S OF

MASK
S

NURUL SHUHADA BINTI MAT NOH

BY:
NUR ALIYAZATON
BINTI TON ZALANI

NUR ALIYAZATON BINTI TON ZALANI

TAN XIN YI

NURUL SHUHADA
BINTI MAT NOH
TAN XIN YI

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T 1. Theatre

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Masks Ancient
Greece has handed us down a
pair of plain white masks
representing two basic emotions
styles (comedic & dramatic).
Theatre
masks
focuses
an
audiences attention on the
actors movements and speech,
and design can amplify sound
waves and reach more people

MASQUERA
DE MASKS
2. Masquerade Masks a
standard in balls, masquerade
masks come in a variety of
formats, shapes and sizes, for
men and women. They are also
known as Venetian masks, whose
medieval court held the worlds

NEUTRAL
MASKS
3. Neutral Masks intended mainly
for the training of actors. The neutral
mask leads the actor toward a state
of
alert
availability
and
an
understanding of discovery, economy
of movement and presence. It is a
mask that is most strongly connected
to the teaching methods developed
by Jacques Lecoq. Neutral masks
from the studio are currently being

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4. Half-face masks the most common type of mask which

covers only the eye area.

CHARACTER
MASKS
5. Character Masks
designed for both classroom
use and for professional
touring companies.
are based very strongly in
particular passions (rage,

GREEK
MASKS
6. Greek Masks
essential part of the
Greek Theatre.
Means of
transformation.

LARVAL
MASKS

7. Larval Masks based

on the Carnival masks of
Ball, Switzerland.
They oversized and
abstract, representing a
character of sorts

COURTESY IN
USING MASKS
Turning away to put the mask on
or leaving the room.
Not playing with your hair or
fussing with the mask.
Do not touch your face throughout
a performance.