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The Vertigo of Immanence - Miguel de Beistegui
The Vertigo of Immanence - Miguel de Beistegui
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ABSTRACT
This paper is an attempt to identify the source of Deleuzian thought, that is, the
plane or image from which it unfolds despite its many twists and turns. This, I
believe, is immanence. The thread of immanence appears most clearly in What Is Philosophy?
but can be shown to have been at work from the very start. But immanence is not
just the plane of Deleuzian thought. It is also, and above all, that of philosophy itself,
especially in its dierence from religion and onto-theology. This in turn means that,
following Spinoza and his univocal ontology, Deleuzian thought can be seen as completing or realizing the conditions of philosophy itself.
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is not to be mistaken for where (or when) that thought actually begins.
Rather, it indicates the place from which it ows. It is, as such, always
dicult to locate, and especially so in the case of Deleuze, for reasons that will become apparent. What I wish to do, then, is to ask
about what, exactly, orients Deleuzian thought. It is a question of
direction. And if, as we shall see in some detail, following Deleuzes
own conceptuality, I choose to refer to it as a plane, it is precisely
insofar as a plane denes not a surface or a volume, but a direction,
or a manifold of directions. That which orients and guides a thought
does not lie only behind it. It is also ahead of it. To follow that thread
is not to carry out a historical, genealogical approach. It is not an
eort to trace a thought in its progressive emergence, to identify
inuences and to follow their course. What History grasps of the
event, Deleuze writes, is its eectuation in states of aairs or in lived
experience, but the event in its becoming, in its specic consistency,
its self-positing as a concept, escapes History.2 Another way of describing my goal, then, would be to say that what I am seeking to identify is the event of Deleuzian thought. And if Deleuze himself is indeed
at times and in certain ways a historian of philosophy, it is precisely
in the sense in which he is engaged in extracting the event or the
becoming that belongs to a given thought. My concern, then, will not
be that of the historian. In many ways, it will be more tentative and
less secure. Potentially, it is philosophically more fruitful. Taking my
clue in Deleuzes later work, I will look back at his thought in its
entirety and formulate a hypothesis regarding its trajectory. Naturally,
the hypothesis in question would need to be put to the test of a series
of close readings of Deleuzes most signicant textssomething that I
am not in a position to do here. Ultimately, though, it will be a question of asking whether there is something like a singular philosophical
intuition, a single problematical horizon, behind the proliferation of concepts with which we have come to associate his thought. In order to
identify the source of a thought, it is not enough to analyze its concepts. It requires that we identify its consistency. And that, we can
hope to do by looking into that aspect of a thought that always remains
concealed to it (at least in part), by looking into what we could call
its unthought. This is the true source or the horizon from which the
thinkers thought unfolds. For reasons that will also become apparent,
it is most dicult, if not altogether impossible, to produce the concept of that source, that is, to grasp it fully.
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Allow me to take this problematic a bit further by raising the following question: if philosophy is indeed instituted (and not merely initiated) through something that is itself preconceptual, something of the
order of a plane or an image of thought, why does Deleuze characterize it further in terms of consistency and immanence? Consistency
is not mere coherence: whereas coherence, I would argue, has to do
with the relation between concepts, consistency is concerned with the
place or space from which a given thought unfolds. But why immanence? Before addressing this question, let me, once again, wonder
as to the extent to which immanence and consistency are indeed concepts, or at least concepts that we could situate alongside the many
concepts Deleuze creates. Inasmuch as they are associated with the
very plane of thought, should we not view them as quasi concepts,
operating on a dierent plane, indexes of that which in every thought,
yet always dierently, asserts itself, ultimately pointing to the horizon
of thought itself, to the very condition of philosophical thought as such,
which Deleuze wants to extract, over and beyond that of classical, representational thought? The (quasi) concepts of plane, consistency,
and immanence point to the conditions of thought itself. The plane
of immanence, Deleuze and Guattari state very clearly in What is
Philosophy?, is not a concept that is or can be thought.4 Why? Because
it is not a concept to begin with. Or if it is a concept, it is one that is
of an altogether dierent kind from the concepts that make up the
fabric and the distinct color of a given thought. But what is it, then?
An image, precisely: the plane of immanence is the image of thought,
the image thought gives itself of what it means to think, to make use
of thought, to direct oneself in thought.5 From the start, and irreducibly, concepts nd themselves indebted to something that is itself
not conceptual, to a horizon from which they emerge and that determines the meaning of thought. This horizon, this plane, is precisely
the one that Deleuzes concepts attempt to make room for, to intimate, without there ever being a question of turning it into a concept. His own concepts, then, can be seen as an attempt to draw a
plane, but one that would have no other goal than to bring out its
own image, to bring to the surface the image that simmers beneath
all concepts and that makes such concepts possible in the rst place.
His thought is this attempt to bring about the question What does
thinking mean? or What does it mean to think? We can wonder
whether there is not something intrinsically problematic, if not paradoxical, in wanting to extract the preconceptual conditions of thought
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by way of thought (thus resisting the temptation to locate the conditions of philosophy outside philosophy, in history, for example, or
anthropology), in wanting to bring out the horizon or the plane on
the basis of which philosophy unfolds, but which it itself does not institute. Is there not an intrinsic diculty, possibly a necessary incompleteness, built into the attempt to name, to conceptualize that on the
basis of which concepts are generated, once the two most inuential
ways of addressing that problemthe Cartesian (and Platonic) way,
which stipulates that concepts or ideas are not generated but innate,
and the Hegelian way, which stipulates that concepts are indeed generated, yet from within, from the most immediate and abstract to the
most mediated and concretehave been explicitly rejected?
For what is Deleuzes own image of thought, what is the intuition
that traverses it, and that makes him anti-Cartesian and anti-Hegelian?
It is characterized by a twofold trait. First, thought is external to what
it thinks: its ideas, its concepts are not generated from within, but from
without, as a result of an encounter, a shock, which comes from the
sensible. Thought is irreducibly of the sensible, generated by and directed
towards it. It is set into motion, generated by something that provokes
itnot as a result of some natural inclination and good will, then, not
in the excitement of a taste for thinking, but under the impulse of a
shock.6 Thought happens as a result of an encounter with the outside.
It is a responsea creative responseto something that has taken
hold of us. What does this mean? It means that we do not think naturally, that we are not naturally disposed towards thought and truth,
that our faculty of thought does not of itself accord with our faculty
of intuition; it means that our ideas are not innate, and so are precisely not ours (all so-called good and original ideas are precisely
not our own), that the conditions of thought are not within thought
itself, that thought is not its own ground, and so certainly not that of
the intelligibility of the real.7 This is the extent to which Deleuze is
an empiricist. At the same time, thought is said to be entirely immanent to what it thinks, immanent to the real that provokes it, and not,
as is often the case, the other way around: it is not the real that is
immanent to thought. Immanence to . . . is always the index of transcendence. The dicultyand, I believe, the singularityof Deleuzes
thought lies in having to uphold this double axiom that constitute its
image: exteriority and immanence. Exteriority is what preserves thought
from what Deleuze calls the image or the model of recognition, and the
form of doxa (founded in the double presupposition of good sense
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other concepts. Such is the reason why that thought comes to be associated with that quasi or non-concept only retrospectively, at a metalevel as it were, when it is nally possible to ask, with a certain distance,
as Deleuze does in What is Philosophy?: What exactly has been insisting all along? What exactly has been trying to nd its way through
this series of texts and this creation of concepts? Could it have been
this desire to bend philosophy backwards, as it were, in the direction
of its absolute presupposition and, in so doing, to establish it as pure
immanence? Perhaps, Deleuze and Guattari write, this is the supreme
act of philosophy: not so much to think THE plane of immanence as
to show that it is there, unthought in every plane, and to think it in
this way as the outside and inside of thought, as the not-external outside and the non-internal insidethat which cannot be thought and
yet must be thought.9
So far, three dierent types or levels of presuppositions have emerged.
When speaking of a given thought, there is, rst of all, its beginning (or
its point of departure), that is, its desire to do away with what Deleuze
calls all objective presuppositions, such as Descartes implicit rejection
of the denition of the human as the rational animal. There is, second of all, what Deleuze calls the remaining subjective presuppositions,
which always orient the identication of the objective ones, and which
he sees at work in the whole of modern philosophy. This is what he
calls the Image of thought. We could also refer to it as the plane from
which its concepts unfold. I referred to such an image, or plane, as
the origin of thought. There is, nally, a third level of presupposition,
which would characterize philosophy itself, and which Deleuze would
have set out to extract, thus making it absolutely presuppositionless and
realizing its own vocation.
Evidently, Deleuze and Guattari claim in What is Philosophy? that the
Greek, the modern, and the contemporary planes of thought are not
identical. The quest for the absolute, self-foundation of thought I was
alluding to a moment ago may have been the image of thought of
modern philosophy. Yet is it possible to identify a single plane behind
them all, something which each plane would have responded to, albeit
dierently? This is what Deleuze and Guattari call the plane of immanence proper, or the dening and unsurpassable horizon of philosophy. Besides the various planes or images of thought that constitute
the history of philosophy, there is also the plane of immanence that
underlies them all, and that denes philosophy in its essence.10 The question, then, becomes one of knowing how we can account for a history
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the world as such and as a whole constituted a unied and homogeneous universe that coexisted all on one plane.11 What was common
to both the social-political order and the cosmic order was the principle of equality (ison), the idea of an order ruled by equality (isonomia). The two aspects are of course linked, Deleuze stresses, insofar as
only friends can set out a plane of immanence (tendre un plan dimmanence) as a ground from which idols have been cleared. Philosophy
replaces a plane of transcendence with one of immanence, and the
gure of the Philosopher challenges that of the Priest or the Wise:
Whenever there is transcendence, vertical Being, imperial State in the
sky or on earth, there is religion; and there is philosophy whenever
there is immanence, even if it functions as an arena for the agon and
rivalry.12 From a historical perspective, and inasmuch as it amounts
to an event that crystallized in Ancient Greece, immanence is best
described as a milieu. As such, it is precisely not a historical determination, but a geographical one: it designates a set of geographical
contingencies, a place and a source, and not a destiny.
Immanence turns out to be what distinguishes philosophy from
mythology, religion, and various forms and practices of wisdom. It is
the cornerstone of philosophy. At the same time we should note that
for a number of reasons, which will turn out to be very complex
indeed, philosophy always falls short of total immanence. It is always
somewhat tainted with transcendence, especially (but not exclusively)
with Judeo-Christian theology. Time and again, instead of being immanent (or univocal), ontology becomes onto-theology (and analogical).
As an event and a task, philosophy does not quite coincide with its
history. Yet, to use Alliezs words, the history of philosophy is the
hypertext where the armation of immanence and the illusion of transcendence ceaselessly oppose one anotherand, I would argue, where
philosophy ceaselessly compromises with transcendence. Speaking of
the dierence between the Greeks and the Moderns, and with direct
reference to Hlderlins famous letter to Bhlendorf dated 4 December
1801, Deleuze and Guattari write:
[T]he Greeks kept the plane of immanence that they constructed in
enthusiasm and drunkenness, but they had to search for the concepts
with which to ll it so as to avoid falling back into the gures of the
East. As for us, we possess conceptsafter so many centuries of Western
thought we think we possess thembut we hardly know where to put
them because we lack a genuine plane, misled as we are by Christian
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transcendence. In short, in its past form the concept is that which is not
yet. We today possess concepts, but the Greeks did not yet possess them;
they possessed the plane that we no longer possess.13
And so, today, we must strive to regain the plane of immanence, which
we have lost. In the light of such a task, however, we must learn to
use our concepts dierently and to reinvent them so as to free them
from their onto-theological heritage.
II
In our eort to regain immanence, we would do well to follow in the
footsteps of Spinoza. Why? Because it is with Spinoza that the goal
of philosophy is completely realized for the rst time in modern times.
In Spinozism, we have a concept of immanence that coincides completely (and not just partially) with that of God, or Being. Allow me
to introduce the signicance of Spinozas thought for Deleuze by turning once again to What is Philosophy? and to what ultimately serves as
a justication for the characterization of Spinoza as the prince of
philosophers or as the thinker who has achieved immanence, thus
bringing philosophy into its own, reconciling it, as it were, with its
own presupposition. With him, in a way, there is no longer a dierence
between the plane of immanence and the concepts of thought, between
the horizon of thought and thought itself: thought has become truly
immanent and innite. Up until Spinoza, Deleuze claims, immanence
was always at work in philosophy, but always as a theme that could
never quite be fullled. Why? No doubt because it was the most dangerous theme: when God begins to be envisaged as an immanent cause,
there is no longer any possibility of distinguishing clearly between it
and its creatures, between the cause and the eect. In the whole history of heresies, the accusation of immanentism was the most damning, the confusion of God and the creature the most serious fault. The
consequence was that immanence, although given from the start as a
horizon and a demand, could not reach its proper status nor manage
to nd a place within the concepts of philosophy. Until Spinoza.
The whole of the Ethics is constructed on one primordial proposition, which can be characterized as theoretical or speculative and which
stipulates the following: there is one absolutely innite substance only,
that is, one substance that possesses all attributes, and what we call
the creatures are precisely not creatures, but the modes or the ways
of being of that substance. And if they are the ways of being of the
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substance that possesses all attributes, then they must exist or be contained in the attributes of the substance. The immediate consequence,
to which we shall return, is the leveling (or the ironing out) and the
atteningthe aplanissement and aplatissementof a vertical and hierarchical structure, of a sequence of concepts: there is no hierarchy, no
sequence between the attributes, or between thought and extension,
but a single xed plane on which everything takes place. This is what
Deleuze calls the plane of immanence. This is a plane that is at work,
from the start and always, as the presupposition and aim of philosophy, as its horizon, as it were. At the same time, however, it must
always be instituted, drawn, or established. It is always there, but never
as a given, always as something to be constructed, to be made. Concepts
are the tools with which this construction, this machine, is assembled.
Deleuzes concern with immanence emerges explicitly within the
context of his thse complmentaire of 1968 that, as a thesis in the history of philosophy, is concerned to inscribe Spinoza within a historical perspective.14 Yet already, the choice of Spinoza is highly signicant,
especially when considered alongside the other, more systematic thesis (Dierence and Repetition). In other words, there is a broader context
and a more systematic problematic that frames the historical work in
question. This is the problematic concerned with identifying the real
and immanent conditions of experience, a goal that requires the invention of philosophy as transcendental empiricism and the defense of
ontology as univocity. Spinoza is understood as a decisive stage along
the path of univocity. As such, he is not just a gure in the history
of philosophy. In the thse complmentaire, the theme of immanence is
introduced through the classical problem of causality and through the
concept of the immanent cause.15 This is a type of causality that ultimately has the advantage of reconciling the Aristotelian and Scholastic
ecient causality, still at work in Descartes, with the Neo-Platonist
emanative cause, which it extends and transforms. How?16
In chapter 11 of Spinoza and the Problem of Expression, Deleuze comes
very close to providing a synthetic account of immanence in the history of philosophy leading up to Spinoza. Let it be said from the start
that, according to Deleuze, the concept of expression is precisely the
one that enables Spinoza to achieve the standpoint of absolute immanence in philosophy. Expression is introduced as an alternative to the
concepts of participation (to which it is also related), imitation, creation, and emanation. Expression, therefore, is seen as a key moment
in the realization of philosophy as immanent ontology. The question
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that Deleuze raises at the outset of the chapter is the following: What
are the logical links between immanence and expression? And what is
the historical link between the two concepts? In order to answer these
questions, we rst need to establish the link between immanence and
emanation. This takes us back to the Platonic problem of participation, understood in the following ways: to participate is to take part,
but it is also to imitate, and also to receive a demon. As a result, participation is interpreted at times materially, at times imitatively, and
at still other times demonically. But in each case, the principle of
participation is located in the participating party. Participation is something that merely happens to the participated; it is something of the
order of a violence to which the participated is subjected. If participation is a matter of taking part (literally, as it were), then the participated can only suer from such an intrusion, division, or separation.
If participation involves imitation, then there is the need for an artist,
who takes the Idea as his model. The role of the intermediary, whether
artist or demon, is to force the sensible to reproduce the intelligible, but
also to force the Idea to be participated in by something contrary to its
own nature.
Now what Neo-Platonism does is to reverse the problem by seeking to identify a principle that makes this participation possible, but this
time from the point of view of the participated. The Neo-Platonists
no longer begin with the characters of the participating (multiple, sensible, etc.) in order to ask about the type of violence under which participation becomes possible. Rather, they try to discover the internal
principle and movement that ground the participation in the participated itself. In reality, it is not the participated that passes over into
the participating. The participated remains within itself. It is participated insofar as it produces, and it produces insofar as it gives. But it
needs to go outside itself in order to produce or give. It is this demand
that Plotinus project stands for, by arguing for the need to start with
the highest reality, to subordinate imitation to genesis or production,
to substitute the idea of the gift for that of violence. The participated
does not divide; it is not imitated from without, nor is it constrained
by intermediaries that impose a certain violence on its nature. The
participation is not material, nor imitative, nor demonic: it is emanative. Emanation means both cause and gift: causality by donation, but
also productive donation. The true activity is that of the participated,
and the participating is only an eect. The emanative cause is the
Cause that gives, the Good that gives, the Virtue that gives.
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dierence; each term is, as it were, the image of the higher term that
precedes it and is dened according to the degree of remoteness that
separates it from the rst cause or the rst principle.
A further fundamental dierence between the two causes begins to
emerge. While immanence implies a pure, positive ontology, or a theory of Being for which the One is not even an attribute or a universal of Being (or the Substance) but only one of its many characters,
emanation is a theology, or an onto-theology, for which the One is
necessarily beyond Being. Its ontology is, as a result, negative and analogical. Pure immanence, on the other hand, requires the principle of
an ontological equality, or the positing of a Being-equal: not only is
Being equal in itself but also it is equally present in all beings. Similarly,
the cause is equally close everywhere: there is no remoteness of the
cause. Beings are not dened according to their rank within a hierarchy; they are not more or less close to the One. Rather, each is
directly dependent on God, each participates in the equality of Being,
receiving all that they can receive within the limits of their essence.
In its pure state, immanence requires a univocal Being, and one that
constitutes a Nature that consists in positive forms (which Spinoza calls
attributes), forms that are common to the producer and the produced,
to the cause and the eect. In immanence, there is indeed a superiority of the cause over the eect (Spinoza retains the distinction between
essences), but this superiority does not imply any eminence, that is,
does not imply the positing of a principle beyond the forms that are
themselves present in the eect. The cause is superior to the eect,
but not to that which it grants the eect with. In truth, it does not
grant the eect with anything. The process of participation must be
understood entirely positively, and not on the basis of an eminent gift.
Immanence is opposed to any eminence of the cause, any negative
theology, any method of analogy, and any hierarchical conception of
the world.18
Analogy, it is well known, was introduced to avoid the risk of anthropocentrism in natural theology and, more importantly, the confusion
between the nite and the innite. Aquinas (who, it is true, developed
this argument in relation to Aristotelian metaphysics primarily) states
that the qualities we attribute to God do not imply a community of
form between the divine substance and its creatures, but only an analogy, that is, a relation of either proportion or proportionality. According
to the former, God possesses eminently a perfection that exists only derivatively or formally in the creatures (Goodness, for example), whereas,
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substance and the created substances, of the substances and the modes,
etc. It is only by analogy with the ecient cause that God can be
said to be causa sui. By contrast, Spinozas causa sui cannot be said in
a sense other than the ecient cause. On the contrary: it is the ecient
cause that is said in the same sense as the causa sui. God produces or
creates exactly as it is or exists. Spinozas remarkable achievement is
to have developed an ontology that is opposed to all negative theologies and ontologies as well as to all methods that proceed through
equivocity, eminence, and analogy. But he does not remain satised
with denouncing the introduction of the negative in Being. He also
criticizes all the false conceptions of armation (Aquinas, Descartes)
in which the negative survives.20 Closer to us, and after Spinoza, it is
of course Hegel who is targeted here, especially what we could call
his false immanence, this immanence that is only simulated by turning the negative into the engine and the soul of the positive, that is,
of the production of the real. In Hegel, there is no longer a trace of
equivocity, analogy, or eminence, except for that of the negativethe
most tenacious of all, and the most delicate to extirpate.
Having contrasted immanence and emanation to that extent, how
can we justify their association from a historical perspective? And what
does this association have to do with expression envisaged as the
decisive concept in the constitution of immanence? This association
can be justied by turning to Plotinus rst emanation, or hypostasis.
This is the hypostasis that concerns the Intellect, or Being, which
emanates from the One. Now it is not the case that there is a mutual
immanence between Being and the intellect only, for the intellect contains all intellects and all intelligibles in the same way that Being contains all beings and all kinds of being.21 And it is the case that yet
another hypostasis emerges from the intellect. However, the intellect
can operate as an emanative cause only to the extent that it reaches
its point of perfection, a point that it is able to reach only as an immanent cause. Being and the intellect are still the One, but the One that
is and that knows, the One of the second hypothesis of Parmenides, that
is, the One in which the multiple is present and that is itself present
in the multiple. Plotinus shows that Being is one with number at the
level of its unity, and that beings are one with number at the level of
development. And the word he uses to characterize this developed
state is that of explication (Enneads VI, 6, 9). The Greek term is
exelittein, to explicate, to develop. Damascius goes further in that direc-
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11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
21.
22.
23.
24.
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plane. The entire diculty of course is one of knowing how these two planes or
types of planes relate.
Jean-Pierre Vernant, Les origines de la pense grecque (Paris: Quadrige/PUF, 1995), 101.
QP, 46.
QP, 97. See also, E. Alliez, La Signature du monde: ou quest-ce que la philosophie de
Deleuze et Guattari (Paris: Cerf, 1993), 14.
Deleuze, Spinoza et le problme de lexpression (Paris: Minuit, 1968). Henceforth cited
as SPE, followed by page number.
See Spinoza, Ethics, in Complete Works, edited by Michael M. Morgan and translated by Samuel Shirley (Indianapolis: Hackett, 2003), I, prop. XVIII.
See ibid., I, prop. XXV.
Spinoza, Short Treatise on Man, God and His Well-Being, in Complete Works, I, chap. 3, 2.
On Spinozas critique of eminence, see Ethics, I, prop. XV, scolie, and prop. XVII,
cor. II, scolie.
SPE, 58. See also Ethics, prop. XXXIII, scolie II.
SPE, 150.
See Plotinus, Enneads, trans. A. H. Armstrong, Loeb Classical Library (Cambridge,
MA: Harvard University Press, 1984), V, 1, 7, 30.
Boethius, The Consolation of Philosophy, bk. 5, prose 6, in The Theological Tractates; The
Consolation of Philosophy, trans. H. F. Steward, E. K. Rand, and S. J. Tester, Loeb
Classical Library (Cambridge, MA: Harvard University Press, 1973).
Deleuzes main source of inspiration on Cusa is Maurice de Gandillac, La Philosophie
de Nicolas de Cues (Paris: Aubier, 1942).
See A. Koyr, Mystiques, spirituels, alchimistes du XVI me sicle allemand (Paris: Armand
Colin, 1947).