Professional Documents
Culture Documents
Clay 11 4 1 Final (Porfolio)
Clay 11 4 1 Final (Porfolio)
Clay 11 4 1 Final (Porfolio)
Project Book
Table of Contents
1.0
Research
1.1
1.5
1.7
1.8
1.9
1.11
1.12
Drive-In
Theater
11
3
- Research Paper
- SWOT Analysis
- Current Brand
- Competitive Landscape
- Creative Brief
- Target Audience
- Brand Personas
2.0
Creative Process
2.1
2.2
2.3
2.4
2.5
2.6
- Mood-board
- Toolbox
- Logo Development
- Motion Development
- Website Development
- Mobile App Development
3.0
Style Guide
3.1 - Detailed use of logo
3.5 - Fonts
3.7 - Colors
3.9 - Graphics
3.11 - Photos
3.12 - Media Guidelines
4.0
Final Designs
4.1
4.3
4.6
4.7
4.8
4.9
4.10
4.11
4.12
- Info-graphic
- Online Media
- Mobile
- Poster
- Business Card
- Bags
- T-Shirt
- Bumper Stickers
- Radio Ad
1.1
1.5
1.7
1.8
1.9
1.11
1.12
- Research Paper
- SWOT Analysis
- Current Brand
- Competitive Landscape
- Creative Brief
- Target Audience
- Brand Personas
1.0
Research
1.1
1.2
Lets turn drive-in theaters into entertainment venues that do much more than show
movies; they have the potential to become a showcase of multiple tastes, pleasures
and emotional experiences through food, movies, and music, and perhaps the best
part, it can all be experienced with family.
Research Paper
Abstract
The Research explores the drive-in theater genre in
todays motion picture theater industry. Resources
used are intended to exemplify other drive-in theaters
in America and suggest modern methods that can be
applied to Shankweilers Drive-In. It also describes
features and benefits that have changed the drive-in
theater culture in entertainment and attraction classifications. The emphasis is on redefining Shankweilers Drive-In Theater in the local community through
improving marketing and advertising strategies. An
initial question is if the drive-in theater market is able
to sustain a brand presence and, if so, how to obtain a
competitive position in such a market. In analyzing the
fields history and strengths, the research revealed an
interest in digital technology for direct advertising with
the current target audience. The nostalgic affiliation of
the industry is an important part of individual drivein theaters. Reassigning the traditional movie going
culture of the drive-in theater from simply cars and
movies to something new would mean a redefinition.
This would mean changing the existing association to
something new, but relatable, like a digital movie entertainment option for new releases that offers low-cost,
memorable family experiences. Shankweilers Drivein theater is able to sustain a presence in the motion
picture industry and increase profits. Employing new
elements of design in color, typography, and images in
marketing campaigns can align the brand presence with
Problem Solving
To inspire the new generation of movie industry customers, they have to become diverse and partake in the
drive-in culture. The customer must first know that
drive-in theaters are not a dying breed; they never
really died out. According to Don Sanders, theyve been
coming back for a couple of decades now. Drive-ins
are a uniquely American institution (Humphrey, 2012).
Developers in Texas are beginning this year to launch
Coyote Theater in Trinity Uptown. This will be the first
drive-in theater in Fort Worth in more than a decade.
Since the business owner first launched his plans for a
new drive-in theater, he has received calls of excitement
from local customers. The venue plans to be first-run
digital movies, fan-misted cabanas, playgrounds,
first-class food, beer and wine, hitching posts for
customers who arrive on horseback, soundtracks that
play through car radios in English and Spanish
(Humphrey, 2012). This experience sounds like a
five-star drive-in theater theme park, and has a rich
movies, and music, and perhaps the best part, it can all
be experienced with family.
interest in establishing the traditional while simultaneously emphasizing the new features that are entertaining in todays culture.
In 1933 drive-ins became an icon of American culture,
and a typical weekend destination not just for parents
and children, but also for teenage couples seeking some
privacy (History.com, 2012). The landscape changed
after the 1950s due to the rising price of real estate,
especially in suburban areas, combined with the growing numbers of walk-in theaters and the rise of video
rentals to curb the growth of the drive-in industry.
Today, fewer than 500 drive-in theaters survive in the
Untied States (History.com, 2012). Theater owners are
now battling the economy and find most of their customers are visiting drive-in theaters simply for nostalgia.
Reviewing the excitement of the Coyote Theater in
Texas, a refreshed outlook helps existing businesses
learn how to present a new room to grow in the current
market. Lets turn drive-in theaters into entertainment
venues that do much more than show movies; they have
the potential to become a showcase of multiple tastes,
pleasures and emotional experiences through food,
Research Paper
1.4
1.3
Research Paper
Research Paper
Summary
Drive-in theaters are a unique movie experience that
can be a very valuable option for leaving home for
blockbuster movie releases. There are many additional entertainment and attraction options that can
help the niche market grow within the United States.
Showcasing new promotional events such as local food
vendors, rides, music and flea markets have all been a
successful initiative that has sustained drive-in theaters
throughout the years. Shankweilers Drive-In has pulled
through tough times before in economic downfalls and
environment outbursts. Every solution to the problem
is to rebuild; now we are focusing on rebuilding their
presence in the community and establishing an effective
brand identity that can create profits and sustain the
business for future growth.
The emergence of technology in todays movie going
environment has created a trend in mobile devices, to
access information for the consumers entertainment.
It has also set a precedence to improve technology that
has changed the quality of movie environments. Maintaining a corner of American movie history requires
shifting with the current trends and keeping a nostalgic
look of drive-in culture while continuing to create the
connection through marketing primary. To target a
great demographic of families and young adults, improving the pastime of automobile and movies to digital
movies will create a new package design that is direct
References
one-on-one marketing with customers. In creating a
brand, utilizing blue, black and white builds trust in
the business and values that customers can align with.
Orange, yellow and red will improve print and digital
advertising for cost effectiveness compared to competitors. Using black and white photography of the Shankweilers Drive-In experience will capture the memory
of a nostalgic moment. Using spot coloring to highlight
the facts, features, and benefits of the theater will align
the truth with the target audience in marketing materials. Effective typography presents the information to
the audience in advertising and visiting the website.
The typefaces selected create simplicity and set a tone
for the fun and unique nature of the drive-in theater.
Incorporating some style from the 70s and 80s drivein advertising style will connect the past to the present
audience. All the design elements are geared towards
creating a modern approach to drive-in theaters, but
welcome the nostalgic presence and history of the industry. Through applying researched trends and events,
Shankweilers Drive-In Theater can revitalize it presence in the local community.
1.5
1.6
The Mood Board reflects the study of images, color and words to visually define a path to revitalize Shankweilers
Drive - In Theater. In combining the take always from each category we can effectively create a spark that appeals
to the brands emotion, characteristics and style. Consistency in brand identity, showcase the rich history of Shankweilers Drive-in Theater, using a traditional display font or slab font, change colors, create additional features
with events and tap into digital technology trends for advertising will move the business into a new generation of
Drive-In Theater experiences.
SWOT Analysis
Communication
Poverty
1934
Excitement
Visibility
Feminine
Weakness
Opportunities
Threats
Death to
Italics
Summer
Internal
Strength
External
Awareness
Hope
Passion
Retro
Objective of Analysis
To analyze the current state of Shankweilers Drive-In, to revitalize the brands awareness in the motion
picture industry.
One Environmental
Happiness
Revitalize
SWOT Analysis
Strength
Weakness
- Historical presence
- Local support and word of mouth
- Provide a unique movie experience
- The first drive-in theater to adopt new technology trends
- Double feature for the price of one admission
- Family outing alternative vs baby-sitter and dinner
- Attract a broader audience not just local participants
Opportunity
Threats
1.7
1.8
Current Brand
Competitive Landscape
The logo is actually the sign that lights up to indicate
Shankweilers is open for business. The website is
outdated, the current design doesnt capture the unique
culture of the drive-in.
Beckys Drive-In
A local drive-in theater located two townships
over from Shankweilers Drive-In. Features a double screen, broad customer base and unique food
selection at the concession stand.
Redbox
A vendor machine that allows the customer to get
the latest movie releases convenient to home.
Also charges a low cost to rent and require no
subscription just grab and go.
1.9
1.10
Creative
Brief
The
Brand
Creative Brief
Overview
Shankweilers Drive-In is a classic American pastime
that features outdoor movie viewing for families that
would like to discover a new experience. The analysis of the brand focuses on history, culture and the
unique emotional connection Shankweilers provides
for its audience.
Key Tenants
Resilient Enjoyable Unique
Mission
Vision
The mission is to continue providing a unique family and friends culture for visitors that are seeking an
evening out or an afternoon out during Spring, Summer
and Fall.
Position
Features
Value
Coming to Shankweilers gives the customer more for
their buck with double feature shows, concerts and
fresh produce. The venue is local and closer to home
which allows the customer to have an emotional experience with family, friends and loved ones. The customer
doesnt have to go to far from home for entertainment.
1.11
1.12
Target Audience
Brand Personas
Two brand Personas were created to help identify specific age groups to target. The brand Personas also help develop
specific features and benefits Shankweilers drive-in final brand assets are developed.
Name - Tiffany
Location - Bethlehem, PA
Age: 25
Name - Gretchen
Location - Allentown, PA
Age: 40
2.1
2.2
2.3
2.4
2.5
2.6
- Mood-board
- Toolbox
- Logo Development
- Motion Development
- Website Development
- Mobile App Development
2.0
Creative
Process
2.1
2.2
Mood-board
Creative Guide/Toolbox
Community/Culture
Community is part of the drive-in theater culture
being there arent as many drive-ins national. Ones
that did survive the 80s and 90s share a bond with
the
local
community.
The images
capture the fun day
Key
Tenants:
Community
/ Culture
out at the theater as well as a fun casual evening out.
Narrative
Events,
Feature,
The
spots onWords:
the leftCommunity,
corner indicate
the sun
and in
Day,
Open,
Play,
Trendy,
Young,
Novelty,
Popular,
the lower half of the board the light from a projector
Outdoor,
eclipses
theEntertainment
audience.
Image Palette
Patterns/Vectors
Color Palette
Page Hierarchy
Headline
Sub Headline
Body Copy
Rockwell - 25 pt +
Century Gothic - 16 pt +
Georgia - 11 pt +
Jenna Sue - 50 pt +
42 111
105 160
148 192
Typefaces:
Century
Myriad Pro - Regular
Myriad Pro - Bold
RGB:
42, 105, 148
111, 160, 192
246, 241, 222
221, 78, 38
242, 153, 109
Tag-line/Call-
2.4
2.3
Logo Development
Motion Development
The logo is a modern approach with some new ideas for how the drive-in theater can transform during the daytime and evening. The simple icons represent
the diverse social atmosphere that the drive-in theater will bring during different
events. The icons make the logo extremely versatile in how it can change between
entertainment category, which can be reflected in memorable vector designs to be
exchanged with the current set of designs.
Community and culture is a lot of fun, its the only dynamic mod board concept
that uses video, images and animation. There was some great video that featured
a outside shopping communities. The dynamic board is focused on the horizontal
composition theme in the static mood board. To take the dynamic board further,
the animation features some of the shifts that are displayed in the mood board as
well. Whats more cultured then drums? The sound has a simple beat but catchy
pace that helps bounce the board from sequence to sequence.
Sketches
Motion Screen-shots
Final Logo
Drive-In Theater
2.6
2.5
Website Development
Website Wire-frame
Website Design
APP Wire-frame
App Design
3.1 - Detailed use of logo
3.5 - Fonts
3.7 - Colors
3.9 - Graphics
3.11 - Photos
3.12 - Media Guidelines
3.0
Style Guide
3.2
3.1
Detail Use Of Logo
Clear Space
Stacked
s
s
Drive-In Theater
s
s
Horizontal
Drive-In Theater
s
Drive-In Theater
Drive-In Theater
s
Please Do...
Icons must always be stacked in the same arrangement: Movie, Produce, Music and Shopping.
3.3
3.4
Detail Use Of Logo
Alternative Use
Please Dont...
Drive-In Theater
Drive-In Theater
Drive-In Theater
Drive-In Theater
Consistency is Key
Drive-In Theater
Drive-In Theater
3.6
3.5
Fonts
Fonts
Logotype Font
use only for logo
Couture
abcdefghijklmnopqrstuvwxyz
25pt or bigger
Web or print
Rockwell
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
16pt or bigger
Web or print
Century Gothic
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
11pt or bigger
Web or print
Georgia
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
50pt or bigger
Print only
Jenna Sue
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOP QRSTUVWXYZ
Now Playing
Now Playing
Headlines
Should always be in Rockwell (Regular)
Sub-Head
Should always be in Century Gothic
(Regular) or (Bold)
Body Copy
Should always be presented in Georgia
(Regular)
Tag-line
Should always be in Jenna Sue
(Regular).
Brand Statements
Can also use Jenna Sue, specific callouts that speak to the customer (fontsize should still be more than 50 pt or
bigger.
3.7
3.8
Color
Color
Transparency
Secondary Color
75%
RGB
Web
42 111 246
105 160 241
148 192 222
CMYK
Print
87
56
23
4
221 242
78 153
38 109
Primary Color
50%
Icon background
25%
58
26
14
0
3
3
13
0
8
84
100
1
10%
Cream text should be
used on a background
Primary Color
Logotype and Headline background
Call-Outs/Tag-line
Background and Text
Secondary Color
Sub - header background color
2
47
59
9
3.10
3.9
Graphics
The graphics specification is very simple and clever, the
patterns to the right allow the user to create a grid, visual alignment and group information. With the exception
of the modular grid each vector element can be used
with images and solid colors.
Bring it together
Graphics
3.11
3.12
Photos
Media Guidelines
Website
Website is 800px by 1000px
Height can expand to adhere to the blog format/content.
3.13
Media Guidelines
Media Guidelines
Poster
The Call-Out must always
be print at the top with
photo of the featured
event.
Always state the month of
the event followed by Entertainment and events.
Events should always
be presented within
themodular grid.
Swag
&
Movie
Drive-In Theater
Drive-In Theater
starts at 6pm
Drive-In Theater
22nd Afternoon
With Friends
Drive-In Theater
Cloud Atlas
Shopping
Drive-In Theater
Now Ptag-line
laying
Individual icons can be usedWere
with
only. Icons
can be placed with webWere
address.
Now P laying
3.14
www.shankweilers.com
Drive-In Theater
Drive-In Theater
Drive-In Theater
4.1
4.3
4.6
4.7
4.8
4.9
4.10
4.11
4.12
- Info-graphic
- Online Media
- Mobile
- Poster
- Business Card
- Bags
- T-Shirt
- Bumper Stickers
- Radio Ad
4.0
Final Designs
How Social
Media Defines
Shankweilers
Who We Are
We Are Targeting
79
Something Old,
Something New
2013
Consecutive Years
Digital HD
Projector
4.2Using
MediaTA
Tiffany
Persona
Gretchen
Using Images/Patterns
All photography is community, friends,
family and events inspired. No images
should be used as a silhouette against a
colored background. All images should be
taken within the drive-in environment.
The imagery is meant to capture the customer experience.
Persona
Using Color
Blue- Loyalty,
youth and social.
The accent colors
cream, peach,
orange represent
the warm seasons
spring, summer
and fall.
69%
Adults Online
75%
Women Online
63%
Men Online
46%
20%
Use Linkedin
16%
Use Twitter
66%
Use Facebook
12%
Use Pintrest
12%
Use Instagram
Drive-In Theater
RGB
Web
42 111 246
105 160 241
148 192 222
CMYK
Print
87
56
23
4
58
26
14
0
3
3
13
0
221 242
78 153
38 109
8
84
100
1
2
47
59
9
Info-graphic
Using Typography
Rockwell
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
25pt or bigger
Century Gothic
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
16pt or bigger
Georgia
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
11pt or bigger
Jenna Sue
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOP QRSTUVWXYZ
50pt or bigger
Now Playing
web or print
web or print
web or print
FIRST
LETS
EVEN
FRESH
FOR F
TAGL
SHAN
WERE
WATC
AT W
print only
Now Playing
Onli
References:
Shankweilers Dr
Brenner, Joanna
Pew-Internet-So
4.4
4.3
Online Media
Online Media
Facebook is a great way to expand advertising and information within cultures and groups Online. The idea
is to always keep our customers integrated via news
feed, ads and event information. Twitter is also a communication to that takes hold of groups and community
like a virus. The affiliations are more focused on busi-
4.5
4.6
Online Media
E-mail Newsletter
The mobile application was designed with iPhone application features, user experience and App Design Strategies (IOS Developer Library, 2012). The design reflects
the focus on images as a visual for navigation, there is
very little text except for times and titles of events with
brief descriptions of the vendor or movie. The goal is to
bring drive-in users a mobile experience into the culture and events at the drive-in.
Mobile App
Drive-In
Theater
Drive-In
Theater
Drive-In
Theater
Drive-In
Theater
Drive-In
Theater
Drive-In
Theater
July19,
19,2012
2012
July
July19,
19,2012
2012
July
July19,
19,2012
2012
July
7/19 7/20
7/20 7/21
7/21
7/19
Information
Information
7/23 7/24
7/24 7/25
7/25
7/23
Directions
Directions
North
309
PA,
Heading
towards
North
309
PA,
Heading
towards
Tomaqua.
Tomaqua.
TheBand
Band
The
6:00
pm
6:00
pm
Directions
GetGet
Directions
ContactUsUs
Contact
WereNow
NowPlaying
Playing
Were
Double
Feature
Double
Feature
Brave,
7:00
pm
Brave,
7:00
pm
Cloud
Atlas,
9:00
pm
Cloud
Atlas,
9:00
pm
ii
P.O.
Box
311,
Whitehall
Pa,
18052
P.O.
Box
311,
Whitehall
Pa,
18052
610-481-0800
610-481-0800
CallCall
Email
Email
Us Us
The
Band
local
rock
group
that
The
Band
is is
aa
local
rock
group
that
covers
various
80s
and
90s
covers
various
80s
and
90s
hithit
songs.
The
lead
singer
Chris
songs.
The
lead
singer
is is
Chris
Steward,
back
second
Steward,
back
forfor
aa
second
performance.
performance.
Price
admission:
per
adult
Price
ofof
admission:
$5$5
per
adult
To Calendar
AddAdd
To Calendar
Share
Share
4.7
4.8
Poster
Business Card
4.10
4.9
Bags
T-Shirt
4.11
4.12
Bumper Stickers
The Radio skit targets customers that may not be interested in accessing information on the web. There is
also significant older customer base that listens to radio
stations routinely for advertisements. There is still a
nostalgic connection between a car and a nostalgic
pastime such as a drive-in theater that creates a great
undertone for the customer.
Radio Ad
FIRST PERSON:
SECOND PERSON:
TAG-LINE:
SHANKWEILERS DRIVE-IN
WERE NOW PLAYING
WATCH. EXPLORE. EXPERIENCE. SHARE
AT WWW.SHANKWEILERS.COM
Note:
All images were aquired through Foter.com, Sxc.hu and Google.com. Before
using be sure to reference the orginal photographer and source of photos
used in this book.
Text References
Shankweilers Drive-In Theater. (2012). History. Retrieved 2012,
from Shankweilers Drive-In Theater: http://www.shankweilers.com/
history.html
IOS Developer Library. (2012). IOS Human Interface Guidelines.
Retrieved October 31, 2012 from: http://developer.apple.com/library/
ios/#documentation/userexperience/conceptual/mobilehig/AppDesign/
AppDesign.htmltary/2012/March/Pew-Internet-Social-Networking-full-detail.aspx
Image References
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Yum. (Photographer). (2004). 8mm Rollercoaster 2 [Photograph],
Retrieved January 31, 2013, from: http://www.sxc.hu/photo/113601
Mzacha. (Photographer). (2008). Town Car [Photograph],
Retrieved January 31, 2013, from: http://www.sxc.hu/photo/945529
Evobrained. (Photographer). (2012). Free Business Card Mockup
2 [Photograph], Retrieved January 31, 2013, from: http://www.sxc.hu/
photo/1385329
Michelle OConnell. (Photographer). (2011). Brave Movie
[Photograph], Retrieved January 31, 2013, from: http://www.flickr.com/
photos/shellewill79/6420094763/
Matt McGee. (Photographer). (2010). The Food Ticket Line!
[Photograph], Retrieved January 31, 2013, from: http://www.flickr.com/
photos/pleeker/4739869473/
Saippaman. (Photographer). (2011). Last Picture Show Drive-In
Theater [Photograph], Retrieved January 31, 2013, from: http://www.flickr.
com/photos/saipaman/5948174356/
Mollypop. (Photographer). (2008). Drive in Music Makes Molly
Happy [Photograph], Retrieved January 31, 2013, from: http://www.flickr.
com/photos/mymollypop/2766469586/
Pete Zarria. (Photographer). (2009). Lets All Go Out To The Lobby...
[Photograph], Retrieved January 31, 2013, from: http://www.flickr.com/
photos/toby_d1/3820716628/
William Marlow. (Photographer). (2011). Two of My Best Friends
Got Married This Weekend [Photograph], Retrieved January 31, 2013, from:
http://www.flickr.com/photos/williammarlow/6183733817/
... Love Maegan. (Photographer). (2010). Laundry Room+Canvas
Grocery Bags-3 [Photograph], Retrieved January 31, 2013, from: http://www.
flickr.com/photos/lovemaegan/4681421742/
WikiThreads. (Photographer). (2009). Wearing Your Heart on a
T-shirt [Photograph], Retrieved January 31, 2013, from: http://www.flickr.
com/photos/wikithreads/5216966420/
Me and the sysop. (Photographer). (2008). Wisconsin Willie Fan
[Photograph], Retrieved January 31, 2013, from: http://accuweather.ap.org/
cgi-bin/aplaunch.pl
Christopher Hsia. (Photographer). (2011). Store Front Dog
[Photograph], Retrieved January 31, 2013, from: http://www.flickr.com/
photos/chsia/5800985138/
Bob August. (Photographer). (2010). Gros virus dans mon iMac?
- Big Virus in my iMac? [Photograph], Retrieved January 31, 2013, from:
http://www.flickr.com/photos/bob_august/5151679180/
[Untitled photograph of Starry Night with Trees]. Retrieved January
31,2013, from: http://farm4.staticflickr.com/3487/3859379708_9b237641c4_o.jpg
Steve Kay. (Photographer). (2008). Drive-In Dinner [Photograph],
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Thomas Hawk. (Photographer). (2008). Saturday Nights [Photograph], Retrieved January 31, 2013, from: http://www.flickr.com/photos/
thomashawk/7788177170/
Pink Sherbet Photography. (Photographer). (2010). Dropped
Popcorn [Photograph], Retrieved January 31, 2013, from: http://www.flickr.
com/photos/pinksherbet/4683421549/
Colinlogan. (Photographer). (2011). Untitled [Explore #134]
[Photograph], Retrieved January 31, 2013, from: http://www.flickr.com/
photos/colinlogan/5838888642/
Haggs Uitburo. (Photographer). (2009). Parkpop - The Girl in The
Crowd [Photograph], Retrieved January 31, 2013, from: http://www.flickr.
com/photos/haagsuitburo/3698149738/
Anand Lai Shimpi. (Photographer). (2011). The Verizon iPhone 4
Comunication Chart
http://www.panoramio.com/photo/41017910
http://www.shankweilers.com/gallery.html
http://www.goochlandgazette.com/index.php/news/article/13881/
http://foodthought.org/2010/01/double-feature.html
http://www.ehow.com/about_6497148_hd-radio-vs_-digital-radio.html
http://www.sxc.hu/photo/1024970
http://www.sxc.hu/photo/1385368
http://www.sxc.hu/photo/616726
http://www.sxc.hu/photo/962334
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Drive-In Theater