GLEE AND CHORUS BOOK Jj. E. NeECOLLINS AMERICAN BOOK COMPANY NEWYORK~ wt, CINCINNATI os CHICAGOCoryricHr, 1911 J. E. NECOLLINS Entered at Stationers’ tall, Londen Glee and Chorus BookFOREWORD NUMBER of features essential to a Glee and Chorus book for up- per grammar grades and for the High School are included in this volume. Every composition in the collection has been carefully edited to assure an authoritative music and English text. To establish a logical basis of phrasing, strict attention should be given, not only to the phrasing as it is suggested by the length of the poetic line but also ‘by the breathing marks which have been added with great care to every \ composition requiring them. This is a distinct aid in the interpretation of the music and serves to emphasize not only the phrasing, but the rhetorical fea- tures of the English text as well. Pages 7 to 144 consist of a group of selections chosen from a wide variety of sources. Many of these are new in the literature of glee and chorus music. They represent a varied list of compos- ers and of forms. Great care has been exercised in the arrangements that in- clude the use of boys’ voices. At times this arrangement requires their partici- pation in a brief chorus; again, it is continuous throughout the composition. Among the arrangements there will be found: four-part works for the So- prano, Alto, Tenor and Bass; Trios, for two unchanged voices and a Bass; unison choruses leading to the full chorus; semichorus (for Soprano and Alto or for Tenor and Bass ), and the unison chorus throughout. ‘The pianoforte arrangements are, in all cases, adequate for sustaining the voice parts, and yet they have been so simplified that they do not make re- quirements that only an expert pianist is qualified to supply. Many of the compositions of this col- lection are provided with a text de- scriptive or explanatory of the music, of the composer, or of the historic as- sociation of the music and text. It is hoped that this analytical matter may be employed as a basis (1) for fixing the music on the mind; (2) for relat- ing it with a fact or group of facts that will tend to correlate with other histori- cal and cultural knowledge. To secure for the student the utmost value from these features of the book, it is sug- gested that the explanatory and histori- cal paragraphs be made the basis of ac- tual lessons about the music itself. This forms the true fundamental of music appreciation, for appreciation is based on knowledge, not on any hazy, un- formed emotional feeling that may otherwise be aroused. (8)From page 145 to the end, there will be found a collection of Devotional, Patriotic, Familiar, and College Songs, among which there are included some Slave songs and Rounds. Equally with the larger compositions of this book, the shorter ones have been no less carefully supplied with breathing marks to aid in the interpretation. ‘The two patriotic songs: The Star- Spangled Banner and America are printed in the rhythmic form adopted by the Music Section of the National Education Association. At the end of the volume there will be found a presentation of the essential facts of the Rudiments of Music. These are amply illustrated by music examples, and the text may be made the basis of test examinations in this subject. ‘The Musical Terms, which conclude this portion of the work, explain every term used in this book. The Conductor. Themost important duty of the conductor is to indicate the correct tempo. To know the proper tempo and the many variations of tempo demanded in an artistic render- ing requires a well-cultivated musical judgment and considerable musician- ship. To assist the young conductor in finding the general tempo, metronome marks have been placed at the begin- ning of each selection and sometimes in different places in the composition. ‘These marks are not to be too closely followed. Variations of the general tempo are often not only permissible but are desirable and necessary to the proper interpretation of words and music, It is quite impossible to indi- cate all of these modifications of tempo. Thorough study of each composition, no matter how simple, supplemented by careful listening to music performed by capable artists, and continued study of the interpretation of music under skill- ful conductors, is the best way to de- velop the musical taste and judgment demanded of the conductor. Perhaps the next most important duty of the conductor is to secure the proper phrasing of the words and music. Throughout the book breath marks have been inserted, where a breath is es- sential to a good interpretation. It will be found necessary to take breath at places not indicated; generally in such cases the phrase should not be broken by the chorus taking breath at any one place. The Chorus. In the organization of a chorus certain things are essential to suceess? 1. The voices should be classified. It is not safe to allow singers, espe- cially in school or college, to choose their own part. Individual classifi- cation is not only desirable, but abso- - lutely essential. The director should be qualified for this most important duty which requires especial profes- sional training and mature judgment. 2. The chorus must be seated by parts. It is impossible to obtain satisfactory results with basses and tenors, or sopranos and altos, sitting together. If the bass and tenor ‘parts are not strong it is well to seat them near the center and well to the front, thus: —BOY SOPRANOS TENORS, BASSES ACCOMPANIST ¢| © CONDUCTOR If the bass part is strong, the following plan is preferable. BOY SOPRANOS| TENORS scconmanste| /-enoveron | | 8, The accompanist. It is not wise for the conductor to attempt to do the accompanying. In every school or college there will be found young people who play the piano sufficiently well to learn to ac- company. The accompanist should play the music accurately, and follow the conductor's beat perfectly. 4. Method of rehearsing. ‘The most desirable manner of study- ALTOS BASSES. ing a choral selection in school is not unlike the method used in a good chorus choir or choral society. The very best form of rehearsing and sight reading is unaccompa- nied. This is the ideal way. In case any part cannot sing the mu- sic at sight simultaneously with the other parts, the part should be taken alone, with the piano if necessary, the accompanist always playing at the actual pitch of the voices and the- ee octave above. One of the worst mistakes is made in allowing any part to be repeatedly sung incorrectly. . The chorus must watch the conductor. The success of the chorus largely de- pends upon the ability of the con- ductor to secure and hold the atten- tion of the chorus. Each member of the chorus must be taught to watch the conductor’s beat contin- ually. Otherwise successful choral work is impossible. Interest and enthusiasm must be a- roused and maintained. Probably no subject in the school has a greater attraction for young people than music when it is properly pre- sented. In school or college the success of the chorus work depends upon the ability of the music di- rector, Itis entirely feasible to make ‘the music period of invaluable bene- fit to the schoo] and of great in- terest to the students. The chorus should be composed of all the stu- ents in the school who can sing. It is a vital mistake to make the music elective, thereby allowing other in- terests to disintegrate the work of the chorus. Careful preparation by the conductor ts vitally necessary. This includes: a, The tempo and all modifications of the tempo. b. All dynamic changes which are contemplated. e. Thorough familiarity with the meaning and emotional content of the text. d. Familiarity with each part and the comparative prominence to be given each part at different places in the composition, and how each part is to be phrased. e. Possession of available anecdotes or facts concerning the composer, the author, or the text. f. The conductor must have sufficient knowledge of the singing voice, and skill in teaching to obtain safe and musical tone quality from all parts. The Voice. Boys whose voices have not changed should be encouraged to remain on the Soprano part. ‘The Boy Tenors should be carefully watched. Boys whose speaking voices are rough and broken while changing should be led to stop singing altogether until the voice becomes normal. The skillful conductor will eliminate the “open,’’ “shouting,” upper tones too often found in the tenor part, and se- cure and maintain the ‘‘covered’’ tone quality. The basses also will be taught to cover the upper tones. The stiff jaw, closed teeth, and the resulting harsh, unmusical tone quality must be supplanted by a free, relaxed jaw and tongue, with a corresponding improvement in the tone quality. The altos should not be allowed to force the lower ‘‘chest”’ register beyond its legitimate compass, but should be taught to carry the head tone down and thus avoid the break and strain re- sulting from misuse of the ‘“‘chest’’ tones.GLEE AND CHORUS BOOK AMERICA FOR ME Faxomuex H. Mantes Monrrz E. Scawane Mare sme g = 130 = my faaee eel 2 ort = — ot — Ee a] +f § $ i. = of ode a al 1. Its fine to cross the wa - ters And see the oth - er side, The 2, The won-drous sightsof Eu - rope With cen-turied dust are old, Her Le ee (pLaaa : Co AB ge pe eg eR emer SSS Se tint - ed coun-tries on the map Which Eu - rope claims with pride; Where we sun a_ pale re - flac- tion of Un-num- ber’d suns long cold. But the 8 - 8 = a) Ss |. [—— Ts! view thetowns his - tor - ic, Works of art that time out - last;. . day is on - ly dawn = ing For the coun- try that we love;. —? ao Fess Bat one canhave too much, I find, Of rel - ics of sky -.line of her fa - tureglows Bright in the heavens a - 2 <_ (1)one can have too much, I find, Of rel - ics of the past! sky - line of her fu - ture glows Bright in the heavensa - bove! - So it’shome a-gain, yes, home a-gain, A- mer-i- ca for me! For =: F. yearn- ing,And ber coast I long to see, Where the eng J hfe & past is on - ly re -cent,Where free - domknows no bars, And... v ‘Where with thewhite and crim-sonstripes, In the blue flash forth the stars. .BLOW, YE GENTLE BREEZES, BLOW Mavp Stpuer ‘J. Cunistormen Marxs, 1863- é Allegretto ¢ , =69 ap —— ee =a SS p= re Fagg eerie age aed eeeg eg cag garg egitim eee ear uea ear gar geet e aeer eer Vary agt gee Ger the mesd-ows and the ses, Ger each fra -grant hill and vale, ren = tly, gen - tly blow... gen - tly gen Uy, gen thy : ri pene tu = see ee eee es Blow, blow, gen-tlyblow, gen - tly Cu + el Win = ter now has gone, Joy oun Spring - time comes a - long, On | the trees the leaves ap - pear, Tell. ing us that Spring «shee, And buds... hum, ee ‘cents a copy and can be obtained of the H. W. Gxar Con, Copyright, 1804, by Novaiio, Ewan & Co. Published separately (1 Bast 17th St., New York.10 Blow, ye gen - we ——— ee ee 9 — = jorge Tif 2 a atempo _| _s z so = * tJ = SS SS See. buds sa-lute the day, . . and buds sa-Iute the day... Hum,.~.. sound with mel - 0 - dy, . . — re-sound with mel - o - dy. .. oe ~~ fe rs isu fe 2s of: 1 et = = sa-lute. . . the day. tweet = en, bow er the mend - oms andthe ats Meer! GE tiow oer cach “ttn = grant Ri and wae a . , Cru - el Win - ter now has gone, On the trees theleaves ap-pear, 9 a a = ae tr te = oy =a ee = 3 ies 2S Ss Joy - ous Spring-time comes a-long, And ev’r - y bird tells out its song, And Tell -ing us that Spring is here, And all the wood-lands far and near, Re - gees. a a — a — a — 9-2 2 _—— —— = ——— ae e s+ ie with metEnding of first verse ute the ‘bude sa - lute the dim, ye rit o - = dy. And all the wood-lands far and near re-sound with mel - 0 - Re-sound with mel_- 0 - ay eet 5 : Sa * == z je é a poe Tor terer © near, ‘a. sound with mel - o - dy, re - sousd ) — ed eae ere SSS dy, with mel - 0 - = ay, with ml - 0 - - ay, re - sound with DI sound, i Sr with mel - 0 - dy, . » + + with mel-o - dys. « :YEAR Sir Anrmun S. Svutivax, 1842-1900 THE NEW Frances Rioiey Havmoat 1886-1879 Unison = 66 7 val ‘mp legato 1. Stand - ing at the por - tal Of the op’n - ing year, . 2. I, the Lord, am with thee, Be thou not a - fraid; . fail us, He will not for - sake; . 3. He will nev - er mp, —=——_ re _ . hs SSS z= | rae Teepe el, rt Words of com-fort meet us, Hush-ing ev'r - y fear; Spo-ken thro’ the I willhelp and strengthen, Be thou not dis - mayed. Yea, I will up- His e-ter - nal cov’-nant He will nev - er break. Rest -ing on His o Jopy : x x = —= sat mf ho = ———— = baad naa * si - lence By our Fa - ther’s Ten-der, strong and faith - ful, hold thee With My own right Thou art called the cho - sen, prom - ise, What have we to God is all - suf - fi - cient 1 i mf a L at = = ——— Et 5 = a === a ToS ad = ee Pe a 2a Ss = 5 8S SS55 -—— = = o Ee = # ae 7 Ts ' f Mak- ing us re - joice On - ward, then, and fear not, In my sight to stand. For the com - ing year. 4 e ile eee eg = = f chil-dren of the day; . be. ipPARTING Con espresstone ) .=72 p _ —— == a S SS 2 3 = or? 1, Three knights went rid - ing a - way to the war, The 2. There's one that part - eth, his name is Death, The 3. He part-eththe babe from its moth - er’s breast, Would — Ps ete eS SS = = o> ~ ——h = op = wt ~ —————— ca as la - dy look’d out from her lat - tice far, eee Sir maid-en’s bloom fad - eth be - fore his breath, A - da;... He God that I might from my la - bors rest, eee Tho’ it ae : ak pe « & ee SSS v _ < — ses — 3.4 — SS es Knight, if this part - ing needs must be, Take the ringfrom thy fin - ger and part-eth full man-y a man and wife, And break-eth the chord of their be not to - mor - row, ah, would t’were to - day, And I weree’ennow on my R: a % al . — on poco ritard mss a=, For part-ing brings sor-row al - way. a- a2, For part-ing brings sor-rowal - way. a= d®, For part-ing brings sor -row al - way. ‘geo ilard me = f to = CSS give it to me, A- dé, love and life: A- de, home-com-ing way: A- da, = Be De ees SSKITTY OF COLERAINE Unknown Cast. F. Prtce Lively J As beau-ti - ful Kit-ty one I sat down be - side her, and 1 2 poco ritard pa ————— 3 = roe ees = z & ; morn -ing was trip-ping, With a pitch - er of milk from the fair of Cole - gen- tly did chide her, That such © @ mis - for - tune should give her such a ss Se raine, Whenshe saw me she stum - bled, the _piteh - er pain; A kiss then 1 gave her, be - fore (Copynett, 1610 and 1011, by Toxtay-Munxprra Co, Used by permision,| === SS tum - bled, And all the sweet but - ter~ milk wa - ter’d the plain. leave her, She vow’d for such pleas-ure she’d break it oa - gain. | |. — — == Se tw © what shall I do now,’twas look - ing at you now, Sure, sure, such a “Twas hay-mak- ing sea-son, I can’t tell the rea-son, Mis - for - tune will ee oe oe + T ee pee pitch -er I'll ne’ermeet a- gain, "Twasthe pride of my dai- ry, O nev - er come sin- gle,that’s plain, For ver - y soon aft - er poor ie q w + IJ = = Bar-ney Me - Lear-y,You’re sent as a plague to the girls of Cole-raine Kit-ty’s dis - as - ter, Sure nar - y a pitch-er was whole in Cole-raine.16 OUR BRIGHT STARRY BANNER Jacaves Orrexnacn, 1819-1880 Arranged ‘From the opera The Grand Duchess. The title of the song in the original is My Father's Sword. It is undoubtedly the most tuneful and catchy melody of the opera. It occurs in the first act, and is sung by the principal character. While the Tales of Hoffman has recently come into great popularity, it is probably true that The Grand Duchess, written in 1867, is still the favorite work of this composer. _ Tempo di marcia g = 96 (ig 5 1, From ev’r - y hill and evr - y 2, Firm- ly — our coun-try’s rights we're — — ee = moun - = tain, From evr - y riv - er, lake and shield - - — ing, Ne’er will we cringe to for - eign sea, From evr - y for - est glade, and foun - tain foe; Evy - er to free -domstand un-yield ~- ing,wv = We hear thesong of lib - er-ty; Hear the bold an-themnow as - And for our homes we'll strike the blow; Should e’er the clouds of bat - tle = mf SS— SSS 3 = se —~- = eend - ing Up - ward onwings of love a - rise, With low - er O’er our be-loved and sa - ered land, Then spir - it voic-essweet-ly blend - ing In joy - ous realms be-yondthe shall our nation’s strength and pow - er In one un -_bro-ken pha-lanx Hail!then, for - ev - er, ourbright,star-ry 22 «gt -_v 18 SSeS San ee ad . ban -ner; Hail to the flag of And let our our coun-try braveand free, . se Re-sound the glad prais -es ritard 5 : voie- es im joy - ous ho-san - na = glo - rious lib - er - ty, — oe 3 2 =19 THE LINDEN TREE Buawz Perer Scuvment, 1797-1828 side the flow - ing stream-let Where grows a Lin-den tree, I atched the sunlight pass - ing, And saw the twi-light pale, I now wher-e’er_ I wan - der O’er dis - tant land and main, That spent the hours in dream - ing In youth - ful days and free; I said ‘‘Good- night,dear Lin - den, My task 1 will not fail, Wher - youth - ful scene I pon der And bring it back a= gain, I heard the leaf-lets whis-per A mes-sageclearto me: “Go forth, © youth-ful ev -er I may jour-ney, Thycoun-sel I will heeds And do — my part with hear the Lin-den call A-cross the rest-less sea: ‘‘Comeback, come bacl -2-=— _F Fe a oe wan - d’rer, The world wide and free, The world is wide and free. faith-ful heart, To jus - ti- fy the deed, To jus - ti- fy the deed.” childhood friend,Come back _a- gain to me, Come back a - gain to me.” aan ~ a ee £ ee Ps SS 220 THE TORPEDO AND THE WHALE FROM “OLIVETTE” Epaoxp Avpaax, 1842-1901 In the opera Olivette, which Audran composed in 1875, this rollicking, good-natured song occurs in Act II]. Itis sung by the principal character, Olivette, and the chorus. ‘Allegro non troppo g = 112 eee eace 1. In the North Sea —liv'd 2 All went well un = til 8. “Just you make tracks,’ cried a whale, one day, In the North Sea All went well un - the ‘whale, “J just. you - make tracks,’* aie iG ¢¢ Ft ¢ F liv’d a whale, In the North Sea liv’d a whale, til one day, All went well un - til one day, cried the whale, “Just you make tracks,” cried the whale,Pepe == SSS Big in bone and large in tail, Big in bone and large in tail, Game a strange fish in’ the bay, Came — strange fish in’ the bay, tail, Then he lashed out with his tail, Then he lashed out with his e whale used un -du- ly, To swag-ger and bul- ly, And ob! And fish was in-deed,Oh, | A Wool-wich Tor - pe - do! But oh! But fish be - ing load-ed, Then and there ex-plod-ed, And oh!.. — And 5 = — =} =—— SS]oe “ — Z STS = 4 The la - dies loved him so! This whale used un - The big whale did not know! This fish was in- That whale was seen no mo’! The fish be ing mf t du -ly, To swag-ger and bul - ly, And ob! And oh! The deed oh! A Wool-wich ‘Tor - pe - do! But oh! But oh! The And oh! And oh! That load - ed, Then and there ex - plod - ed! la~ dies loved him so! big whale did uot know! whale was seen no mo”HARK, THE MERRY ELVES Dr. Jouw Watt Cateorr, 1766-1891 Dr. Calleott was born in Kensington, London. ‘Though he was almost entirely a self-taught musician, he ‘had some solid instruction in organ playing from Dr. Whitney of the Kensington Parish Church. This instruction probably aided him to develop in his own way his gift for composition, He excels as a writer of part songs and gles. ‘As a mark of distinction for his attainment in music, he was made © Doctor of Music at Oxford University in 1800. f Allegro d= 38 Soe =— Hark the mer-ry elves of fair - y - land, Hark the mer-ry elves of fair - y - land, — eee the cold moon’s gleam-y In glance, the cold moon's gleam-y glance, ’ : Allargando a tempo 9 dolce ’ t f = In the cold moon’s gleam-y glance, They with shad-ow-y mor-tals dance, dolee —== + 9 tele SSS They with shad-ow-y — mor-tals dance, p Z Caen ee Soft mu- sic dies a - long the des—=—= taal es mu-sic dies a - long the des - ert = Zz Ee land, — rilarde dim. mn 7 ’ a land, a-long the des - ert land, a- long the des - ert land. dies a-long the des - ert land F Bpiritoso p culan dim. Soon at peep of cool - eyed day, Soon the nu-m’rouslights de - cay, df ~~ + gp SS —_ spiritoso 8 ealando i adagio a = eS 5 Se Sa Soon at peep of cool - eyed day, Soon the nu-m’rous lights de - cay. — — 4-2 f a =~ = - He ft = oe b = tempo primo on N A te ARN. fe =] Mer - ri - ly, now mer - ri - ly, mer - ri - ly, now mer- ni - ly,“s Pe A (ee ee re Aft - er the dew-y moon they fly; Mer-ri - ly, now mer-ri - ly, 2 J, pb». oe _—— = SS ee te bres, mer - ri - ly, now mer-ri- ly, Aft - er the dew - y moon they fly, ores, 2 : A - er the dew- y moon they fly; Mer now mer - ri - ly, p . f, > = io eS —ts SS SS SS ee Sj ees m == 2a mer-ri - ly, now mer-ri-ly, Aft -er the dew-y moon they fly, . mf te = t—— a P- ss —< = = > = ie 7 the dew - y moon they — fly,26 THE VIOLET’S FATE Epwanp Oxexron> Allegretio. J = 116 Franz, Awr, 1819-1885 eres. ts t aera nae = E Ss = ss ? eS SS SSS 1, "Neath a wood - stack a - lone, A-mid man - y a ps Its soft voice it would Taise, And full sweet was its a ree. i Peo Sy 35. + — fh — 2 tS era An - swer some ques-tions Sure - ly the rea - sons Care - ful - ly look wher-e’er they’re found, and come and re - port to me. - + -- = SS for me now, of some of the things I sec. you must know, so won’t you ex-plain to me? dope -2 eS SS SS = opt a LULL oe ee Rermus a fempo han aE Bob - o- link, tell Bob - o- link, tell Bob - o - link, tell me, tell me true, How does the clo ver grow? me, tell me true, How do the shad-ows fall? me, tell me true, Is there a fair - y ring? " = #- = s- = s a === — a + + fom .&—,& Where do the dai - sies What makes the 0 - cean waves go? How does the rob - in build her nest? Where does she learn her soft call? . How do the birds know how to fly? Where do they Jearn how to sing ?. 1 2 4 le oe = Ped. Copyri! Pel * oN, by TeLLaRMuaxDrTH Co. Used by permissionWhere does the rain - bow start and end? Whatmakes the sky —r—>. pe so oe SSS so so fresh, and green ? Dot - ted with flow - ers, What makes the grass Who is it hangs the cob - webs out? Where do they make the — = + sa = ——- = = ee e cid d, * wwe Tellme the rea-son, my lit - tle friend, Bob - 0 - link, an-swer me, true! Some of these things you have sure - ly seen, You can-ex-plain it with-out a doubt, Bob - o- link, an-swer me, true! Bob - 0 - link, an-swer me, true! SONG OF THE DAWN Faenenice H. Mantes Cooutte Sare-Sains, 1835 “Samson and Delilah” This charming chorus is sung by the Philistines in the second scene of the third act of Samson and Delilah, which is one of the most deservedly popular of the modern French operas. It is frequently given by Choral Societies, without dramatic action, and it lends itself admirably to this form of presentation. Samson and Delilah was written in the year 1885, and was first produced by the Paris Oper Tn poco piu lento = 84 =< = rae a Ss stars gleam- ing rose tints are ———— SS ve Un poco piu lento ae p sempre - SE =SEEe abright in night’sdusk-y deep-’ning in - to SS # ee | t3 os Fad -ing, faint - er The skies swim in — — leap =e 7 — | ian aE a eS et shine as night slow-ly light and clouds un - ae Ey - er pal - er From theirveil e - —*- En» oe aoe r= + SS a —— 3 — 3 — 4 eee co eS = < éigac oe oe rae glow - ing, and dimmer show - ing, go - ing; For a-long the merg - ing, the sun up-surg - ing does heav’na - dor; Her-ald-ing the+ fe —— ee cloud-banks the dawn - flush lies, dawn - flush lies, morn of hissplen-dor born, splen - dor born, long the clouds the dawn - flush — lies. morn-ing in splen 2. oe ee : aS egis=t—t 2 eet — vs = = lez( ( 42 THE CLANG OF THE FORGE Hexay Vavemax, 1621-1693 Pam Ropxrr expla == mf Basses on pune eS 1. The far - nace fires 2, The har - vest moon SSeS = = SS Se ve oe = are shin - ing Thro’ the dark-ness clear and is ris - ing And the reap -ers pass a ~ ___ralt 2 = | 3 SS Se = 4 ——— f - a = +e - <> bright, For the jo - vial smith is work - ing At the long, ‘As home to the peace - ful vil ~ lage They ah - we = 3 % oy ae testebe he 1 = <— == a = a ——= = rs Sj vil = lage forge to ~ night. Look up! how the sparks are go with a joe - und song, But the smith must still be fly + ing, The iron is all, =a = glow work - ing, The sparks fly all ~=— a = round: = E — = + > i: Clang! Clang! the an- vil rings, Clang! Clang! the ham-merswings, With Clang' Clang! the ham-merswings, Clang! Clang! the an = vil rings Till the stead-y beat and slow, With stead-y beat and slow. hills giveback each sound, The hills give back each sound. ’ we ae——S = 7 er Ding! dong! Join in the song, Ham-mer and an - vil bright! . : : Se Sage = as See es eet ES == —— Work and sing, Make the hills ring With the clang of the forge to - —— night! . | Ding! dong! Join in the song, Ham-mer and an - vil

= Ss. = = i — cling of the — for ee With theSANTA LUCIA Italian This is the favorite song of the Neapolitans, Santa Lucia being the patron saint of the district. She is par ticularly the patron of the fishermen, who sing this melody while at work. Allegretto N= 112 sil - ver moon O-cean is glow-ing, O’er the calm bil low wa - ters Light winds are play - ing, Thy spell can soothe us, a ds are blow - ing. Here balm - y zeph-yrs blow, Pure joys All care al - lay ~ ing. To thee, sweet Na- po - li, | Whatcharms are And as y All things de - Where smiles cre - i Toil blest byJoy - ous - ly ech -oes nigh: San - ta = Cuonvs + a! Home of fair th ee Home of fairA CAPITAL SHIP Allegro giusto ¢ 104 Old English gro =K Fear axp Trxors OR SOLO n. 7 — ——s = E 6 SSS a 1, A cap-i- tal ship for an o - cean trip Was the 2, The bo’ - swain’smate was ver-y se-date, Yet 8. The cap - tain sat on the com-mo-dore’shat, And 4. All nau-ti-cal pride we laid a- side, And we 5. On Rug + bug bark from morn till dark, We eS = 3: = 2 —— os - = SSS i or = a z > BSS SSS SSS SSS os aa = ve + Wal-lop - ing "Win - dow Blind! No wind that blew dis - fond of a = muse - ment too He played hop-scotch with the dined in a roy - al way, Of toast - ed pigs and ran the_~—ves=sel a - shore On the Gul-li- by isles where the dined till we all had grown Un - com-mon-ly shrunk; when a b- = — ae = = ——— % _ = ——— aoe =a —— Sy + ———— —"s Gs SSS mayed her crew, Or trou-bled the eap - tain’s mind, The star - board watch,Whilethe cap - tain tickled. the crew. And the pick-les and figs, And gun-ner-y bread each day. ‘And the Poo - poo smiles, Andthe rub - bly Ub - dugs roar. And we Chi - nese junk Came up fromthe Tor-ri-bly zone. She was — = sz * = = =e. < 1 1 =SS See eS SSS <3 LLC CCCs | man at the wheel was made to feel Con - tempt for the wild - est gun-ner we bad was ap-par-ent-ly mad, For he sat cook was Dutch and be~-haved as such, For the sat ontheedge of a sand - y ledge And shot chub-by and square, but we didn’t much care, So wecheer-i - ly put out to on the aft - er di- et he gave the at the whis - tling —* i». re # — . pas a \ ! os ——— = + + —=— - = - oF oe oS 2 t > Nl + po — =: Z — —— blow - ow - ow, Tho’ it of = ten ap = peared, when the ral - af - afl, And fired sa - utes with the cre - ew - ew, Was a mum-ber of tons of . bee - ec - ee; And the cin- na-mon bats wore sea - ce - ce; And we Ie all the crew ofthe = s = : % : z i + = z ¥ = a tempo —=* * = @. = - - A —— = | = = =p a a oo — —. gale had cleared, That be’d been in his bunk be = low. cap - tain’s boots, In the teeth of the boom - ing gale! hot cross buns Served up with = sug - ar and glue. wa- ter - proof hats As they dipped in the shin - y sea junk to chew On the bark of the Rug - bug — tree. oes SS \ £ = = = . ¢- eae =Cronos - . 5 ——— Then blow, ye winds,heigh -ho! A rov - ing I will = Eng-land’s shore, So let the mu-sie play-ay - ay! I’m off for themorn-ing train! Tl cross the rag - ing main! Vm — a of to my love with a box-ing glove, Ten thou-sand miles # | oe ee Nore, ‘This song requires distinct articulation and enunciation of every word and syllable, and an absolutely steady temgo throughout, except at the ritards,51 ALL THROUGH THE NIGHT Dav Owee Old Welsh Song This is one of the most beautiful of the old Welsh Songs. It was originally sung, as is indicated here, with Intermittent chorus, leading to the chorus of the last eight measures. The distinctive melody given to the tenor in the chorus should be carefully brought out. ‘Tendery g=72 ee ere 2D ———— ae = Se f — =" =e SS Ee 1. Sleep, my Love, and peace at-tend thee, All through the night! 2. Though I roam a min - strel lone -ly, All through the night! 8. Hark! a sol - emn bell is ring - ing Clear, through the night! {asl em ————=== oo — _s. ; pa r ve Guard - ian an - gels God will lend thee, All through the night! My true harp shall praise thee on - ly, All through the night! Thou, my love, art heav’n- ward wing-ing, Home, through the night! boty my_love,_ar —— ee Pee = 2PR—~_ a Nt . h ie ee =e = ; — mf ; = Tponriard fs = as =| == i = =2 Se ES Soft the drow-sy hours are creep-ing, Hill and vale in slum - ber steep-ing, Love’s young dream, a = las! is 0 - ver, Yet my strains of love shall hov - er Earth-ly dust from off thee, shak-en, Soul im- mor-tal thou shalt wak-en, aie eee ea. — res, = ete SSS Se ee a, = = Love a-lone his watch fs keep- ing, All through the night. Near the pres- ence of my oy - er, All through the night. With thy last dim jour - ney tak - en, Home, through the night pdt 90 ———— spp, ¥GOOD-NIGHT Prove R. Rix Allegro moderato ‘Autos - Sornaxos a SS = pate Ae . T 1 02 Goce = = Good - night, now go to rest, with dreams thy slum -ber blest, May a. eee SS ee feel ia Bases ee good - i RI te o os st + fe ‘= an - gelsguardthee in thy sleep And o’er thee vig - il keep. May eae ie a —— —j-- = eee ee z ea SSS] = sieht, d= nit, ee === = See 2S 5 7 Aaa naught of care dis-turb re-pose,For-got-ten be thy woes, Sleep un - disturbed till ight ood night ode night, good- night « ao ,* psi ss — | . SES i = St i a = iz ie = good-night, good-night, good-night, a a , Pp . 1 bee — —— — SSS $2 == morn - ing light A - wak - ens thee, Good - night, good - night, now si ‘good - night, dim. . } a aa es = i * = F as oes see o = Se -§ SSS SS to blest, May an - gels guard thee —*. of _ 2 = Sj - ¥' nl a == = 3 = ete eee j = in thy sleep And o'er thee vig - il keep. May naught of care dis - bt, Good take oe "t good-night, — ; 7 =, res so a te= =— =e oe : we as Cob fe turb re- pose, For-got-ten be thy wors, For-got ten, for-got ~ ten, for~ wight, rood night & = I= — ae night, good-night, good-night, food = night, ss + good = ight, 00d aaa are = I - i =} oe be == ss 2 =S— SS a 4 got -ten be thy woes. Debts end let Ge at z - _ night,good- night, * noe e — =p _ sum anol be :A SONG OF HOME ‘Music arranged from R. Tscammcu Andante = 84 Sornaxo —== —— p x : = = 2 f i ——% — ol S Se SSS 1. "Wan - d’rer on moor and wild - wood, Whence com - est thou?” “‘ From @. “Shep - herd on hill + side lone - ly, Where art thou bound?’ “ For Secon Auto mg. = . = {= + — = ee —— a - 8. Where, then, is still ap - ‘pear - ing, Life’s great - est charm? In 4. When earth -ly ties shall sev = er, Where is our rest? = In as —= DAS mg —== ones - = =e = — e 1 eae = 2 EEE a 5 i io TS 3 mf = = OF z 3 7 z home, home of child - hood,’’And sor - row clouds his brow. “ From home, home-ward on = ly, In home my heart is found; For * c on home, sweet and cheer - ing, A shield fromev’r - y harm In home— home for - ev - er, With peace e-ter - nal blest; In ’ eS omf e=a= z = 9 ———=f = 9 P,ritard ¢ dim, Cs Fe a ee ees * ae t + r t home, home of child = hood,’ And sor ~ row clouds his brow. home, home-ward on - ly, In home my heart is found.” 2 of = LP ritard e dim. oo 4 CAF — ; f ; =e] = a SSS eS == S = =” oS : home, sweet and cheer - ing, A shield from ev’'r - y harm. home— home for ev = er, With peace e - ter - nal _ blest. = —=— fs 9p ritard pe dim, eS= . i ea ee —— — Nore. Rither the vecoud alto or bass may be emitted,55 THE WELCOME SPRING Faux Mexperssomy-Bartuotpy, 1809-1847 ae — fs ==! ————————— a a a a > 1. The wel - come Spring, with days of calm, Has come up -on her 2, All na - ture owns” her mag - ic touch! Her lov - ing arms the 3. The sil - v'ry streams and mur-m’ring rills Have bro - ken from their 4. Then let us join the hap - py strain, And un - to Him our a 2 a i se eee * re ' = J J SS SS SS shin-ing way! The fair- y queen,with breathof balm, Re -sumes a - gain her earth en-fold! The smil-ingflow’rs no more shall sleep Wit! the dark and i - eychains; And shin-ing,sing-ing, on - ward go Thro” val - leys brightand voic - es raise, Who ush-ers in the tune-ful Spring,And who de-mands our a ES 3 = f 5 se ¥ t Re- wits — es ioe tne cee 7 + SS gen - tle sway! The fair - y queen, with breath of balm, si - lent mold! The smil- ing flow’rs no more shall sleep ver - dant plains! And shin- ing, sing - ing, on - ward go love and praise! Who ush-ers in the ‘tune _- ful Spring, a= gxin er gen te Sie and “a fee bright, and ver = ao. mags cur ore dim, e ritard SF56 THE MEETING OF THE WATERS Irish Folk Tune Accomp. by M. W. Baure — SS —— ‘Tuomas Moons 4. Alegreto espressivo eo ot : 1. There is not in ‘the wide world a val ley 80 sweet As that. 2. Yet it was not that Na - ture had shed o'r the scene Her 8. ‘Twas thatfriends, the be - lov'd of my bos - om, were near, Who made 4 Sweet yale of A+ vo - ca! how calm could I rest In thy ————— eS 73 SS ————= ye vale in whose bos -om the bright wa - ters moet;* Oh, fhe last rays of pur -est of crys-tal and brightest of green; "Twas not. her _ soft, ev - ‘ry dear scene of en-chant-ment more dear; And who felt how the bos -om of shade, with the friendsI love best; Where the storms that we nN m » <> i NY SS STSt —— g et feel - ing and life must de - part, Ere the bloom of that val - Jay shall mag - ie of stream-Iet or rill, Oh, . no— it was somo-thing more Dostcharms of Na- ture im prove, When we see them re - flect- ed from fecl in this cold world shouldceaso, And our hearts, like thy wa - ters, be $ ee = ——— + , + pp . oe eee * + = + ©The rivers Avon and Avoca,THE MEETING OF THE WATERS aT rite a3 tempo rail, - ——F —_ =s ae eee fade from my heart, Ere the bloom of that val-ley shall fade from my heart! ex - qui - site still, Oh,. . no— it was some-thing more ex - qui - site still! Yooks that we love, When we see theme = flect-ed from looks that we love. min-gled in peace, And our hearts, like thy wa-ters, be min-gled in peace! i? — = ae $ = ety rit, a tempo w all. A = pS af = 7 + —— ae —I—s Manet, Hay Bannows Tenderly = 84 BR. == 1, The old year lies dy - ing (Now soft - ly sing), Bare tree - tops bend 2. We bring him thanks-giv -ing (He blessed our youth), His er - rors for - 3. The old year is leav-ing (We loved him well), Thoughtrue is our PP, gp) a 2 ee S a ernie : eee Bp = ig— 3 a Se s sigh - ing, The wind-knells ring, In peace he is sleep - ing In giv - ing For all his truth; A heart - ful of pleas - ure, A griey = ing, In last fare - well— We turn from the old year, Who shroud of snow; He heeds not our weep-ing, (Sing low, — sing low). touch of pain; — His gifts we will treas- ure,—He comes not - gain. cold, Our face to the new year, Our heart to the old. 2 Ee By permission Copyright, 197, by Fasornic H. Ririsy and Twoms53 LARGO B. M, Monrmcen Grone Farzpaice Harper, 1685-1759 ‘This justly celebrated composition is from *Serses” or Xerxes, composed between December 26, 1737, and February 14, 1738. It occurs in the first scene of the first act, and is sung by the principal character. The title is *Ombra mai fu." It is interesting to note that in the original the tempo is Jarghetto and not largo, ‘The work received its first performance in London, April 15, 1738. Largo @=58 =: ! a = oe | = = : : eS . i | a Sopranos axp ALTOS 2 — tea = =——j € f f forte = ee Fa - - - ther most high, Thy chil -dren kneel Be-fore Thy aaa ores. fete « ) IB lt SamTHE ROSE OF ALLANDALE Cuanizs Jnerry, 1807-1865 ‘Svpxey Nexsox, 1806-1862 inf SorRaxos aNp ALTOS SS — 1. The morn was fair, the 2 Wher-e’er 1 wan - dered, 3. And when my fe - vered a SS skies were clear, No breath came o'er the sea east or ~—west, Tho’ fate be - gan to, Jour, A Yips were _parch’d On = Af - ric's burn - ing sand, She [SSS Sp Se Fee poco ritard = Sa i =a SSS a ee Ma - ry left her high-land cot, And wan-dered forth with me; Tho’ sol - ace still was she to me In sor-row’s lone - ly hour; When whis-per’d hopes of hap -~ pi - ness, And tales of dis ~ tant land; My SS a 2 > bee yodttapstny == _= —_ mf poco ritard fs = = = + at SS By One Had + flow - ers deck’d the moun - tain’s side, And fra - grance fill’d the vale, our gal - lant bark, And rent her shiv - "ring sail, tem - pests lash’d wil - der-ness, Un-blest by — for - tune’s gale, life had been a far the sweet - est flow-er there Wor the Rose of Al-- Jan-dale. maid - en form with-stood the storm: "Twasthe Rose of Al - lan -dale. fate notlink’d my lot to hers, The Rose of Al- Jan-dale. MESES far the sweet-est flow-er there Was the Rose of Al - lan- dale. m) a —_ ao. e a on == 5 = = ——— = eadFAREWELL TO THE WOODS L. Casszn, Faiepaica Sivcarn, 1789-1860 Moderato #=76 é { sw z+ = x Jae : ase ee = 1. Ver - dant grove, fare-well to thee, Clad in ver - nal beau - ty; 2. What de -light to lin - ger here, ’Mid the shad - y bow - ers; 8. But the night for - bids my stay, I must leave in sor - row; ee _ + - ~ SES =e === =a F ee a P _——— =— \ NN on \ =—— 5 a Pe a ere ere 2S Thine my part-ing song shall be, ‘Tis a sa - cred du - ty; From the sil - ver foun- tain clear, Cull - ing fra - grant flow - ers; To your rest, ye birds, a - way And dream of the mor - row; ee ie; 32 8 _ ae eons pf Ss & a —— SS SS Let thy war-bler’s tune -ful throng Bear the ech-oes of my song Would I might with gar-lands crowned, Breath-ing 0 - dors sweet a - round, Fare ye well, ye shad - y bow'rs, With your bloom-ing, fra - grant flow’rs, ee = = = : eee e * (ee Allargando =. atempo fn me 3 gas ae | oi es Far o’er hill and val - = ley, Far o’er hill and val - ley. Tar - ry with thee lon - - ger, Tar - ry with thee lon - ger. Till an-oth- er meet - ing, Till an - oth - er meet - ing, a tempo i fy. = fs67 JOY OF SUMMER Weumerox Guennser J. Curmixenane With lightness ¢ = 84 @r ase sis e 1, Earth her sum-mer wealth is bring-ing, Ev’r-y bough is like a lyre 2. See the stars in gold-en dane-es Over the fields of az - ure glide; ——— = = fee ee Seeds -s gras eS = i aa ae e = =a ¥ oo i Answ'ring to the wind’s low sing - ing, Sweet as bells from fan - ey’s spire! See the 0 - cean soft ad - vane - es Spar-kling light with fair - y tide, ——= be ee pocorilard =e —— = — : ; = 7 a nd 5 ae Sj Si b b Mild - er light is on the foun-tain, Soft - er bloom up - on the flow’r, Flow’rs with fond and gen tle _mo- tion, Leaves with grace no storms an - noy; pp = ep e=s=Jay comes dane «ing dawn the moun tain An" round, earth, eave, and e+ cean f x . ay Ap iad a == y ww Joy = ing, Joy with ros - eswreathes the hour. All . Feel the in - fla-ence of joy! os A _ te Sa= Joy All comes dane - ing down the moun-tain, a-round,earth,heav’n and o ~ cean a + ig - ing, Sweet as bells from fan - cy’s spire! ritard Pogo riaNap RA nS Ss hoa — ges = SSS SSS as = Jey comesdane ing, dane ~ ing, dane ing, Joy with ros - es wreathes the hou, Sos & ped eye an oN e — VESPER HYMN Tromas Moone, 1779-1852 Russian Air Andante moderato = 84 Arranged SSS ee fazed es eg |’ + i+ SSS 6 = SSeS ee ae 1. Hark! the ves - per hymn is steal-ing Over the wa - ters, soft and cle 2. Now like moon-lightwaves re -treat-ing To the shore, it dies a - long; = ——. eS 333 Sorraxos a. Near-er yet and near-er peal-ing, Soft it breaks up-on the ear. %, Now, like an- gry surg-es meeting, Breaksthe min - gledtide of song. a CS a eonod f | Ju - bi : A+ men, Do =>1 Far - ther now, now far- ther steal-ing, Soft it fades up - on the ear, eel a- gain, like waves re-treat-ing To the shore, it dies a - long, : ee ee ar ie A -— men, A+ men, ! ) >) -# a Se - T T e * =. lids == = Far - ther now, now far - thersteal-ing, Soft it fades up - on the ear. Hush! a - gain, like waves re-treat-ing To the shore, it dies a- long. ene The wares Ps pp F eee ==] er A - men, a P sempre dim. 7 ~~ ——— se 3 = —— f SJ ie ; —" r @ P f a - st FS mf =——— B sempre dim. ue es —— ws re12 COME BACK TO ERIN Words and Music by Cranmer, 1830-1969 Like Kathleen Mavoumeen, by J. N. Crouch, this is a distinct type of National Song, and has won its way into popular favor as completely as any song of its type. Clatibel was the pen name of Mrs. Charles Barnard, a well-instructed musician, who was the author, not only of songs but of many pianoforte pieces. ‘Among the most popular compositions are the two well-known songs, entitled: five O'clock in the Morn- ing, and I Cannot Moderato | ray = ce gare a. zt | 14 1 ™ Mm ral a uJ X L # le. 1. Come back to E - rin, vour-neen, Ma-vour-neen,Come back, A-roon, to the 2. © - ver thegreen sea, Ma-vour-neen, Ma-vour-neen,Long shone the white sail that 3. Oh, may the an -gels 0” wak -in’ and sleep - in’,Watch o'er my bird in the iz = gd poco ritard land of thy birth; Come with thesham-rocks and spring -time, Ma-vour - neen, bore thee a~- way; Rid - ing the white waves that fair —sum-mermorn - in’ land far a - way; And it’s my pray’rswill con-sign to. their keep - in’ colla voce73 pS = And it’s, Kil-lar - ney shallring with our mirth. Just like a May-flow’r a-float on the bay. Care of myjew - el by night and by day. “iia eee Ss ‘mp con espressi nes é SS SSS SSS Sure when welent ye to beau - fi - ful Eng - land, Ob, but myheart sank when clouds came be-tween us, When by the fire - side I watch the brightem - bers, —— 2 UJ | — —— aa , i *: > ——— —— eI = =e SS SS z= wa Lit - tle wethoughtof the lone win - ter days, Lit - tle wethoughtof the Like a grey cur ~ tainthe rain fall - ing down, Hid from my sad eyes the Then all mybeart flies to Eng-land and thee, Crav- in’ toknow if my =o ss —_ Z TW ] 1 we 3s a = : : =e =| ep Se zo =m4 ritard aA 25 fush of the star-shine © - ver the moun-tain, the bluffs and the braes! path o’er the o- cean, Far, far a-way where my Col - leen had flown. dar - lin’? re-mem-bers, Or if herthoughtsmay be cross - in’ to. me. oe . IG ——- a — | ee E FEE ——| = ® - $ z s E - rin, Ma-vour~- neen, Ma-vour - neen, = : = x ———= £ ———— = a am e y TF 2! wR vour -neen, Ma-vour-neen, And its Kil-lar - ney —_== [ao 2 fe shall ring with our mirth, 9 = . ¥CORNISH MAY SONG Sir Avexampzn Bosweus. ‘English Fotk Song oe is : % Jas —-< Gonraner 1. Ye coun - try maid-ens, gath-er dew, Whileyet the morn-ing breez-es blow; ases* 2, Ye youths who own love’sar-dent pow’r,To yon-der shel - ter’d bank re - pairs (at) 8.Tho’ a - ges end and man-ners fade, And an-cient rev - els pass a - way, 2¢ es The fair- y rings are fresh and new, Then cau-tious mark them There seek the ear-ly op’n-ing flow'r To deck the bos - oms I hope it nev-er will be said, For - got-ten is sweet iM > ———rti“—™—O—O—O_OCSCrs— — a 2 at ot = eee a a Fat 7. 2 past, The sky-lark hails the dawn of day’; A - rise, foo: a- rise, the night is ) } Care, get theehence,from this place iy = |_g76 LIVE WE SINGING Monrrz Haveracaxs, 1799-1868 ‘This composition may be sung as « three-part song for unchanged voices, by omitting the bass. It is in strict Canon form, and one of the most musical and interesting types of canonie writing. Allegretto ginjosg.g = 92 ia yf Se Qo mp 2 Live we sing-ing, dane-ing, spring-ing, Al-ways full of pleas - ure, Allegreto giojos0 ————— ‘a 7 = S39 pga Ga SSS Live we but for hap-pi-ness, Not for care and grief; Live we sing-ing, live we mf Live we sing-ing, E+ = oon ae 5 3S op a SSS = =a = ee SSS dane-ing,spring-ing,Al-ways full of pleas - ure, Live we but for hap = pi = Sat pleas - ure, Live we but for hap-pi-ness,ness, Not care and grief, Live sing - ing, sing - ing, live dane - ing, spring-ing, Live we sing-ing, danc-ing, spring-ing, my Live we sing-ing, — oS a = te dane - ing, spring-ing, al-ways full eee Live we = Live we hap - pi - ness, Live we hap - pi - ness, iz78 A grief, Live =e - Not for care and grief, Live we sing-ing, live we a SS = ae ee ee er == i =e a 2 SS ——— £ 2 = i = ph Not for care and grief, Live we sing-ing, live we dane-ing, spring-ing, SS — Al-ways full of = Live we but for = “= — = = ——— “oe a > = 1 = — SS ——— tS SS SSS hap-pi- ness, Not for care and res ae io esa, =] eee iy = 7 tz ing, live we sing - ing,And al-waysfull of pleas - ure, Not care and SSS == ee SS z = eS Ss Al-ways full_ of pleas - ure, Live we but for hap - pi ~ ness, Not care and = es +t 2 e > as eae ot =a SSE Al-ways fall of Live we but for hap - pi - ness,Not care and oe ee sr = SS SS Se = Sa SSS = —_=—— p — ff(SSS ae 7 —-e grief, Live we sing-ing, live we dane - ing, spring- ing, grief, Live we sing - ing, i ing, live we 4 . — es = x. 4 f = =e ——— a = = — 7 7 > ———— 2 ———s — = = SSS == ———|| pleas = ure, Al-ways fall of pleas - ure, Not care and grief. . = = = —— fj Gt = td leas - ure, = ure, Not care and grief. P = i ality eS - ing, And and grief. £ ao b sing - ing, And80, THE LASS OF RICHMOND HILL Saaes Hoox, 1746-1827 Leowany McNany Allegro moderato ¢) = 84 ge ne Bie ptr a= = fe tae we} 2 Ye zeph-yrs 1, On Rich-mond Hill there lives a lass, More bright than May - day gay that fan the air, And wan- ton thro’ the morn, Whose grove, Oh a ————— — se eS 2 = — (er -- = SS pt S x — — i = (SSS SSS SSS charms all oth- er maids sur - pass, A rose with - out a thorn. This whis-per to my charm-ing fair, I’d die for her I love. Thislass so neat, with smiles so sweet,Has won my right good - crowns re - sign to call her mine, Sweet lass of Rich - mond_ Hill. = ‘mf Cuonus ——— S ey —— Sweet lass of Rich-mond Hill, Sweet lass_of Rich-mond Hill, Va gen 1 + pk hs «=e [SS = : = = 2 { = ia = = = == i= es Sweet lass of — Rich-mond Hill,Sweet lass. of-———‘Rich-mond Hill, I'd Com espressione poco rit a =m» atempo ——— t+ crowns re-sign to call her mine, Sweet lass. of Rich-mond Hill. . rh. Ole see, oe crowns, I'd crowns re - signSONG OF SPRING ‘Anruvr Pransox, 1966- ‘Arthur Pearson is an English composer, who for some years has occupied the position as editor of the Yorkshire Musician, His part songs are characterized by a purity of melody and a richness of harmony which make them equal to the best works in similar form by the old English writers. ‘This composition is one of a group of vocal dances, and admirably expresses the rhythm of the Minuet. ‘Mr. Pearson is onganist at Huddersfield, England. Tempo dr minuello = 126 ‘ 2 my Oe = = = See 29 eo ae fae ee = Come ye where gold of mf = at ———— Come ye where buds of oe —# shin-ing, Come ye =a —_ + E Come ye where gold of May is shin-ing, Come ye : 3 er = is f = E ye where gold of May is shin + ing,Come ye where buds of i Trip we thro? 2] fair -ies chiming, Trip we thro” =: - SSS As to the bells of chim-ing, Trip we thro’ . = SS fair - ies chim - ing, Trip we thro? ‘Copyright, 1996 by Tottan-Manepiru Co, Used by permission,bow'rs of ra-diant Spring. bow'rs of radiant Spring, The = Pitt f ¢ animato ea 3 : $A bow’ of ra-diant Spring, Glad-some the morn-Ing, the ae 7 eo i bow’rs of ra - diant Spring. Glad-some the morn-ing, the land is gay, ieee = ; ; 2S = SSS eee — Bib fe ctento = te fl = * a = : === = fe 133 Se fap : eS = SS _s O- ver the mead-ows trip a - ways By wood and — mp — poco mare. St * = ee SSS SSS 3 = ver the mead-ows trip, trip a - way; By wood and — mp ten, eee Z SSeS Over Ech-oes the brook-let by wood and ma & ste = ee BS mS Trip a-way; Echoes the brook-let by wood and © == : a : CS —84 oe een eo © : eS : eee ote : oS dea: “sing, O heart, be glad with me!’? Come ye where gold of pa an ‘4 nyfa tempo = - zs Se ~-“‘Sing,sing, © heart, be glad with —-me!”"Come ye where gold o 0co mare, ral, ====——_, mfatempo - lea BP > re = ===. CSS Jea:. .“‘Sing, sing, O heart, be glad with me!’?Come ye where gold of 9. mfa tempo May is shin-ing, Come ye where buds of flow’rsare cwin-ing, As May is shin-ing, Come ye where buds of fow’rsare twin-ing, As to the —= —- f= se TE. a i —— f Secees i = sit Ht —85 Second time go to CODA -, — = chim-ing, Trip we through bow’rs of -3 ——— = chim-ing, Trip we through bow'rs of bells of fair - ies chim - ing, Trip we through bow’rs of ra ~ diant Spring sf een - ‘Trip we, oh, so light- ly,where dewy grass is swaying, Where ’mid the fair + eres, = enw fee] Trip we, oh, so light - ly, where dewy grass is swaying,Where ’mid thefair blos-som the fet es : £ EF ? aa but-ter-flies are stray-ing, "Tis the hour of play-ingsall es are say-ing:“Come, aa SS : aa but-ter-flies are stray-ing. "Tis the hour of play-ing;all voie-es are say-ing:“‘Come, mp = Con forza. > — Light of Day re - turn-eth, 2 = — > ae ter acre aes 2 come ye forth a - May-ing; to joy. . a-wake!** LightofDay re - turn - eth, ores. —— > =f >-— come ye forth a-May-ing; to joy a - wake!”*LightofDay re - tun - eth, ores i os —= Light of Day re - tum-eth,87 = alt, = a a F = Pe lemmas ves = tres glo-ry of Spring burn - eth; Joy-notes _peal-ing, gay mu - sic make. 3 eres. = = all. qa = e 6 wot Ree ote SF ie = > glo-ry of Spring burn - eth; Joy-notes peal ing, gay mu- sic make, 3 ore. = : ———— — Sea = glo-ry of Spring burn - eth; Joy-notes _peall-ing, gay mu- sic make. eres. ot gee pil, eRe ret = Basses “ao == Joy - notes peal - ing, gay mu- sic make, 1 ee eres a A ou Bf motto ralt. — feta gE SS} —— sree Glo - ry of Spring burn - eth; Lf moto ral, = = == 3 SSS ce Light re-turn -eth, Glo- ry of Spring burn - eth; Gai - ly is the =— 75 mp > ———— eae a se 5 Light re-turn- eth, Glo - ry of Spring burn - eth; Tenors humming . auto raul. nat it Stee fal 9 mp a tempo oo eal fee. se je ee Light re-tumn- eth, Glo - ry of Spring bum - eth; Gai - ly is the atempo ns —— SE ee = mT: (ie a oreo ee 7 oT +t88 mp = + a “Wel - come, to all ae Wel ~ come the May! Gai - ly is the lark sing-ing, apo Gai - ly is the amy. = SS ate 2 Gai - ly is the = Soe = = SS ; 2 : 2 Se _ mes- sage bring-ing: “‘Wel-come the May! Wel -come, Wel - - ——— aa > ee rs 5 ——sSS So Sa gear see a Up -ward wing - ing, glad -ness ring - ing, ES == z= glad -ness ring - ing, oo — —— om pre == € —E Up- ward wing-ing, glad -ness ring - ing, ee ==E oe ene lal stat. z--F-—F- —-— = “Wel - come May!” Light - ly trip - ping, Pik p = a : a a = i 5 SSeS =| Wel - come May!’ Light - ly trip - ping, come, : Meno mosso = all. - Pit p3 D.G. al segno, se = "Molto rall ob, . : ! be gled with me!” oe z = > >So ee Za ll w= 2 ; + : a ed a light-ly trip- ping, be glad with me!” Molto rail. 9. = a f feeds a el] HARK! HOW THE RAIN IS FALLING Dr. Jous Watt Cautcors, 1766-1621 —— ee mf Allegro = 80 mf is fall - ing, And. loud - ly roars the blast; What the sail -or! And, all who’re on _the seas; What rat = Mo +P. ee e tor-rents pour! Shut to the door, And close the shut-ters fast. On fears are theirs, Whattoils and cares, While here we're all at ease. May att eg A eg da Pe Ssin such they rough and bit safe - ty ~ - = ter night, How pleas reach their port, Nor wreck nor nt tis - ~ to dan - ger ~ know, know, =— $- + — Ny G of $e We have here Naught to fear, We have here Naught to fear, We have ‘And on shore Fear no more, And on shore Fear no more, And on : —= - a a : a + a= = se Ee z w v a T 0 z mf a tempo poco ritard here shore to no Naught Fear fear, more, « 2 s When oe —_==== f the storm - y winds do fez r : When the storm - y blow, . . | x winds do . When the oe x beet ae: SARs 3 storm-y winds do blow,. . oe de ss + When the storm-y winds do fet e« * blow. blow.92 PRAYER OF THANKSGIVING Folksong of the Netherlands Arranged by Eowanp Knexsen, 1898— Slowly, with most fervent feeling @=72 a = See PP senspre e legato : zs jeae) SE sige See s ‘Texons axp Basses f a + = = = (32 SS SS geth-er to ask the Lord’s SS eee chas - tens and bas - tens his will to make known; ‘The wick - ed op - SS a ees ig ew. EF 4 f igrs press - ing cease them from dis- tress- ing, Sing prais - es 93 ’ to His name, He for - eS = = 2, Be - side ‘Texors x0 Bas 1 ons so Basses 2] =ores, = om join - ing, Or - dain - ing, maintain - ing His king-dom di - vine, So eae oe Zt : vv wee ree = sn ws from the be- gin-ning the fight we were win-ning;Thou, Lord, wast at our Sempre crese. ee IDS of : cb side, all glo- ry __be Thine! I~ fex - tol Thee, Thou SS = = in bat - tle, And pray that Thou still our De - fend - er wilt a = ‘Ped. Ped. Ped. Ped. Ped. ] —_ iad -Eo, — Nore. ‘The third stanza may also be sung in unison excepting the last six measures.: ¢ 7 SLUMBER SONG Faasz Ast, 1619-1885 Moderato = 69 —=_ pp. . = = yas = LS = SS ee re 1. The bells arehushed, the world is still, The sound of toil is heard no 2. And now tobreathe a fond good-night I lin-ger by thy bed - side ee SS—4 2 Sets S more; The bird hasceased his tune-ful song, And heay’n with stars is span - gled still; Thou’lt wake refreshed when morn is here, And songs of birds the for - est —_=zzzw ’ : ~ 2-4 5 ee ee + ee % We, Lento g=t0 sempre > st rh RD == a o’er. Slum- ber soft, slum-ber soft, And let thy wea-ry eye - lids fill. ea apie: ee E = = oe close; Slum - ber soft, slum-ber soft, dear child,And calm be thy re - pose! orlard_ |pNIGHT, LOVELY NIGHT Tena Francesco Benorr, 1835~ Francesco Berger was born in London, and studied music as a pupil of Hauptmann and Plaidy. He was a professor of music at Guildhall School of Music and Royal Academy. He is well-known as a writer of part songs, and composer of opera and many masses, and a book on the elements of pianoforte playing. Andantino sostentito g) = 80 == = a4 i Oh, Night, love-ly night, Thou art p + 2 elit Bt = vy —— eS tele eet f dew -y breath To the worn brow is balm. ee aoe my, ez: $6 eg t mp ‘The day with its heat,And o'er - day with its care, day with its care oils on-ward and _ pants, toils on-ward and heat, laze lad - en with care, ie 1 an: — —* ae = aa tT pants, ‘hat thy rest | he may share, Love-ly Night, ho-ly Night. Oh, ‘poco ritard Gees ee eee x = = 2= twi - light so 2 — - pe i 2 mf _ —e. = t ray; Myr-iad peep-ing eyes a - loft! mp, Pe i fs. Thy soul - breath -ing air, Steal -ing a breathang breath-ing air, A. rich boon thou, Steal-ing o'er us so light, Love-ly Night, ho - ly ‘poco ritard 1 dadbd = odd ois = J = ae _ re = ‘Sor. 2 Oh, . . Night, love - ly Night. On,” tore - iy Night vi a 2 ‘ é =m f ritard on _ — 7 + = * ——= E il + ie + A. rich boon art thou, Oh, Night.100 THE THREE eee giocoso <= =9 CHAFERS Fusepnren H. Taiuy, 1811-1886 . t Ee = ——- — af ° w 1. There were three young and Who 2, And soon they found a As 3. The pret - ty flow’r was And a i — 2S een se ’ v with a mer - ry hum, hum, hum, *Sum, sum, sum, sum, sum, sum, | tempt - ing as a plum, plum, plum, Sum, sum, sum, sum, sum, sum, art - ful - ler than some, some, some, Sum, sum, sum, sum, sum, sum, » 2 2 : jet = a. es be ee sum, sem, sum, sum, st eS In dew theirnos-es dip - ping, In dew their nos - es They all at once were bit - ten, They all at once were She called heraunt,the spi. - der, She call’d her aunt, the es a SS 5 b ¥ v b b a 6 b b sum, sum, sum, sua, sum, sum, sum, sum, sum, sum, sum, sum, —== === 2 = ===” dip - - ping, As tip - sy grew with bit - = ten, They all were deep - ly spi - = der, And begg’d she would pro - vide “Pronounced zoom,101 p corese. a 2 Ah | See — += = SS —_- J ot =F 7 of. —. sum, sum, sum, sum, sum, As oe ae grew with sum, sum, sum, sum, sum, They all were deep - ly sum, sum, sum, sum, sum, And begg’d she would pro- _ rete, SE ee ee —— = . v— - * 7 * 7 an - y .. cask of rum, Sum, sum, sum, sum, sum, sum, sum, chaf - ers can soft be - come, Sum, sum, sum, sum, sum, sum, sum, maze to... hold like gum, Sum, sum, sum, sum, sum, sum, sum, o ee £ ae 2 sip - ping, As an - y cask of rum, As an - y cask of rum. smit - ten, Thus chaf-ers can soft be - come,Taus chaf-ers can soft be -come. vide her A maze to hold like gum, A maze to _ hold like gum. — pala eh FF = — 6 oe + => 7 sum, sum, sum, sum, sum, sum, sum, sum, S = $: rf 2 4. Her aunt, the spi - der, heard, she heard the call, And 5. And while she sat she —watch’d, she watch’d_—=—sher_— prey, And 6. The flow’r, though love - ly, had, she had a heart As Pe. t_ #34 ot ca 22 &: tHs-s SS == eee 8 8 —— ¢ e * a came like Fee - faw fum, fum, fam, sum, sum, sum, sum, sum, sum, ww w when she saw them come, come, come, sum, sum, sum, sum, sum, sum, a drum, drum, drom, sum, sum, sum, sum, sum, sum, ,_£ <*e« . jes pee vie102 ft £ ZF 7 =.) # Z Sf + Cape Vee St oe sum, sum, sum, sum, sum, sum, sum, sum, sum, sum, sum, sum, sum, sum, sum, sum, my hoo ——"» Bao: a ese = === * Le v At once her net she spun well, At once her net she She pounc’d up-on the chaf - ers, She pounc’dup - on the She laugh’d, and said we've caught ye, She laugh’d,and said we've Vey v sum, sum, sum, sum, sum, sum, sum, sum, sum, sum, sum, sum, ° 2 =o spun well, And when she thought it done . . . well, With - chaf - ers, And suck’d them thin as wa - - fers, They caught . . ye, Fine chaf - ers and we've taught . . ye That a os = SSS = — | a a ‘And suck’d them thin as Fine chaf - ers and we've And when she thought it sum, sum, sum, sum, sum, ee SSS po gs hyd =e 2 = 2 © = = -— -— SSS in it sat quite dumb, nev - er - more could hum,7 sum, sum, sum, sum, sum, sum, sum, love is all a hum, zoee oS et a2 SS oe = © aS 2 7 done well, With-in it sat quitedumb, With - in it sat quite dumb, wa - fers, They nev - er - more could hum, They nev - er - more could hum. taught ye That love is all a hum, That love is all a hum. iy pit ff sum,sum,sum, sum, sum, sum, sum, sum, sum,108, CAST THY BURDEN . FROM “THE ELIJAH” ‘Feux_ Meyperssony-Bantuotpy, 1809-1647 =e Caer aS S55 Cast thy bur - den ‘ up - on And He shall sus - eu aaa: tain thee; He ney- er will suffer the right - cous to fall, eee 2 nate ebb hats Ss right hand. Thy mer - ey Lord. is_ ' ——— Soe s104 Epwanp T. OxexrorD JACK FROST Aurnep R, Gavi, 1887- Alfred R. Gaul was born at Norwich, England. He was a chotister in the Cathedral there, and has held ‘many appointments as organist, and conductor. ‘Among his works, three have become particularly popular; namely, the Cantatas Hezekiah, Ruth, and The Holy City. ‘Allegro giusto = 138 1 Jack “Frost” set out ont jour - ney From re = gions a= cross the 2 Jack Frost was real = Ty goods na - turd, Tho’ ook = ing so cold and SJack Frost. spon end - ed fin $0 - Sourn, And few toa “ar = off = ——= = = went on a jour-ney, on a jour - ney “cross the 2, Jack Frost good - na - tur’d was, good -na- tur’d was, Tho’ — look - ing 8. Jack Frost soon end - ed his s0- journ, And flew to a far maid - ens eg tee ee gSe = Ft pat SS sea, And he nev - er stay’d or his steps de - lay’d. grim, And none ev-er yet a trav - ‘ler met Who el But his stay, tho’ Short, to - geth-er had brought oe me — Ss a ed i ee +e SSS SSS sea, the sea, cold and grim, jand, far land, He star tled the scent. ed ee ee and youths tray - el - ler swift was i en - ter love's lists with he, he; He him, with him; He tled the scent swer’d to. wish -es man - y a warm young hand, young hand ;And and youths now he hp op ot r vowed T eph - Straight a spo ‘Till cach zeph =~ yr, And spo - ken, And won. = der How fright - en’ the purl - ing cov - er’d thestreams with hearts were so quick - ly —— brook, Straight a - ice, Till each ost, And. .he went, on his work = intent, And grim and maid) ot ee y grade, Vow'd deep © re- plies, “The se = cret all lie” With one, tt tal {{ H) x = | qT tray -el-ler swift was he. Praxo | a tempo = woe ee al 1 eae ae : =e « SoS Sey i zi fa ~——106 THE MERMAID Allegro giusto = 120 Vigorously Old English —= eae S 1. One Fri- day morn when we set sail, 2. Then up starts the Cap - tain 8. Then up starts the Mate of our gal - lant 4. Then up startstheCook of our gal - lant — ship,And a Not a8 ver - y far from the of our gal-lantship,And a brave young man was ship,And a bold gruff old sowt was young man was s | == =35=e = “te We . there did es-py a I've awife and a child in Oh! I have a wife in Ob! I have a wife in fair pret - ty maid, With fair Bris - tol town, But fair Portsmouth town, But fair Ply-mouth town, But eepe comb and wid - ow wid - ow wid - ow glass in her hand, her hand, I fear she will be, will I fear she will be, will I fear she will be, — will her hand, Witha wid-ow I fear she will be. wid-ow I fear she will be. 1 wid-ow I fear she will be. (fOnoxvs SS 2 Ne . gS Stas SS55 So 7 ae re a : comband a glass in her hand. For the rag-ing seas did And the {SSS up un-to the top,And the land -lub-bers ly - ing down be - fs zl z 5 And then up spoke the little cabin-boy, 6 Then three times round went our gallant ship, And a pretty little boy was he! Oh, Iam more grieved for my daddy and my mammy, {all three, ‘Than you for your wives all fhree, all three, ‘Than you for your wives all three. Cuonus: And three times round went she; For the want of a life-boat they all went down [sea, the sea, And she sank to the bottom of the sea, the ‘And she sank to the bottom of the sea, Cuorus:108 PEASANT’S WEDDING MARCH Cuansorre H. Counsex Aveust Sopenmaxs, 1832-1876 Allegretto J= 100 = =P (ere = - 1» When beams the gold - en sun light - bove the moun ns high, 2, The church-bells gai- ly | chim-ing o’er all the hills a - way, The birds sing out, all life wakes be - neath the smil - ing sky, wed -ding guests are call - ing to keep this fes - tal day; | Tra does the hap - py bride-groom o’er sun - ny moun-tains ride To la la la la Ja la la la lala la la! Come we pe + poco ritard, : - ae a + eas one whowaits his com - ing, his own fair bride. join the gay pro- ces - sion, ye lads, join the train. —_— @tempo —_mareato oe te f * bo Play up with joy - ful sound, play up “till loud thesound re - wo, ye wed = ding mn ste play. ep et oR te et 4d Si 3 t ee = min = strels, play up with joy - ful sound, : ‘Words by permission of G.Scurawen ax Courant.sings o'er the hills ‘Meno mosso a - round. & Seed time go to CODA é == x at a e ° eee up, with joy - ful eo, ye wed = ding min ~ strelg, play ae 2 vo ; Eeana “aa min - strels, play up with joy - ful sound, : a ie <—fA—n— f Ss a 4 Os ee ee = = z 5 join the gay pro-ces - sion, ye lads, all join the train. Tra oe ee la la la la la la la la la ee See RAS Nw AAR AAR sist110 papers. 5 | nee SAK aa fos a= tes ee la la la!Marchon a-beadso brave - ly, the maids will comea- main, Tra Ge eal area cag eee een 2 rar wei eee 2 ee eco accelerando = Sy SSS SSperrricssers eee) ee % eee ee Z 8 a la la la la la la Ja la la eee Ia la la la la la la la la la la emt h RAR AAS AE ERT 8 8 Not ee AStstsis's =e Fao la la la! See how the bride is smil- ing in shine, See — poised fff fe FF ys: poe dg “Vp bape = how the bridegroom’s glanc - es all whis - per “she is mine.’ = Tra all. ky on” + b EES, ant ~ De + 2 ys 8 Fe 3 Spe ~—e— i —— it SS — (y= 9 Oo eet Pee eee fee Ia la la Ia Ja In In Ia In Ia Ia lo Ta Ja le Ia In In Ia la ly Io la da ae Ppa As AA LAPAAS A ene e eS ae, ASS eB e g-2-5 =11 al i segue la CODA ———— —— ——-s whis - per “she is mine... e poco ritard 1 ote he a_i J | al = = - SSF 4 7 The church-bellsgai - ly chim - ing o'er all the hills a - way, Call Pete. ep __»_be rr ¢. es ———— | ao % { oo $ 5 i = = = = SS = = —s = 7 = Pe - young and old to keep _ this fes - tal day, = = = = es —— —— = = i Feel i i Ie = = — S| 7 = — 2 = $= Up! join the gay pro- ces - sion, ye Tm. ey ® ele ee ae tas as lk pp = - = = ee ee ee ee a i i SE = = all join the train, oo re ee ere . = $F 712 7. H. Seve HAIL! SMILING MORN Reomatp Srorrorrm, 1770-1897 No glee or part-song writer has attained greater favor, o exercised mote wide-spread influence as a composer in these forms than has Reginald Spofforth. This work is, perhaps, the one of all his compositions that is best known. In fact, he has been described as'a composer whose name is kept in eternal remembrance by his ever- fresh glee, Hail! Smiling Mora. Allegro f Ast Sopmaxo SaaS Hail! (f 2x Sornaxo Se smiling morn! smil-ing mom? Thattips the hills with gold, ‘That SS ig SaaS = fin- gers ope the gates of day, fingers ope the gates of day,113 fos gS a =| ‘day, Hail! hail !hail ! hail! a> = ‘day, Hail ! hail !bail !hail ! fo> =a of na-ture doth un - Who thegay face of na-turedothun - fold, f 6a Who the gay face of na-ture dothun-fold, Who the gay face of na-ture doth un - ot. —— of na-turedoth un- fold, Who thegay face of na-turedoth an- Who the gay face114 p p fold, Atwhosebrightpresence dark-ness flies a- way, a way, flies a-way, dark - nessflies a-way, dark = ness files a - way, ores. 2 pp o> se dark = ness flies eres, flies a-way, a-way, dark - ness flies a- way, pp a ’ ’ flies a-way, dark - nessfiies a-way, dark - ness flies a - way, 2p fold, Atwhosebrightpresence dark-ness flies a- way, flies a-way, flies a-way, flies a- > fold, Atwhosebrightpresence dark-ness flies a- way, flies a-way, Atwhose bright Atwhose bright Atwhose bright=< St a-way, flies a- a-way, flies a- presence dark - ness flies fo See i +++ + Hail! hail! hail! hail! hail? —_—__—;, poco accel. =—— = cos vey ~ Hail! hail! hail! hail! hail! . _poe0 accel fez 2 = darkness flies a-way, darkness flies away Hail on) 1 pe re fe sy ee ——_—_—_y ests Mene A SPRING SONG Cimo Prxsurt, 1829-1888 Ciro Pinsuti was born in Florence, May 9, 1829, and died in that city in 1888. He was a member of the Roman Philharmonic Academy at the age of eleven. He taught in London for many years, particularly at the Royal Academy, and numbered among his pupils, Grisi, Adelina Patti, and Mario. He is especially well- known as a song composer. Allegro moderato ¢} sec, RN _ sat be - neath the A--beles old, The meadswere shot with 2 The bus - y bab bling wa - ter - fall Me - lo - dious - ly kept 3. O love - ly, love - ly, love - ly spring! O rob’d in sun-beams, ee te: ——— green and = gold, And un - der - neath my feet there roll’d The time to all, The rich May = mu_= sie mye eal bride - groom, ki on my heart and 2 + a oe LS cuck = 00 and the ip - ning bud that + Dlems are these the fresh-’ning air;.... Each praise and = pray;. . For were sing - ing, sing - ing, sing - ing; ‘The that 0 - pen, o - pen flies, .. Seem’d these sun - ny, : foe es ee = thrush were sing - ing, o - pen flies, that sun = av hours. these= Sf = aaa = #3 ae 4. es sheep- bells on the hills were ring - ing, ring - ing, ring-ing; All gasp - ing with a gay, ey our press To gold - - en meads and streams, and flowers, Of gts Re Re + ——s re + = pia hills were ring- ing, gay sur-prise, a meads and streams,and fn dim. merce oe eT life was gay and glad! ,. All ‘life was gay and | greet. «2 world so fair, To greet a world so ev = er= last - ing © May! Of ev - er - last - ing fist fo itp ssh ft dt ie % a =e ~— Ee 2 = = = Zt » ne nid < fae = = rr ae Vife was gay and + was gay and greet a world 50 a world so ev + er-last - ing of ev - er- sig te ig 3 _# ee ee $= ‘fritenuto oe =f] y; was gay and glad! world so fair, a world fair!118 SONG OF THE LEAVES M. S. Havcrorr Anrmur Pransox, 1866 Con moto. Con espress. F 2 in the gold - en whis + per-ing by, « the wind sigh, ——— Copyright by Toxtan-Mrnuprea Co, Used by permissionTwine mp on grasia we our f gar - lands Crown - ing the 119 trees o'er vale and height, Lift - ing our hands on high, . . — = ——— — - s me e = ¢ == a an oo iw B — pp Five = — = = : a aa ee a SS Cy i, ae oF Til rest be nigh. . . o> J. - ——s T T v Fos az mas —— # Ss [| aS hr oe — =—120 Pp Poco pitt mosso oe = Ee § oo blow, fd sd. J “ae e2== qe i ee Gen - tly blow, gen - tly blow, Leaves of sum - mer, blow, ¥ Leaves of sum - mer, sum - mer, whis121 FAREWELL TO THE FOREST Moderato J=% ——- ———, Feux —_=== Mexpeissonx-Banrnoupr, 1809-1847 Pp. z ants 1. © forest broad and sweep-ing! O leaf -y wood-land shades! What joy,when morn is 2. The woods have whis-p’ring mu-sie Thatmur-mursin_ mine — ear Kind tho’tsof truth and beam ing, To wan-der "mid your glades ‘The town ant d all oP ee $i $ fe = Pars - ae ‘Me town and all its pleasure Ba Sr’. caweetua-t an” -” gus =~, | ores CS =. w+ 7 ‘That breathes in ev'r = y tone, And du - ty,My fu-turelife to cheer; "Tis na-ture’s truth — = =— eres. +P. =), oe) ,)™ ete pep ee ar pe ot The town and all _ its pleasures °Tis na-ture’s truth-ful lan-guage — el ' op SS vie 2S No charms for me dis- close, But "mid the syl-van for - est My heart finds sweet re~ did we mind the warn-ings,Pure joy would be our me, Foe T eso oom $, 55s Ro SS Se But ’mid the syl - van for - est My And did we mind the warn-ings,Pure j + finds sweet repose . . would be our a + - ra Hee eS ee T T *mid the syl-van for - + — est My heart finds sweet re- pose, did we mind the warn - - ings, Pure joy would be our own.122 LOCH LOMOND bon - nie banks that we bird - ies sing, and part - ed and by in the yon bon - nie yon sha - dy wild flow - ers =é = braes, Where the — sun shines brighton glen On_— the steep, _ steep side of spring, And in sun - shine the wa - ters Loch Ben are = fe a Dy = aa Lo - mond, — Where me and my true —love_were Lo mond, Whore . in pur - ple — hue the sleep - ing, But the bro - ken heart it —_—kens nae =— ogg An , —* 7 = See se = 3 — = —— wont to gue, On the bon-nie, bon-nie banks of Loch Lo - mond. out inthe gloam- ing. ev - er high-land hills we view, And the ond spring a - gain, Tho’ the moon com- ing ful may cease frae their greet - ing. — e— = t see = woe - the low 7 and ll take and my true love will nev - er meet a - gain124 MY LUVE IS LIKE A RED, RED ROSE Rosear Bunxs, 1759-1796 Dastes, Provarnor Allegretto ¢) =72 eee £ ee Te fe Bb e a) a 5 Se My luve is like a red, red rose, That’s new - ly sprung in June: My 2 «es + + ¢ $e SS Sa = hove = Soe = o i> + luve is like the mel - o- die That’ssweet-ly play’d in tune— That's SS a = Ro ON io a. Gat Ss ae Sa “ w sweet-ly play’din tune. As fair artthou, my bon-nie lass, So deep in Juve am ai tne f a 2 <== = o =< s S a’ the seas gang dry. . .°Till a’ the seas gang dry, my dear,And the g rilard a tem} a om ee geerocks melt wi’ the sun: And I will luve thee ne? ez s 7 See ftp 2 == And I will luve thee sands of life shall run, While the sands 0” life shall run, The sands 0” life shall gmaliora. oe 4 tempo con expressione run, oe te = y= atemy opus be 2 ee ‘The sands 0” life shall run. And fare thee weel, my on - ly luve, And a ——— fare thee weel a - while! And I will come a = gain, my luve, Tho? *twere ten thou-sand mile; And I will come gain, my luve, Tho’126 IN AUTUMN Aww Sornta Sreruens, 1813-1886 Moarrz E. Scuwanz Andante tranquillo ) = 68 = ce 2 Now whirl-ing, float-ing, stop-ping, With a look of noise-less woe. Yes, I ritard be ——— SS a a WNL bd.121 of ren, 9 # stem With a still - ness so ap-pall-ing, Andmy heart goes down with them. —= ores, # oe: fa] 7 alg * = N Care = es, I see them floating ’round me ’Mid the Ye mp os ee ee ee ——— s a Sa a ee cee hopes that still have boundme To the fad-ing past a = * & eee eels t bound me + * $53 = Fe ze = a Se =a iSee * (Ge SSS ee St —— gain, Theyare float - —_ing thro’ the ee ea ee ee a——— T T vow det jag | chore —— Sessa \O See ei eS. ioe {———— i we storm, And they — CHRISTMAS EVE Myues Braxer Fosren, 1851- ‘Myles Birlet Foster was the son of the distinguished artist, Birket Foster. He was a pupil of Sir Arthur Sullivan, and Dr. Ebenezer Prout. He is the author of a number of children’s cantatas, and of many anthems and other compositions for ‘church use. “Andante grazioso — Ga 1, Watch-ing in the mead-ows O’ertheir flocks by night, 2. Hark, that joy-ous mes - sage! Mourn-ers,cease to grieve! ‘Tax Conant129 orese, = f @ SS Hee = ; ie Sa = eet = =: =| =, Shep-herds heard glad ti-dings,Saw heav’n’s won -drous light! Hal-le - lu- jahs Join to hail with glad-ness Bless - ed Christ -mas Eve! Chil-dren, let those J an — a | 2 =. = i a a a — Seas heard they From the an - gels then— “Peace on earth,’’ their ti - dings Ring forth once a - gain: “Glo - ry in the = eo et mes-sage,And‘‘Good-will to men!” ‘Peace on earth,"*theirmessage,And “Goodwill to high-est,’*And‘‘Good-will to men!” “Glo-ry in the high-est,”*And ‘‘Goodwill to130 O BLENHEUREUSK Molto tranquillo SOPRANOS AND A1708 (or Sozo} ppp NU J1v Normandie Carol et = 2 2 1, O night, peace -ful and 2. O morn, ra -diant with now — Je - sus choirs hymn thee Near For His their wate fond wath - ful now is Soft On moth - er; end - ed: the Prince ego oe sae a = Animato —=_— SS ———_ light o'er Him doth shine, Around, bright an ~ gels high, songs nev - er cease, While ours with theirs are = Sy 2 i 4 ese. —==_ sempre erescendo *: gs Fg ae = = —————at — —— : 4 — aS _ = a = hoy = er He is the Child blend - ed, He ism =a = ey : G Se = $ O night, peace-ful and blest! For now Je - sus doth rest Near His O morn, ra - diant with love! The choirs hymnthee a - bove, For their ppp cas a a ==" wt 0 view vee ; . r= — ee —- S —— - oer eee oe fond watch - ful moth - er; Soft light o’er Him doth shine, A- watch now is end - ed. On high, songs nev - er cease, While . oe Ne | mk £2 : fp td it So : * — round, bright an- gels hov- er, He is the Child Di - vine. ours with theirs are blend-ed, He is thePrince of Peace. ae ee oe 2p 3F = gs Of a=. ba Sf i : = = ey ] art sempre crese. f im pre erte, | i es —— = = =F —_—132 GOOD KING WENCESLAS f Tempo giusto J ae ‘Traditional Ss ! Chorus ‘ 1. Good King Wen- ces - las look’d out On the Feast of Ste - phen, ‘Tenor Solo 2. “Hith - er, page, and stand by me, If thouknow’st it, tell - ing; | tenor sie 3. "Bring me flesh, and bring me wine, Bring me pine - logs hith - er; ; ou 2. = a = =é ae When the snow lay round a - bout, Deep and crisp and ¢ = ven; Yon - der peas- ant, who is he? Where, and what his dwell - ing?”” } Thou and I will see him dine When we bear them thith - er.’” oo ee ak a == J T T Brightly shone the moon that night, Though the frost was cru - ely ‘Treble Solo “Sire, be lives a good league hence, Un - der-neath the moun - tain; chorus Page and monarch forth they went, Forth they went to - geth = ers 3 A eee See ————_—_ = = Cane When a poor man came in sight, Gathring win- ter fa - - eb Right a-gainst the for - est fence, By Saint Ag- ones’ foun - - tain.” Through the rude wind’s wild la -ment And the bit-ter weath - er. ‘poco ritard : Fr = “Treble Soto 4 “Sire, the night is darker now, ‘And the wind blows stronger; Fails my heart, I know not how, I can go no longer.’” Tenor Solo “Mark my footsteps, my good page Tread thou in them boldly : Thou shalt find the winter's rage Freeze thy blood less coldly.”” t 5 In his master’s steps he trod, Where the snow lay dinted ‘Heat was in the very sod Which the saint had printed; Therefore, Christian men, be sure, Wealth or rank possessing, ‘Ye who now will bless the poor, Shall yourselves find blessing.O HOLY NIGHT 133 Avoteme Anim, 1802-1856 Adolphe Adam was a student at the Paris Conservatory under Boieldieu, and was the founder of the National Theater. He composed more than fifty operas of light and sparkling character, the most popular of which is probably The Postilion of Longjumeau. Andante maestoso = 72 BE: ene ae Urisox on Soro & = SF SSS = z a= 1 oO ho - ly night!. . thestars are bright - ly 2, Led by the light . . of faith se-rene - ly 0m) | Hetmught as tole | one i= = NS = = = 3S It is thenight of -~— my dear — Sav - iour's With glow - ing hearts by Hisere - dle we His law is love, SSE SSS _ Aly—— Long lay the world in sin ander - ror So led by light of a star sweet -ly Chains shall hebreak, for the slave is our 1 > ing, Till He appeared and thesoul felt its worth, A gleam = ing, Here came the wise men from O - ri - ent |: ‘The broth - er, And in Hisname all op-pres-sion shall cease. Sweet thrill of hope the — wea - ry soul re~joie - es, For yon- der breaks a King of Kings lay thus in low -ly man - ger, In all our tri - als hymns of joy in grate - ful cho-rus raise we, Let all with - in us ae Boe nd glo rious morn 5 Fs y Oh, born to be our friend; He knows our need, Toow praise Hisho - ly name; Christ is the Lord, Ob,——. - = = i 1 — . = CoS hear the an - gel voic es! O night di - weak - - ness is no stran ger, Be - hold your praise + His name for -ev er! His pow’r ‘and _—<=. = a ie -- ia fe eee toe vine, ©. . night when Christ was born! ° King, be = fore Him low - ly bend! Be: ee er-more pro-claima! His wooo, a2? = = z= FE = = 2 = — —. — > 2 (=. Se | night, © ho - = ly night, © night ai - hold your King! be - fore him low - ly pow'r and glo. - - oy ev + er~ more... pro- uu£5. fj — Ste ee vine! Fall on your knees, Ob, hear... the an- gel bend! Fall on yourknees, Ob, hear. . the an- gel Ob, hear. . the an-gel claim! Fall on your knees, = = Fs. night . . when Christ was night . . when Christ was oe 7 SEES born! © night,.. O bo - - ly night, O night di - vine! te : . _ ! =THE FIRST NOWELL With spirit = 126 Srinenonci*en Sexo Pes. = = € fg ee t =| 1, The first. Now - ell the 2. They look - ed up and 8. And by the light of 4. This star drew nigh to < an-gel did say, Was to. cer-tain poor saw a star, Shin-ing in the that same star, Three wise - men the north-west, O’er Beth - le - 2 fata , =: = i a = ; See SE a te 7 = shep-herds in fields as they lay; In fields where they East be - yond them far, And to the earth came from coun - «sotry far; To seek for a King was hem it took its rest, And there it did both « is es <> =- $x = e = —- = — | = keep-ing their sheep, On a cold win-ter’s night that was so deep. gave great light, And soit con - tin-ued both day and night. their in - tent, And to fol - low the star wher -ev - er it went. stop and stay, Right o- ver the place where Je i sus lay, Pl poco ritard fie - a———= iP Cronus, pits mosso gor maa Now - ell, Sf, eS 5 Then entered in those wisemen three, Full reverently upon their knee, And offered there, in His presence, Their gold, and myrrh, and frankincense. Now - ell, Now- ell, - Now - ell, Bornis the King of Is =eere 4 ra- el. poco ritard | == — 6 Then let us all with one accord, Sing praises to our heavenly Lord, ‘That hath made Heaven and earth of nought, And with His blood mankind hath bought.LULLABY Epwanp Brtviue ( Jaxonowset ) Arranged by Momrrz E. m_P Sorpaxos axp Aros 1, Dearmoth-er, in dreams I see her, — With = 2. Ab!e’enwhenher life was ebb - ing, Her = _ Se we eS & = Jov'd face sweetandcalm, And hear her voice with love re-joice When nest’ling on her words were all of me, My fu- ture years were all her fears,Lest an-guish I should f N= = sea PEt eel piu f 2 — on == 3 o= ee RR ee ee oe eb P ; arm;.. I think how she soft - ly press’dme, Of the tears in each glist*ning see; .. My fa-ther, I hear himweep-ing, As, in sor - rowstand-ing— So x Pees ree re cep ee = her watch she’d keep when she rock’d to sleep Her child with this lull - a - y moth ~er’s plaint in those ac - cents faint,Her ten - dersweet full - a - | f eS = 393 a + oe —s lay: 6 = Bye bye, bye bye, bye bye,bye bye, Bye bye, bye bye, bye bye. s * =p 2S = ere | te eee ee Bye, bye, drow-si-nesso’er-tak - ing, Pret-ty lit - tle eye - lids sleep; — - = Bye, bye, wateh-ing till thou’rt wak-ing, Dar-ling, be thy slum- ber deep.pit forte my ’ EA a | — = Pret-ty lit - tle eye - lids, irow- si- ness o’er-tak - ing, Bye, bye, di Bye, bye, bye, bye, Bye, bye, bye, SSS ora Se il fre = oe / p lum-ber deep, Bye, bye, Bye, bye. . « es bye, Bye, bye... bye, O’ER THE WATERS GLIDING (FROM TALES OF HOFFMANN ) Tacaves Orreensct, 1819-1880 Arranged Pp Axros on Basses In. our bark we Si-lent o’er the wa-ters glid-ing, E420 ee ot Bee oe paasaasii5 a sempre areggta £ = £ ae =o = = =With our hearts in peace a-bid- ing, cast wecare aside, £9 Sornaron on Trxons = ——— =| == a= = = =e Fur a-bove the stars are gleam-ing: Mir-ror’d BP Axros or Basses =< ges Far a-bove the stars are gleam-ing: Mir-ror’d in the deep. . Lu - na fair lies in the deep. . Lu - na fair lies » 2S pro-found-est sleep; The oars no rip - ples throw, : ————— * se SS sweet - ly dream-ing in pro-found-est sleep; - ae —— a 3% to 5 The oars no rip - ples =142 peas » Nor wake the spray; . = = 7 = x ae throw, Nor wake the spray; 4 iss - 3 = a low, Our hearts are gay. Hail! all hail! . . Love - ly jt 4 44 ore feat A= ss j 2 ee samp SSS $__ i et Love - ly night, all hail! Si - lento’er the143 ibe = x , jae eee eS as Ah, . Ah! love-ly night . Alylove=ly night! . Ab, — = <== == eee Ab, love-ly night! Ah, love-ly reer pticb —_—— 2! See get294 night, love-ly night. — pDEVOTIONAL, PATRIOTIC, FAMILIAR AND COLLEGE SONGS NEW EVERY MORNING Jou Keate, 1792-1866 CAMDEN Jouw Barrisre Caueiy, 1887— oie So 4 a ja. eal Seer ev’'r- y morn-ing is the love Our wak-ing and up - ris - ing prove, mer - cies,each re - turn - ing day, A-round us hov -er while we pray, on our dai - ly course, our mind Be set to hal-low all we find, Pegg ST * f ‘6 T T 5 poo rita + bee Thro’ sleep and dark-ness safe - ly brought,Re-stor’d to life, and pow’rand thought New per - ils past, new sins for-giv’n,New thoughts of God, new hopes of heav’n. The triv - ial round,the com - mon task Will fur - nish all we need to ask. 1 er mop op ple: NOW THE SHADES OF NIGHT ARE GONE SEYMOUR , . ga . Now the shades of night are gone, Now the morn-ing light has come; . Fill our souls with heaven-ly light, Ban - ish doubt, and clear our sight; 8. When our work of life is past, Oh, re - ceive us then at — last; ‘ant. Manta vox Wenen, (1786-1826) =e =) ea? - = is 4 a 3 E SS] eee tS pS Se Lord, may we be Thine to - day, Drive the shades of night a - way. In Thy serv - ice, Lord, to - day, May we stand, and watch and pray. Night and sin will be no more, When we reach the heaven-ly shore. be — ee = fe =F ——= ‘2 =i 2=] M5 ‘146 WORK, FOR THE NIGHT IS COMING Stowey Dex Groner 1. Loses oad a Rt — f ee =e 2 ie eae 1, Work,for the night is Work,for the night is Work,for the night is ~ com - ing, com ~ ing, Work thro’ the morn-ing hours; Work,while the dew com - ing, Work thro’ the sun - ny noon; Un-der thesun- set skies; While their bright tints are = is Fill brightest hours with re. ie ae =? st SSS : t spar - kling,Work ’mid spring-ing flowers; Work,when the day grows bright - er, la - bor, Rest comes sure and soon; Give ev'r-y fly - ing min - ute glow - ing, Work, for day - light flies; Work till the last beam fad eee = : = £ . eee =e —= a —— t T w eT T =) Something to keep [in Fad -eth toshine no im store; eee oral et Ss Work,for the night is com - ore; Work,for thenightis com - ing, When man’s work is done, g,When man works no more. ‘Work,while the night is dark’ning, When man’s work is_o’er. err nde, ote Se za[t $3 Pepe OH, HAPPY IS THE MAN THAT HEARS Looax Groro Farepaicn Haxnet, ( 1685-1759 [Adapted from the Arla “I Know that My Redeemer Liveth," from the * Messiah Moderato g =80 | — a = os ee eee 1. Oh, hap - py is the man that hears In - strue - tion’s warn - ing 2, For she bath treas-ures great - er far Than east and = west un - hae Pee ig—- _ 26 jd FS Se = = ——— — T fecal otaT — i t ! voice; And who ce - les - tial wis - dom makes His ear - ly, on - ly choice. fold; And her re - wards more pre - cious are Than all their stores of gold. a a == 8 She guides the young with innocence 4 According as her labors rise, In pleasure’s paths to tread; So her rewards increase; A crown of glory she bestows Her ways are ways of pleasantness, Upon the hoary head. ‘And all her paths are peace. SAVIOUR, AGAIN TO THY DEAR NAME BENEDICTION Jou Exxenrox, 1826-1893 Epwanp Joux Hovstvs, 1818-1901 >. ——_ + —— Sas 7 = — 1. Sav - jour, a - gain to ‘Thy dear name we raise, With one ac - 2. Grant us Thy peace up - on our home-ward way; With Thee be - $. Grant us Thy peace, Lord, through the com -ing night, Turn Thou for a : ee @g 555 cord, our part -ing hymn of praise. We stand to bless Thee ere our gen, with Thee shall end the day. Guard Thou the lips from sin, the us its dark-ness in - to light; From harm and dan - ger keep Thy 7 oo je « a_fa_ 2 f 5. =s 239 == o> a (ole) tT t fl 9 mB poco ritard ° 4 4 pres c= —=: ; —— ss ts oS Se wor -ship cease, Then, low - ly bend - ing, wait Thy word of peace, hearts from shame, That in this house have called up - on Thy name. chil-dren free, For dark and light are both a - like to Thee. 9 ™p_ poco ritard p é =e ——t =148 LORD OF OUR LIFE CLOISTERS ‘Translated by Partie Pusey Sir Josern Banwoy, 1838-1896 o=8 aS SSS SS ze 1. Lord of our life, and God of our sal - va - tion, 2. Peace in our hearts, our e - vil thoughts as - suag - ing, 3. Grant us Thy help till. ~—sback-ward they are driv - en, _g/_, —s ee oe SS — Si Star of our night, and hope of ev’r-y na- tion, Hear and re - Peace in Thy church, where broth - ers are en~- gag - ing, Peace when the Grant them Thy truth, that they may be for -giv - en, Grant peace on = _— —. —e. | ceive Thy children’s sup - pli - ca - tion, Lord God Al - might - y. | world its bus - y war is wag- ing; Calm Thy foes rag - ing. earth, and aft - er we have striv- en, Peace in Thy heavy - en. He GOD IS OUR REFUGE, STEADFAST AND UNSHAKEN INTEGER VITE Fauepaicn F. Fresno, 1778-1813 | ae ———— fp SS a a se 1. God iss our_—Ref = uge, stead = fast and un - shak - en, | @% There - fore we fear not, sure of our sal - va - tion, } 8. There is a riv = gen - tly on it glid - eth, = =e s = = 2 - ee ———_} 7 1 |. 4 [mR poe 3 SSS ¢ 5 G sete =e wa Shield -ing us safe - ly, when thestormsa - wak - en; Ne’er shall His E’en though the moun - tains shake to their foun-da - tion, Though earth be Wa- tring the cit - y where our Lord a - bid - eth: Who to its $$ ¢ go e $s 6 + _5 +s ae : $ — ae ee ae fot chil - dren be by Him for - sak - en; His hand sus - tains us. mov - ed, frightenedev'r - 7 na - tion, God’s love is 0 - ver us. heal - ing all His ills con - fid - eth, Nev - er shall per - ish. Ee mpfr gos DAY BY DAY THE MANNA FELL Louis Monrav Gorrscmatx, 1829-1867 Arranged from Gorrscuatx’s ** Last Hope" Jostan Coxpen, 1789-1855 ee eee es i aaaans 1. Day by day the man - na fell, Oh, to learn this les - son well; 2. Day by day, the prom - ise reads, Dai - ly strength for dai - ly needs; 8. Thou our dai -ly task shalt give; Day by day to Thee we _ live Still by con-stant mer- cy fed, Give us, Lord, our dai - ly bread. Cast fore-bod- ing fears a - way, Take the man-na of to - day. So shall add- ed years fal - fill, Not our own, our Fa - ther’s will. = oe e— B+ a 2 =<150 CHRIST, THE LORD, IS RISEN TO-DAY WORGAN Cuances Wester, 1708-1788 Lyra Davireca, 1708 Joyfully g=120 £ :: —— —! ——— 3+ + 7 z fe Roe 1. Christ, the Lord, is risen to - day, AL : - 2, Soar we now where Christ has led, Al = : f £ — Sons of Fol - l'wing our men and an - gels ex - alt - ed ’ — SS says Head, ’ ’ =p Pr ee Al a = cece ae Al _ : le- lu = ial ——— I J. aS ” eae : wate — Fe SSS 2p Ee t i T = ieee i {nme Get Lane, ea Raise your joys and tri-umphs high, Al - - le-lu - ia! Made like Him, like Him we rise, Al - = Je-lu - ia! Mee tii it foe I~ J —_—— Pint oo! te == . — — - oi ———— f =a : na Sing ye heav’ns,—and earth, re - ply, Al = - - le-ln - iat Ours the cross, the grave, the skies, ee - - le-l - iat * ' oy a a fete ! pet ey - - co — = Norn. The melody in the fist two measures, fst score, and the frst two measares, second score. may be sung in anfson, fhe ‘Sopranos Altos and the Tenors and Bases alternating.. Abs HARVEST SONG THANKSGIVING HYMN mf d=182 a ae po 7 re 1, We plow the fields, and seat - ter The good seed on the land, 2, He on- ly isthe Mak - er Of all things near and far, 8. We thank Thee, ther, O Fa - ther, For all thingsbright and good, i eee eee = essa c = | : 1 ae * = wa = i But it is fed and wa- ter’d By God’s al-might-y hand; He sends thesnow in He paints the way-side flow - er, He lights the eve-ning star; The winds and waves o - ‘The seed-timeand the har - vest,Our life, ourhealth,our food; Ac - cept the gifts we ———" An = . =e es ee ~ e eee eee T 1 T T TT a . [eRe eal wir - ter, The warmth to swell the grain, The breez-es, and the sun - shine, bey Him, By Him the birds are fed, Much more to us, His chil - dren, of - fer For all Thy love im - parts, And, whatThou most de - sir - est, ff 2. 2 —————— ics 2 4 2 a Foy “eT And soft re-fresh-ing rain. All good gifts a-round us Are sent fromheav'na - bove, He gives our dai-ly bread. All good gifts a-round us Are sent fromheav'na - bove, Our hum -ble,thank-ful hearts. All good gifts a-round us Are sent fromheav’na - bove, oe —-F- = we — Then thank the Lord, OQ thank the Lord For all. . . His f a f.162 JESUS, LOVER OF MY SOUL ABERYSTWYTH Cuanixs Wester, 1708-1788 Josern Panny, 1841-1908 This hymn, a favorite with the Welsh people, iy usually sung to the words: “Jesus, Lover of My Soul."* ‘Though simple in structure, its melodic beauty and the individuality of the voice parts have made it a classic in small form. ‘The composer, Dr. Joseph Parry, was born at Merthyr. Among them, ‘directorship of the South Wales School of Music at Cardiff. more than three hundred songs, and many glees and part songs. He has filled many important positions. ‘De. Parry has written raany oratorios, pass 4 . er z SS E= Oa ee pe ee is I 1, Je - sus, Lov - er of my soul, Let me to Thy bos » om fly, 2. Oth-er — ref-uge have I none, Hangs my help-less soul on Thee: 8. Plen-teous grace with Thee is found, Grace to cov - er all my sin; See Sa Cue = a pet == ; ——— = Page ee While the bil - lows near me roll, While the tem- pest still is high! Leave, ah, leave me not a - lone, Still sup - port and com -fort me; Let the heal - ing streams a - bound; Make and keep me pure with - in. . : ene poate gt = iecaaes 2 4 = et a? od bef ESS ee f Hide me, O my Sav - iour, hide, Till the storm of life is past ; All my trust. on Thee is stayed, All my help from thee [I bring: Thou of life the foun - art, Free-ly let me take of Thee; Safe in - to the ha -ven guide, O re - ceive my soul at last! Cov - er my de - fence-less head With the shad - ow of Thy wing! Spring Thou up with-in my heart, Rise to all _e - ter-ni - ty. ' fo @'€ |) o #ie, S153 NEARER, MY GOD, TO THEE ST. EDMUND Sanam F. Apams, 1805-1848 Sir Anrmun 8. Suctivax, 1849-1900 Sir Arthur S, Sullivan was born in London, and heenme a sindent at the Royal Academy of Music. After wards he entered the University of Leipzig, ‘and studied with Moscheles and Hauptmann. He was made Pringal ofthe National Training School in 1876, and was knighted in 1585, ‘Sullivan has written many serious works, like the Prodigal Son, and Golden Legend, but he is perhaps best known by his operas, namely: Pinafore, Pirates of Penzance, and Mikado. 7-8 cpl — Sorat om +P Cnorvs 7 —! mp rT CTF eG | oe my God, to Thee, ee to Thee! 2. Though like a wan - der - er, The sun gone down, 3. There let my way ap - pear Steps un - to heav’n; 4. Or if, on joy - ful wing, Cleav - ing the sky, Pp “a SS SSS—> = SS = eee |mf Cnones Poco accel. — 4 1 ——— '—— oe Even though it be a cross That rais-eth me, Still all my song shall be, Dark -ness be o-ver me, My rest a stone; Yet in my dreams I’d be, All that Thou send-est me In mer-ey giv’n: An- gels to. beck-on me Sun, moon,and stars for- got, Up-ward I fly, Still all my songshall be, 2 et ot a ! ge = =] i a a Near - er, my God, to Thee, Near - er, my God, to Thee, Near - er to Thee! poco ritard ———— =——— = p ae 2 A ee oe ee === (== = i] ONWARD, CHRISTIAN SOLDIERS ST. GERTRUDE Sanne Bartvo-Gootn, 1834~ Sir Anraun S. Suistvax, 1849-1900 een f eg eee 1. On-ward,Christian sol - diers,Marching as to war, With the cross of Je - sus 2 Like amight-y ar - my Movesthe Church of God; Broth-ers, we are tread ~ing 8. On-ward,then,ye peo - ple, Join our hap- py throng,Blend with ours your voie- es tpt tot =184 jee) ' —— 3 G 2st ss # Go- ing on be- fore! Christ,the roy - al Mas - ter, Leads against the Where the saints have trod; We ‘are not di - vid - ed, All one bod -y In. the triumph song. Glo -ry, laud, and hon - or, Un- to Chrst the eye $e SI + et eee ee eng gist 2 ot z SS SS eles For-ward in-to bat - tle See His ban-ners go. On-ward,Christian sol - diers, One in hope, in doc - trine, One in char - i - ty. This thro’ countless a - ges Men and an- gels sing. ees See =I = r RE ed Ep : a ts eS March-ing as to war, With the cross of Je - sus Go- ing on be-fore. ft a. at Sala ara 7 $2 8 ys ee - ste 1, Heavy - en - ly con - cord, im - age of love, Send us thy pres- ence 2) Oh, thou up- lift - est” grand - ly the soul, Giv - ing us cour ~ age 8. Lord, if e'er dis - cord ris - es to-day, May it _be quick - ly mf =—=-_ 2 e f= e a eee ae. e = 2 p a =oSs 2 oe . down from a-bove; Let thy lighten - ter each lov-ing heart,. . Heav-en- ly un - to the goal; Com-fort-ing ev - er trou - ble and pain, . . That in the driv- en a-way; Help us to meet it with a brightsmile,. . Give ussweet se = : a = eee 7 f= 5165 — — = 24s f = = Es SS = a a con-cord nev -er de- part; Heav-en-ly con - cord, nev - er de- part. spir - it glad-ness may reign; That in the spir - it glad - ness may reign. eon - cord, ban -ish~ ing guile; Give us sweet con - cord, ban - ish-ing guile. foot , ete se 2 ties 2 pcleas & LEAD, KINDLY LIGHT LUX BENIGNA Cardinal Jome Hreny Newsax, 1901-1891 Jon Baccus Drxxs, 1893-1876 cae S | 1, Lead,kind-ly Light! amid th’ en-cir-cling gloom, Lead Thou me on; Thenightis 2. I was not ev - erthus,nor pray’d that Thou Shouldst lead me on; I lov'dto 8. So long Thy pow’rhas blest me,sure it still Will lead me on O’er moor and —) Ispgea dt) hieee =a = s be tS : a a ot ~— im dark,and I am far from home Lead Thou me on; KeepThou my feet; 1 choose and see my path; but now Lead Thou me on; I lov'd the gar - ish fen, o’er crag and tor-rent till The night is gone; And with the morn those . oe.» =e oe o=e=¢ a em =: SS ==: ete = pees ae HH @SS5 ana do not ask to see... The dis - tant scene;onestep e- nough for me. day;and,spite of fears, . . Pride ruled my will: re-mem-ber not.. past years. an-gel fac - es smile . . Which I _ have lov’d longsince,and lost . a - while. — ee ar) i 4 ie ers Sa > A eee T t T T YHOLY, HOLY, HOLY! LORD GOD ALMIGHTY Reonvarp Henze, 1783-1896 J=% NICEA Tous Baccus Dyers, 1893-1876 2 pet + = S| |. oe = = se eer , 1. Ho - ly, ho - ly, ho - ly! Lord. . God Al - might - y! 2. Ho - ly, ho - ly, ho - ly! all the saints a - dore Thee, 3. Ho - ly, ho - ly, ho - ly! tho’ the dark - ness hide — Thee, 4. Ho - ly, ho - ly, ho - ly! Lord. . God Al - might - y! sy Far - ly in the — morn - ing our song shall rise Cast - ing down their golden crowns a - round the glass Tho? the eye of — sin- ful man Thy glo - ty may All ‘Thy works shall praise Thy name in earth, and sky, _ ate evista a tempo 2 ++ fa Ho - ly, ho - ly, ho - ly! mer - ci - ful and might - y! Cher - u - bim and ser-a- phim fall - ing down te - for Thee, On - ly Thou art ho - ly; there is none be - side Thee Ho - ly, ho - ly, bo - ly! mer-ci - ful and might - y! a tempo SSS = Zs - - Fa ther and Sav Which wert, and art, Per - fect in pow’, Fa - ther and Sav - be =eT THE STAR-SPANGLED BANNER Francis Scorr Key, 1779-1843 Dr. Sasue Anwoun, 1740-1808 ‘The original of the melody of this song was entitled, To Anacreon in Heaven, which was written for a club that formerly met at the Crown and Anchor, in the Strand, London. It was probably the composition of Dr. Samuel Arnold, and was written soon after 1770, or about the time of the birth of Beethoven. Francis Scott Key, in writing the verses for it, fitted them to the old tune. The stanzas were first printed in the Baltimore American, Soup of Ustsox Aninato 4) 100 = epi ’ a3 SS Ss = => —— = = —- a — ae say, can you see, by the dawn’s ear - ly light, What so ¥. On the shore, dim - ly seen through the mist of the deep, Where the And where “is that band who so vaunt - ing - ly swore, "Mid the 4. Oh! thus be it’ ew” - er whenfree - men shall stand Be - eee = SS f earn proud - ly we hailed at the twi-light’s last gleam-ing? Whose broad stripes and bright foe’s haugh-ty host in dread si- lence re - pos - es, What is that which the hav - oc of war and the bat-tle’s con - fu- sion, A home and a tween theirloved home and wild war’s des - 0 - la - tion; Blest with vie - t’ry and s,through the per - il ~ ous fight, OYer the ram - parts we watched,were so breeze, o'er the tow - er - ing steep, As it fit - ful-ly blows, half con - leave us no more? Their blood has washed out their foul res-cued land Praise the Pow’r that hath made and pre = coun = try th peace, may the hea SS = =158 Sor. anp Auto on Taxon ann Bass Pitt mosso ¢ = 108 Ob... say, does that °Tis the star - span - gled And the star - span - gled And the star - span - gled star - span - gled ban - ban - ner, ban - ner ban - ner ob, in in long tri tri of = —__ >= = SS ASSES — =H = gal - lant - ly stream-ing. And the rock-ets? red glare, the bombsburst-ing in ceals, half dis - clos - es? Now it catch-es the gleam of the morn-ing’s first foot-steps’ pol - lu - tion, No ref - uge could save the hire - ling and served us a na - tion. Then con-quer we must, when ourcause it is 1 | } 1 SS Ss eS = _o - + (eal f ea: aS = ——cs 4 Se = == =e =] = — i z ese t omm —— — . iv , —— a - SSS SS SSS ss a ae 3 air, Gave proof throughthe night that our flag was still_ there. beam, In full glo - ry re - flect - ed, now shines in the stream. slave From the ter - ror of flight or the gloom of the grave. just; And this be our — mot to:“In God is our _trust.’” | | SN — ee 7 # z ae SSS aes —! Hl i = a: = —— eS ee 2 se as se ner yet wave may it wave amph shall wave umph shall wave11.2.3. Over the ‘4. While the ar —— Allargando = —- —- AMERICA Samui Francis Sarrm, 1808-1895 Henry Caney, 1690-1743 ‘The tune ‘* America" is the national, mn of several countries: England, Prussia, and others. The author- ship has never been satisfactorily settled, but the strongest claim is that of Heary Carey. time between 1796 and 1740 “Andante maesieo |= 80 It was written some- Ey — } = = SSS + 2 = s— coun - try, ‘tis of thee, Sweet land of lib - er - tyy . My na - tive coun - try, thee, Land of the no - ble free 3. Let mu - sic swell the breeze, And ring from all__— the _ trees 4. Our fa - thers’ God! to ‘Thee, Au - thor of - ty, nf, = ——e € z f Of thee I sing; Land where my fa - thers died; Land of the Thy name I love; oe love thy rocks and rills, Thy woods and Sweet free - dom’s song; Let mor - tal tongues a - wake; Let all that To Thee we sing; Long may our land be bright With free - dom’s oe fe Ea = = : 5 3 Z| i pil - grim’spride!From ev’r - y moun - tain side Let . .Free-dom ring! tem - pled hills; My heart with rap - ture thrills Like . that a- bove. breathe par-take; Let rocks their si - lencebreak, The ..sound pro - long. bo - ly light; Pro - God, our King! ae 2 2 $ f+ ee =H i160 DIXIE Dawe D. Exscerr ‘This song had a northern origin, and was written in 1859 by a member of Bryant’s minstrel show.‘ Mason and Dixon’s line” was the verbal inspiration of the song. The composer and author had traveled much with circuses, and when the circuses were showing in the North, and cold weather approached, the performers longed for the southern tour to begin, and frequently the circus people would say, “*I wish Iwas in Dixie!” This catch phrase was used in after years by the author of the song. “Dixie” was written for the graad “* walk- around” for Bryant's minstrels, é FS Ld wish I was im the land of cot-ton—Old-en times are 2. Oh, gay the times thatwe had to- geth-er, Cared not we for —— Se ss F not for- got -ten—Look a - way! Look #- way! Look a- way! Dix ie- wind or weath-er—Look a - way! Look a - way! Look a- way! Dix - ie- °Tis there we passed such mer-ry hours *Mid the for - est ‘Twas al - ways gay and pleas-ant there, Ne’er a cloud and Ss == wes = = —* = = =F = eae Look a- way! Look 2-way! Look a - was leaves and flow-ers,Look a - way! ne'er a care, Look a- way! Look a -o $= 161 Hi ah oS $e: TSS Then 1 wish I was im Dix-ie! Hoo-ray! fee > Hoo-ray! In Dix-te Land I’ : ots a ea a tee SS a a a 5 t= take my stand, To live and die in Dix-fe! A- way, — ees: [even hone : oe oe vp RAT | A-way down South in Dix-ie! es ir = iL f HT mits ¢ y WATT wi Hl thMARYLAND, MY MARYLAND Boldly j= 34 a —— = es 1. Thou wilt not cow - er in the Ma = ry- land! My 2 1 see the blush up - on thy Ma > ry land! My & L hear the dis - tant thun - der hum, = Ma - ry- land! My 2 2 ae £ > 5 ——— ae 7 Thy beam - ing sword sha nev = er — rust, Tho’ thou wast ev - brave = ly — meek, The Old Line ba - fife and drum, My ja ry = land! Re - mem ber Car - roll’s My ry -lend! For life and death, —_ for ry - land! Come to thine own he - =8— = sa Re -mem - ber How - ard’s war like thrust, woe Thy peer - less chiv - al - ry reveal, And wm - That stalks with Lib - er - ty a - long, , And fe 2 = cna, ees SSS all thy slum-b’rers with the just, Ma - ry-land! My Ma - ry-land! gird thy beau - teous limbs with steel, Ma - ry-land! My Ma - ry-land! ring thy daunt- less slo = gan song, Ma - ry-land! My Ma - ry-land! a ee —3—-3-— FS e St ———- eo ee oe163 AMERICA Sanvet, Fuavcis Spurr, 1808-1895 Anravn Epwano Jomsroxe ‘This composition was awarded the gold medal offered by the Society of the Cincinnati, of Rhode Island, for the best new musical setting of “Ameri Moderato = 92 my ’ ney (aoe Seas Siar 1, My country,’tis of thee,Sweet land of lib-er-ty, Of thee I. sing; Land where my 2. My native country,thee,Land of the no-ble free,Thy name 1. love; 1 love thy 8. Let music swell the breeze, And ring from all the trees Sweet Freedom’s song! Let _mor-tat 4. Our fathers? God !to Thee, Au - thor of lib-er-ty, To Thee we sing: — Long may our mf | eS eee ‘The accompaniment is optional Moderato = 92 5] e be eps ritard slightly —=—_ .- a tempo fl ’ : ily = = = Se eS ai ee f ep plea fathers died,Land of the pilgrim’s pride,From ev’r-y mountain side Let freedom ring! rocks and rills, Thy woods and templed hills My heart with rapture thrills Like that a-bove. tongues a-wake ;Let all that breathe partake sLet rocks their silence break, The sound pro-long. land be bright With freedom’s ho-ly light; Pro - tect us by Thy might,Great God,our King! ritard slightly Sf.THE NEW AMERICAN HYMN Words and Music by Wiurzam 'T. Souuxe 4 ——————— S$ 1. A+ mer - i- ca, thou glo-riousland, to thee we fond-ly cling, .. With 2 A- mer - i- ca, thon ra diantstar whose light is ev - er bright, . Send 8. A- mer - i-ca, thou glo-riousland of lib-er- ty and love, .. To ’ =F] = = | grate-folhearts at - tuned to prise,of lib - er-ty we sing, Thy {forth to all the Yands a- far thy free-dom’sho - ly light. No thee we raise an end -less praise re - &ch - o-ing a = bove. Should » oo ao een as Copyright, 006, by Amsaicay Boor ComeasT165 poe SS = = = = f might - y arm pro- tects us On moun-tain, vale and sea, Thy sun can e’er be - dim thee, No cloud thy light ob - scure, Shine threat - ning clouds o’er - shad - ow Thy bright and peace-ful sky, We'll pa plata eee a —_—_—_—— B fe eee —f= Fe Ce ——% 2 eee hal - lowed light of on, thou might - y stand eres. free - dom Sheds trath peace star, Shine as men be - fore thee, Thy and lib - er - ty. pp Bermantop l - rious land. THE MARSEILLAISE Rovarr nr Lasts, 1760-1896 De Liste’s mother was proro-indly royalist, and not knowing that her son had composed this incendiary song, she demanded upon heating it: “What do people mean by associating our name with the revelutionary. hymn which these brigands sing?” De Lisle himself, when menaced in the Jura mountains, whither he had fled as a proscribed royalist, heard his song and asked his guide what it was called. It was in these circumstances, and for the first time, he learned his song had become famous as the Marseillaise hymn. Tempo di marcia. Boldly we 1. Ye sons of free-dom,wake to glo - ry! Hark hark! what 2 Now the dan-g’rousstorm is roll - ing, Which wicked 3. O lib - ! ty! can man re - sign — thee,Onee hav-ing =2 et —. eee iads bid you rise! Your children, wives and grandsires how my y, Behold their men con ~ fed-"rate,rnises The dogs of war, let loose, are howling And lo! our felt thy — gen’rous flame? Can dungeons, bolts and bars con - fine thee Or whips thy167 {Se SSE G 1 fe = SSE tears and hear their cries, Be-hold their tears and hear their cries! Shall hate-ful walls and cit - ies blaze! And shall we base -ly view the scene, While law-less no-ble spir- it tame? Orwhips thy no - Mle spir-it tame? Too fong the A eeaat $e ty- rants, mis - chief breeding, With hire-ling hosts, a ruf-fian band, Af. force,with guilt-y stride, Spreadsdes - 0 - la - tion far and wide, Spreads world has wept, be - wail-ing That falsehood’s dag - ger ty - rant’s wield, But z x (SS mS 2 te See I fright and des - o- late the land, While peaceand lib-er- ty lie des - 0 - In-tion far and wide, With crimes and blood hishands imbru -ing? free - dom is ourswordandsbield, And all’ theirarts are un - a - vail-ing. (eee = ff Cnonos —— —= To (Ss arms, .. to arms, ye brave! Th’a - veng - ing sword un-sheathe! x i j 3 ss ea gS ae ig]MEN OF HARLECH Welsh Poem ‘Welsh Air ‘Tragslated by Wiican: Dove Harmonized by Jose Banxny, 1888-1606 Modo Sa SS SS SSS 1, Men of Har-lech! in the hol-low, Do you hear, like rush-ing bil - low, 2, Rock - y steps and pass-es nar-row Flash with spear and flight of ar - row: pape et gts? f Wave on wave that surg - ing fol - low Bat - tle’s dis - tant sound? Who wouldthink of death or sor - row? Death is glo - ry now! *Tis the tramp of Sax-on foe-men, Sax- on spear-men, Sex- on bow -men,— Harl the reel-inghorse-men o - ver, Let the earth dead foe-men cov - er! a st , ——-S =169 oe re ———- et =| = - ce T T e T Be they knights, or hinds, or yoe - men, They shall bite the ground! Fate of friend, of wife, of lov - er, Trem- bles on a blow! = ft 2 £ . ee Loose the folds a - sun-der, Flag we £ con - quer un - der! The Strands of life are riv- en; Blow for blow eu eas pay plac - id sky now bright on high Shall launch its bolts in thun - der! dead - ly lock or bat - tleshock, And mer - ey On-ward!"tis our coun-try needs us, He is bray -est, he who leads us! Men of Har-lech!young or hoar-y, Would you win a name in sto - ry! ——— 2 so : , a 2h 2 = — oe se Hon - or’s self now proud-ly heads us! Free-dom! God, and Right! Strike for home, for life, for glo - ry! Free-dom! God, and Right! —_—____ =F Allargando Soe Ss a 2 SB # Se ee] + lees eS170 FLAG OF FLAGS Harvey Worrmrsoron Looms Anruvr Epwarn Jouxstoxr Tempo di marcia ¢ =120 mf = = Es = So eat (ua to thee! Stand-ard a-bove, Flag that we love: “UHail to thee! Flow’r of thesky, Bloom-ing on high, 2. eon to thee! High in the blue, Flag of the true, "Hail to thee! Hail to thee! Staunchas a star Shin -ing a- far, the glo - ry Of Free-dom’s sto- ry. From out thy folds un - furl - Dawn-light ten - der And sun -set splen-dor Thy —ra~diant hues em - pearl - Faith wn-bound-ed On thee is found-ed, As loy - al hearts ac - claim Trib - ute glowing On thee be - stow-u g,The Flag of Flags we n dwells in thy col - ors three, SFE Pea. — Copyright, 11s, by ANTHCR EDWARD JouNSTONRlike to thee SS —E ee The song SALUTE TO THE FLAG Anmun Epwarp Jouystoxr poco rit, Se = —- y flag, and to the Re-pub-lic for which it stands; oe =a ee = lib - er - ty_and jus-tice for ——.172 GOD EVER GLORIOUS RUSSIAN HYMN Sanvrt, Fraxcrs Suerrn, 1808-1895, Auxxs vox Lworr, 1799-1871 Ff Maestoso g = 108 9, 1 7 ae BSS Zz t= glo-ri-ous Sov - ‘reign of na - tions,Wav- ing the ban - ner of y blessing rest, - thermost ho - ly, O = ver each mountain, rock, ie =a ofa Peace o'er the land. ‘Thine is the vie-to ry, Thine the sal- ea - tion, riv - er, and shore. ¢ Hal-le - la - jah Shout in ho- san- nas! 2a er,Own we Thyhand. Thine is the v try Free ev-er-more. _ Sing Hal - le - Iu Thine the sal - Shout in bo - Strong to de - liv = er,Own we Thy hand. jod keep our coun ~ try Free ev - er- more.Hanvey Worrumorow Looms Well marked g = 92 173 ALMA MATER Auravn Epwanp Jonystoxe = #7 = mp es Sets ros 1. Our thoughts are held in 2, Loved Al- ma Ma-ter’s pe 8, Th sa - ge’sscroll, the min -strel’s lay, "Tis fair Mi- ner = va’s hon - ored Hall vreathed with Art's e - ter - nal flow’rs; here we've conned fromday to day; lov - ing thrall To eace -ful bow'rs Are wi tow’rs of Learn-ing’s paths,from Ju slen - der grace Ha these walls we've pon -dered o’er ‘The price -less_pearls_of well - ing - places rich - ly” strewn. gar -nered_lore. wemade for doves a une to June With La - bor’s fruits are ‘7000 « poe cresce™ Fad | Whose bells of sil-ver thrill the air And set the hours to mu = sie rare, While sea - sons change from green to white And day gives place to star - lit night, best___of Wis-dom’s guer-dons fair, The prize of all_be - yond__com-pare, —=— K song that eer, as years de-part,Shall chime a - gain in each fond heart. The Flame of Faith, the Torch of Truth,Shall ev - er guide the steps of Youth, Our__loy - al friendship's fow’r_di-vine That_bides__in__Mem -’ry’s fra - grantshrine. as; ene \ * ee == = é fay mp174 ANNIE LAURIE Dovotas of Finland ‘Scotch Melody ‘The melody of this famous song is by Lady John Scott. When the English navy was engaged at the Cri mean War in Russia, this was the one favorite song of the sailors. Indeed, it has almost risen to the status of the National Some. ‘Annie Laurie lived about 1600. She was the eldest daughter of Sir Robert Laurie of Maxwelton, and the poem was written in her honor by William Douglas. Con moo espressione g) = 84 Pi tento, = 69 Sopmaxow AxD Autos fe . ze = = a poh = iS eee ett 7 or > 1. Max - wel - ton’s braes are bon - nie, Where ear - ly fa’s the a. Her brow is like the snaw-drift, Her throat is like the 8. Like dew on the gow - an ly - ing, Is the fa’ o’her fair - y ee % a ai dew, And "twasthere that An-nie Lau-rie Gave me her prom-ise true, swan, Her face it is the fair-est That e’er the sun shone on, feet; And like winds in sum-mer sigh-ing, Her voice is low and sweet, aS = — ef Se =o | P dle $a : a= ee