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[403

Jelena Pilipovi
Human Soul, the Home of Divinity.
The Internalization of the Epiphany Experience in the Aeschylus
Agamemnon and Euripides Bacchae
Summary
This paper aims at giving an account of the models for featuring the epiphany
experienced in the soul. The new, internal epiphany is a big turning point in imagining and presenting deities in the ancient Greek poetry. Proto-dramatic tension marks
the early, Homeric and Hesiodic, epiphany presentations. The Attic tragedy, however, essentially develops and structures the internal epiphany, establishing a new
relationship between the immanent world of mortals and the transcendent world of
the immortals. Aeschylus Agamemnon and Euripides Bacchae, especially the characters of Cassandra and Pentheus, incorporate this new relationship: the deity enters
into a human being and does not act on it from the outside, but, on the contrary, acts
on the outside from the interior of the human being. The new idea of an internal, intra-psychical, deeply subjective and inter-personally imperceptible divine presence
is a crossing point in the presentation and figuration of the gods in the ancient Hellenic culture. With this basic similarity, there is, however, a key difference between
the Aeschylus and the Euripides tragedy: in Agamemnon, Apollo is located in the
interior of Cassandra, but she differs from the god who occupies her inner being
and she recognizes him as an ambiguous internal strangeness. The Bacchae, in turn,
leads to such a form of internalized epiphany in which the mortal does not recognize
the divine presence as a strangeness, but as a part of his own self thus leading to
a decomposition of the soul, with consequences both on the individual and on the
anthropological level.
Key words: Aeschylus, Euripides, transcendent, immanent, epiphany, meta-poetics, psyche, deity.

404]