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  • Ulrike Ottinger's Ticket of No Return

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    sula mimi
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    This article analyzes Ulrike Ottinger's 1979 film Ticket of No Return through the lens of feminist film theory. It argues the film challenges traditional notions of the male gaze and fetishism through its presentation of ambiguously gendered characters. By blurring gender lines, the film subverts expectations and pushes boundaries of feminist discourse at the time.

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    This article analyzes Ulrike Ottinger's 1979 film Ticket of No Return through the lens of feminist film theory. It argues the film challenges traditional notions of the male gaze and fetishism through its presentation of ambiguously gendered characters. By blurring gender lines, the film subverts expectations and pushes boundaries of feminist discourse at the time.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    Download as pdf or txt
    37 views15 pages

    Ulrike Ottinger's Ticket of No Return

    Uploaded by

    sula mimi
    This article analyzes Ulrike Ottinger's 1979 film Ticket of No Return through the lens of feminist film theory. It argues the film challenges traditional notions of the male gaze and fetishism through its presentation of ambiguously gendered characters. By blurring gender lines, the film subverts expectations and pushes boundaries of feminist discourse at the time.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 15

    Visual Pleasure, Fetishism and the Problem of Feminine/Feminist Discourse: Ulrike

    Ottinger's Ticket of No Return


    Miriam Hansen
    New German Critique, No. 31, West German Culture and Politics. (Winter, 1984), pp. 95-108.

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