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J. Greenberg (1966), Languages of Africa. The Hague: Mouton.
C.K. Meek (1925), The Northern Tribes of Nigeria. New York: Negro Univ. Press, p. 94.
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.C.K. Meek, op.cit., p. 94. - 5
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M. Trowel (1968), Classical African Sculpture. London: Feber, p. 55. -13
H. Lohte (1970), "Les peuplement du Sahara neolitique d'aprs l'interpretation des gravures et -14
des peintures repestres", Journal de la societe des Africanistes, II, pp. 91- 102.
Robert Brain (1980), Art and Society in Africa. London and New York: Longman, p. 65. - 15
" . Ibid., idem. - 16 " )!  -% ./ 0123 (Rite of passage (!*+,)('& %
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C.O. Adepegba (1995), A Comparative Study of the Fulani and the Moroccan Decorative -17
Arts: Another Look at the Historical Study of African Material Culture. Rabat: Institut des
Etudes Africaines, p. 20.

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Jacquline Delange (1974), The Art and Peoples of Africa. New York: E.P. Dutton, p. 17. - 18
C.O. Adebegba, op.cit., p. 20. -19
Ibid., p. 7. -20
S. Passagre (1895), Adamawa. Berlin: Reimer Verlag, cited in Adepegba, op.cit., p. 19. -21

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Cf. A. Abu-Manga (1986), Fulfulde in the Sudan: Process of Adaptation to Arabic. Berlin: -24
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- 27 Ulrich Braukmper (1993), "Notes on the origin of Baggara Arab culture with special :
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Ibid., pp. 25-26. -28
-29 .
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Cyril Aldred (1920), New Kingdom Art in Ancient Egypt During the Eighteenth Dynasty -33
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Herodotus, op.cit, sec. 186. -34
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Cyril Aldred (1920), New Kingdom Art in Ancient Egypt During the Eighteenth Dynasty -70
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-73 .
A. Abu-Manga (1985), Baajankaro: A Fulani Epic from Sudan, (African Marburgensia, -74
special issue No. 9). Marburg.

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