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  • New York: Peter Lang, c2009: 305.4/209/497 VUJ Reading Hall II/ Sociology

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    This document discusses how journalism, gender, and modernity were shaped in interwar Yugoslavia. It analyzes how foreign trends from Britain and Germany influenced the elite culture in Belgrade between 1918 and 1941, including through imported stories, images, recordings, fashions, and performers in the press. These foreign influences were attractive to urban classes as they presented modern lifestyles that diverged from traditional Yugoslav social norms of the time.

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    This document discusses how journalism, gender, and modernity were shaped in interwar Yugoslavia. It analyzes how foreign trends from Britain and Germany influenced the elite culture in Belgrade between 1918 and 1941, including through imported stories, images, recordings, fashions, and performers in the press. These foreign influences were attractive to urban classes as they presented modern lifestyles that diverged from traditional Yugoslav social norms of the time.

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    23 views1 page

    New York: Peter Lang, c2009: 305.4/209/497 VUJ Reading Hall II/ Sociology

    Uploaded by

    muisti2
    This document discusses how journalism, gender, and modernity were shaped in interwar Yugoslavia. It analyzes how foreign trends from Britain and Germany influenced the elite culture in Belgrade between 1918 and 1941, including through imported stories, images, recordings, fashions, and performers in the press. These foreign influences were attractive to urban classes as they presented modern lifestyles that diverged from traditional Yugoslav social norms of the time.

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    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
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    of 1

    Forging the bubikopf nation : journalism, gender, and modernity in interwar

    Yugoslavia / Marina Vujnovic

    New York : Peter Lang, c2009


    305.4/209/497 VUJ
    Reading Hall II/ Sociology
    jovana babovic bavi se popularnom kulturom 20ih
    Gai, Ranka, Beograd u hodu ka Evropi. Kulturni uticaj Britanije i Nemake na beogradsku

    elitu 19181941

    predstavljali strane izvodjace i trendove iz inostranstva koji nisu postojali u stvarnosti u


    beogradu? 25

    After the First World War, trends from abroad reprinted stories and images
    in the presses, imported recordings and scores, touring dancers and singers, and
    adaptations of fashions flooded Belgrade; they were attractive the urban classes
    for five reasons 26
    njena teorija: dobrodosle strane izvodjacice, jer su strane (Josephine baker) i onda
    mogu da krse patrijarhalne jugoslovenske norme

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