This dance originated in Minahasa, North Sulawesi, Indonesia. Called Maengket, it involves dancers standing on their tiptoes while singing and praying. Performances usually involve 6-12 couples led by a female leader. The dance is divided into three acts depicting thanksgiving for harvests, house building, and intimacy between couples. Each act features distinct dance moves representing the storyline. Accompaniment is typically provided by kolintang or tamboor music. Female dancers wear traditional Minahasa costumes including a mermaid skirt, pearl jewelry, and distinctive hairstyles and flowers. Male dancers also have unique hats and handkerchiefs as part of their traditional attire.
This dance originated in Minahasa, North Sulawesi, Indonesia. Called Maengket, it involves dancers standing on their tiptoes while singing and praying. Performances usually involve 6-12 couples led by a female leader. The dance is divided into three acts depicting thanksgiving for harvests, house building, and intimacy between couples. Each act features distinct dance moves representing the storyline. Accompaniment is typically provided by kolintang or tamboor music. Female dancers wear traditional Minahasa costumes including a mermaid skirt, pearl jewelry, and distinctive hairstyles and flowers. Male dancers also have unique hats and handkerchiefs as part of their traditional attire.
This dance originated in Minahasa, North Sulawesi, Indonesia. Called Maengket, it involves dancers standing on their tiptoes while singing and praying. Performances usually involve 6-12 couples led by a female leader. The dance is divided into three acts depicting thanksgiving for harvests, house building, and intimacy between couples. Each act features distinct dance moves representing the storyline. Accompaniment is typically provided by kolintang or tamboor music. Female dancers wear traditional Minahasa costumes including a mermaid skirt, pearl jewelry, and distinctive hairstyles and flowers. Male dancers also have unique hats and handkerchiefs as part of their traditional attire.
originated from Minahasa, North Sulawesi Province, Indonesia. The word maengket itself was derived from the ancient Minahasa word tengke which means to stand on tiptoe, just like the way how it is danced. This dance is done also while singing and praying at the same time. The dancers are usually consisted of around six until twelve couples, and led by a woman leader called quapelle or chapel. The leader has specific moves to open and close the dance, and also to sign the change of acts. Basically, this dance is divided into three acts : a. Babak Esa - Makamberu (Thanksgiving for agriculture harvest); b. Babak Rua - Marambak (Thanksgiving for building new house); c. Babak Telu - Lalayaan (Dating, love between couples, and intimacy). Each dance move in each act describes and represents the storyline relating to that act. Kolintang or tamboor musics are the most often musical ensembles which accompany this dance. The female dancers are also easily recognized through their wardrobe/costume. They usually wear: -Kebaya Duyung (Mermaid skirt-like Indonesian traditional dress) -White pearl jewelries -Konde Pingkan (curly twist hairdo) -Bunga Rosy (white rose flower on their hairdo) right for the married, left for unmarried ones -Lenso (white handkerchief) on the top of their little fingers The male dancers are also unique because they wear the crown-like hat called krontjie, and lenso just like the female ones. This dance was previously done