This document provides a melodic composition for viola in D major over 16 bars. It introduces the opening in D major for the first 8 bars. Bars 9-12 contain a two-bar modulating sequence that flattens C natural to reach the subdominant key of G major, introducing a new rhythm. Bars 7-8 similarly modulate to the dominant key of A major by sharpening G. Bars 13-16 repeat the first two bars in D major, bringing a sense of return and unity to resolve in the tonic key.
This document provides a melodic composition for viola in D major over 16 bars. It introduces the opening in D major for the first 8 bars. Bars 9-12 contain a two-bar modulating sequence that flattens C natural to reach the subdominant key of G major, introducing a new rhythm. Bars 7-8 similarly modulate to the dominant key of A major by sharpening G. Bars 13-16 repeat the first two bars in D major, bringing a sense of return and unity to resolve in the tonic key.
This document provides a melodic composition for viola in D major over 16 bars. It introduces the opening in D major for the first 8 bars. Bars 9-12 contain a two-bar modulating sequence that flattens C natural to reach the subdominant key of G major, introducing a new rhythm. Bars 7-8 similarly modulate to the dominant key of A major by sharpening G. Bars 13-16 repeat the first two bars in D major, bringing a sense of return and unity to resolve in the tonic key.
flatten (C natural) to reach subdominant key (G Major) in bar 9 to 12 where new rhythm is introduced
Similar four-bar phrase modulating to the
dominant (A Major) by bar 7 and 8, where G is sharpen (G#) 13 14 15 16 Repetition of bars 1-2 in the same key will bring a sense of return and unity, and lead us to the tonic (D Major) in bar 13-16.