Art Nouveau emerged in the late 19th century as an artistic response to the dominance of engineering in architecture during the Industrial Revolution. It originated in Western Europe as a style using fluid, organic forms like vines and flowers as decoration. While it took on different regional variations like curvilinear styles in France and Belgium versus geometric styles in Austria and Scotland, it commonly used new materials like cast iron and emphasized natural elements over rigid historic styles. Some of the most renowned examples include Victor Horta's Tassel House in Brussels, the Glasgow School of Art by Charles Rennie Mackintosh, and Gaudi's Casa Mila and Sagrada Familia in Barcelona showcasing his zoomorphic designs.
Art Nouveau emerged in the late 19th century as an artistic response to the dominance of engineering in architecture during the Industrial Revolution. It originated in Western Europe as a style using fluid, organic forms like vines and flowers as decoration. While it took on different regional variations like curvilinear styles in France and Belgium versus geometric styles in Austria and Scotland, it commonly used new materials like cast iron and emphasized natural elements over rigid historic styles. Some of the most renowned examples include Victor Horta's Tassel House in Brussels, the Glasgow School of Art by Charles Rennie Mackintosh, and Gaudi's Casa Mila and Sagrada Familia in Barcelona showcasing his zoomorphic designs.
Art Nouveau emerged in the late 19th century as an artistic response to the dominance of engineering in architecture during the Industrial Revolution. It originated in Western Europe as a style using fluid, organic forms like vines and flowers as decoration. While it took on different regional variations like curvilinear styles in France and Belgium versus geometric styles in Austria and Scotland, it commonly used new materials like cast iron and emphasized natural elements over rigid historic styles. Some of the most renowned examples include Victor Horta's Tassel House in Brussels, the Glasgow School of Art by Charles Rennie Mackintosh, and Gaudi's Casa Mila and Sagrada Familia in Barcelona showcasing his zoomorphic designs.
Revolution Background As the building activity following the Industrial revolution seemed to be dominated by engineers Architects and Designers looked at ways to create bring back the architecture of Stylistics. It is in this scenario that Art Nouveau literally meaning a new Style was born.
However it freed itself from the typical dominat characgters of ealier historic styles. Regional Variations The style took on various forms at various countries in Europe ranging from the extreme Curvilinear in France( style Nouille) and Belgium
Geometric in Austria and Scotland Use of Iron Inspired by the work of Viollet le Duc the style also tried to use contemporary material most notably iron for artistic expression.
In Paris the Metro stations and signage often used cast iron Art Nouveau detailing designed by Hector Guimard. Victor Horta Tassel house
The Best example shows a refreshing Interior Design.
Curvilinear vegetative form have been used as a recurrent feature Masion Du People Built as the Party office for the Socialist Party show s the versatility of Hortas Creative ability. Unlike the lavishness of Tassel house this is stark ( as appropriate)use of details show his signature mark Glasgow School of Art
Designed by Charles Rennie Mackintosh the Glasgow school of art was famous for its details as well as lightness in Interiors. It Inspired series of future designers including Frank Lloyd Wright in USA Glasgow School of Art
Viennese Secessionists In Austria led by Otto Wagner the Secessionist Style developed as a more restrained geometric character in stark contrast to vegetative curves of Art Nouveau. Postal Savings Bank Vienna Otto Wagner Karlsplatz StationVienna Otto Wagner
Adolf Loos A Reactionist to these architectural styles . Loos spent a considerable part of adult life in America as was highly impressed by the stark functionality of the humble American homes. He believed that contemporary age florid decoration was irrelevant and said the Ornament is crime Gaudi Casa Mila Gaudi Casa Batlo Zoomorphic Forms are used as a recurrent theme Gaudi Sagrada Familia