Professional Documents
Culture Documents
Representation of Age Newest
Representation of Age Newest
Representation of Age Newest
Mock exam
Stereotypes of Age
Write down some stereotypes of age
in the media for;
Old
Young
Stereotypical
Characteristics
Young
Old
Immature
stupid
greedy,
lazy
selfish
unfit
obese
violent
callous
gullible
unreliable
careless
self-entitled
never going to achieve anything
Grumpy
out-dated
slow
weak
whining
unable to use technology
unhealthy
miserly
hard-of-hearing
ugly
never go anywhere
Forgetful
YOUTH
OLD AGE
POSITIVES
Active
Sociable
Innocent
Strong
Long future ahead
Adventurous
Fun
Wise
Authoritative
Well educated
Freedom
Wealth
Stability
NEGATIVES
Lazy
Rebellious
Rude
Hormonal
Vulnerable
Naive
Dependent
Weak
Vulnerable
Fragile
Mentally incompetent
Not in control of their own
bodies
Lonely
Dependent
Boring
Unwilling to try new things
History
Media representations of young people have always
tended to be negative, e.g. The Wild One (1953)
shows a motorcycle gang terrorising a small town.
Made in Britain (1982) focused on a delinquent,
anti-social youth.
https://www.youtube.com/watch?v=yCENBce_dls
(TWO)
https://www.youtube.com/watch?v=xFp5KkPp5EQ
(MIB)
Both representations reflect anxieties of middle
class adult society, in relation to the threat to
hegemony posed by young people.
Representations
which are the
same as the
dominant
representation
REINFORCE the
stereotype
Representations
which are
different from
the dominant
representation
CHALLENGE the
stereotype
What representation
does the front cover
create?
How would the majority
of readers respond to
this front page?
Discuss the use of
language on the front
cover how does this
create a response?
What visual codes are
being used?
How does the front
cover as a whole
create a negative
representation of
young people?
on
http://www.dailymail.co.uk/news/arti
cle-2024486/UK-RIOTS-2011-British-yo
uths-unpleasant-violentworld.html
To print
But
Theorists
Dick Hebdige (1979) explored the polarised
(contradictory) media representations of teens
as trouble(dominant) or fun (alternative).
Michael Brake (1985) categorises the media
representations of teens into:
o Respectable (alternative)
o Delinquent (dominant)
More Theory
Daren Garratt (1997) suggests that
negative media representations of teens as
trouble invite teens to be trouble. Media
coverage represents how they should
behave, even if, largely, they havent been.
Graeme Burton (1999) argues that teen
subculture is in opposition to the dominant
culture (of adults). He uses the term
problematisation to describe the idea of
youths as problems.
Moral panics!
Stanley
Cohen (1972)
A moral
Mods
Ideology
The Dominant
Representation of youths
Delinquent
(Michael
Brake).
Trouble
(Dick
Hebdige)
Dominant
Representation
of Youth
(Music Video
Example
Dominant/Alternative
Representation = (depending
on your reading: Skins seems
fun for a teen audience, but
more like trouble for an
older audience).
THE POSTER WAS BANNED BY THE
Skins
Alternatives
Representations
which are the same as
the dominant
representation
REINFORCE the
stereotype
Representations
which are different
from the dominant
representation
CHALLENGE the
stereotype
Positive Alternative
Representation Teen
Awards (Website/
video Jack G 15)
In groups, using the
case study template,
deconstruct this text BBC Radio 1s
http://
Teen Awards. TEEN HEROES
www.bbc.co.uk/events/eqbc6q/videos/p0
Reasoning
50th anniversary of the film Pillars of British acting, selfparody jokes throughout Sam Mendes plays with the
generic conventions of the Bond franchise to ensure
Skyfall is contemporary and offers something different
for the mass target audience.
Brave new World
THE REPRESENTATION
OF AGE Lesson 3
Older Age
Starter:
Rep of older age in the
media
Older people
Genre: Sitcom
Humorous idiosyncrasies (mode of
behaviour):
o Forgetfulness
o Senility
o Grumpiness
o Saying the wrong thing
Does this reinforce the stereotype?
Demonstrate knowledge and
understanding of media concepts,
contexts and critical debates
Nana Shreddies
https://www.youtube.com/watch?v=
6Tuc3zjvJU8
Amour (Love) Official Trailer #1
(2012) - Michael Haneke Palm
d'Or Winner HD
M Skyfall
https://www.youtube.com/watch?v=
xMOYiV7hUR0
Silvas Reunion with M
Retirement planning Skyfall
https://www.youtube.com/watch?v=
uzDxqKlKOTw
Representation of women
Representation
Bond films are notorious for their sexist representation of women. When Judi
Dench was first cast as the character M, her character called Bond "a sexist,
misogynist dinosaur" - a nod to how things were going to change. Although
change has been incremental rather than revolutionary (we're still a long way
off from a female Bond).
The film does appear to offer a positive representation of women in the
opening scene. The character Eve Moneypenny does appear to be powerful
and confident (taking part in a car-chase and gun fight with villains).
This is much more positive than historical
And yet M instructs Moneypenny to shoot at Patrice on the train, yet
Moneypenny is hesitant and instead hits Bond with her bullet. It could be
argued this suggests Moneypenny is an incompetent agent.
Moneypenny then only appears a few more times in the film; as a potential
seductress for Bond, rather than assisting him with his mission. Bond makes
many patronising comments about her capability in the field.
At the end of the film, Moneypenny decides to retire as a field agent and
instead work for Mallory as his secretary. This appears as if he is pleased that
women have realised their position and not over-stepped their position.
When Bond and Severine meet in the casino, her hands start shaking
indicating her fear, suggesting she is vulnerable and in need of help.
She is also shown wearing an elegant, figure-hugging and cleavage-showing
dress - positioning the audience to consider her as an object of sexual
gratification (furthered by the fact that both Bond and Silva desire her).
Her character reinforces Laura Mulveys male gaze concept (1975),
arguing women are often presented as passive sexualised objects for the
pleasure of the male gaze (the audience is gratified by seeing her naked in
the shower) and vicariously enter this intimate space with Bond.
This follows the tradition of Bond. For instance, in Tomorrow Never Dies,
Bond bites the womans shoulders, Im just here in Oxford, brushing up on
a little Danish comical dialogue degrading to women, female subject
merely represented as an object of sexual desire.
She is treated as an object in the film (we learn that she was forced into
prostitution). She is also stereotyped as being amorous - inviting Bond to
sleep with her after a brief meeting with him. The morning after, she is shot
by Silva. Bond's remorse is displayed through his comment that "That was
a waste of good scotch" (referring to the drink on her head). This has a
double meaning. Firstly, that she is so insignificant that the waste of whisky
was the greater same, or that she was the "good Scotch" and this positions
us to think of her as a quality product. Either interpretation is arguably
M may hold the highest position of power as the head of the Foreign
Intelligence Wing, but she constantly makes poor decisions that cost
numerous people their lives. For example, Silva holds her responsible for
being tortured by the Chinese and plans a cyber attack against her and MI6.
M is also forced to go on trial to defend the competency of her programme.
M is asked to retire from her position, being informed she has become too old
to handle matters properly. Her position is then filled by a presumably more
capable man, Gareth Mallory (who is shown to being able to handle himself in
a gun-fight, unlike the terrified and vulnerable M). Silva even patronises her:
Youre smaller than I remembered and Bond refers to her as a "Bitch" when
her name is mentioned in a psychology test. Bond both kidnaps and recues
M. This is surprising given M is Bonds boss and in a superior position of
power and authority.
All three women were shown to be inept at their jobs and ended up dead or in
a subservient position. It seems the women are positioned merely to be
decorative foils for Bonds masculinity.
Through Bond, hegemonic masculinity (the dominant position of men and
the subordination of women) is reinforced throughout the film.
In contrast to the representation of women, the male characters, were made
to be heroes and masterminds - they progressed the narrative, throughout.
However, Gamman & Marshment (1988) argued that men can also be
positioned as sexualised objects for the pleasure of the female gaze. In
Alternatives
Reasoning
50th anniversary of the film Pillars
of British acting, self-parody jokes
throughout Sam Mendes plays with
the generic conventions of the Bond
franchise to ensure Skyfall is
contemporary and offers something
different for the mass target
audience.
Brave new World
Saga Magazine
In groups, use the
case study template to
deconstruct this text.
A final thought
There is no single 'media
representation' of youth or older age;
there may be dominant
representations
(delinquent/trouble/grumpy), but
across films, TV, fiction and
documentary there are significant
differences and nuances which need
to be teased out and considered.
AO!: Demonstrate knowledge and understanding of media concepts, contexts
and critical debates
Representation of Age:
This focused on looking at whether
we were presented with stereotypes
or representations that challenged
how age is normally shown.
- Teenage Meets Old Age (BBC3 )
2011(stereotypical youths who
develop a caring side; frail old age
who can live a full life and have some
surprisingly significant past lives)