Lost Season 1 Episode 1 Pilot

part 1
Scene~ 1 On a beach
MICHAEL: Walt! Walt!
REDSHIRT: Stay away from the gas! Stay there!
REDSHIRT #2: Help! Help! Somebody help me! Help! Help! Ahh, my leg! Ah! Ah!
JACK: Hey you, just give me a hand! You, come on! ome over here, give me a hand! !n the
count of three" !ne, two, three#
CLAIRE: Help! $lease help me! Help me, please help me!
JACK: All right, get him out of here! %et him away from the engine! %et him out of here!
CLAIRE: Help me, please# &'m having, &'m having
1
contractions#
JACK: How many months
(
re!nant are you)
CLAIRE &'m, &'m nearly eight months#
JACK How far apart are they coming)
CLAIRE & don't *now, a+a few just happened#
LOCKE Hey! Hey, hey, hey, get away from there!
JACK ,isten to me! ,oo* at me! You're going to be o*ay, do you understand me) -ut you have
to sit
.
abso"#te"$ still! Hey, you! ome here! & need you to get this woman away from
these
/
%#&es! 0a*e her over there# Stay with her# &f her contractions occur any closer than
three minutes apart, call out for me#
H'RLE( !h, you got to be *idding me#
JACK &'ll be right bac*, o*ay)
CLAIRE 0han* you#
H'RLE( Hey! What's your name)
JACK 1ac*#
Stop! Her head's not
2
ti"ted far bac* enough# You're
3
b"o)ing air into her
4
sto&ach#
*OO+E You sure) 0hat's e5actly what & was doing# &'m a
6
"i%e!#ar,# &'m licensed#
JACK Yeah, well, you need to seriously thin* about giving that license bac*#
*OO+E 7aybe we should do one of those hole things# You *now, stic* the pen in the
8
throat)
JACK Yeah, good idea# You go get me a pen# ome on# ome on! ome on! ome on! -ig
deep
19
breaths# 0a*e breaths!###### 7ove! 7ove! 7ove! %et her up! %et her out of there!
0he wing! You o*ay)
CLAIRE Yeah#
JACK You) Stay with her#
H'RLE( :ude, &'m not going anywhere#
*OO+E & didn't *now which one would wor* best#
JACK 0hey're all good# 0han*s#
1
Scene~ 2 In the J#n!"e near the *each -1.:./0
JACK ;5cuse me# :id you ever use a
11
nee,"e)
KATE What)
JACK :id you ever <
1(
atch a pair of jeans)
KATE &, um, & made the
1.
,raes in my apartment#
JACK 0hat's
1/
%antastic# ,isten, do you
12
ha1e a secon,) & could use a little help here#
KATE Help with what)
JACK With this# ,oo*, &'d do it myself, &'m a doctor, but & just can't
13
reach it#
KATE You want me to
14
se) that up)
JACK &t's just li*e the drapes, same thing#
KATE =o, with the drapes & used a sewing machine#
JACK =o, you can do this# &'m telling you# &f you wouldn't
mind#
KATE !f course & will#
JACK 0han* you# &t's for your hands# Save me some for the,
for the
16
)o#n,#
KATE Any color
18
re%erence)
JACK =o#
(9
Stan,ar, blac*#
Scene~ 2 On the *each -12:2/0
*OO+E ome on#
SA(ID Hey you# What's your name)
CHARLIE 7e) harlie#
SA(ID harlie# We need help with the fire# =o one will see
it if it isn't big#
CHARLIE !*ay, &'m on it# What's your name)
SA(ID Sayid#
CHARLIE Sayid# &'m on it, Sayid#
Scene~ 3 In the J#n!"e near the *each -12:./0
KATE & might throw up on you#
JACK You're doing fine#
KATE You don't seem
(1
a%rai, at all# & don't understand that#
JACK Well,
((
%ear's sort of an
(.
o,, thing# When & was in
(/
resi,enc$, my first solo
(2
roce,#re was a
(3
sina"
(4
s#r!er$ on a 13
year old *id, a girl# And at the end, after 1.
hours, & was closing her up and &, &
(6
acci,enta""$
(8
riped her dural sac#
.9
Shre,ded the base of the spine where all the
.1
ner1es come together,
.(
&e&brane as
..
thin
2
as tissue# And so it ripped open# And the nerves just
./
si""ed out of her li*e angel hair
pasta, spinal fluid flowing out of her and & < And the
.2
terror was just so < cra>y# So
real# And & *new & had to
.3
,ea" )ith it# So & just made a choice# &'d let the fear in, let it
.4
ta4e o1er, let it do its thing, but only for five seconds, that's all & was going to give it#
So & started to count# !ne, two, three, four, five# 0hen it was gone# & went bac* to wor*,
sewed her up and she was fine#
KATE &f that had been me, & thin* & would have run for the door#
JACK =o, & don't thin* that's true# You're not running now#
Scene~ / On the *each -1/:2.0
SA(ID You thin* they would have come by now#
CHARLIE Huh) Who)
SA(ID Anyone#
SHA++O+ As if &'m going to start eating chocolate#
*OO+E Shannon, we may be here for a while#
SHA++O+ 0he plane had a
.6
b"ac4 bo5,
.8
i,iot# 0hey *now e5actly
where we are, they're coming# &'ll eat on the
/9
resc#e boat# &'ll eat on the rescue boat#
H'RLE( Hungry)
CLAIRE Yeah, than*s#
H'RLE( Anymore, uh### you *now, baby stuff)
CLAIRE =o# &'m+&'m o*ay#
H'RLE( Well,
/1
han! in there#
CLAIRE Yeah, you too#
MICHAEL You sure you're warm enough)
JI+ You must not leave my
/(
si!ht# You must follow me wherever & go# :o you understand)
:on't worry about the others# We need to stay together#
KATE :o you thin* he's going to live)
JACK :o you *now him)
KATE He was sitting ne5t to me#
JACK We must have been at about /9,999 feet when it
happened# Hit an
/.
air oc4et# :ropped, maybe, (99
feet# 0he
//
t#rb#"ence was < &
/2
b"ac4e, o#t#
KATE & didn't# & saw the
/3
)ho"e thing# & *new that the
/4
tai" was gone, but & couldn't bring
myself to loo* bac*# And then the, the front end of the plane bro*e off#
JACK Well, it's not here on the
/6
beach# =either is the tail# We need to
/8
%i!#re o#t which way
we came in#
KATE Why)
JACK -ecause there's a chance we could find the
29
coc4it# &f it's
21
intact, we might be able to
find a
2(
transcei1er# Send out a
2.
si!na", help the rescue
2/
art$ find us#
KATE How do you *now all that)
3
JACK 0oo* a
22
co#"e flying lessons# Wasn't for me#
KATE & saw some
23
s&o4e# 1ust through the
24
1a""e$# &f you're thin*ing about going for the
coc*pit, &'m going with you#
JACK & don't *now your name#
KATE &'m ?ate#
JACK 1ac*#
SHA++O+ What was that)
CHARLIE 0hat was
26
)eir,, right)
6ALT &s that @incent)
MICHAEL &t's not @incent#
CLAIRE :id anybody see that)
H'RLE( Yeah#
SHA++O+ -oone!
CHARLIE
28
Terri%ic#
7"ashbac4~ 1 On the 8"ane -21:190
CI+D( So, how's the drin*)
JACK &t's good#
CI+D( 0hat wasn't a very strong
39
reaction#
JACK Well, it's not a very strong drin*#
CI+D( Shhh# 1ust don't tell anyone#
JACK 0his of course brea*s some
31
critica"
3(
7AA
3.
re!#"ations#
CHARLIE ;5cuse me#
CI+D( Sir, e5cuse me!
ROSE %uess he really had to go#
CI+D( Sir, e5cuse me! ,adies and gentleman, the pilot has
3/
s)itche, on the Afasten seatbeltA
sign# $lease return to your seats and
32
%asten your seatbelts#
JACK &t's normal#
ROSE !h, & *now# &'ve just never been a very good flier#
7y husband *eeps reminding me that planes want to
be in the air#
JACK Well, he sounds li*e a very smart man#
ROSE -e sure and tell him that when he gets bac* from
the bathroom#
JACK Well, &'ll *eep you company until he does# :on't worry it's going to be over###
:7"ashbac4 En,s;
4
Scene~ 9 On the *each -22://0
5
MICHAEL &t didn't sound li*e an animal# =ot e5actly, & mean#
ROSE 0hat sound that it made, & *eep thin*ing that there was something really
33
%a&i"iar about
it#
SHA++O+ Beally) Where are you from)
ROSE 0he -ron5#
CHARLIE 7ight be mon*eys# &t's mon*eys, right)
SA6(ER Sure it's mon*eys# &t's 7on*ey &sland#
H'RLE(
34
Technica""$, you *now, we don't even *now if we're
on an
36
is"an,#
SA(ID We're on an island#
KATE You ready)
JACK ?ate, you showed me where the smo*e was# & can get there myself#
KATE &'m coming#
JACK Well, you're going to need better shoes#
MICHAEL Whatever it was < it wasn't
38
nat#ra"#
CHARLIE :oes anyone have any
49
s#n b"oc4)
SHA++O+ Yeah, & do#
CHARLIE Ah# ool#
H'RLE( So, & was just loo*ing inside the
41
%#se"a!e < &t's pretty
4(
!ri& in there# You thin* we
should do something about the, uh < b+o+d+y+s)
MICHAEL What are you spelling, man) A-odiesA)
6ALT -+o+d+i+e+s#
SA(ID 0hat sounds li*e a good idea#
SHA++O+ =o! 0hey'll deal with it when they get here#
JACK &Cm gonna go out and loo* for the coc*pit# See if we can find a transceiver, to send a
4.
,istress signal, help the rescue team# You're going to need to
4/
4ee an e$e on the
wounded# &f the guy in the suit wa*es up, try to *eep him
42
ca"&, but don't let him
43
re&o1e that piece of
44
shrane"# You understand)
*OO+E Yeah, got it# What about the guy with the leg) 0he, the
46
to#rni<#et#
JACK & stopped the
48
b"ee,ing# & too* it off last night# He < he should be all right#
*OO+E Yeah# ool# %ood job#
CHARLIE &'ll come with# & want to help#
JACK & don't need any more help#
CHARLIE =o, it's cool, & don't really feel li*e standing
69
sti"", so#
61
E5ce""ent#
Scene~ = In the J#n!"e -29:3.0
6
KATE an & as* you something)
CHARLIE 7e) &'d be
6(
thri""e,# &'ve been waiting#
KATE Have we ever met, anywhere)
CHARLIE =o, that would be unli*ely#
KATE Hum#
CHARLIE & loo* familiar, though, right)
KATE Yeah#
CHARLIE an't Duite
6.
"ace it)
KATE =o, & can't#
CHARLIE Yeah# & thin* & *now#
KATE You do)
CHARLIE EYou all everybodyE< EYou all everybodyE! You've never heard that song)
KATE &'ve heard it# & just don't *now what the hell it isF
CHARLIE 0hat's us# :rive Shaft# ,oo*, the ringFsecond tour of Ginland# You've never heard of
:rive Shaft)
KATE 0he band)
CHARLIE Yeah, the band#
KATE You were in :rive Shaft#
CHARLIE & am in :rive Shaft# & play
6/
bass#
KATE Seriously)
CHARLIE Yeah, harlie# 0rac* ., you *now, & do bac*ing
62
1oca"s#
KATE 7y friend -eth would
63
%rea4# She loved you guys#
CHARLIE %ive me -eth's number, &'ll call her, &'d, &'d love to#
JACK HeyF
CHARLIE :oes she live nearby)
KATE Have you ever heard of :rive Shaft)
CHARLIE EYou all everybody### You all every###bodyE#
JACK We've got to *eep moving#
KATE 0hey were good#
CHARLIE 0hey are good# We're still together# &n the middle of a comebac*# Hey guys, is this
normal) ?ind of ### day turning into night, you *now) ;nd of the world type weather# &s
thisFguys)
Scene~ > On the *each -2>:2.0
H'RLE( &Cm telling you, you donCt want to go in there! 0here's too many bodies#
CLAIRE 0here it is again#
ROSE !h my god#
Scene~ ? At the coc4it -2?:/.0
7
JACK Well) ,et's do this#
CHARLIE ,et's get this trans<
JACK 0ransceiver#
CHARLIE 0ransceiver thing and get out of here#
JACK ome on! ome### You o*ay)
KATE Yeah# You)
JACK Yeah#
CHARLIE &'m fine# harlie's fine, by the way# &Cm o*ay)
JACK Hey# You don't have to come up here#
KATE =o, &'m good# So, what does a transceiver loo* li*e)
JACK ,i*e a
64
co&"icate,
66
)a"4ie@ta"4ie#
Hto pilotI Hey! an you hear me)
Hto ?ateI & need that water#
Hto pilotI Here# Here you go# Hey#
8ILOT How many
68
s#r1i1ed)
JACK At least /6# :oes anything feel bro*en)
8ILOT =o, no# 1ust my head's a little
89
,iAA$, that's all#
JACK Yeah# &t's probably a
81
conc#ssion#
8ILOT How long has it been)
JACK Si5teen hours#
8ILOT Si5teen) Has anybody come)
JACK =ot yet#
8ILOT Si5 hours in, our radio
8(
)ent o#t# =o one could see us# We turned bac* to land in Giji#
-y the time we hit turbulence, we < we were a thousand miles off course# 0hey're
loo*ing for us in the wrong place# We have a transceiver#
JACK %ood# %ood, that's what we were hoping# ,isten, you shouldn't try to move#
8ILOT =o, no# &'m o*ay# &t's o*ay# 0ransceiver's right there# &t's right there#
JACK Where's harlie)
8ILOT &t's not wor*ing#
KATE harlie) What were you doing in the bathroom)
CHARLIE What)
8ILOT What the hell was that)
JACK ?ate#
KATE &t's right outside#
8ILOT What, what's right outside)
JACK Shhhh#
CHARLIE What the hell just happened)
KATE 1ac*, come on!
CHARLIE 1ust leave it! Hey!
JACK !*ay, let's run#
8
KATE 1+1+1### 1aaaac*! !ne! 0wo! 0hree! Gour! Give!
Scene~ 1. In the J#n!"e -2?:1.0
CHARLIE ?ate!
KATE Where the hell is 1ac*)
CHARLIE & don't *now!
KATE :id you see him)
CHARLIE Yeah, he pulled me up!
KATE Where is he)
CHARLIE & don't *now!
KATE How can you not *now)
CHARLIE We got
8.
searated! ,oo*, & < & fell down, and he, he came bac* for me, that thing was
just<
KATE :id you see it)
CHARLIE =o# =o! -ut it was right there# We were dead! & was# An+And then 1ac* came bac*, and
he, he pulled me up# & don't *now where he is#
KATE We have to go bac* for him#
CHARLIE %o bac*) 0here) ?ate, there's a
8/
certain
82
!ar!ant#an
83
<#a"it$ about this thing#
KATE 0hen don't come#
CHARLIE ?ate!##### & heard you
84
sho#t# & heard you shout A1ac*A# &'m harlie, by the way# What is
that) What is###
JACK &t's the
86
i"ot#
KATE :id you see it)
JACK =o# &t was right behind me, but### &
88
,o1e into the
199
b#shes#
CHARLIE %uys) How does something li*e that happen)
9