D#m

1\ ,.

-It

tl

place

of

the

mud

Rhy.Fig.2

.--

shark

I\~-It~

my

thol

><J
gy.

..

tl

..,
;,

..
;,

-:.

"

lI'

lI'

lI'

:.

..

;;

B9
r---3---,

~ --

-::

-:.

-:.

:.

..

::

lI'

-:.

-:.
::

:.
::

:r

:.
:r
--v

::

3-----'

- x- - -" -

-:.

-:.

.;

II

'----

'----3---'

'---3----'

..,

it __

Here

....--3----.

...---3----.

3------.

your

in

r--i

I~

"

:.
::
u

:.

:.

::

:.
::::

::
v

I
I

3 ----.

r--I

---..,:..

_.

now... _

goes
..--3-

..

3-----.

.J

.J

,...---

eu - 1ar

mo

,.---

3-------.

3-----.

....--3-----.

-.

s:

to.

i:

::

:=:

x
:=:

II

End Rhy. Fig. 2

..

..

::

-,

::

!!

-:=:

::

"t:

..

------------;

---------------~-------

lion ...

..

--------------

T-

,.---

cir

the

...

::

..
,

:;

..

..

Ott. 2: wI Rhy. Fig. 2 (2 times, simile)

DIm

B9

r-3--.

.-3 ......

;.

III

Rub it!

(Here,
GIr.5
1\

tl

i--

...
/

;:-

'--3----'

.;,

... ,

;.
...

;,

..I

3----'

.., '" '.

.:,

;.;

..
~

'--3----'

rr:

- -

.:

'.

oJ

j!!

.--3--.

Fi - dol)

'--3--'
1

16

112
~

do... _
r--:

'----

....
. -. '. - .
~

ii'!

B9

Here,

.lo<~

'--3----'

j!!

D#m

,.-...

Fi

r-;

3----'

.-'
u

'1'-

....

..
,/

GIr. 5 tacet

D#m7
r-

'" JIo it

89

3 ---.

.--3--.

can't ___

(fuzz)
II.

JJ.

'*

t.J
.L

..,

r =/'=
-

I-

Gtr. 7 ~

t!:--:" ~ t!:-~ t!:- i.t!:-

('

~~~~

Otr.5
divisi

see.

~~~

.--3--,

Gtt.7

--

--

.;

'--3--'

'--- 3---'

..
..
..."~"~"1IJ

....
..~ ....
..

.. t!:-~!# f:;,;.J:..~---

....
....
,. 4 ......
n

.~

.........

.... ...

. .-

11

.. ..

.... "A
- ..:.

...

ft

,/

.W

i'+--'"

.;:.

"

.~

..
w

..., ...
....

/..;" i..
\

'w

~"~~~~

oe.s

..

...

-It-

..

";;;

..

;;;

.-

..

...

"
;;

..

.:;
;.

;.

::

End Riff A

J.

..
.. ..."

;,
w

'"
w

"

Gtr. 6: wi Riff A

D#m7
II.JIooll:

.. r-

Dtm7

89

3'.::-'

ltJ

1.

Wha'?

tlJ!

8va------------------------------

Gtr.7

.L

..,

1#

""""

..

'--.3--'

..

..

...

.....
...
.w ..w

... .. ...

~.

.-

"ft

'--3--'

'--3-'

...........

--.. ---- .. ---- ... ---- .. ---- ... ----- .. ---- .... ---- .... -...

!#-h...;;-, -

11'
..---

.....

~~~~

'---3----'

'--3--'

~.

...

....

"11 .."""~
...
~

... .... ... .."

i",

Verse
Gtr, 2: wi Rhy. Fig. 1 (4 times, simile)
Gtr, 7 lacel

D#m7

89

IUoll:~

r--

.;
2. He

8va
"

Jl,

oI!

._-_ ..

~~~~

took

,.....

~~,~~,~~~

.... -----

~~~

3
I
~~~"
~

20

dog

_----------~-----------_.-----

!';;::';.

fit}

...

,.....3...,

3 ----.

.w, ~~~~"'""'''"~~~"'"''''
.vJ-:J""..

--

,.....3...,
I'"

::;:;.-

r---

3 ----.,

doo

....-3---,

.,--,
sno

cone.

To-My Friends at

JoeysGuitarTabs.net

JoeysGuitarTabs.net

Verse
Double-time feel
Gtrs. 2 & 5 tacet

C
loco

I~

oJ

Sung: 4. I wrapped a news

pa - per 'round my

head __

so

I'd

look

was

like

deep,_

Gtr. I
A

'" Doubled one octave higher.

F
3

said some _ Mum - bo

Jum-bos

then, _

told him he was go - in'

to

<:

sleep. _

"'l)"'"

f.

oJ

robbed

rings _

his

an' pock-et

watch _

an'

ev - 'ry-thing

else

found. _

L,

C
~3~

oJ

L......J
I

oJ

46

~3~

.'!:.::!"'

had that

~3~
I

L. I
suck-er

-I

hyp - no-tized.

,He could not

e _ yen

make ,

<:
a

sound. _

pro-

.I

--

,,~

"{II-~

oJ

"""""I
~3~

~~. {II-{II-~

=-

{II-

-.

i'i'.--....

*'

r~

>

i:---,

rake -I

>

,,>~

>

~3~

t..--..

.,

rake-I

grad. bend

1_

A.

OJ

>

.--

I 112

62

>

v- -

-I

II]
N.C.

.. p.l!::

64

Dm7

G7

Bbm

)
A

2. Just keep

yer nose ,

~.

Verse
Gtr. I: wi Rhy. Fig. I, simile

Dm

Dm/C

GmIB,

GIB

to the

they _

grind - stone,

say.

Will

Am7

Gm7

that

re - deem

Un - de

Ab,

B'

B,IC

B'ID

Re

us, __

(Ah.

Gm7

Dm

mus?_

I can't

wait

till

fro __

my

is

full

grown._

I'll

just

ah.

Dm7

Ah.

G7

FIC

Bbm

dOD _

rag_

FIC

""-

......."

throw 'way my

B,IC

at

home.

<s

I'll take a drive to

Bev-er -ly

Ah,

A+5/C#

ah,

74

c;

Dm

just

Hills

be - fore

dawn,

'-=
an'

knock

ah,

the

lit - tIe

jock

eys

off

the

r-...

r-;

19

12

19

81B:;;~ril

19

11

19

100: 19....

on

"

Verse
Gtr. 4 tacet

C7
r-------2-

2
,..--3----.

Spoken: 5. Well,
i Gus.

do

Fi

then

got

up

the

off

over,

he rolled

an'

floor

an' he

~-~--2-------.

1&2

/.'-.

"

.., .-

3 -----'

t.------

112

;--3----!....
;u

....

.-..

_.

n
w

.... .~n

4"

~"

"

"

...-----.-- 3--.

..,

-*""\
-*
looked me straight in the eye,

fl-*

""'-'

Int'x

an' you know what he said?

'-- 3--'
'---

112

,-----

..

2 ---.."

.-

r-e-

..,

112
I

......

3 --.

r--

3 -..,

,..---

"
.., ....

'--

3 ---.I

your

"What is

..

--..

112

~..

ft

.-

~ft

"

..--3 --.
I

..........3--'

"D
2~

..--3---.

/.'-.

+
v

~~

con - cep - tu - al
,

112

"""

?
w----.

r---

....

--...;.'

2 ------.

'----2---..

r--_---.

.--3-:.

/.'-.

loco

.. ...
....
.k
.- ...

-"

ft

8bv - - _....."'I

""~~""\x*~
this is a dog talk-in' now,

say to me,"

.....

."""
u

... ...
...
.k
..- ....

* X;><' "'*""\

some-bod-y

~3--'

--."

...

"

2-----'

.-3--:

/:"-

...

a time,

2 ----.

.-3--:.-3--'

./':"-,.

.., ....

-* """\

"Once up-on
,-----

"

2 -----.

.ft

...
'W

....
.k

.-'
v

......
._

...

....

.-

4,.

89

.. *,

loJ

con

IOJ

ti - nu - i - ty?"

..

'--3----'

ee

oJ

..

'--3 --'

'--3

..

--.:..

then,"

"----2~

'---2~

112

..

-t-

..

**J

y to

see,

the crux

of

..

the

:;t ~ ~
Pi - do said,

112

"it should be eas -

"Well, I told him right

"'"'

bis - cuit

*-,,:
the A -

IS

""
~3~

..

'--- 3 ---'

'---2~

"----2~

112

112

~--2--~
~3...,

,,'T

pas - tro-phe."

Well, you know,

....

*","-":"0

..

* :;t"0

:;t'x [,:;t

the man that was talk-in' to the dog looked at the dog, and he said,
,..---2~

~3~

~'

1~

"q:;t.
sort of

,.- <--3---'

~2

* :;t..

"'"'

star-ing in dis - be

lief,

"You can't

say that!"

He

said,
,..---2~

.-- 3 --,

OJ

..

112

90

.--- 3 ---.

NATURAL
HARMONIC:
Strikethenotewhile
thefret-handlightlytouchesthestring
directlyoverthefretindicated.

PINCHHARMONiC:
Thenoteisfretted

normallyandaharmonicis produced
by
addingtheedgeofthethumborthetip of
theindexfingerof thepickhandto the
normalpickattack.

HARPHARMONIC:
Thenoteisfrettednormajy PICKSCRAPE:
Theedgeofthepickis
andaharmonic
is produced
bygentlyrestingthe rubbeddown(orup)thestring,producing
pickhand'sindexfingerdirectlyabovethe
ascratchysound.
indicated
fret(inparentheses)
whilethepick
hand'sthumbor pickassistsbypluckingthe
appropriate
string.

8,"

Harm.

P.H.

MUFFLED
STRINGS:
A percussive
soundis
produced
by layingthefrethandacrossthe

string{s)withoutdepressing,
andstriking
themwiththepickhand.

r.s.

H.H.

PALMMUTING:
Thenoteis partiallymuted

RAKE:
Dragthepickacrossthestrings

TREMOLO
PICKING:
Thenoteis pickedas

bythepickhandlightlytouchingthe
string(s)justbeforethebridge.

indicated
withasinglemotion.

rapidlyandcontinuously
aspossible.

.~
~
~
~
P.M.-- -~ - -- --- -- ---I

rake----I

ARPEGGIATE:
Playthenotesofthechord

VIBRATO
BARDIVEANORETURN:
The

VIBRATO
BARSCOOP:
Depress
thebarjust

VIBRATO
BARDIP:Strikethenoteandthen

indicated
byQuicklyrollingthemfrom
bottomto top.

pitchofthenoteorchordis droppeda
specifiednumberof steps(in rhythm)then
returned
to theoriginalpitch.

beforestrikingthenote,thenQuickly
release
thebar.

immediately
dropaspecifiednumberof
steps,thenrelease
backto theoriginal
pitcn.

....

----------

wfbar---

-1/2

-112

-112

wI bar- - -- - ~- - - - - --.,
-1/2
-112
-112

.,

wI bar

-1

Additional Musical Definitions

(accent)

Accentuate
note(playit louder)

(accent)

(staccato)

D.S.al Coda

Rhy_Fig.

Labelusedto recalla recurring

accompaniment
pattern(usuallychordal).

Accentuate
notewith greatintensity

Riff

Labelusedto recallcomposed,melodic
lines(usuallysinglenotes)whichrecur.

Playthe noteshort

Fill

Labelusedto identifya briefmelodic

figurewhichis to beinsertedintothe
arrangement.

Downstroke

Rhy_Fill

A chordalversionof a Fill.

Upstroke

tacet

Gobackto the sign( ~ ), thenplayuntil

the measuremarked"To COda,"thenskip
to the sectionlabelled"Coda."

D.C. al Fine

Gobackto the beginningof the songand

playuntilthe measuremarked"Fine" (end).

NOTE:

96

~
rilrz..
~

Instrumentis silent(dropsout).

Repeatmeasuresbetweensigns.

Whena repeatedsectionhasdifferent
endings,playthefirst endingonlythe first
timeandthe secondendingonlythe
secondtime.

Tablaturenumbersin parentheses
mean:
1. Thenoteis beingsustainedovera system(notein standardnotationis tied),or
2. Thenoteis sustained,but a newarticulation(suchasa hammer-on,pull-off,slideor vibratobegins),or
3. Thenoteis a barelyaudible"ghost"note(notein standardnotationis alsoin parentheses).