This document summarizes various symbols and motifs found in literature about Zimbabwe:
1. Race and skin color were exploited for political propaganda by Robert Mugabe and his party ZANU to gain votes from Black nationalists.
2. Maps represent clashing cultures between Rhodesian/Zimbabwean views of land, as well as interactions between different African tribes living together independently within countries, contrary to colonial views.
3. Natural elements like stone virgins and descriptions of wet vs dry landscapes are used in Vera's work to represent contradictions and find beauty amid violence, with juxtaposition highlighting the progression and difficulty differentiating between bad and worst parts of war.
This document summarizes various symbols and motifs found in literature about Zimbabwe:
1. Race and skin color were exploited for political propaganda by Robert Mugabe and his party ZANU to gain votes from Black nationalists.
2. Maps represent clashing cultures between Rhodesian/Zimbabwean views of land, as well as interactions between different African tribes living together independently within countries, contrary to colonial views.
3. Natural elements like stone virgins and descriptions of wet vs dry landscapes are used in Vera's work to represent contradictions and find beauty amid violence, with juxtaposition highlighting the progression and difficulty differentiating between bad and worst parts of war.
This document summarizes various symbols and motifs found in literature about Zimbabwe:
1. Race and skin color were exploited for political propaganda by Robert Mugabe and his party ZANU to gain votes from Black nationalists.
2. Maps represent clashing cultures between Rhodesian/Zimbabwean views of land, as well as interactions between different African tribes living together independently within countries, contrary to colonial views.
3. Natural elements like stone virgins and descriptions of wet vs dry landscapes are used in Vera's work to represent contradictions and find beauty amid violence, with juxtaposition highlighting the progression and difficulty differentiating between bad and worst parts of war.
This document summarizes various symbols and motifs found in literature about Zimbabwe:
1. Race and skin color were exploited for political propaganda by Robert Mugabe and his party ZANU to gain votes from Black nationalists.
2. Maps represent clashing cultures between Rhodesian/Zimbabwean views of land, as well as interactions between different African tribes living together independently within countries, contrary to colonial views.
3. Natural elements like stone virgins and descriptions of wet vs dry landscapes are used in Vera's work to represent contradictions and find beauty amid violence, with juxtaposition highlighting the progression and difficulty differentiating between bad and worst parts of war.
The exploitation of racial rises as propaganda to gain votes from the Black nationalist party ZANU [Mugabe] used extravagantly provocative racial terminology, but let there be no doubt that the vote-winning objective was well executed, (Smith 394). 2. Maps: clashing cultures/contradictions a. Remapping Rhodesia/Zimbabwe i. [Mugabe] ended his diatribe with the empathetic statement that he would brook no opposition from the courts on the issue of land expropriation and redistribution (Smith 394). 1. This is especially in terms of the Rhodesian Farmers Unions opinions that clash with Mugabes true intentions. b. Different tribes within Rhodesia/Zimbabwe interacting i. They are different people with a different language, different culture, different traditions, but nevertheless they can live and work together in the same country, as happens in many other parts of the world, (Smith 296). ii. I feel like this speaks to the notion in my eyes that if completely different African tribes can live together independently within a country why: 1. Why did western colonizers not see this during the early colonial events and stop colonizing these clearly independents tribes to begin with. 2. Why cant westerners be able to get along with the African tribes and learn by example the independence that they have mastered within their own countries and continent. 3.Natural elements representing contradictions iii. Stone Virgins: What they both know fully by heart are contradictions. They both recall lost chances like warm fires--with fondness. They nurture risks like tenderness they love uncertainties the way they love the pale silence after church bells, (Vera 15) 1. The contradicting language used exposes a confusion, but also how Vera among other citizens are trying to find beauty amid all of the violence. iv. Stone Virgins: Juxtaposition between wet and dry elements: ex, the two parts of Sibasos crime of rape then murder 1. Dry/Rape: dried salt, a ferment--the dried, dead blood . . . She is only a dot in his mind. Something that can vanish, (Vera 70) 2. Wet/Killing: This water is red, mud. My toes are sticking together, sucking the ground. I stand still in this pool of water, with my toes sticking together and the mud red, the red mud, the mud with blood, (Vera 74). 3. This progression uses the earth elements/landscape of the country to contrast the bad vs the worst parts that this war has entailed, the heavy violence of both phases makes it hard for the reader to differentiate between the two: which is worse?