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    Definitely more of a doom feel to it with, influential sounds from Black Sabbath. Features: Heavy distortion with a fuzz pedal on the guitar. Reverb on vocals as well as the lead guitar.

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    listeningguide

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    Definitely more of a doom feel to it with, influential sounds from Black Sabbath. Features: Heavy distortion with a fuzz pedal on the guitar. Reverb on vocals as well as the lead guitar.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    83 views2 pages

    Listeningguide

    Uploaded by

    api-272907077
    Definitely more of a doom feel to it with, influential sounds from Black Sabbath. Features: Heavy distortion with a fuzz pedal on the guitar. Reverb on vocals as well as the lead guitar.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    ListeningGuide

    CreatedbySamuelMoody3/15/15

    Seer
    RecordedbyWitch(2006)
    TeePeeRecords
    https://www.youtube.com/watch?v=glaivCGdlII
    Tempo:Thetempoisapproximately98beatsperbar.
    Form:ABABCrepeatsfortwelvebarswithaguitarsoloonC.
    Corusthenthebridgewithaguitarandbasssolothencomesbacktothecorus
    Definitelymoreofadoomfeeltoitwith,influentialsoundsfromBlackSabbath.
    Thisartistshouldbeplaceinthebookbecauseitshowsthemusicalinfluencesoftheseveral
    differentartistssuchasBlackSabbath.
    Features:Heavydistortionwithafuzzpedalontheguitar.
    Reverbonvocalsanddrumsaswellastheleadguitar.
    655:Guitarsolothatcreatedanentirenewleveltothesongtyingitinwithheavymetal.
    Influencefrom:
    JMascisofDinosaurJr.Guitaristspreviousband.
    1. GuitarsheavilydistortedDrumsandbasscomeincreatingadoomriffthatplays
    throughoutthesong.
    2. Leadsingercomesinwithreverbandraspyvocals
    3. WouldbeplacedinChaptertwelveHardRockandHeavyMetal.
    4. TheGuitarandbasscreateanintensedistortionthatflowsreallywellthroughoutthe
    entiresong.

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