ing = Se “The , aa! e Essentials of.Es pra pe 4 Ls WOR, of [ 22057 To John Bass 1935 - 1996 A good friend and wonderful double bass player. Introduction by Emanuel Hurwitz Fornearly acentury the exercises by Sevefk have been studied by violinists, violists and cellists (the cello transcription by Feuilliard in 1905). So it is a pleasure to have the bowing studies Opus 2 adapted for the double bass by Neil Tarlton. These exercises are of great importance to all string players desirous of improving bow control, which is, without doubt, the key to easy and confident technique. ‘The Student who practices thesé studies with intelligence and application will (Ispeak from my own and my pupils' experience) find their general control, and most impor- tantly, tone production, improving audibly in a remarkably short time. So, T am happy to introduce this book.Foreword } ‘9008 by Neil Tarlton Sevcik Op. 2 offers a carefully graduated system of practice which enables us to experience and develop every aspect of the bow in all degrees of intensity, dynamic and speed. In individual and combined study of the wrist and arm through double-stopping, staccato and ‘constant attention to the whole bow, we get used to the rarer extremes of bowing, giving greater competence with the riore usual areas of the bow. The study of the bowed staccato, although lirtle used in the music wé play, gives us a very real inowledge of a bow that has no two like parts between frog and tip. The ever-changing distance between right hand and string, coupled with the fact that every note in the scale has a slightly different sounding-point, make it essential that that knowledge becomes prior knowledge. The many studies involving double stops show that Sevetk must have thought there was more to be gained than just the ability to play two notes at once. The more obvious needs to be satisfied here are maintaining a very level bow, especially at the bow change, and the physical effort required to play loud and slow on two strings, with an even sound. The whole bow, in these studies, means from frog to tip and no less. The shorter sounding notes should have an even pressure, and throughout, care should be taken to maintain the chosen dynamic level. The demands on the left hand are kept to a minimum, and the studies are usually just long enough to make a particular point feel practised. Concentration being thus focused, good habits should form rapidly and many everyday bowing problems diminish leaving the player, when performing, to devote more energy to the music instead of to the difficulties. Neil Tarlton is Principal Double Bass of the Philharmonia Orchestra, London, and a Professor at the Royal College of Music. Chance Publications 4 Centrul Drive St. Albans ALA OUT EnglandContents Part 1 : Exercises for the Right Arm Page 3 ‘Studies 1-11 Further Exercises for the Right Arm 21 Studies 12 - 19 Part 2 : Exercises for Wrist Development 36 Studies 25 - 26 Arpeggios on Three Strings 50 Study 32 Arpeggios on Four Strings 64 Study 33 Abbreviations and Signs. AbRirsungen und Zeichen. Abréviations et signes. W. Whole length of bow. Wo Gancer Bogen. W. Tout archet. A. Half length of bow. A Haber Bogen. Ht. Moitié de Varchet. Lh Lower half of bow. Lh. Untere aif. Ih La moitié infériewre. uh, Upper half of bow. wh — Ober uh, La moitié supérieure. 113 B, One third of bow. W9 B. Bin Drittel des Bogens. 1/3 B. — Untiers de Varchet. f. — Frogend of bow. f. Am Frosch des Bogens. ft. Talon de Varchet. M. Middle of bow. Mi Sfitte des Bogens. M Milieu de archet. pL Tipend of bow. PL Spitze des Bogens. pi Pointe de Varchet. M* — Inthe middle, and then at | M* — In der Mitte, dann an der M* — Du miliew, puis de the Up and at the frog Spitze und am Frosch. Ia pomte et du talon, mh —_Downbow. rh Herunterserich. n Tire. Vv Upbow. Vi Hinaufstrich. v Poussez. — Broadly detached. — Breit stofen. - Détaché large. * Staccato or maactellaros + Staccato oder martellato. : Staccato ou martellato. * — Spiccato, saltato or sautillé, | ¥ — Spiccato, saltato oder sautillé. + Spiccato, saltato ou sautilé. } Raise the bow from the string. |) Bogen feben. ) Lever Varchet. Chance Publications 19973 Part I (Section 1). Erste Abteilung (vteft 1). Premiére Partie (Cahier). Preparatory excercises. Voriibungen. Exercices préparatoires. No.1 Practice the following example with very ‘Man ibe das foljende Beispielmit ganz Ont trawnillera Temple suivant litte bow-length: a)in the middle; b)at the wemig agen ajin der Mitte, Blan der crvec tes peu d'archet a)du milieu, tips c)at the heel, During the pauses allow Spitze, lam Frosch. Wilirend der Bausen bel pointe,c)du talon. Pendant the bow to rest on the string and count den Bogen auf der Saite Legen les silences laisser Varchet ala the beats of the bar out loud. fassen und laut den Take zien. corde et compter & haute voix. Example Beispiel Exemple No.2 Movements of the bow. ” Fihirung des Bogens. Mouvement de l’archet. lay the 18 examples below without Dic ntersdieen 18 epi sted Eaatez es 18 exeraplee- esos raising the bow in he following VI sles: af flagenda Vi Arter ansehen: z des VI mantdzes seats. a v n v ‘Whole bow. 1 Mit ganze Bogen. Tou Varchet. Half-lengh, = WL Mit falben 3B Moitié de Varchet. » ‘Bow - middle. Vege ‘it der Mitte des Bogens. Du milieu de Verchet. Examples. ‘Beispiele. _- Exemples. *) First with the Lower and then *) Vorést mit der unteren, nacker *) Diabord avec la moitiéinférieure ‘with the upper halt of the bow. ‘te ea ubesen 3alfee ‘t puis avec ta supérieure, © 1901 Bosworth & Co.Ltd Tits Edition © 1996 Bosworth & Co.,Ltd, London Printed with permission gi‘yf ad No.3 and — Rythmische Ubi Rhythmic exercises a mund Exercices rhythmiques et dividing of the bow-length. “Einteilung des division de l’archet. Example with 57 variations, Beispiel mit 57 Varianten. Exemple avec 57 variantes. Sostenuto \Variauons on the preceding example. ‘Varianten des vor Variantes sur exemple prégident. __ During the pauses Wie bow must rest onthe suing.” Wirend der Pausen ‘igen tobe. Psd er otte esr tated nfering Whole bow. Mi Tout Varchet: ny a y 2vn voo9 ww w Ww Nonvid = z = = ES = Ss = = WW, Chance Pbations 139736 (4 = 65) 1 r 18 96d =50) ROR Oh hh a Fics with he fower, then the opper half ofthe bow. Mit der unterensana mit beren Dif. Atl mot infrieure pus ae Ia supérieure. 21 2 23 24 20 (4 =66) =A eee 4 HR - nH (d= 66) Ye: whole bow-length. = a fit und ganzem - Moin Fart tout Parc Atthe bow-middl Mit der Mitte des ‘Du milieu de d’arch cd =66) 40'n v 4 2 Staccato, thon Ww. th. uh. (J =68) 5019.8. Wich a ied of bowen = ea Meine Det de ages ‘ecu esearch, ato ho 8B use, 2) M us8. Muse, M38 Me ©) pt pt pl. Bt. = = + 3 i i ot Wt he em Wee We **)Qnd and 3rd quarters of bow-length. [ates und 3tes Viertel des Bogens. *J2me et 3me quart de Varchet. . Chance Publications 1997 .. No.4 Study in minims with 75 variations. Etude en blanches avec 75 variantes. Etude in halben Noten mit 75 Varianten. Variations. Varianten. Variantes. Whole bow-lengih. ae gencen agen Toul Farche aw ow ww ew 5 =) gid =80) 7 (4-60) (4-90), 9 w. w w. Ww. (d=80) Halfbowlengh st aS ie alien Moitie de Vard AH OW ‘Mie der unceren, dann mit der oberen Half. Avecia motéinfrewe, puis ave a superieue Chance Publications 1997 HOW HH AH Ficst with tower, then with upper half bo.(J =80) Whole aud taf boweengh. ge ete = = Mis goncen und falion Bogen. Tout Varchet et moitié de Parchet a woth ww, aq (480) 35 36 2 7 38 ‘tthe bow-middle. age ‘Me dor Mitte des Bogens. Du miliew de Varchet. M38 Mua Movs B MWe 8 M3 39 (4 =80) 40. at 2 8 (J=20) Gl 64 Ci With a third of the bow. Mit einen Dre des Bape “Avec un ters de Varchet- i, 3B. tr, 138. Wouge wae fe Me M4 M4. at a me m Dotted crochess. Punktierte Vi Noires pointées. Chance Publicasons 1997No.5 Detached and hopping —Stricharten mit egendem — Coups d'archet détachés styles of bowing. und springendem Bogen. et rebondissanis. Study in crotchets Etude in Vierteln Etude en noires with 260 variations. mit 260 Varianten. avec 260 variantes. Moderato “ - Variations. Variantes. Variantes. d= Whole bow, a Mit ganze Bogen, Toul raoree WW, ww W. Ww. We WW iJ =60) (d=88) (J =88) Ealrbow. : pppttisg # Mit halben 8 ‘Moité de archet. HH HA H nn,’ 1 WH. J = 60 ot ost Yo Bow-middle, Mit der Mitte, Du milieu. Musa Muse ven va8 Muss Me Was (J =88) es ae Ls oN BSNS Legato. “ow ww WW W. Ww. uh. W. Li Chance Publications 1997Third of bow-length. ‘Mit einem Dritel des Bogens. ‘Avec un tiers de Varchet. Noirs pointes TE Varibuag. — Préperation. a rn rn w en % ee to ~~ BE WwW. Ww OH w HK Kw Ww We We. Ww. (4 <6) 0 ONS A Pehe Staccato. wom Ww % oo fe ec a -za% A Ww. We W. uh, Ww. th Th uh, a 5 2 gana a \s Nei Hs 8d Deg SS SW. Ww. Ww W. Ww. w WWW, w, Ww. ) (d=116) = Verytitlebow. Se a sie Mit wenig Bogen. =P Avec peu darchet. Me 7 ry . nthe middle, then atthe tip Inder Mite, danman der Du rulleu, puts del tx pointe and athe tog, ‘Spitecsnd am Frosch. etd lator. 5 GED n10 Wo PS a EE: W. mW. “~ wpe ww (J =92) (J =116) ; SIE wees, 80 ro From the wrist only. = 5, M40 W. Ww. W. We. Ww. We. 146 Mm Me Me Me ance Publications 1987(Jamon y Pept ocanin, he A Mz me Re Viottis bowingstyle, gah ott’ Bagensiih. z Coup darchet de Viotti 1 voribung! ™ Preparation. stents Bisel oe se aetod ss owt oe EGE Wh pk WW Wik Ww ww WM OW Smile Geng -< 23 a2 sep4 Se baaty Seeder, H co u i i 271553. pasties Peeves u 7 (2 = 160) Preparatory exercise. Vrbung Préparation, Do.nt throw the fist note. 221 Loni an fe Be PP M syste Note nicht werfen. Ne jetex pas la premizre note. Wise.“ Mandgelenk, Poignet. + — Chance Publcetons 1987supe Bessnsassss 223 M M, saulillé détaché ‘saute détache «J = 126) Fs so FS A Fiying staccato. Staccato. Staccato volant. ww Ww. W ww We Ww. WwW wre 2 Za Bem Bs ws WW. ww (2 =120) 25 pe eess aBl a BB ‘Thrown staccato. Gaorfnes Staccato. Staccato jeté. Wsciolio balzaro Me uw m v. (J =92) 20 Saari Y 240 a Migehi Gan w i Down-stroke atthe frog. dns Herunterstrich am. Frosch. En tirant du talon. Up-stroke atthe frog. Im Hinaufotrich an Frosch. En poussant dt talon te i fe (d= 104) 250 i q wbev,¥ —p p= fe f=? Li ase 255 ere f ££ P w, oy ase >= f| = mp f pea f 2 fo? 3No.6 Study in quavers ‘Etude in Achteln mit 163 Etude en croches avec 163 163 changes in bowing-styles. Verinderungen des Bogenstriches. changements des coups d'archet. Allegro Moderato SaBee Aisi oieea to Peano ef 1 Bowing sryles. Strcharten. Coups d'archet We WF Te v3.8 V9 B use 498 “y38, vaB (J e108) Se Seas ch 6 we WoW A ih Ww uk Ww WAL a Ww A ca eee ee” wi We mW pe a a a ¥ We 2 es SR KE oe ee ES z wi WW Et Chance Publications 1997From the wrist Mis dem Hlandgeles Du poignet. MF Me ™* Me dene 5 sapEpraeasectepsertttaan (Prettiest t tame! we W. (J =100) 2S Bae 5 Ww Woe Wf . Chance Publications 1987 «(1 e109, 1 Brepitatory excise. Dotted quavers. 2 ee Panktieteaektel, Croches pointées. M. Vortbung. 9 2. Ms SI OE EEE. = 7 ro We fe WW. OW gg v3 8 98. s-s~N x opa th tt pce Seat Pe oie hee ee Pree r eet et ts st ESS pees St — w WW Syncopes. M* Chance Publications 19870 PMLA SP BR ERO a RD 7 7 i M ti ” th ry ~ N6, B 137 a BOG . i jet i (d= 104 99 23. ~olMGise: i dt wb deans Saltelaro. Saute M . Me sauté detache MS abbepsshaysae Feet cstias MM Satbbbipeccsphtscsatee ss Seo == — > = M Mf detache P sauté a (J =92) “ Rann onn Mv YY OE on Bin A SiwEN yy 2 Ate fog Bun Frosch. Du felon fr t te t =p) oy sd Ee 12 eS ates ASV OV YY Strike with the tip. ‘Mt der Spitze anschlagen. Frapper de la pointe. me ca we ra (J226 1569. Crescendo- decrescendoz iP WF P f staccato - détaché 158 163 em NW of f PP f P f P Chance Plcations 1957 .18 No.7 Study in quavers in 6/ 8 time, ‘Etude in Achiteln (6/ 8 Takt) mit 91 Etude en croches (mesure 6/8) avec with 91 changes in bowing styles. ‘Verinderungen des Bogenstrickes. 91 changements des coups d'archet. Allegretto £ aww wm MM Oe nO yO 2 ee — ff ww Ww. OW. ew OW ()=168) Preparatory exercise. e Dotted quavers, 26 — fp — 2 Punktiorte Actel 2 Crocs pointes. = ne WW yoriung. OW ww W. Preparation. Chance Pubbeations 1997‘Muh. Me From the wrist, Mie dem Handgelonk, Du poignet. (d= 66) 4a Dotted semiquavers Punksierte Sechecfintel ‘Doubles craches piontées. a (det seat détaché gg sutlé spiceato a7 iee=aez aa Ze Saeco EERE eee Sauté as (J, = 66) gf ! a 5 90, Me déacké 2 2? saytité 9 sad? senile Chance Publications 199720 No.8 With the bowings of No.5. Mit Seriharter aus HOS. Avec les coups d‘archet du No.S. Yossia No.9 With the bowings of No.5. ‘Mit Stricharten aus No.5. Avec les coups d’archet du No.5. Chance Publications 1997a No.12 Etude en triolets avec 76 Study in Triplets with 76 ‘Etude in Triolen mit 76 changes in style of bowing. Verinderungen des Bogenstriches. changements des coups d’archet. Allegro f ‘All the bowings marked M* Alle mit M* bezeicinaten Travailes les coups d‘archet to be practiced in the middle ‘Stvcharten in der Mitt, marques de M* du mii, at the tp, and at the frog. ander Spitze, und am Frosch ben. de la pointe et du talon 1 Bfeee,, » athe. Bowing sues. zs! ‘Sridhen Pree Coups d'archet we ae = W Chance Publications 19872 9 M* 1/38. Mr i/s8 Chance Publications 19877 (d= 108) a“ ODE wee 8a gt WH sauille x ia r P f PP f P 3 pteess., spiceato - P f PP f P CKence Pub ations 1987* » Nol3 Study in Triplets (3/4 time) with 71 ‘tude in Triolen (3/4 Takt) mit 72 Etude en triolets (mesure 3/4) avec 71 changes of style in bowing. Verinderungen des Bogenstriches. changements des coup darchet. Allegro tf a Bowing-styles, Sericharten. Coups d'archet Chance Pableasions 199725 (Jena)26 No.14 ~. ‘Study in semiquavers (6/8-time) rude in Sechcehinteln (6/8 Take) mit Bhuczen doubles crocs (mesure 6/8) ‘with 64 changes in style of bowing. 64 Verinderungen des Bogenstriches, mec 64 changements des coups Tacha Allegro Moderato Se an, aa (d.=63,d.=76) 9 vse 10 > 1 > 2 fiance Publentions 19977 (22175) git th M4, sawtile M Chance Pubeations 199728 No.15 .., Study in semiquavers (3/ 4 time) ‘Etude in Sechzehnteln (4/ 4 Taks) mit Etwsien en doubles croches (mesure 3/4) with 68 changes of style in bowing. «468 Verdnderungen des Bogenstriches. avec 68 changements des coups d'arche. Allegro Moderato f crese. f (doz) ie Bowing styles. __,! # ‘Siricharten. Coups d'archet Chance Publications 199729 fe Net ane, = fe i as # te eteee a = Bete we 45 =84) RRR ER oy ie} 1 saullé Chance Publications 139730 No.16 Etude in Seckzehinteln (4/4 Take) mit Etude en doubles croches (mesure 4/4} 131 Verindenungen des Bogenstricies, avec 131 changements des coup darchet. ‘Study in semiquavers (4/ 4 time) with 131 changes in style of bowing. Allegro at ft (4 =92,d = 108,d = 126, 4 = 152) Bowing styles. 13) Z 3 x Stricharten, =: Coups darchet. 30 3 Mm e We 4) The second half ofeach bar exactly like the fist. - % fw Die eweite Takehafeeebenso Wie die este. *) La seconde moité de la mesure ‘de méme que la premitre Chance Publeations 1997 Me7 MF sa 3 49 détaché Mp ‘HaccaTo 21M z Chance Pableations 1997Moderato (d « 100) 101 1102 Spiccato, 128 aed im m7 no yet E84) gg #152) saute Mm K M Chance Publications 199733 No.17* Exercises in pp over the fingerboard, lbungen im pp am Griffbrett flr die Exercicesenpp sur latouche pour forthe development of safiness of tone. Ausbilidung der Weicheit des Tones. ‘développer ia douceur dt sar. Example with 30 variations. Betispiel mit 30 Varianten. Exemple avec 30 variantes. Andante (d = 69) = EP sempre sulla tastiera Variations Varianten. Variantes. With the whole bow-length. —W._W. ww. WW. ww. wwe Mit genzem Bogen. Tout Varchet. pp yo ‘ir ‘With the hatz-bow <) Pardmesures du mime up €acirtenp 2) in groups of 2 bars o one stoke of the bow y yeaa tates 8) Per? mesures du mizue coup Carcetong tantercinan Bopenttich imppp ¢) Par Smesures diame coup farchcen sep eae Genes) °: (gets) swe) Moderato re I a = a Allegretto ete. a eae SS nt tn =, =, pi So prc tees icore aie eerie eral EP SS SS ee Allegro Moderato ? Chance Puileations 199736 Part 2 ” Heft 2” Cahier 2 Exercises for developing Uebungen fiir die Entwickelung Exercices pour le suppleness of wrist. der Biegsamkelt und Geschmei- développement de la digkeit des Handgelenkes. souplesse du poignet. No.25 Exercises on two strings. Uebungen auf zwei Saiten. Exercices sur deux cordes. Example with 575 Variations. Beispiel mit 575 Varianten. Exemple avec 575 variantes. 2 L i. Variations. Varianten. Variantes. (4 =66) 2 ‘Whole bow-length Mit ganze Bogen. Tout Varchet. ew (den) — Harrowing 22 18 19 20 21H it halber Bogen, Moitié de Varches. ra a on 2 -, 3B 2. Me 3% = %, 2-7 5 BL LDS = hance Publications 19977 (d = 66) ¢ n YR vy 230: ‘With whole and half bow-lengths. ae Mit ganze und alien Bogen. Tout Varchet et moitié de Verchet. Woun Wik Wm uk ow th tk Muh 34. 37 35 36 th. W. un Ww ih Wook Ww oth OM Wouk Wik WM uk We Lh (J =72) va8 5 Sane intensian, 2 ) 40, a8 5 5a. 43 Mi der Mite. Du milieu. 7 — (d= 66,4 =92) © Lp pS ARG So 6 Ae & Legato. : Ww ww RA REID RAZR 6D DAA ee: we m DN ENO PK ET Oe OO (4 66,4 vite iee Dee. we Ng BG ge lee, AE Yaschiedene Bindangen. 2 Diféretes nsons. a Ph eu wi Wu Ww a A Mee BE OGD FO De Oe th oWouk Ww oth Ww uk WM th uh Ww Ih OW uh MW Ww. a) = eM SL ~~ ww Ww. WoW we WH. Chance Publications 19873 ee oa ee EL eg OO GN BAD eal WW We We a a a a a a (d=72,J =84) 8 me ONO G a Fa Picehettate. === Staccato. W. W. We ww 102 DS Go BG NN Amr QIN Nm Ie, ww We We wom OW W. Ww. we We W. ne mm NBN TS ge TR ne RI ie TS Ww W. Ww ww Ww Ww WwW WoW. w. Ww M9 Fe a IAN rs NS 6 eT W. W. Ww. W. W. He 2133 128 129 > 130, Img Iz W. W. We. W. Ww Ww. we Variations in quavers. ‘Veriinderungen in Acfiteln. Variantes en croches. a 136 138 With one third of bow-length. ee een Avec un tiers de Varchet Me Mr “ 19 140, 1s See eee ES Me Me Mew Mr Me Me Me Me Me M* M* Me td = 66,4 =88,d = 112) 1S) GNI Te 1 es is 8 Legato, W. Ww. 199 ge! BN 18g 164 gS ge 166 a 168, 1689, 170 mm 172 Chance Publications 199739 Different legs ‘Vascliedene Bindungen Difrentesleisons. Me 3a Me Me Me Me Me 190g ey ee ee ee 194 M" Me: M ~ wom ow oR wp 5 197 198 i99 098. 200. op rene Ce eg oes ry ae Me ie i we 203, 208 5 og (J = 109) as Mate =. os - 2 : att. = om Picchettato. Staccato, = = Wrst, 7 Me 7 Mi we es M M (d= 108) Poi va8 W398, 2313 8. 233. 234, 235, 2 EN Gan Gees on nD DOA GASES teeter pee faci aft f fF -S eS Me a Me Me Me Chance Publissions 199740 x * (d= 100) o_O Ge ea BAR a On a Ge Mr Mt Me Me Me Me a a RD oe eM Si a ee M Me H H #, # (1 = 108), — 28 8 te ASS OS EOS KT GE REPRE Ay H. W. a Ww. Ww. Ww. = 235, — _ » 2h Ne ee aD AN BA IB W Ww. W. W. We W Variations in Triplets. Vertnderungen in Tiolen. Variantes en triolets (dai6da14y 20 Me. 2... With ite bowebair. 260, . A eee, Bit wenig Boben. ‘Avec peu dari a 7 Men, 266 267 “268 | 264 MP 270 a an _ mR 23 269 = = ns MW, 6p any _ m8 28 = 2 OM tee PR Re Rr rte aot = See eee M Me 1 ee ee Wp se = os ff toe fel tie ones fe ok ace et oft Ww “ We 137 SS 138 39 I BS zt Ww. w. ae wT mT mw Variations in quavers. ‘Veranderungen in Achiteln. Variantes en croches yg eueiont “7 us Mong One third of bow-length. Mit einem Drie des gens. ‘Avec un ters a Varchel- 7 WIE simile RES Chance Publications 95733 cd 96,4 = 112) a 162 ey 168 164, 165, 166 Legato. VS7 VS 169_-——.., 110.171 m2 WBN MS oN 18, 192 193-194 195, ———>, 196. 197_——__198 199 _——_ a > <- 200. 201 202 203 204 << Ns te NSE 4 —<_* (d= 112.d=126) 8 a 2 Sa 209 e210 att 212 o oe 213 24 2s RN 216 eo 8 <> o7 5 “ = 219, ‘ee ae aap oa 25 PSK 2% Se 28 I mariellato Bowing styles. aay (4 = 108) Watt 34d = 120 asad = 126) ere 7 z Coups d’archet. “2 ™ fm We ‘mf Nar Handgelenk, Sue 98. fe Poignet: os pda N88), 237 a) as 239 (231-238) 240, 231-238) =e = (Chance Pablicavions 1997my ee i 244 15, 246, 252_ (342-250) 247 spiecaig , , , 248 ye 249 250 251 (242-250) 262 (254-261) | 263 (254-261) 264 (254-261) i ie 4 7 pea a (266-274) 212, 276_285- 274) 2% spiccao tt me SPI M if M. Jed a10) (d= 108) (4120) (J=126 1 2% Double-stoppings. In Dopp Ea rt, = 138 2 ene (278-284) (278-284) (278-284) 98 yae vs6. 290 297 *r 2935 (289-296) (289-296) (289-296) DEUS TEE PES (Chance Publications 199755 Variations in triplets. WVeriinderungen in Triblen, Variantes en triolets. (d= 120,d = 14,4 300 Wiis bow be is wenig Bogen. Avec pei d’archet ote 305 306 307 _Y. Me 336 M* Me Me “Mt uM we (J =96) 37 338 PRN 339 0 341 Legato. tw cL 346,77 SAT Chance Publications 1997Bowing styles. ‘Sericharien. Coups ‘arches. 198) 395 396 397 391 > 393.5, 3o4(d Me ie Me iy piccaio fe te 401 (386 - 3995 (386 -399) i i (408-417) (404-417) (4067417) as 26>, Me Me uw Mi Me Sit pecaiot ? fie vn Chance Publications 1997(933 - 548) (633-548) 454 pe 56m, w (558-565) (S58 -565) (558-365) Doable-soping Te Dope Eaacllie crt 463 > fe a (464-471) (464-471) (464-471) Variations in semiquavers. Verinderungen in Sechizefanteln. Variantes en doubles croches. (J =96,d =116) inves, 2 oat fn eden Handgelenk, 3 laa Du poignet. : oN : af Me Me 479, 480, a Chance Pubcotions 1997 .38 cd = 109 td 109 ss aS ef ~—— ae 518 oe ee Se Legato. i Chance Publications 1997Chance Publications 1997 .(4.2 52.d-=69) KXd.=66 (J.=60) powingenice 57 So st Stricharten, =a ‘Coups d’archet. é Te Tae spi tie » MF M of we i selccote: 53 a wm (578 - $83) (578 - $83) (578-583) a(d.=52,d.=69) 4.=66) (d.=60) 592 see fsthecaro et (sas 504) (sea-594) (S88 -594) (= 69), 603 M Mr Mw mt Mr uM (599 - 605 y % i w i (610 -616) (610-616) (610-616) é (d= 66) (4.260) > > 626 627 fy Tinccatt OF TT (621 -627) (621-627) (621-627) Chance Pe6fications 1997 5ot ain (d=n6 , on oy i. Me (232-235) (232-235) (232-235) (232-235) (243-246) (243-246) - (243-246) (243-246) (254-258) (254-258) (254-258) (254-258) (57-2) “207-211 (367-271), (267-27) 621+) Uses tow hr nays 232-35, 651°) Aomori our cous adel 282-235. 651) Mit seniger Bogen, sbi Sriclaren 252-235 angegeben ist Variations with hopping bow. Varianten mit springendem Bogen, Variantes en coups darchet rebondissants. 7 (d #152) 3 649 Sail. = M he mw ~62 (J 219 > > 683, Chience Publications 19976 (d 5132) 695 Flying Staccato. des Staccato. ‘Staccato volant. oy (J=12 jerked 710 a ~ CO vesesa er mvc eccetn a au 72 Geworfenes Staccato, Stacat jet Hopping staccato. ‘Springendes Staccato, taccato sauitillant m3 726 m“ No.33_.., Arpeggio on four strings. Anpeggien auf vier Saiten. Arpoges sur quatres cordes. 511 variations. Beispiel mit 511 Varianten, Exemples avec 511 variantes. Pd ‘Variations in quavert | 4, Veriniderungen in Achiteln, Variantes en crockes, em) oy a One-thitd of bow kength. gh Stag "Fay eh ne - St cnn Die ‘Avec un ters de Varchel, #3 8 = = FS Mm M me (480.4 296.4 =12) De Nae Be BE SS Legato. Ww. i 2 0 3g af W w 8 2 35 ——_ 36 ote Pe i ee W. '*) Practice the variations marked M* +) Alle mit M* Bezieclneten Strichilbungen ix *) On travaillera les coups d'archet au the middle, tip, and frog in der tte, an der Spitze und ar Frosch ten. tmarguésde Mi du miliew, . de Iq pointe et du talon. Ciance Publications 997Bowing-styles. ‘Swicharten, Coups d'archet. 58 = (J=120),, a (J =132) ay z esr g fgg sPiccaro 70 f iu y (d= 116) 7 Aes _ 90% 29 (J 5132) 100, » Soa> F t spiceato i wt Me oie i selolo baleata = {90-105 ) se a fe M ra 109 ee vse ey NG 117 v3.8, : Chance Publientions 1937 .66 (d= 120 Mr H Ww Ww th. he 5 oe 2 2 Me 136 Me M Mr Me Mr 131 fr te i MA Spiecara ‘Seiollo balzato A138 140 13 9- 142m (108-140) (1126) vse . 14s Double-stopping. 5° In Doppedgifen. En, we cordes. Fiz we Me FA Bo oe 148 > a ol 212) 1 fp gD ss (144-151) ee spices tc use. — 2126 isa ¢ d a9 (7182) 135; S156; F Mr Me Me Mw Me foe S162, = A 164 (155-163) 365 (155-163) € spiceata po 1? ie % C Variations in Triplets, Vertinderungen in Triolen. Variantes en triolets. veg Oe 4d 2176) 0 i Use lite bow hair Hit wens Bogen. ‘Avec peu d‘arcet. = we Chance Publications 1937"‘1 (J =88,d = 108, J = 152) BAN 8 ge aN as Ww. 18) Legato, w. iG 188 89 190 =< 8 ie We a = Fs ae ———~. 222 223 4, 25 26, nas, diz J =112,d = 144) ¥ J =138,d = 160) aaj tt de, oe" J oMOS os oo Bowing-styles tat Etc Siaiori, at Ee = ee Coups d'archei gee wee wae af Me MF 136. 233, _ MF wiccaro “OE 112, J=is8,d M ys'e M. spicearoAte aoe. ec Me ka ia af ast 3 = <. E spiccato i (J <1, e132) f 252 S 254 256 7 ue M* M* mM Me a GEO, * spiceato Weise. Woy spice ih 138,d =84) = i = 2, 5 A) MTS) eT SY ™ 283-5 Ww ue S30 I spiceat” 305 : wet Ps (273-301) Chance Publications 19976 (J =100,4 Double-stoppings. 21 In Dop fen. En doubles cones. pe (2100.4 #126 (Jes6.d=148) 0 GE mes me - Xe Mese ap aT (317-322) (317-322) 304 z f,spiccata fe te Gerod=120 am 39 330 331,352 on. Gan (335 -340) 338. 336 337 3385339 340 Sal = = Me wR OM oe © Variations in semi-quavers. Verdinderungen in Sechzefintefn. Variantes en doubles croches. From the yea (= 29 ef? a é ees Mit dem Handgelenk == Du poignet. 345, (J = 100, 353m V Dotted-quavers. Panktirte Achtel: Croches pointées.. aches Poin (J =120,d =96) A n a Vn 358 BN 359 GEN 309 BS pat Mon the Moh . ft |, Chance Publications 1997(d =92) ae RR 3168 SOAS RS iw eS ee ee a (4 = 80,4 = 100.4 = 120) Bm 375 3166 FE 8 39 RN d=s1) 35 Ae NS Oe eT 388 = (@ = 104) 389 3055 ee ™, = + 3g 8 noo Repti 397 (4 =83,d=00 (408,421 oS — 401 02, 403, Saat? Chance Publications 1997Bowing-styles. Coupe archer 426 vd =104,d=132) —M. splecaro A. =. 438 sos 29 we Me Me Me 442 (J = 100) ggg (431-436) ME spicano (4 = 104, =120) 2468 ie Me Me M38. 450 a asd = 100) 3 482 by, a 453. (447-452) M spiceato 455g. (43-63) (72-80) 454 49-63) Me = = *) Use less bow-hair than %) Mit weniger Bagensals bei Stricharten *) Avec moins d'archet, quit n'est for bowing-styles 49 - 63. 49-63 argugeben ist. indique aucx coups d'archet 49 - 63. Chance Pubieations 1997n (72-80) (90-98) = (90-98 ) (108-138) (108-131) Saurillé. 465 33 466 sabe Chnnce Publicstions 1997(2 =168, b = 152) ee, soa (Da 168) + Hopping staccato, Springendes Saccato, Staccato sautllan. of (2 = 168) 152) y 2 = 168,09 = - sont =, 502 () = 108) CSI LITT iM = = = = 103, =92) (d= 108, = 92) yd = 108) sos ep nd itd by ‘Chance PubBeations 1997 © stn Ga Lee ea Backs Ea