Professional Documents
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Designer Project
Designer Project
FMPC-5005
INTRODUCTION
Politics of Fashion | Fashion of Politics, guest curated by international fashion icon Jeanne
Beker with DX curator Sara Nickleson, explores how fashion is a mirror of society by highlighting
how clothing has been used as a tool for communicating identity and political expression. For
decades, fearless and passionate designers have used this discipline as a tool to express their own
ideologies and create wardrobes for like-minded people.
Spanning 1960 to present day and presenting over 200 works including Jeremy Scotts leopard
print burqa, promotional paper campaign dresses featuring the faces of Robert Kennedy, Richard
Nixon and Pierre Trudeau and Rad Houranis slick Unisex Haute Couture collection the
exhibition spotlights the numerous ways fashion has helped ignite political awareness and how
politics have dictated style through the decades. Exploring such themes as activism, consumerism,
campaign and power dressing, gender and sexuality, and appropriation, the exhibition provokes
visitors to examine how fashion contributes to social progress.
Visionary works from the archives of Hussein Chalayan, Jeremy Scott, Moschino, PETA, Rad
Hourani, Christopher Raeburn and Jean Charles de Castelbajac will be on view alongside items
loaned by collectors of Alexander McQueen, Vivienne Westwood, Jean Paul Gaultier, Stella
McCartney, Mary Quant and Rudi Gernreich.
Design Exchange presents this provocative topic by taking visitors through a thematic journey in
a visually striking environment co-created by acclaimed designer, Jeremy Laing
Politics of Fashion | Fashion of Politics is generously supported by Mantella Corporation.
nature of the collections. Integral to the McQueen culture is the juxtaposition between contrasting
elements: fragility and strength, tradition and modernity, fluidity and severity. An openly
emotional and even passionate viewpoint is realized with a profound respect and influence for the
arts and crafts tradition. Alexanders collections combine an in-depth working knowledge of
bespoke British tailoring, the fine workmanship of the French Haute Couture atelier and the
impeccable finish of Italian manufacturing.
In less than 10 years McQueen became one of the most respected fashion designers in the world.
In October 1996 he was appointed Chief Designer at the French Haute Couture House Givenchy
where he worked until March of 2001.
In December 2000, 51% of Alexander McQueen was acquired by the Gucci Group, where he
remained Creative Director. Collections include womens ready-to-wear, mens ready-to-wear,
accessories, eyewear and fragrance (Kingdom 2003 and MyQueen 2005). Expansion followed and
included the opening of flagship stores in New York, London, Milan, Las Vegas and Los Angeles.
The following awards have recognized Alexander McQueens achievement in fashion: British
Designer of the year 1996, 1997, 2001, and 2003, International Designer of the Year by The
Council of Fashion Designers of America (CFDA) in 2003, A Most Excellent Commander of The
British Empire (CBE) by her Majesty the Queen in 2003, GQ Menswear Designer of the Year in
2007.