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The Orchestra: A User'S Manual: Orchestration Orchestration Resources Historical
The Orchestra: A User'S Manual: Orchestration Orchestration Resources Historical
Orchestration
by section
Here are
seating
plans from
various
Philharmonia
concerts
during the
2001/2
season. They
repay close
study, as it
becomes
clear that
instruments,
the
conductor
and the hall
itself are all
factors in
deciding how
an orchestra
is seated.
Click on the
pictures to
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Orchestration
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Andrew Hugill
Philharmonia
Seating Plans
give an A4
size,
printable
copy of each
plan in
landscape
format.
The Philharmonia Orchestra, seen from above. This is a typical seating layout. The first diagram below corresponds exactly to this layout
(apart from the harp, which is seated behind the violins in the picture, but is absent from the diagram).
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Seating Plans
Triple woodwind, but five horns and four trumpets make for a strong line of brass.
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Seating Plans
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Seating Plans
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Seating Plans
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Seating Plans
A very large orchestra, again with C. von Dohnyani's favoured position for the cellos.
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Seating Plans
This plan includes seven percussion, orchestral piano and two harps.
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Seating Plans
A similar arrangement to the plan above, but with a celeste in place of the piano.
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Seating Plans
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Seating Plans
CVD = Christoph von Dohnyani. His favoured string seatings once again,
but note the positions of the basses, brass and percussion. Presumably
the hall was a factor on this occasion.
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Seating Plans
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Seating Plans
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Seating Plans
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Seating Plans
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