Topics for PSHR 321 Final Project

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Date ________________

Please indicate where the following occur:

Use of Tri-Tone Substitution

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To get the sound of this use an

arpeggio of the tritone sub only. If
you use a scale it will sound like
altered dominant

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Use of Whole-Tone Scale

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Use all 6 notes of the scale

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Use of Half Step
Reharmonization
Indicate the changes used
This is best used on a 2-5 that
covers 2 measures. You approach
the original 2-5 with a 2-5 a half
step higher. The harmonic rhythm
must be changed to 2 beats each

Use of Extended V7/V Cycle

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D-7/// G7/// reharm: Eb-7/Ab7/ D-7/ G7/
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Use of Lydian b7 Scale

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Use of Altered Dominant Scale

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The scale is 1,b9,#9,3,b5, b13,b7

Use all notes

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Use of Diminished Scale

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This is the 8 note symmetrical

Diminished scale. Use it on a
Dom 7 chord

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Use of Pentatonic Scale

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Use of Chromatic or Diatonic
Sequence

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The sequence should repeat several

times so that it is obvious

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Use of Three Tonic Systems

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Indicate changes used.

This is best used over a 2-5 that
covers 2 measures. Use it the same
way you did in measures 9 and 10
of the blues HW

D-7///G7/// superimpose; Ab/B7/E/G7/

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Use of Blue Note Licks

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Basic Blues scale: 1,b3,4,b5, 5, b7
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This is often misunderstood. This

is a modal type of sound that highlights the basic blues scale of the
KEY you are in. (b3 on a minor
chord is not going to be enough)

Use of Upper Structure Triads and

Seventh Chords

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