop And Cast From the opposite perspective we can ask ourselves what loop is produced when we execute a certain casting stroke and stop. SOON LEE 17 What loop has casting stroke with SLP and an abrupt/brisk stop?
SOON LEE 18 What loop has casting stroke with SLP and an abrupt/brisk stop?
SOON LEE Tight loop S.S. LEE 19 What loop has casting stroke with ascending SLP and an extended stop? SOON LEE 20 What loop has casting stroke with ascending SLP and an extended stop? SOON LEE Open loop S.S. LEE 21 What loop has casting stroke with SLP and a gradual stop? SOON LEE 22 What loop has casting stroke with SLP and a gradual stop? SOON LEE Wide loop S.S. LEE 23 What loop has casting stroke with dipping tip path? SOON LEE 24 What loop has casting stroke with dipping tip path? SOON LEE Tailing loop S.S. LEE 25 What loop has casting stroke with pure convex rod tip path? SOON LEE 26 What loop has casting stroke with pure convex rod tip path? SOON LEE Non-loop S.S. LEE 11 Relationship Between Loop And Cast The same five slides appear next but with traditional teachings added. SOON LEE 28 What loop has casting stroke with SLP and an abrupt/brisk stop?
SOON LEE Tight loop Traditional teaching: What loop has casting stroke with SLP? S.S. LEE 29 What loop has casting stroke with ascending SLP and an extended stop? SOON LEE Open loop Traditional teaching: What loop has casting stroke with convex tip path? S.S. LEE 30 What loop has casting stroke with SLP and a gradual stop? SOON LEE Wide loop Traditional teaching: What loop has casting stroke with convex tip path? S.S. LEE 31 What loop has casting stroke with dipping, concave tip path? SOON LEE Tailing loop Traditional teaching: What loop has concave tip path? S.S. LEE 32 What loop has casting stroke with pure convex rod tip path? SOON LEE Non-loop Traditional teaching: What loop has no casting stroke!? S.S. LEE 23 Relationship Between Loop And Cast
Some common questions from students SOON LEE 34 Student: How do I get to throw a tight loop? SOON LEE 35 Student: How do I get to throw a tight loop? Answer: 1. Casting stroke with SLP. 2. A brisk stop. SOON LEE 36 Student: How do I make my tight loop wider but still keep the straight upper leg? SOON LEE 37 Student: How do I make my tight loop wider but still keep the straight upper leg? Answer: 1. To throw a wide loop, maintain your casting stroke with SLP. 2. Make a gradual stop by rotating the rod tip away from SLP before halting the rod. SOON LEE 38 Student: How do I make my wide loop narrower, into a tight loop? SOON LEE 39 Student: How do I make my wide loop narrower, into a tight loop? Answer: 1. Your wide loop already demonstrates a straight upper leg; 2. All you need to do is to change your gradual stop into a brisk stop. SOON LEE 40 Student: How do I make my tight loop even narrower? SOON LEE 41 Student: How do I make my tight loop even narrower? Answer: 1. Maintain your casting stroke with SLP. 2. Manipulate rod tip during stop so that rod tip has smaller counter-flex. SOON LEE 42 Student: How do I make a very large loop? SOON LEE 43 Student: How do I make a very large loop? Answer: 1. Start casting stroke with an ascending SLP. 2. Follow with an extended stop to produce an open loop. SOON LEE 44 Student: I am throwing an open loop. How do I get to throw a true loop? SOON LEE 45 Student: I am throwing an open loop. How do I get to throw a true loop? Answer: If you direct your line carry with more force toward the target the loop may merge to become wide loop. If you learn to apply a brisk stop the wide loop may merge into tight loop. SOON LEE 46 Student: Help me with my tailing loop! SOON LEE 47 Student: Help me with my tailing loop!
Answer: You need to throw a straight upper leg. You need to develop SLP with your casting stroke. SOON LEE 48 Student: What is SLP? SOON LEE 49 Student: What is SLP? Answer: SLP refers to Straight Line Path of the rod tip during casting stroke. There are two necessities. Rod tip must travel straight on the horizontal plane. We accomplish this with straight rod tracking. Rod tip must travel straight on the vertical plane. We accomplish this with smooth acceleration. SOON LEE 50 Student: Will SLP alone produce for me a tight loop? SOON LEE 51 Student: Will SLP alone produce for me a tight loop? Answer: Ah, we go back to the beginning. SLP only promises a straight upper leg. To throw a tight loop you need 1. Casting stroke with SLP 2. A brisk stop. SOON LEE 52 The End SOON LEE Relationship Between Loop And Cast 53 The End SOON LEE Relationship Between Loop And Cast
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