This book explores harmony from a psychoacoustic perspective, examining how humans perceive harmonic relationships between musical tones. The author analyzes harmonic phenomena like consonance and dissonance based on principles of auditory perception. In under 200 pages, the book provides a concise yet comprehensive overview of how psychoacoustic principles can inform our understanding of harmony in music.
This book explores harmony from a psychoacoustic perspective, examining how humans perceive harmonic relationships between musical tones. The author analyzes harmonic phenomena like consonance and dissonance based on principles of auditory perception. In under 200 pages, the book provides a concise yet comprehensive overview of how psychoacoustic principles can inform our understanding of harmony in music.
This book explores harmony from a psychoacoustic perspective, examining how humans perceive harmonic relationships between musical tones. The author analyzes harmonic phenomena like consonance and dissonance based on principles of auditory perception. In under 200 pages, the book provides a concise yet comprehensive overview of how psychoacoustic principles can inform our understanding of harmony in music.
Bigand, E., Poulin, B., Tillmann, B., Madurell, F., & D'Adamo, D. a. (2003). Sensory Versus Cognitive Components in Harmonic Priming. Journal of Experimental Psychology-Human Perception and Performance, 29(1), 159-171.
What Song Comes To Mind Induced Song Recall Transference Countertransference in Dyadic Music Associations in Treatment and Supervision 1992 The Arts in Psychotherapy
1996 - PL - Perception of Musical Tension in Short Chord Sequences - The Influence of Harmonic Function, Sensory Dissonance, Horizontal Motion, and Musical Training - Bigand, Parncutt and Lerdahl