SPRING 2010

ROWHOUSES
Northeastern University School of Architecture
ARCH 5110 Housing and Aggregation Studio

SPRING 2010

ROWHOUSES
Northeastern University School of Architecture
ARCH 5110 Housing and Aggregation Studio

EDITOR
SAM CHOI
STUDENT EDITORS
JACKIE MOSSMAN
SHAWN BOLANOS

SPRING 2010
ROWHOUSES
ARCH 5110 HOUSING AND AGGREGATION STUDIO
Northeastern University
School of Architecture
360 Huntington Avenue
151 Ryder Hall
Boston, MA 02115
617.373.8959
www.architecture.neu.edu
Copyright 2011 School of Architecture
Northeastern University
Designed by Paste in Place
Printed by Lulu
The work contained within this publication is drawn from the Spring 2010
Northeastern University School of Architecture ARCH 5110 Housing and Aggrega
tion Studio. All work was produced by fifth year architecture students, for whom the
focus of the semester was infill courtyard housing in metropolitan Boston.
STUDIO COORDINATORS
Tim Love and Sam Choi
FACULTY
Sam Choi, Michael Grogan, David Hacin, Alyson Tanguay
STUDENTS
Alexander Davis, Allison Browne, Ashley Hartshorn, Ashley Hopwood, Assia
Belguedj, Benjamin Hochberg, Bryan Allen, Chris Freda, Dan Adams, Dan Artiges,
Dan Belknap, Darien Fortier, Dennis Greenwood, Diana Lattari, Erica LeLievre, Julien
Jalbert, Lindsey Deschenes, Lucas Carriere, Nicole Fichera, Pamela Andrade, Samuel
Clement, Sara Laporte, Tim Loranger, Whitney Chicoine

TABLE OF CONTENTS
1

INTRODUCTION
Nicole Fichera

SPLIT ROWHOUSE
Dan Belknap, Julien Jalbert, Pamela Andrade

33

SKINNY ROWHOUSE
Assia Belguedj, Dan Adams, Darien Fortier, Lucas Carriere, Bryan Allen

83

PUSH-PULL ROWHOUSE
Chris Freda, Dan Artiges, Whitney Chicoine, Tim Loranger

115

STACKED DUPLEXES
Alexander Davis, Benjamin Hochberg, Sara Laporte

145

2 DUPLEXES OVER FLAT

Ashley Hopwood, Dennis Greenwood, Erica LeLievre, Nicole Fichera,
Samuel Clement

199

INTERLOCKING ROWHOUSE
Allison Browne, Diana Lattari

PUSH-PULL

THREE SKINNY

INTERLOCKING

TWO DUPLEXES OVER FLAT

SPLIT

STACKED DUPLEXES

INTRODUCTION
NICOLE FICHERA
Northeastern University School of Architecture housing studio
focuses on a different type of housing every year, from courtyard
housing to high-rise multi-family buildings. When our instructors
told us that wed be designing rowhouses, I was excited. As
students in Boston, we know rowhouses: we have all lived in
them, walked by them, partied in them, chatted on their stoops
and relaxed on their rooftops. Architecture studios so often deal
with big buildings and large-scale urban plansthis presented
a chance to think on a smaller scale, something tangible and
intimate. Design of housing focuses on something we all do every
day: live. We all live, and we all want to live well.
As students, this was our charge: to reinterpret the rowhouse for
modern urban life.

At the onset of the semester, our instructors presented six basic

diagrams for our rowhouse prototypes. Based on a parcel size of
20 x 60, the diagrams established a basic framework for interior
spatial organization and the adjacent parcels in relation to one
another.
Push/Pull required the deformation of the party wall between
two parcels, allowing units to expand and contract laterally to
create wider spaces. Interlocking rowhouses broke down the

initial parcel division almost completely, allowing interior spaces to

To begin design we first developed a prototype of adjacent

wrap around each other and create complex spatial sequences.

parcels forming a single component. We then aggregated

The Split condition mandated a solution with spaces around

components across an alley as four parcels, developing a section

a central courtyard for light and air. The aptly named Skinny

that cut across a block from street front to street front, with a

rowhouse was formed from three narrowhouses sandwiched

service alley in between. Subsequently we repeated the long

into the width of two parcels.

sections to form an entire block, and invented corner conditions

The two following propositions seemed the most viable in the

for the idealized block created. At one point during the process

context of todays market in that they pack three or four slightly

we exchanged units between peers, and aggregated both

smaller residences into the designated parcels. Two Duplexes

sectional types together, first at the scale of a single block, then

over Flat proposed two vertical units sitting on top of one flat

as a nine-block grid. After designing these permutations in a

unit at street level, and Stacked Duplex rowhouses were created

vacuum, we were ultimately asked to deploy our block strategy

by two duplex units stacked on top of each other, for a total of

on an actual site.

four units.

The site assigned was a large swath of underused, fragmented

Each of these organizing concepts presented challenges and

blocks along Melnea Cass Boulevard. As a fringe condition

opportunities. Some prototypes were ingrained with spatial

surrounded by gentrified South End rowhouse neighborhoods,

richness; others adapted easily to retail and accessibility issues;

industrial mega-blocks, a fast moving multi-lane road, hospital

and many had strict space constraints that required rigorous

campus buildings, and low-income housingthe site was highly

planning and innovative thinking.

variable and required adaptive responses. Our urban strategies

had to negotiate this varied context, while maintaining the spatial
logic of our original two-parcel prototype. Our idealized block

We began the studio with an in-depth analysis of rowhouse

plans deformed, and spacious units were condensed to integrate

precedents, with examples ranging from the highly conceptual

ground level retail zones.

work of MVRDV in Amsterdams Borneo Sporenburg to high-end

Thus the work produced at the precinct scale, block scale, and

rowhouse residences both new and renovated. We looked at

unit scale was endlessly varied.

critical issues of core and stair placement, scale of living spaces,

development of the entry sequence, and relationships with

Although the process was trying and unusual, this was an

parking and the street.

important project as students learning about housing and

the ways in which cities struggle to move forward within the

constraints of the past. In cities such as Boston, New York,
Philadelphia, and Baltimore, rowhouses are commonplace.
Multiple generations of people love them. They make
neighborhoods feel unified and urban, create a comfortable sense
of human scale, and express the individuality of a single home.
Historically rowhouses signified progress and momentum
forward. In Bostons Back Bay and South End neighborhoods,
rowhouse builders were pioneers on land filled sea. Now
antique facades seem solid, placid, full of untold stories from a
genteel past. Rowhouses have been so often subdivided and
readapted to modern living that their rhythmic, uniform facades
hardly reflect their diverse and heterogeneous innards. But these
neighborhood relics are not always perfectly preserved and have
adapted to accommodate change over time.
It is essential to acknowledge that diversity exists within
rowhouses. Recognizing the natural evolution of living spaces
couldand shouldhave major implications in the creation of
new housing today.
As an individual expression in a cohesive urban framework,
the rowhouse gives us both a sense of collective and a place
to call our own. In a city such as Boston, the reinterpretation
of this multi-generational precedent results in the creation of
new housing types, ones that are undeniably modern, but also
intrinsically rooted in Boston.

SPLIT
ROWHOUSE
DAN BELKNAP
JULIEN JALBERT
PAMELA ANDRADE

DAN BELKNAP

The split rowhouse typology is a single family unit on a

INSTRUCTOR

single parcel, in which the indroduction of a courtyard defines

DAVID HACIN

the type. The principle organizational strategy involved a

SPLIT LIGHT HOUSE

SPLIT ROWHOUSE

SPLIT LIGHT HOUSE

tectonically solid base to house service program and garage,
a heavily glazed public zone, and volume of private program
suspended above. A strict agenda of light was maintained
throughout the massing strategy.

DAN BELKNAP
INSTRUCTOR HACIN
8

First Floor Plan

Second Floor Plan

Third Floor Plan

Fourth Floor Plan

Unit Section

Unit Section

SPLIT LIGHT HOUSE

SPLIT ROWHOUSE
Front Elevation

Street Elevation

Side Elevation

Side Elevation

DAN BELKNAP
INSTRUCTOR HACIN

Master Plan
10

SPLIT LIGHT HOUSE

SPLIT ROWHOUSE

The precinct exists on a crucial point of connection

between the transit hubs of Ruggles Station, Dudley
Square, and Boston Medical Center. The amount of
bus traffic on each road was heavily considered in the
positioning of retail and scale of streets scapes.

Urban Transit Lines

Figure/Ground Diagram

Urban Scale Response

11

DAN BELKNAP
INSTRUCTOR HACIN
12

Interior View

Interior View

Corner Porch View

Natural Light Diagram

SPLIT LIGHT HOUSE

SPLIT ROWHOUSE
Perspective

Solid block apartment type presents

Split row house type is introduced.

Masses are staggered in section and

Vertical circulation is placed around

problems regarding natural light,

Natural light and ventilation is improved

rear mass is compressed. Light and

courtyard and slab cuts bring light

ventilation and urban scale in a row

for upper stories but courtyard is dark

ventilation is brought further into

further into building and basement.

house neighborhood.

and cold. Facade also remains massive

building and courtyard. Facade is

Visual and acoustic connections are

in scale.

broken and entry porch is articulated.

created sectionally.
Typical Block Plan

13

DAN BELKNAP
INSTRUCTOR HACIN

Perspective

Site Section
14

SPLIT LIGHT HOUSE

SPLIT ROWHOUSE
Aerial Perspective

Site Section

15

JULIEN JALBERT

Upon first designing a siteless rowhouse, this scheme placed

INSTRUCTOR

the public program towards the more active street, and the

ALYSON TANGUAY

private program towards the alley. An outdoor space was

ADAPTABLE LIVING
SPLIT ROWHOUSE

ADAPTABLE LIVING
placed in between the program, and the circulation was
situated around the void created. Once a site was given, the
overall parti of the design was modified to accommodate solar
orientation, where north-facing units would reorient public
program toward the rear. Public alley gardens were also placed
adjacent to the north-facing units on the block, which also
facilitated the reorientation of public vs. private program.

17

JULIEN JALBERT
INSTRUCTOR TANGUAY

The design looks to create open (green) spaces at

three different scales that work in unison in order
to create an engaging urban residential site. First,
at the small scale of the unit, courtyards are either
shared between units or individualized for the row
house, allowing for more privatized exterior space for
inhabitants. Second, at the intermediate public scale,
contained gardens for each individual block, allows
for a sense of community within the block. Lastly the
large scale open space for the general public create
liveliness within a urban setting.

Existing Urban Conditions and Zones

18

Existing Green Space

Figure/Ground Diagram

ADAPTABLE LIVING
SPLIT ROWHOUSE
Aerial Perspective

Block Section

19

JULIEN JALBERT
INSTRUCTOR TANGUAY
20

Unit Section 1

Unit Section 2

First Floor Plan

Second Floor Plan

ADAPTABLE LIVING
SPLIT ROWHOUSE
Interior Perspective

Third Floor Plan

Interior Perspective

21

PAMELA ANDRADE

The primary idea behind this design centered around

INSTRUCTOR

perceiving the cores as objects that one moves around once

SAM CHOI

inside. The cores attach themselves to a circulation bar

CORES AS OBJECTS
SPLIT ROWHOUSE

CORES AS OBJECTS
and float within three types of spaces: public, private, and
courtyard. Material is used to call out the cores so they can
be understood as a system within the rowhouse. The rooms
therefore read as transparent layers with sufficient glass to
emphasize this idea. The facade expresses the circulation bar
in wood that then catches the projected bay, meant to read as
the volume of the courtyard being pushed out to the street.

23

PAMELA ANDRADE
INSTRUCTOR CHOI
Block Perspective

24

Block Section Elevation

CORES AS OBJECTS
SPLIT ROWHOUSE
Block Perspective

Block Elevation

25

At the urban scale, the blocks are designed as extenPAMELA ANDRADE

INSTRUCTOR CHOI

sions of the existing fabric. The periphery green

spaces function as buffers to heavy vehicular traffic.
A central greenspace with plaza extends out to the
other two block precincts in the form of green medians and landscaping to unify the entire site.

Figure/Ground Diagram

26

Site Analysis

CORES AS OBJECTS
SPLIT ROWHOUSE
Aerial Perspective

Street Section

27

PAMELA ANDRADE
INSTRUCTOR CHOI
28

Interior Perspective - Kitchen

Interior Perspective - Bedroom

Building Section

Building Section

CORES AS OBJECTS
SPLIT ROWHOUSE

Fourth Floor Plan

Third Floor Plan

Second Floor Plan

First Floor Plan

Programmatic Axon

29

30

SKINNY
ROWHOUSE
ASSIA BELGUEDJ
DAN ADAMS
DARIEN FORTIER
LUCAS CARRIERE
BRYAN ALLEN

31

ASSIA BELGUEDJ

The skinny row house type accommodates a single family in

INSTRUCTOR

a typical urban condition of the South End neighborhood in

DAVID HACIN

Boston, Massachusetts. Although a single unit is to function

COURTYARD VARIETY
SKINNY ROWHOUSE

COURTYARD VARIETY
as a single-family home, the typical unit type was designed
around a central courtyard privatizing the discovery and
experience of the living spaces towards the interior. Only at
two specific living spaces, does the house connect directly
with the public: on the roof courtyard and in the main living
room space. The organization of the unit around a central
courtyard allows for flexibility of unit types, where two units
can easily be paired to create a large center courtyard while still
maintaining an identity for a single unit type.

33

ASSIA BELGUEDJ
INSTRUCTOR HACIN
34

Unit Type A

Building Section

Unit Type B

Unit Type C

Building Section

Unit Type D

Second Floor Plan

COURTYARD VARIETY
SKINNY ROWHOUSE

First Floor Plan

Third Floor Plan

Fourth Floor Plan

Roof Plan

Sectional Perspective

35

Site analysis of the existing urban conditions of the

neighborhood in regards to transportation (public and
private), land use and distribution of green spaces
gave for a particular aggregation strategy across
ASSIA BELGUEDJ
INSTRUCTOR HACIN

the entire site. The site is divided into three larger

blocks containing smaller and more intimate blocks
within them. The aggregation within the three blocks
is to encourage a sense of community amongst the
residents, with placement of public spaces for leisure
and recreation across the many smaller blocks.

Site Diagrams

36

Figure/Ground Diagram

COURTYARD VARIETY
SKINNY ROWHOUSE
Aerial Perspective

Block Sectional Perspective

37

38

DAN ADAMS

The inspiration for this design came from the phenomena of

INSTRUCTOR

the suburban lifestyle. Freedom of the outdoors and access

MICHAEL GROGAN

to exterior living space lead to the question of how to make

URBAN SUBURB
SKINNY ROWHOUSE

URBAN SUBURB
this possible in an urban setting. The most logical answer
was to utilize space on the roof which typically goes unused.
Combining the Skinny Rowhouse typology with a centralized
stair core and access to the roof resulted in a balanced
programmatic distribution of space. The stair simultaneously
maintains privacy along the vertical axis for the bedrooms on
either side and brings guests to the public space on the top
floors.

39

The urban aggregation strategy is based upon two

main goalscreating density and encouraging urban
neighbors. By providing rooftop yards, residents will
have the same opportunity to develop relationships
DAN ADAMS
INSTRUCTOR GORGAN

with neighbors just as residents do in a suburban

context. This is made possible by providing a high
level of dense aggregation.

The existing bike path remains to be used as a

termination point for pedestrian walkways. Two formal
green spaces were also added in order to balance
density with open green spaces.
Site Diagram - Major/Minor Axis

40

Site Diagram - Green Space

URBAN SUBURB
SKINNY ROWHOUSE
Aerial Perspective

Street Elevation

41

DAN ADAMS
INSTRUCTOR GORGAN
Street View Perspective

42

Figure/Ground Diagram

Master Bedroom Perspective

Third Floor Plan

URBAN SUBURB
SKINNY ROWHOUSE

Fourth Floor Plan

Second Floor Plan

First Floor Plan

43

DAN ADAMS
INSTRUCTOR GORGAN
44

Zones

Building Section

Bedrooms/Private Space

Core Space

Building Section

Public Space

URBAN SUBURB
SKINNY ROWHOUSE
Interior Perspective

Interior Perspective - Living Space

45

DARIEN FORTIER

The organization of the skinny rowhouse unit aims to address

INSTRUCTOR

the challenges of lighting the center of the unit and creating an

MICHAEL GROGAN

appropriate connection between exterior and interior. Therefore,

BLURRING BOUNDARIES
SKINNY ROWHOUSE

BLURRING BOUNDARIES
private bedrooms were placed into two boxes, both opening
outward to enjoy light and views from either end of the unit.
The negative space between the two boxes became the
public space.
Two unit variations resulted from flipping the orientation of
the unit from back to front. One unit type had a 2 story street
front while the other had a 3 story street front allowing for a
distinction in composition between major and minor streets
and streets bordering green spaces. The major streets were
composed of the taller units repeated rhythmically with the
facade designed in a way to excentuate the skinny quality and
height of the unit. Minor streets and those bordering southern
green spaces were arranged with an AB pattern that allows
light to penetrate deeper into the site.

47

DARIEN FORTIER
INSTRUCTOR GROGAN

Aerial Perspective

48

BLURRING BOUNDARIES
SKINNY ROWHOUSE
Street Perspective

Street Section

49

DARIEN FORTIER
INSTRUCTOR GROGAN
Unit B Section

Concept Diagram

50

Unit A Section

Unit B

Second Floor Plan

BLURRING BOUNDARIES
SKINNY ROWHOUSE

Third Floor Plan

First Floor Plan

Unit B Axonometric

Unit A
Third Floor Plan

Second Floor Plan

First Floor Plan

Unit A Axonometric

51

The overall site strategy was meant to extend the

DARIEN FORTIER
INSTRUCTOR GROGAN

South End quality into Roxbury and provide a buffer

between the residents and the noise from Melnea
Cass Ave. Therefore the block strategy of the south
was repeated throughout the site, a green belt was
enhanced bordering Melnea Cass, and the block
oretation of the eastern end of the site was flipped to
divert attention away from the large obtrusive existing
buildings to the east, and instead create an axis that
makes the hospital tower and new park focal points of

52

Site Analysis

Figure/Ground Diagram

Site Plan

Street Elevation
53

BLURRING BOUNDARIES
SKINNY ROWHOUSE

LUCAS CARRIERE

The Roxbury site, unique in both its typology and

INSTRUCTOR

socioeconomic class became an area of architectural and

ALYSON TANGUAY

cultural resolution in this proposed site planning strategy. The

MIXED INCOME
SKINNY ROWHOUSE

MIXED INCOME
presence of lower income/authority housing was addressed
both at the level of the site plan and at the scale of the single
unit. A varying number of units across the site, a mixture
of moderate and luxury, as well as retail all conjoin in
an appropriately buffered and scaled resolution, one that is
architecturally conscience through a common facade and
massing strategy. A landscape element (both greenery and
hardscaping features) intersects the blocks at their highest
density as an urban relief. At their smaller scale, these spaces
become shared, uniting, private, and public elements.

55

LUCAS CARRIERE
INSTRUCTOR TANGUAY

Site Plan
56

Aerial View

Block Section
57

MIXED INCOME
SKINNY ROWHOUSE

LUCAS CARRIERE
INSTRUCTOR TANGUAY
In the adjacent comparison between existing
conditions and proposed conditions; both levels of
the site strategy are illustrated. The site plan, coding
the differing unit types, reinforces this strategy at the
scale of the block and the individual housing unit.

58

Site Concept Diagram

Figure/Ground Diagram

MIXED INCOME
SKINNY ROWHOUSE
Aerial Perspective

Proposed Green Space

Existing Row Houses

Existing Low Income

Proposed Housing

59

LUCAS CARRIERE
INSTRUCTOR TANGUAY
Elevations (Moderate 1)

60

Building Section (Luxury 3)

Elevations (Luxury 1)

Elevations (Luxury 3)

Building Section (Moderate 1)

Second Floor Plan

First Floor Plan

(Moderate 1)

MIXED INCOME
SKINNY ROWHOUSE

(Moderate 1)

Second Floor Plan

(Luxury 3)

First Floor Plan

(Luxury 3)

61

BRYAN ALLEN

No two apartments are lived in the same way, but in a row-

INSTRUCTOR

house development an architect/urban planner must rely on

SAM CHOI

some amount of repetition. This scheme attempted to adapt

LIVING IN DIFFERENT WAYS

SKINNY ROWHOUSE

LIVING IN DIFFERENT WAYS

three identical "skinny" parcels for two types of residents
singles and families. The "skinny" parcel were combined with
a duplex to create a variety of unit types including flats, family
duplex, family "skinny" and "bachlor/bachelorette. This project
aims to develop units for different modes of living Flat,
Family and Bachelor/Bachelorette.

63

BRYAN ALLEN
INSTRUCTOR CHOI
First Floor Plans

64

Unit Section

Alley Elevation

Street Elevation
65

LIVING IN DIFFERENT WAYS

SKINNY ROWHOUSE

BRYAN ALLEN
INSTRUCTOR CHOI
Master Plan

66

Sectional Elevation

LIVING IN DIFFERENT WAYS

SKINNY ROWHOUSE

When we began to aggregate the units across the site,

it was helpful to analyze the local area to determine
important patterns and thoroughfares.

After the first version of the masterplan (top right), the

second version begins to address the rift in the urban
fabric created by Melnea Cass Blvd (see bottom left).

Urban Site Analysis

Figure Ground/Site Specific Analysis

67

BRYAN ALLEN
INSTRUCTOR CHOI
Unit Interior View - Living Room

68

Unit Interior View - From Bedroom to Living

Unit Interior View - in Stair-wall

Unit Axons

Block Study - Ground Plan

69

LIVING IN DIFFERENT WAYS

SKINNY ROWHOUSE

BRYAN ALLEN
INSTRUCTOR CHOI
Block Study Perspective

Block Study Long Elevation

70

Master Plan Aerial Perspective

71

LIVING IN DIFFERENT WAYS

SKINNY ROWHOUSE

72

PUSH-PULL
ROWHOUSE
CHRIS FREDA
DAN ARTIGES
WHITNEY CHICOINE
TIM LORANGER

73

CHRIS FREDA

The interlocking rowhouse strategy provided me with an

INSTRUCTOR

opportunity to explore a different type of living experience.

DAVID HACIN

The nature of the interlocking typology allows units distinct

advantages over the typical rowhouse typology. First,
rowhouses are not bound to the typical front-to-back layout
which minimizes facade exposure and limits floor plan layout.
Interlocking units can push and pull in various ways to allow for

MAXIMUM EXPOSURE
PUSH-PULL ROWHOUSE

MAXIMUM EXPOSURE

a more comfortable living arrangment while maximizing facade

exposure. Second, the interlocking strategy allows for units
and their occupants to interact in ways otherwise not possible.
The interlocking of units creates overlapping of volumes and
opportunity for visual and physical access to shared spaces.

75

CHRIS FREDA
INSTRUCTOR HACIN

Aerial Perspective

76

Block Plan

Street Elevation
77

MAXIMUM EXPOSURE
PUSH-PULL ROWHOUSE

The logic of shared space and interactivity from

the interlocking townhouse unit was amplified and
applied throughout the site. This presented many opportunities for different qualities and sizes of spaces
utilized by residents of the units, blocks, development and city as a whole.

CHRIS FREDA
INSTRUCTOR HACIN
Site Traffic

78

Concept Diagram

Mixed Use Units

MAXIMUM EXPOSURE
PUSH-PULL ROWHOUSE
Block Perspective

Street Elevation

79

CHRIS FREDA
INSTRUCTOR HACIN
80

First Floor Plan

Section

Second Floor Plan

MAXIMUM EXPOSURE
PUSH-PULL ROWHOUSE

Third Floor Plan

Unit Section

Courtyard Elevation

Front Elevation

81

DAN ARTIGES

The Push-Pull Unit is based on the lateral movement of the

INSTRUCTOR

party wall separating two parcels. The strategy for this design

SAM CHOI

began with two extended service cores. The party wall wraps
around these cores creating large living spaces at the center
of the parcels. The push of this volume is accentuated within
the adjacent unit by negative space produced from the floor
pulling away from the extending volume. Each unit in a pair of

PUSHED PARTY WALL

PUSH-PULL ROWHOUSE

PUSHED PARTY WALL

parcels is given a larger extended living space.

83

DAN ARTIGES
INSTRUCTOR CHOI

Concept Diagram

84

The strategy for the site was to create a green envelope

for the aggregated units that connects the two large
park spaces while surrounding and separating the
neighborhood of aggregated units from the major streets

PUSHED PARTY WALL

PUSH-PULL ROWHOUSE

surrounding the site.

Site Plan

Sectional Model

85

Parti-walls and cores

DAN ARTIGES
INSTRUCTOR CHOI
86

Building Section

First Floor

Second Floor

Facade

Second Floor Plan

PUSHED PARTY WALL

PUSH-PULL ROWHOUSE

Third Floor Plan

First Floor Plan

87

WHITNEY CHICOINE

The nature of the push-pull rowhouse type allows for the

INSTRUCTOR

designer to take advantage of a flexible party wall. In my

ALYSON TANGUAY

design, there is a shared zone between two row houses

where the party wall undulates back and forth. This provides
the opportunity for certain rooms to get larger where they
need to, and for the circulation space to take up less space in
the individual units, by sharing one zone. It also provides an

FLEXIBLE PARTI-WALL
PUSH-PULL ROWHOUSE

FLEXIBLE PARTYWALL

opportunity for a shared light well to bring natural daylight into

the center of the units. The party wall is thus semi-transparent
at points to allow for natural light to penetrate into both
units, from above and from the front and rear facades, while
maintaining proper privacy between the units.

89

WHITNEY CHICOINE
INSTRUCTOR TANGUAY
90

Concept Diagram

Basement Floor Plan

First Floor Plan

FLEXIBLE PARTI-WALL
PUSH-PULL ROWHOUSE

Building Section

Second Floor Plan

Third Floor Plan

91

The site design is centered around the two main streets,

Washington Street and Harrison Avenue. These streets
are treated separately, Washington representing the
commercial center of the area, and Harrison as a greenway-type boulevard. The bike path is spread through the
site, and various parks widen the path.

WHITNEY CHICOINE
INSTRUCTOR TANGUAY
Site Plan

92

Block Elevation

Site Diagram

Typical Block Plan

Street Section
93

FLEXIBLE PARTI-WALL
PUSH-PULL ROWHOUSE

94

TIM LORANGER

The push/pull typology allows the designer to create unusually

INSTRUCTOR

large rooms for a rowhouse by having the ability to shift and

SAM CHOI

abstract the normally straight parti wall. In doing so this unit

became volumetrically symmetrical. The living room was on
the front for one unit, while on the back for the other and so
forth for each room in the unit. The only aspect which was
not symetrical was the entry sequence. Each unit had a main

DOUBLE FRONT BLOCK

PUSH-PULL ROWHOUSE

DOUBLE FRONT BLOCK

entry in the front with a car port in the rear. Because of this
double front situation the ally was widened and turned into a
pedestrian pathway with a large island running the length of
each block in the middle of the parking lanes. This creates a
figure ground contrary to that of the existing street condition on
the opposite side of the proposed line of the rowhouse.

95

TIM LORANGER
INSTRUCTOR CHOI
96

First Floor Plan

Second Floor Plan

Third Floor Plan

Fourth Floor Plan

DOUBLE FRONT BLOCK

PUSH-PULL ROWHOUSE
Push/Pull Back Elevation

Block A Street Section

Push/Pull Front Elevation

Skinny Elevation

97

TIM LORANGER
INSTRUCTOR CHOI

Master Plan
98

Washington Street is the primary retail center on the

site and this was continued with the placement of
most retail units along Washington. Harrison is a less
traveled resedential street which becomes a spine for
the residential streets to branch off of. The park was
DOUBLE FRONT BLOCK
PUSH-PULL ROWHOUSE

moved from one end of the site to the other so that it

was closer to the exisiting school and the bulk of the
resedential units on site.

Site Analysis

Site Analysis

Site Analysis

99

TIM LORANGER
INSTRUCTOR CHOI
100

Model Perspective

Model Perspective

Model Perspective

Model Perspective

Perspective

Block B Elevation
101

DOUBLE FRONT BLOCK

PUSH-PULL ROWHOUSE

TIM LORANGER
INSTRUCTOR CHOI
Terrace (Roof) Perspective

102

Block A Section

DOUBLE FRONT BLOCK

PUSH-PULL ROWHOUSE
Street Perspective

Block B Section

103

104

STACKED
DUPLEXES
ALEXANDER DAVIS
BENJAMIN HOCHBERG
SARA LAPORTE

105

106

DEVIANT ROWHOUSE
ALEXANDER DAVIS

What is a Rowhouse?

INSTRUCTOR
Does it repeat over and over again?
Does it share a constant parti wall?
Does it keep a constant street edge?
Throughout the development of this project, at both unit and
site scales, there was a constant idea to test the boundaries
of what a neighborhood of rowhouses should and can be.
Although the design scale varies throughout, the concept
remains the same. At both unit and site scales, the pedestrian

DEVIANT ROWHOUSE
STACKED DUPLEXES

MICHAEL GROGAN

travels along a threading circulation path that stitches spaces

together (apartments or blocks). This resulting corridor ends
in either an exterior terrace or large recreational area. The
resulting design, although deviant from normal Rowhouse
design, explores the possibilities of the rowhouse archetype.

107

At the site scale, the varying blocks are treated very

similar to the various apartment units at the unit
scale. A pedestrian corridor threads its way through
the site much like the main staircase threads through
each rowhouse. This pedestrian corridor meanders
through the site connecting each block with important existing buildings, proposed commercial space
and large recreational areas. As this corridor passes
through blocks, open spaces are created that allow for
various social and recreational activities to take place.

ALEXANDER DAVIS
INSTRUCTOR GROGAN
108

DEVIANT ROWHOUSE
STACKED DUPLEXES

Site Plan

Street Perspective

Street Perspective

109

Section Model with Pedestrian Corridor

ALEXANDER DAVIS
INSTRUCTOR GROGAN
110

Street Section

DEVIANT ROWHOUSE
STACKED DUPLEXES

Block Plan

Stitched Open Space

Threaded Pedestrian Corridor

Automobile Traffic Hierarchy

111

Unit Section 2

First Floor Plan

Second Floor Plan

ALEXANDER DAVIS
INSTRUCTOR GROGAN

Unit Section 1

112

Unit Section 4

Third Floor Plan

Fourth Floor Plan

DEVIANT ROWHOUSE
STACKED DUPLEXES

Unit Section 3

113

PENETRATING MASS
BENJAMIN HOCHBERG

The row house is designed for the mass to interact with

INSTRUCTOR

exterior space. The mass is penetrated by exterior spaces to

ALYSON TANGUAY

allow both the ground floor and upper floor apartments their
own front door and access from both the alley and the

Portions of the building volume protrude to allow for private

exterior spaces. When these spaces interact with their
environment on the buildings facade, it results in shadow.
Futhermore, when they interact with street level, they create
a mediating zone between the sidewalk and the semi-private

PENETRATING MASS
STACKED DUPLEXES

street.

entry.

115

The site has three conditions of street: a long busy

street that acts as a barrier, main South End streets,
Stacked Duplexes

and smaller interior streets. The three types of

buildings respond to each of these conditions. Tying
them together and uniting the new development with
the urban fabric is a border park.

Duplex Over Retail Flat

BENJAMIN HOCHBERG
INSTRUCTOR TANGUAY
116

Live/work Duplex Over Retail

Public Space

Building Types Diagram

Urban Concept Diagram - Two sides joined with a pin

PENETRATING MASS
STACKED DUPLEXES
Detail Block Plan

Street Elevation

117

Street Section
BENJAMIN HOCHBERG
INSTRUCTOR TANGUAY
118

First Floor Plan

Second Floor Plan

PENETRATING MASS
STACKED DUPLEXES

Street Elevation

Third Floor Plan

Fourth Floor Plan

119

"L" SECTION
SARA LAPORTE

The stacked duplex unit type incorporates four distinct units

INSTRUCTOR

over a 40 x 60 parcel. While typically the units are stacked

SAM CHOI

above one another, this design takes advantage of an

L-shaped section to accommodate circulation requirements
and organize program spaces within the unit. To reach the top
both the circulation for each unit as well as the service spaces,
and modulates the living spaces for each unit. Upon entering
each unit one arrives in an informal living area, and passes
through the kitchen and dining areas to reach the formal
living area on an upper level. The bedrooms are located on the

"L" SECTION
STACKED DUPLEXES

units one enters through a thick central core. This zone houses

upper floors.

121

SARA LAPORTE
INSTRUCTOR CHOI
122

Site Plan

Sectional Perspective

Block Perspective Elevation

"L" SECTION
STACKED DUPLEXES

Typical Block Plan

123

As the site lies at the intersection of several

programmatic zones including a residential zone
to the north, institutional to the east, and primarily
industrial to the south and southwest the question
of edges was important. A landscaped buffer
was placed along Melnea Cass, while the typical
block plan was altered to avoid creating additional
Existing Green Space

Proposed Green Space

intersections along Melnea Cass. Because of its

location, the site is also surrounded by irregular
geometries. Where these geometries are reconciled,
pocket parks are placed that relate to the
neighborhood on a smaller scale, while the existing
park to the north relates to the larger community.

SARA LAPORTE
INSTRUCTOR CHOI

Stacked duplexes are placed along the main

thoroughfares, while interlocking units are placed
along the north to south connecting one way streets.
To help keep traffic off of these streets, a two way
Existing Vehicular Circulation

Proposed Vehicular Circulation

north-south connector is located on the eastern end

of the site.
Commercial program fills the southern most blocks to
relate to their industrial and commercial context.

124

Figure/Ground Diagram

AGGREGATION UNIT TYPES

STACKED DUPLEX:
TYPICAL UNIT: 4 UNITS

STACKED DUPLEX:

EXISTING BUILDINGS
INTERLOCKING:

TYPICAL UNIT: 2 UNITS

STACKED DUPLEX:
ONE PARCEL: 2 UNITS

"L" SECTION
STACKED DUPLEXES

RETAIL UNIT: 3 UNITS / RETAIL

Unit Aggregation Diagram

Sectional Perspective

125

Programmatic Diagram

Unit Concept Diagram

SARA LAPORTE
INSTRUCTOR CHOI
126

First Floor Plan

Second Floor Plan

Third Floor Plan

Unit Circulation and Spatial Separation

"L" SECTION
STACKED DUPLEXES

Unit Perspectives

Fourth Floor Plan

Fifth Floor Plan

Unit Perspectives

127

128

2 DUPLEXES
OVER FLAT
ASHLEY HOPWOOD
DENNIS GREENWOOD
ERICA LELIEVRE
NICOLE FICHERA
SAMUEL CLEMENT

129

BLENDING TYPES
ASHLEY HOPWOOD

The idea for my unit and master plan is to blend families

INSTRUCTOR

and working singles. The unit plan, while balanced in square

ALYSON TANGUAY

footage, has more bedrooms with less living space for the
working singles, and fewer bedrooms and more living space
for the families.
The blocks on the North edge of the site feature the family
units, blocks on the South edge of the site feature multi-tenant
Live work units line the blocks along Melnea Cass.
The green space on the site is a combination of two large
parks, one for families and one for working singles, and a buffer
zone between housing and the busy Melnea Cass Boulevard.

BLENDING TYPES
2 DUPLEXES OVER FLAT

units, and the blocks in between feature combination units.

131

ASHLEY HOPWOOD
INSTRUCTOR TANGUAY

Aerial Perspective
132

BLENDING TYPES
2 DUPLEXES OVER FLAT

Perspective - Family Park

View From Second Floor Balcony

View From Third Floor Balcony

133

The master plan is arranged according to major

thoroughfares and existing neighborhoods. Family
housing is close to the housing developments in the
Northwest edge of the site while multi-tenant housing
is close to the major businesses and commercial
areas lining the site. Major pedestrian roads respond
to the parks and retail areas of the site.

ASHLEY HOPWOOD
INSTRUCTOR TANGUAY
134

Family Units

Multi-tenant Units

Concept Diagram - Housing Types

Live Work Units

BLENDING TYPES
2 DUPLEXES OVER FLAT

Perspective of Multi-Tenant Park

Site Analysis - Vehicular Traffic

Site Analysis - Pedestrian Traffic

135

First Floor Plan

ASHLEY HOPWOOD
INSTRUCTOR TANGUAY
136

Section through Alley

Second Floor Plan

BLENDING TYPES
2 DUPLEXES OVER FLAT

Third Floor Plan

Street Perspective from Melnea Cass Boulevard.

137

VOID + WEDGE
DENNIS GREENWOOD

The project explores the typology of the rowhouse (specifically

INSTRUCTOR

duplexes over a flat) by removing party walls, a typically

ALLYSON TANGUAY

defining characteristic. A void replaces the party wall and

becomes an exterior zone of pushing and pulling private
spaces. This creates a reciprocal relationship between the units
while allowing light and ventilation to reach the flat below.
This void space then becomes a flexible zone in the
geometries. A wedge shaped variation of the design allows
a strip of rowhouses to curve along the block. In a similar
approach, wedge shaped greenspaces are used on the larger
urban scale to regulate city block geometries.

VOID + WEDGE
2 DUPLEXES OVER FLAT

rowhouse as it can be manipulated to adjust to site

139

DENNIS GREENWOOD
INSTRUCTOR TANGUAY

Aerial Perspective
140

Street Perspective

VOID + WEDGE
2 DUPLEXES OVER FLAT

Block Section

141

The site seeks to bridge the divide created by

Washington Street while providing a buffer from the
Melnea Cass thoroughfare. First floor retail units line
pedestrian friendly Washington Street and a bike path
and row of streetside trees skirt Melnea Cass.
Rowhouse variations were created to satisfy the needs
of the site and the principles of the design. The
greenspaces are designed to regulate the city blocks,
while creating a focal point within the site.

Commercial
Approx. 200,000 SF

Retail Residential
DENNIS GREENWOOD
INSTRUCTOR TANGUAY

53 Mixed Units

Residential
(3 Units per Parcel)

Site Diagram

142

Wedge Shaped Unit Variation

Street Perspective

Street Perspective

VOID + WEDGE
2 DUPLEXES OVER FLAT

Concept Diagram

143

Street Perspective

DENNIS GREENWOOD
INSTRUCTOR TANGUAY
144

Block Section

Block Elevation

VOID + WEDGE
2 DUPLEXES OVER FLAT

Street Perspective

145

Unit Section 1

DENNIS GREENWOOD
INSTRUCTOR TANGUAY
146

First Floor Plan

Second Floor Plan

Sectional Diagram

Unit Elevation

VOID + WEDGE
2 DUPLEXES OVER FLAT

Unit Section 2

Third Floor Plan

147

DOUBLE WIDE
ERICA LELIEVRE

The ground floor unit is a flat that takes up two parcels, and

INSTRUCTOR

so becomes 40 foot wide. Above it are two duplexes, each

MICHAEL GROGAN

20 wide. These three units share a 14 wide central core that

holds all of the bathrooms, kitchens, and closet spaces. The
residual spaces on either side hold the living spaces, such as

DOUBLE WIDE
2 DUPLEXES OVER FLAT

the bedrooms and living rooms.

149

ERICA LELIEVRE
INSTRUCTOR GROGAN

150

Block Elevation

DOUBLE WIDE
2 DUPLEXES OVER FLAT

Section Model

151

The site is split into three different zones, each of which has its own interior
community open space.

Retail space is spread throughout the site in two different ways. The first, which
can be seen along Washington street, is the exterior facing retail meant for the
general public. Here the retail would be located on the first floor with duplexes
above. The second type of retail is the interior facing retail which is located
inside each of the zones. This would be community space for the people who live in
the area. This interior facing retail has two different unit types. In the first type the
retail is on the ground floor with the duplex units above. In the second type, seen
on the corners, community space happens on all three floors.

Zoning Diagram

ERICA LELIEVRE
INSTRUCTOR GROGAN
152

Figure Ground Diagram

Unit Types Diagram

The interior-facing retail space has a large buffer zone between the street and the
open space that becomes a walking arcade. This connects all of the retail space
and also becomes a part of the pathways that connect the corner community
spaces.

DOUBLE WIDE
2 DUPLEXES OVER FLAT

Street Section

Street Perspective

Street Perspective

153

The open spaces inside

the zones also become
program. In this example
the playground is sunken
into the ground, eliminating
the need for fencing.

Perspective

ERICA LELIEVRE
INSTRUCTOR GROGAN
154

Section Type 1

Section Type 2

Section Type 1

Block Diagram or Unit Diagram

Section Type 2

DOUBLE WIDE
2 DUPLEXES OVER FLAT

Perspective

155

Longitudinal Section

First Floor Plan

Second Floor Plan

ERICA LELIEVRE
INSTRUCTOR GROGAN

Lateral Section

156

Front Elevation

Third Floor Plan

Interior Perspective

DOUBLE WIDE
2 DUPLEXES OVER FLAT

Corner Elevation

157

THICK ZONE CORE

NICOLE FICHERA

This project is based on a basic unit type of two duplexes

INSTRUCTOR

over a flat. The main concept is the expansion of the party

SAM CHOI

wall between the two vertical duplex units into a thick zone,
which contains all of the closed poche functions for the entire
building: primarily circulation, bathrooms, kitchens, closets,
laundry, et cetera.
Attached to the thick zone on each side are closed bedroom
the units (service and sleeping) occur in the closed volumes
of the bedrooms and the thick central core. The public living
spaces (kitchens, dining rooms and living rooms) are then
formed by the open interstitial spaces between these closed
elements.

THICK ZONE CORE

2 DUPLEXES OVER FLAT

boxes, offset at split levels. Thus, all of the private functions of

159

The diagram at right depicts the unit concept

as applied to the block. The central thick zone
within the unit is conceived as something which is
experientialyou are required at all times to interact
with it and pass through it to get from space to
space. By applying that concept to the front of the
aggregated block, a thick facade zone is formed
which mediates between the private world of the unit
interior and the public life of the street.

The elevation is conceived in terms of the block as a

Edge Block Elevation Axonometric

series of carved layers and frames with a projecting

living room volume. The layers make the thick zone
inhabitable in the same way as the core.
On a larger scale, the concept of a thick zone is used
to form a plan based on superblocks. The size of
the blocks responds to the character of the site. It

NICOLE FICHERA
INSTRUCTOR CHOI

is a part of the South End, which has a fine-grained

rowhouse texture, but it is additionaly a fringe
condition, surrounded by strips of industrial and
medical buildings. Thus, a modified version of the
block elevation incorporates a block-size unifying
frame element, and has less projections (which serve
to break down scale). Thus, the edge walls of the
super-block are unified and read as larger scale, and
Thick Zone Applied to Block Facade

160

the interiors of the blocks respond to the residential,

individual rowhouses.

THICK ZONE CORE

2 DUPLEXES OVER FLAT

Site Plan

Street Perspective

Block Elevation

161

LIV

I
SP NG
AC
E

Section Option 1: SPLIT LEVEL

increased spatial complexity and depth, diagonal
relationship of public and private

BE

DR

OO

CO

RE

Section Option 2: PACKED CENTRAL CORE

thickened party wall containing poche spaces [wet +
dry], leaving side spaces as public rooms

NICOLE FICHERA
INSTRUCTOR CHOI
HYBRID RESULT
thickened party wall containing poche spaces; private
162

Organizational Concept Diagram

and public spaces offset

Axonometric Diagram
163

THICK ZONE CORE

2 DUPLEXES OVER FLAT

The inhabitable core is modified by a series of additive and subtractive operations.

Spaces are carved out of the thick zone for spaces such as bathrooms, kitchens,
and circulation. In other cases, the core expands, sticking out into the room with
balconies and fireplaces. The nature of a rowhouse is to have long, narrow spaces;
by making the core inhabitable and letting it divide spaces by pushing out, the
rooms can be divided into more appropriate proportional dimensions. In the flat
unit, the core breaks off into smaller pieces, allowing a kitchen space in the center.
In all three units, the user constantly moves in and out of the core, using it as
circulation and inhabitable space. Gaps in the third floor allow the core to read
as an uninterrupted wall rising through the space. The separation of the bedroom
volumes on each end creates a dramatic open vertical space above the dining room,
Unit Section

First Floor Plan

Second Floor Plan

NICOLE FICHERA
INSTRUCTOR CHOI

bringing light into the middle of the unit with a skylight.

164

THICK ZONE CORE

2 DUPLEXES OVER FLAT

Exploded Axon

Third Floor Plan

Fourth Floor Plan

165

THE MISSING LINK

SAMUEL CLEMENT

The goal of the housing project was to create an ultra

INSTRUCTOR

pedestrian friendly master plan that would draw pedestrians

ALYSON TANGUAY

from the Boston Medical Center west of the site as well as

pedestrians from the apartment complexes to the north.
In order to do this a hierarchy of open spaces is arranged
to tempt public use. To draw users from the apartments a
baseball/recreational field was placed at the Northern most
edge of the site. Likewise a vast stretch of landscape tempts
the site. These open spaces are attached to a single road
going through the site about which smaller open spaces are
arranged to encourage travel to the commercial center along
Harrison Ave.

THE MISSING LINK

2 DUPLEXES OVER FLAT

the Mass Ave travelers to enter the south west portion of

167

SAMUEL CLEMENT
INSTRUCTOR TANGUAY

Aerial Perspective
168

THE MISSING LINK

2 DUPLEXES OVER FLAT

Block Plan

Block Elevation
169

Building Section

SAMUEL CLEMENT
INSTRUCTOR TANGUAY
170

Building Section

Unit Concept Diagram

Third Floor Plan

First Floor Plan

THE MISSING LINK

2 DUPLEXES OVER FLAT

Second Floor Plan

171

The pedestrians paths of movement along the center

road and the bike path along Melnea Cass draw travelers to rows of commercial development (grey) along
Washington St. and Harrison Ave. Staggered blocks
are generated to widen the alley as a second row
house type (Gate Unit, in black) negotiates this shift.

SAMUEL CLEMENT
INSTRUCTOR TANGUAY
172

Concept Diagram

Building Types Diagram

Street Section
THE MISSING LINK
2 DUPLEXES OVER FLAT

Street Perspective

173

174

INTERLOCKING
ROWHOUSE
ALLISON BROWNE
DIANA LATTARI

175

GREEN CORRIDORS
ALLISON BROWNE

At the unit scale the architecture take the attitude that one

INSTRUCTOR

can design with specific lifestyles in mind. At the block scale

ALYSON TANGUAY

yards are defined by sectional variation in order to create

thresholds into the different apartments. Raised green space
is given over to the street creating more private outdoor spaces
behind. At the scale of the city three green corridors are main
throughfares and retail is introduced to respond to specific

GREEN CORRIDORS
INTERLOCKING ROWHOUSE

conditions on the site, such as the institutions surrounding it.

177

ALLISON BROWNE
INSTRUCTOR TANGUAY

Block Elevation
178

Site Plan

Concept Diagram
179

GREEN CORRIDORS
INTERLOCKING ROWHOUSE

Our site sits on a transitionary area in the urban fabric. It is bordered by Melnea
Cass Boulevard which acts as a division between regular and irregular road types.
It is also at a place where many different types of zoning come together.

Site Analysis - Land Use Zoning and Regulating Lines

ALLISON BROWNE
INSTRUCTOR TANGUAY
180

Building Section

Building Section

Fourth Floor Plan

Third Floor Plan

First Floor Plan

GREEN CORRIDORS
INTERLOCKING ROWHOUSE

Second Floor Plan

181

182

TWO WIDE
DIANA LATTARI

The interlocking prototype of row housing consists of two

INSTRUCTOR

units that share one parcel. The units interlock volumetrically,

SAM CHOI

wrapping around each other across the parcel and each

consisting of three volumes. The dynamic shift in shape
and size of the volumes changes in response to the parcel
dimensions. The top volume holds private program, the middle
public, and the ground a mix of both. All circulation through
the units is located in the center of the parcel along the party
wall that separates the two units. Additionally, each unit has
an entrance from the street as well as access to a back alley,

TWO WIDE
INTERLOCKING ROWHOUSE

which also accomodates parking for each unit.

183

Second Floor Plan

Fourth Floor Plan

PLAN

Third Floor Plan

Unit Section 1

Unit Section 2

DIANA LATTARI
INSTRUCTOR CHOI

First Floor Plan

184

Corner Unit Front Elevation

Corner Unit Side Elevation

TWO WIDE
INTERLOCKING ROWHOUSE

Typical Unit Front Elevation

Sectional Model Through Typical Interlocking Units

185

Street Perspective

DIANA LATTARI
INSTRUCTOR CHOI
186

Typical Block Parti Diagram

The site is bound by prominent existing roads. By extending

these roads through the site, I was able to create a grid,
broken into three zones, within which I placed the city
blocks. The size and shape of these blocks picks up on
nearby existing urban fabric patterning. A belt of greenspace
acts as a buffer along Melnea Cass Boulevard in each of the
zones.

TWO WIDE
INTERLOCKING ROWHOUSE

Site Analysis: Major and Minor Streets

Figure/Ground Diagram

Site Analysis: Hierarchy of Greenspace

187

There are two different unit types included in my aggregation: the interlocking unit type (below) and the stacked duplex unit
type (right). These types yielded multiple unit variations, some accomodating retail space on the ground floor or adjusting to
meet a block corner condition. The varying unit types were then used to create patterning in the block schemes as well as
the overall site aggregation.

DIANA LATTARI
INSTRUCTOR CHOI
188

In addition to identifying each different unit used in the aggregation,

these diagrams also discuss the

public and private areas, with green

representing the most private of
spaces and yellow representing the
most public.

TWO WIDE
INTERLOCKING ROWHOUSE

program of each layout as well as

189

Block Plan

DIANA LATTARI
INSTRUCTOR CHOI
190

Site Section Through Typical Interlocking Units

TWO WIDE
INTERLOCKING ROWHOUSE
Site Section Through Corner Interlocking Units

191

192

ROWHOUSES
ARCH 5110 HOUSING AND AGGREGATION
SPRING 2010
The projects in this volume were designed
as prototypical residential types and city
block plans by fourth-year students in the
undergraduate architecture program at
Northeastern University in Boston.