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Operation Manual: © Zoom Corporation
Operation Manual: © Zoom Corporation
Please read this manual carefully to learn about all the functions of the
so that
Contents
Usage and safety precautions ....................... 2
Introduction ................................................... 3
/
to its factory
Restoring the
default settings. ....................................... 39
ZOOM CORPORATION
Copying or reproduction of this document in whole or in part without permission is prohibited.
Warning
Caution
Battery handling
Install the batteries with the correct +/- orientation.
Use a specified battery type. Do not mix new and old batteries or
different brands or types at the same time. When not using the unit
for an extended period of time, remove the batteries from the unit.
If a battery leak should occur, wipe the battery compartment and
the battery terminals carefully to remove all battery residue.
Other symbols
Required (mandatory) actions
Volume
Do not use the product at a loud volume for a long time.
Prohibited actions
Warning
Operation using an AC adapter
Use only a ZOOM AD-16 AC adapter with this unit.
Do not use do anything that could exceed the ratings of outlets and
other electrical wiring equipment. Before using the equipment in a
foreign country or other region where the electrical voltage differs from
that indicated on the AC adapter, always consult with a shop that carries
ZOOM products beforehand and use the appropriate AC adapter.
Usage Precautions
Interference with other electrical equipment
In consideration of safety, the
and the
other device farther apart. With any type of electronic device that
uses digital control, including the
, electromagnetic
hydride).
Alterations
Cleaning
Use a soft cloth to clean the panels of the unit if they become dirty.
If necessary, use a damp cloth that has been wrung out well. Never
Precautions
Product handling
Do not drop, bump or apply excessive force to the unit.
Be careful not to allow foreign objects or liquids to enter the unit.
Operating environment
Do not use in extremely high or low temperatures.
Do not use near heaters, stoves and other heat sources.
Do not use in very high humidity or near splashing water.
Do not use in places with excessive vibrations.
Do not use in places with excessive dust or sand.
AC adapter handling
When disconnecting the AC adapter from an outlet, always pull the
body of the adapter itself.
During lightning storms or when not using the unit for a long time,
disconnect the power plug from the AC outlet.
Malfunction
If the unit becomes broken or malfunctions, immediately
disconnect the AC adapter, turn the power OFF and disconnect
other cables. Contact the store where you bought the unit or
ZOOM service with the following information: product model, serial
number and specific symptoms of failure or malfunction, along
with your name, address and telephone number.
Copyrights
t 8JOEPXT, Windows Vista and Windows 7 are trademarks
or registered trademarks of Microsoft.
t .BDJOUPTI and Mac OS are trademarks or registered
trademarks of Apple Inc.
t "MM PUIFS USBEFNBSLT
QSPEVDU OBNFT BOE DPNQBOZ OBNFT
mentioned in this documentation are the property of their
respective owners.
Note: All trademarks and registered trademarks mentioned in this manual
are for identification purposes only and are not intended to infringe on the
copyrights of their respective owners.
Introduction
Six simultaneous effects
You can select and arrange the order of up to six effects as you like and use them
is a multi-effects
simultaneously. With the SCROLL keys, you can quickly change which effects are shown.
can be used with Edit & Share software, which is a patch editor and librarian,
Bank
A set of 10 patches is called a "bank." The
Part Names
Top Panel
RHYTHM [
] key
TOTAL key
STORE/SWAP key
TAP key
Part Names
SCROLL keys
TYPE keys
Display
INPUT jack
Rear Panel
Pedal switch
Guitar amplifier
GLOBAL key
Expression pedal
(
only)
Part Names
PAGE keys
Parameter knobs1-3
(These are shown as
in this manual.)
Foot switches1-3
ACTIVE/PASSIVE switch
Use this switch to set the
INPUT impedance.
PRE/POST switch
Use this switch to set the point when
the signal is output from the BALANCED
OUT connector.
Set it to POST (pushed in) to output the
signal after the
effects. Set it to
effects.
GROUND switch
ZOOM AC adapter (AD-16)
USB connector
CONTROL IN jack
FP01/FP02
FS01
Computer
t -PXFSUIFBNQMJmFSTWPMVNFBMMUIFXBZ
t 5VSOUIFBNQMJmFSTQPXFSPOBOESBJTFJUTWPMVNF
Display information
Virtual knob
HINT
t 5IFQPTJUJPOTPGUIFWJSUVBMLOPCTDIBOHFXJUIUIFQBSBNFUFSWBMVFT
Page tabs
Parameter names
Parameter values
HINT
t *GUIFSFBSFPSNPSFQBSBNFUFSTUIBUDBOCFBEKVTUFE
NVMUJQMFQBHFUBCTXJMMCFTIPXO
Adjusting effects
Confirm that the Home screens are shown.
Adjusting effects
t 1SFTT BOE
t 5VSOTUIFFGGFDU0/0''
NOTE
t "OFGGFDUJT0/XIFOJUTGPPUTXJUDI-&%JTMJU
t "OFGGFDUJT0''XIFOJUTGPPUTXJUDI-&%JTOPUMJU
OFF
ON
EDIT
t 1SFTT
t 5IFFGGFDUUZQFDIBOHFT
HINT
t 4FF QBHF GPS JOGPSNBUJPO BCPVU FGGFDU
types and parameters.
t 8IFO UIF (-0#"- NFOV "650 4"7&
function is ON, changes made will be
saved automatically. (See page 24.)
To adjust parameters
t 5VSO BOE
t 5IFFEJUJOHTDSFFOPQFOTXIFSFZPVDBOBEKVTUQBSBNFUFST
NOTE
t Time, rate and some other effect
parameters can be set in note durations
that are synchronized to the tempo.
NEXT
Adjusting effects
Adjusting effects
t 1SFTT
t 5IFOFYUQBHFPQFOT
10
NOTE
HINT
t "OFGGFDUSFRVJSFTUIFTBNFBNPVOUPG
processing power whether it is on or off.
EDIT
tRight: Press
and
simultaneously.
and
simultaneously.
Adjusting effects
t 1SFTT
11
Selecting Patches
Confirm that the Home display is shown.
Selecting Patches
t 1SFTTBOE)PMEGPSTFDPOE
t 5IFTDSFFOTTIPXUIFQBUDICBOL OVNCFSBOEOBNF
Bank names
Patch number
Patch names
t 1SFTTUPTFMFDUUIFOFYUMPXFSQBUDI
t 1SFTTUPTFMFDUUIFOFYUIJHIFSQBUDI
t 5VSOPGUIFNJEEMFFGGFDU
t 5IFQBUDIOVNCFSBOEOBNFDIBOHFT
HINT
t :PVDBOBMTPDIBOHFQBUDIFT
by pressing
press and hold
12
as you
.
PATCH SELECT
t Press
and
t 5VSOPGUIFNJEEMFFGGFDU
Selecting Patches
t Press
t 5IFQBUDICBOLBOEOBNFDIBOHFT
NOTE
t When pressing two footswitches at the same time, the sound could be affected by the footswitch that is
pressed slightly earlier. To avoid this, do not make sound when switching banks.
t 1SFTTBOEIPMEGPSTFDPOE
13
Storing Patches
When the AUTO SAVE function is ON, settings are saved automatically after
parameters are adjusted.
Storing Patches
t 1SFTT
t CMJOLTBOEUIFTDSFFOTBQQFBSBTCFMPX
Selected patch
t 5VSOPGUIFMFGUFGGFDU
Store
14
Saved/swapped patch
destination
Swap
STORE/SWAP
NOTE
t When the GLOBAL menu
AUTO SAVE function is ON,
the currently active patch
cannot be selected as the
destination.
Change the bank
t 1SFTT
t "GUFSi$0.1-&5&wBQQFBSTPOUIFEJTQMBZ
UIFTUPSFTXBQQBUDIPQFOT
HINT
t To cancel this, press any
key instead of
15
t 1SFTT
NOTE
t 4FUUJOHTNBEFGPS505"-QBSBNFUFSTBSFTBWFETFQBSBUFMZGPSFBDIQBUDI
CHAIN/
CTRL SW/PDL
NAME/PATCH
t 5VSO
and
: Turn
: Turn
NOTE
t 5IFGPMMPXJOHDIBSBDUFSTBOETZNCPMTDBOCFVTFE
! # $ % & ' () +, -. ; = @ [] ^ _ ` { } ~AZ, az, 09, (space)
t 1SFTT
NOTE
t 5IFTFUUJOHSBOHFJTo
HINT
t 5PDIBOHFUIFPWFSBMMWPMVNFPGBMMQBUDIFT
BEKVTUUIFNBTUFSMFWFM
(See page 20.)
16
TOTAL
and
positions.
HINT
t &GGFDUTUIBUBSF0''BQQFBSHSBZ
t Turn
t 1SFTT
and turn
t &GGFDUGVODUJPOTUIBUDBOCFBTTJHOFEBSFTIPXO
HINT
t #:1"44.65&6TFUPCZQBTTPSNVUFUIFFGGFDU
t 5"15&.101SFTTUIFGPPUTXJUDISFQFBUFEMZBUUIFEFTJSFEUFNQP
to set the tempo used for rhythms, the looper and effects.
t /0"44*(//PGVODUJPOJTBTTJHOFEUPUIFGPPUTXJUDI
t *GUIFTFMFDUFEQBSBNFUFSIBTNVMUJQMFGVODUJPOT
VTF
one.
to select
NOTE
t *OPSEFSUPVTFUIFGVODUJPOTFU
UIFDPSSFTQPOEJOHFGGFDUNVTUBMTPCF0/
t 4FFi&GGFDUUZQFTBOEQBSBNFUFSTwGPSEFUBJMTBCPVUUIFGVODUJPOTUIBUDBOCFBTTJHOFEGPSFBDIFGGFDU
t *GZPVDPOOFDUB;00.'1PS'1QFEBMUPUIF
NEXT
17
t 1BSBNFUFSTUIBUDBOCFBTTJHOFEUPUIFFYQSFTTJPOQFEBMBSFTIPXOPOUIF
right display.
NOTE
t *G NVMUJQMF FGGFDUT UIBU TVQQPSU"650"44*(/ BSF BDUJWF
BMM UIFJS
corresponding parameters will be assigned to the expression pedal
at the same time.
t 4FFi&GGFDU UZQFT BOE QBSBNFUFSTw GPS EFUBJMT BCPVU UIF GVODUJPOT
that can be assigned for each effect.
HINT
t */16570-$POUSPMTUIFJOQVUMFWFM
t 06516570-$POUSPMTUIFPVUQVUMFWFM %PFTOPUBGGFDUUIFWPMVNFPGUIFSIZUINPSMPPQFS
t "650"44*(/8IFOBOFGGFDUUIBUTVQQPSUTBVUPBTTJHOJTTFMFDUFE
BQBSBNFUFSXJMMCFBTTJHOFEUPUIF
pedal automatically as follows.
Effect type
Parameter
PedalVx
Freq
PedalCry
Freq
TheVibe
Speed
PDL Pitch
Bend
PDL MnPitch
Bend
t /0"44*(/OPGVODUJPOJTBTTJHOFEUPUIFGPPUTXJUDIFT
t The eect that assigned to the expression pedal can be used to turn an eect ON/OFF with
the pedal switch.
18
TOTAL
Set the parameter range that the pedal can adjust
of the right effect to set the minimum value.
t 5VSO
t 5VSO
t Press
19
t 1SFTT
NOTE
t (MPCBM QBSBNFUFS TFUUJOHT
affect all patches.
MASTER/SIG. PATH
BATTERY/LCD/SAVE
USB AUDIO/VERSION
t 5VSOPGUIFMFGUFGGFDU
NOTE
t 5IFTFUUJOHSBOHFJT
20
GLOBAL
NOTE
t 5IFTFUUJOHSBOHFJT
t 5IJTUFNQPTFUUJOHJTVTFECZFWFSZFGGFDU
SIZUINTBOEUIFMPPQFS
t 5VSOPGUIFMFGUFGGFDU
HINT
t :PVDBOBMTPTFUUIFUFNQPVTJOHBO'4
footswitch (sold separately).
(See page 17.)
t 5VSOPGUIFMFGUFGGFDU
Parameter value
Meaning
DIRECT
COMBO FRONT
STACK FRONT
NEXT
21
t 1SFTTPOUIFMFGUFGGFDU
t 5VSOUPTFUUIFTJHOBMnPXEJSFDUJPO
t 5VSOPGUIFNJEEMFFGGFDU
NOTE
t 5IFTFUUJOHPQUJPOTBSF0/BOEoTFDPOET
HINT
t The amount of power consumed can be reduced by dimming the backlight.
22
GLOBAL
: Operating on batteries
: Operating on adapter power
: Operating on USB bus power
NOTE
t 4FUUIFCBUUFSZUZQFDPSSFDUMZJOPSEFSUPBMMPXUIFSFNBJOJOHCBUUFSZ
charge to be shown accurately.
t 5VSOPGUIFNJEEMFFGGFDUUPTFUUIFCBUUFSZUZQFUP"-,"-*/&PS/J.)
t 5IFFDPNPEF0/0''TUBUVTJTTIPXOCFOFBUIUIFQPXFSJDPO
t 1SFTTPGUIFNJEEMFFGGFDU
t 5VSO
BOEPGUIFNJEEMFFGGFDU
: Left display
: Center display
: Right display
NEXT
23
10
t 1SFTTPGUIFNJEEMFFGGFDU
t 5VSOPGUIFNJEEMFFGGFDU
HINT
t 0/1BUDIDIBOHFTXJMMCFTBWFEBVUPNBUJDBMMZ
t 0''1BUDIDIBOHFTXJMMOPUCFTBWFEVOUJMUIFZBSFTBWFENBOVBMMZ
(See page 14.)
11
t 5VSOPGUIFSJHIUFGGFDU
NOTE
t 5IJTBEKVTUTUIFCBMBODFCFUXFFOUIFPVUQVUTJHOBMGSPNUIF%"8
software (computer) and the DIRECT signal from the unit (after
effects).
t 5IFTFUUJOHSBOHFJT
t 4FUUPUPNPOJUPSPOMZUIF%*3&$5TJHOBMPSUPNPOJUPSPOMZUIF
DAW (computer) output signal.
24
PATCH SELECT
12
NOTE
t 5IJT BEKVTUT UIF MFWFM PG UIF TJHOBM TFOU UP UIF %"8 TPGUXBSF
(computer).
t 5IFTFUUJOHSBOHFJTE#
13
t 5VSOPGUIFSJHIUFGGFDU
t 1SFTT
HINT
t $IFDL UIF ;00. XFCTJUF IUUQXXX[PPN
co.jp) for the latest firmware versions.
14
t 1SFTT
25
t 1SFTTfor 1 second.
NOTE
t Turn
of the left effect to
switch between BYPASS and
MUTE.
NOTE
t 5IFTUBOEBSEQJUDIGPSNJEEMF"DBOCFBEKVTUFEUP)[
t The standard pitch setting is saved even when the power is turned OFF.
CHROMATIC
The chromatic tuner shows the nearest pitch name (semitone) and
how far the input sound is from that pitch.
26
TUNER
Display
GUITAR
OPEN A
C#
OPEN D
F#
OPEN E
G#
OPEN G
DADGAD
Meaning
NOTE
t :PV DBO MPXFS UIF UVOJOH CZ POF 1), two ( 2) or three ( 3)
semitones.
t %SPQUVOJOHJTOPUQPTTJCMFXIFOUIF5:1&JTTFUUP$)30."5*$
t 1MBZUIFPQFOTUSJOHUIBUZPVXBOUUPUVOFBOEUVOFJU
CHROMATIC TUNER
OTHER TUNERS
Flat
Correct pitch
Sharp
Flat
Correct pitch
Sharp
HINT
t The keys above the displays
also light to show the pitch
accuracy.
To end tuning
t 1SFTT PS
27
Using Rhythms
To activate a rhythm
Using Rhythms
t 1SFTT
t 5IFSIZUINQBUUFSOTUBSUTUPQMBZBOEUIFSIZUINTFUUJOHTDSFFOTPQFO
HINT
t You can use a rhythm pattern
while using the looper.
RHYTHM PATTERN
TEMPO
LEVEL
NOTE
t 4FFQBHFGPSUZQFTPGQBUUFSOT
HINT
t :PVDBOBMTPTFUUIFUFNQPVTJOH
NOTE
t 5IFTFUUJOHSBOHFJT
t 5IJTUFNQPTFUUJOHJTVTFECZFWFSZFGGFDU
SIZUINTBOEUIFMPPQFS
28
RHYTHM
NOTE
t 5IFTFUUJOHSBOHFJT
Using Rhythms
t 1SFTT
HINT
t 1SFTTBHBJOUPSFTUBSUSIZUINQBUUFSOQMBZCBDL
29
t 1SFTTfor 1 second.
TIME
TEMPO
LOOPER LEVEL
SETTING
Note mark
Set the recording time by setting the tempo and the number of
quarter notes.
NOTE
t The looper can record 1.540 seconds (20 seconds when UNDO is enabled).
t *GUIFTFUUJOH OVNCFSPGRVBSUFSOPUFT
XPVMEOPUGBMMJOUIJTSBOHF
it will automatically be adjusted.
t Changing the recording time will erase the currently recorded loop.
NOTE
t 5IFTFUUJOHSBOHFJT
t $IBOHJOHUIFUFNQPXJMMFSBTFUIFDVSSFOUMZSFDPSEFEMPPQ
t This tempo setting is used by every effect, rhythms and the looper.
30
LOOPER
Recording standby
Recording
t 1SFTT
If set to Manual
t When
NOTE
t %VSJOHSFDPSEJOH
QSFTT
to cancel recording.
t 1SFTT
NEXT
31
To start overdubbing
t %VSJOHMPPQQMBZCBDL
QSFTT
Loop playing back
Overdubbing
To end overdubbing
t 1SFTTBHBJO
Overdubbing
t 1SFTTGPSTFDPOE
t i$-&"3wBQQFBSTPOUIFEJTQMBZ
32
LOOPER
t 5VSO
NOTE
t 5IFTFUUJOHSBOHFJTo
NOTE
t 5IFTFUUJOHSBOHFJTo
t 1SFTT
HINT
t You can return to the Home Screens while the loop is playing.
NOTE
t 3FUVSOJOHUPUIF)PNF4DSFFOTXJMMOPUFSBTFUIFMPPQ
t 5VSOJOHUIFQPXFS0''XJMMFSBTFUIFMPPQ
NEXT
33
10
t 1SFTTPGUIFSJHIUFGGFDU
NOTE
t 8IFO6OEPJT0/
UIFNBYJNVNMPPQSFDPSEJOHUJNFJT
limited to 20 seconds.
HINT
t 8IFO6OEPJT0/
ZPVDBODBODFMUIFMBTUPWFSEVCCJOHCZQSFTTJOHGPSTFDPOE
After undoing, you can also redo by pressing
for 1 second again, restoring the last overdubbing.
34
LOOPER
To select the STOP MODE
t 5VSOPGUIFSJHIUFGGFDU
FINISH
FADE OUT
STOP MODE
STOP
HINT
t &WFOXIFOTFUUPi'*/*4)wPSi'"%& 065w
ZPVDBOTUPQMPPQQMBZCBDL JNNFEJBUFMZCZ QSFTTJOHBOE
holding down
.
35
Compatible OS
Windows
Using Audio Interface Functions
Quantization (bit-rate)
16-bit
Sampling frequency
44.1kHz
For details about recording, playback and other functions, please see the included
startup guide.
HINT
t :PVDBOBEKVTUUIFCBMBODFCFUXFFOUIFTJHOBMTGSPNUIF
t :PVDBOBEKVTUUIFSFDPSEJOHMFWFM 4FFQBHF
NOTE
t 5P NPOJUPS UIF TJHOBM PG ZPVS DPOOFDUFE HVJUBS BGUFS JU IBT QBTTFE UISPVHI ZPVS %"8 TPGUXBSF
(computer), set the USB AUDIO MONITOR balance to 100. (See page 24.)
At other settings, the signals from the computer and the
/
will be mixed, causing the output
TJHOBMUPTPVOEMJLFBnBOHFSFGGFDUJTCFJOHVTFE
36
each time.
t While pressing
t 8IFODBMJCSBUJPOJTPWFS
i0,wBQQFBSTPOUIFTDSFFOBOEQMBZNPEFTUBSUT
HINT
t *Gi&3303wBQQFBST
SFTUBSUDBMJCSBUJPOGSPNUIFCFHJOOJOH
You can use a 5mm hex key (Allen wrench) to adjust the torque of the
expression pedal.
t Insert the hex key into the torque adjustment screw on the side of the pedal.
Turn it clockwise to tighten the pedal, and turn it counterclockwise to loosen the pedal.
NOTE
Loosen
Tighten
37
HINT
t 0QFOUIF(-0#"-NFOVUPDIFDLUIFDVSSFOUmSNXBSFWFSTJPOT 4FFQBHF
t $POmSNUIBUUIF108&3TXJUDIJTTFUUP0''
t 8IJMFQSFTTJOHCPUI
DPOOFDUUIFVOJUUPBDPNQVUFSVTJOHUIF
USB cable.
t 5IF7&34*0/61%"5&TDSFFOBQQFBST
38
NOTE
HINT
t 4FFUIF;00.XFCTJUFGPSJOTUSVDUJPOTBCPVU
how to use the application.
FIRMWARE UPDATE
To complete updating
/
display.
t %JTDPOOFDUUIF64#DBCMF
HINT
t 6QEBUJOHUIFmSNXBSFXJMMOPUFSBTFTBWFEQBUDIFT
Restoring the
t 8IFOUIF
t 5IF"MM*OJUJBMJ[FTDSFFOBQQFBST
NOTE
t 1SFTTBOZLFZPUIFSUIBOUPDBODFM
HINT
t &YFDVUJOH UIF"MM *OJUJBMJ[F GVODUJPO XJMM SFTUPSF BMM UIF TFUUJOHT PG UIF
/
, including its patches, to
factory defaults. Do not use this function unless you are certain that you want to do this.
39
Parameter
Parameter range
Effect type
091 DynaDelay
Effect explanation
Footswitch function
Page02
Sense
12000
0100
P Level
0150
InputMute
Knob3
P Mix
0100
Effect screen
FS
Knob2
Parameter explanation
Sense
Knob2
P Tone
Page02
010
Knob3
010
Level
0150
Slow, Fast
002 RackComp This compressor allows more detailed adjustment than COMP.
Knob1
THRSH
Page01
Page02
003 M Comp
050
Knob2
P Ratio
110
Knob3
Level
0150
110
Page02
050
Knob2
P Ratio
110
Knob3
Level
0150
110
004 SlowATTCK This effect slows the attack of each note, resulting in a violin-like performance.
Knob1
Time
Page01
150
Knob2
P Curve
010
Knob3
P Level
0150
Page02
005 ZNR
ZOOM's unique noise reduction cuts noise during pauses in playing without affecting the tone.
Knob1
Page01
Page02
40
THRSH
125
Knob2
P DETCT
GtrIn, EfxIn
Knob3
Level
0150
006 NoiseGate This is a noise gate that cuts the sound during playing pauses.
Knob1
Page01
THRSH
125
Knob2
P Level
0150
Knob3
P
007 DirtyGate This vintage style gate features a characteristic way of closing.
Knob1
Page01
THRSH
125
Knob2
P Level
0150
Knob3
P
Page02
Page03
009 ParaEQ
400Hz
800Hz
-1212
-1212
6.4kHz
-1212
12kHz
-1212
Boosts or cuts the high (3.2 kHz) Boosts or cuts the extremely high Boosts or cuts the harmonics (12
frequency band.
(6.4 kHz) frequency band.
kHz) frequency band.
Level
0150
010 CombFLTR
Knob3
-1212
Boosts or cuts the low (160 Hz) frequency Boosts or cuts the low-middle (400 Boosts or cuts the middle (800 Hz)
band.
Hz) frequency band.
frequency band.
3.2kHz
Page02
Knob2
-1212
Page02
Freq1
Knob2
20Hz20kHz
Q1
Adjusts EQ1 Q.
Freq2
Q2
20Hz20kHz
0150
Knob3
0.5, 1, 2, 4, 8, 16
Gain1
-1212
0.5, 1, 2, 4, 8, 16
Gain2
Adjusts EQ2 Q.
-1212
5IJTFGGFDUVTFTUIFDPNCmMUFSUIBUSFTVMUTGSPNmYJOHUIFNPEVMBUJPOPGUIFnBOHFSMJLF
an equalizer.
Knob1
Freq
Page01
Page02
150
Knob2
P Reso
-1010
Knob3
P Mix
0100
Adjusts the intensity of the resonance Adjusts the amount of effected sound
sound of the effect.
that is mixed with the original sound.
HiDMP
Level
010
0150
011 AutoWah This effect varies wah in accordance with picking intensity.
Knob1
Sense
Page01
-10-1, 110
Knob2
P Reso
010
Knob3
P Level
0150
Page02
012 Resonance This effect varies the resonance filter frequency according to picking intensity.
Knob1
Sense
Page01
-10-1, 110
Knob2
P Reso
010
Knob3
P Level
0150
Page02
NEXT
41
Knob2
P Reso
010
Page02
0100
P Level
0150
5IJTFOWFMPQFmMUFSIBTUIFnBWPSPGB.00(.'MPXQBTTmMUFSBOEDBOCFTFUJOBXJEFSBOHF
Knob1
Page01
Page02
0100
Knob2
P Sense
Knob3
010
Reso
Chara
Page03
0100
2Pole, 4Pole
0150
010
Fast, Slow
Page02
016 SeqFLTR
-10-1, 110
Adjusts the frequency range processed Adjusts the intensity of the modulation
Adjusts the sensitivity of the effect.
by the effect.
resonance sound.
Freq
015 Step
Knob3
P Sense
Page01
Bal
014 M-Filter
110
Knob2
0100
Rate
050
Shape
Level
010
0150
Knob3
P Reso
010
5IFTFRVFODFmMUFSIBTUIFnBWPSPGB;7FY4FFL8BI
Knob1
Page01
Page02
Step
Knob2
28
PTTRN
010
18
010
Knob3
Speed
150
0150
Speed
Page03
018 Booster
Knob2
P Range
Page02
150
HPF, BPF, LPF
0150
0100
Knob3
P Reso
010
Chara
Bal
2Pole, 4Pole
0100
P
P
The booster increases signal gain to make the sound more powerful.
Knob1
Page01
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
019 OverDrive
Simulation of the Boss OD-1, the compact effect box that was the first to take the
overdrive title.
Knob1
Page01
Page02
42
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
020 T Scream
Simulation of the Ibanez TS808, which is loved by many guitarists as a booster and has
inspired numerous clones.
Knob1
Page01
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
022 Dist+
Simulation of the MXR distortion+ effect that made distortion popular worldwide.
Knob1
Page01
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
023 Dist 1
Page02
Simulation of the Boss DS-1 distortion pedal, which has been a long-seller.
Knob1
Page01
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
024 Squeak
Simulation of the popular Pro Co Rat famous for its edgy distortion sound.
Knob1
Page01
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
025 FuzzSmile
Simulation of the Fuzz Face, which has made rock history with its humorous panel design
and smashing sound.
Knob1
Page01
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
026 GreatMuff
Simulation of the Electro-Harmonix Big Muff, which is loved by famous artists around the
world for its fat, sweet fuzz sound.
Knob1
Page01
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
027 MetalWRLD
Simulation of the Boss Metal Zone, which is characterized by long sustain and a powerful
lower midrange.
Knob1
Page01
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
NEXT
43
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
029 Z Clean
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
030 Z MP1
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
031 Z Bottom A high gain sound that emphasizes low and middle frequencies.
Knob1
Page01
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
032 Z Dream
A high gain sound for lead playing based on the Mesa Boogie Road King Series II Lead
channel.
Knob1
Page01
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
033 Z Scream An original high gain sound balanced from low to high frequencies.
Knob1
Page01
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
034 Z Neos
A crunch sound modeled on the sound of a modified British class A combo amplifier.
Knob1
Page01
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
035 Z Wild
44
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
036 Lead
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
037 ExtremeDS This distortion effect boasts the highest gain in the world.
Knob1
Page01
Gain
0100
Knob2
P Tone
0100
Knob3
Level
0150
Page02
038 Aco.Sim
This effect changes the tone of an electric guitar to make it sound like an acoustic guitar.
Knob1
Top
Page01
0100
Knob2
P Body
0100
Knob3
Level
0150
Adjusts the unique string tone of Adjusts the body resonance of acoustic
Adjusts the output level.
guitars.
acoustic guitars.
Page02
Page02
039 FD COMBO Modeled sound of a Fender Twin Reverb ('65), which is loved by guitarists in various genres.
Knob1
Page01
Page02
Page03
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
040 DELUXE-R This models the sound of a Fender Deluxe Reverb made in 1965.
Knob1
Page01
Page02
Page03
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
NEXT
45
Page02
Page03
044 VX JMI
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
This simulates the sound of an early model of a class-A British combo amp.
Knob1
Page01
Page02
Page03
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
A d j u s t s v o l u m e o f s u p e r- h i g h
Selects cabinet.
frequencies.
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
047 CAR DRIVE This models the sound of a Carr Mercury high-end small combo amp.
Knob1
Page01
Page02
Page03
048 TW ROCK
Gain
0100
Knob2
P Tube
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
A d j u s t s v o l u m e o f s u p e r- h i g h
Selects cabinet.
frequencies.
This crunch sound uses the drive channel of a Two Rock Emerald 50, an American
boutique amplifier.
Knob1
Page01
Page02
Page03
46
0100
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
049 TONE CITY This models the sound of a Sound City 50 Plus Mark 2, a legendary British amplifier.
Knob1
Page01
Page03
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
050 HW STACK Modeled sound of the legendary Hiwatt Custom 100 all-tube amplifier from the UK.
Knob1
Page01
Page02
Page03
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
051 TANGERINE This models the Orange Graphic 120 with its unique design and sound.
Knob1
Page01
Page02
Page03
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
Page02
Gain
See Table 1
052 B-BREAKER This models the sound of a Marshall 1962 Bluesbreaker combo amp.
Knob1
Page01
Page02
Page03
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
A d j u s t s v o l u m e o f s u p e r- h i g h
Selects cabinet.
frequencies.
053 MS CRUNCH The crunch sound of the Marshall 1959 that has given birth to many legends.
Knob1
Page01
Page02
Page03
054 MS 1959
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
NEXT
47
Page02
Page03
Gain
0100
Knob2
P Tube
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
056 BGN DRIVE This simulates the lead sound from channel 3 of a Bogner Ecstasy.
Knob1
Page01
Page02
Page03
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
057 BG DRIVE The high gain sound of the Mesa Boogie Dual Rectifier red channel (Vintage mode).
Knob1
Page01
Page02
Page03
058 DZ DRIVE
Gain
0100
Knob2
P Tube
Page02
Page03
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
This simulates the high-gain sound of the Engl Invader, which features a powerful low-end.
Knob1
Page01
Page02
Page03
060 REVO-1
Knob3
Level
Knob1
059 ALIEN
0100
The 3-channel high gain sound of a Diezel Herbert, which is a handmade German guitar
amplifier that allows control of three independent channels.
Page01
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
48
0100
Gain
0100
Knob2
P Tube
0100
Knob3
Level
0150
Trebl
Middl
Bass
0100
0100
0100
Prese
CAB
0100
See Table 1
061 Tremolo
0100
Knob2
P Rate
UP 0UP 9,
DWN 0DWN 9,
TRI 0TRI 9
050
Knob3
P Level
0150
062 Slicer
Page02
063 Phaser
Knob2
120
Speed
150
THRSH
Level
050
0150
Knob3
P Bal
0100
Rate
150
Knob2
P Color
Knob3
4 STG, 8 STG,
inv 4, inv 8
Level
0150
Page02
Depth
Page02
RateA
150
Knob2
P RateB
150,
SyncA, RvrsA
Knob3
P Level
0150
Adjusts speed of LFO A modulation. Adjusts speed of LFO B modulation. Adjusts the output level.
Page02
Page03
ResoA
010
P ResoB
010
P Link
Adjusts resonance of LFO A modulation. Adjusts resonance of LFO B modulation. Sets how two phasers are connected.
DPT_A
1100
P DPT_B
1100
066 Chorus
Speed
150
Knob2
P Reso
Knob3
P Level
0150
Go, Back
This effect mixes a shifted pitch with the original sound to add movement and thickness.
Knob1
Depth
Page01
Page02
067 Detune
010
0100
Knob2
Rate
150
Tone
Level
010
0150
Knob3
P Mix
0100
By mixing an effect sound that is slightly pitch-shifted with the original sound, this effect
type has a chorus effect without much sense of modulation.
Knob1
Cent
Page01
Page02
-2525
Knob2
PreD
Knob3
050
Mix
0100
Adjusts the detuning in cents, which Sets the pre-delay time of the effect Adjusts the amount of effected sound
are fine increments of 1/100-semitone. sound.
that is mixed with the original sound.
Tone
010
Level
0150
NEXT
49
Page02
Knob2
09
Rate
150
Knob3
P Mix
0150
Sets the sensitivity of the compressor. Sets the speed of the modulation.
Level
0100
Page02
0100
Knob2
P Rate
150
Tone
Level
010
0150
Knob3
P Mix
0100
Page02
Knob2
0100
Rate
150
Tone
Level
010
0150
Knob3
P Mix
0100
Depth
072 Flanger
Knob2
P Rate
Page02
0100
050
P Mix
Depth
0100
P Level
0150
Knob2
050
050
Knob3
P Reso
P Mix
0100
-1010
P Level
0150
The volume of the effect sound changes according to the input signal level with this
EZOBNJDnBOHFS
Knob1
Page01
Page02
Depth
0100
-1010
Knob2
Rate
050
Knob3
P Sense
0150
-10-1, 110
Adjusts the intensity of the modulation resonance. Adjusts the output level.
Page02
0100
Knob2
Rate
050
Tone
Level
010
0150
Knob3
P Bal
0100
This effect adds sound one octave and two octaves below the original sound.
Knob1
Oct1
Page01
Page02
50
P Rate
Page02
075 Octave
0100
-1010
Knob1
074 Vibrato
Knob3
P Reso
5IJTJTBKFUTPVOEMJLFBO"%"nBOHFS
Page01
073 DynaFLNGR
050
0100
Knob2
P Oct2
0100
Knob3
P Dry
0100
Adjusts the level of the sound one Adjusts the level of the sound two Adjusts the volume of the unaffected
octave below the effect sound.
octaves below the effect sound.
sound.
Chara
0100
Tone
010
Level
0150
Tone
Knob3
010
Bal
Level
0150
0100
077 MonoPitch This is a pitch shifter with little sound variance for monophonic (single note) playing.
Knob1
Shift
Page01
078 HPS
Tone
Knob3
010
Bal
-25 25
Level
0150
0100
Page02
Knob2
-12 12 , 24
This intelligent pitch shifter outputs the effect sound with the pitch shifted according to scale and key settings.
Knob1
Scale
Page01
Knob2
Key
Knob3
C, C#, D, D#, E,
F, F#, G, G#, A,
A#, B
Mix
0100
Fine
Page02
Knob2
-1212 , 24
Sets the pitch of the pitch-shifted Sets the tonic (root) of the scale used Adjusts the amount of effected sound
sound added to the original sound.
for pitch shifting.
that is mixed with the original sound.
Page02
Tone
010
Level
0150
079 BendCho This effect provides pitch bending that uses the input signal as trigger and processes each note separately.
Knob1
Depth
Page01
Page02
080 RingMod
Knob2
0100
Time
0100
Mode
Tone
Level
Up, Down
010
0150
This effect produces a metallic ringing sound. Adjusting the Freq parameter results in a
drastic change of sound character.
Knob1
Page01
Page02
150
Knob2
P Tone
0150
Knob3
010
Bal
0100
Page02
082 Bomber
Knob3
P Bal
Freq
081 BitCrush
050
Knob2
416
SMPL
050
Tone
Level
010
0150
Knob3
P Bal
Knob1
Page01
Page02
Page03
HndGn, Arm,
Bomb, Thndr
Decay
1100
THRSH
Power
050
FS
Knob2
Level
0100
030
Trigger
Knob3
P Bal
0100
010
NEXT
51
083 MonoSynth
This effect produces the sound of a monophonic (single-note playing) guitar synthesizer
that detects the pitch of the input signal.
Knob1
Page01
Page02
Synth
0100
Knob2
P Dry
Tone
Page02
Upper
0100
010
Speed
0100
Knob3
P Dry
HPF
LPF
Level
010
010
12500
FS
Knob2
F.B
0100
HiDMP
P-P
Level
010
MONO, P-P
12000
P F.B
0100
HiDMP
Level
010
FS
Knob2
0150
0100
12000
150
FS
Knob2
F.B
0100
P Level
0150
Time
12500
InputMute
Knob3
P Mix
0100
Knob1
FS
Knob2
F.B
0100
Hold, InputMute
Knob3
P Mix
0100
HiDMP
P-P
Level
010
MONO, P-P
0150
Adjusts the treble attenuation of the Sets delay output to mono or pingAdjusts the output level.
delay sound.
pong.
089 ReverseDL This reverse delay is a long delay with a maximum length of 1250 ms.
Knob1
Time
Page02
InputMute
Knob3
P Mix
Page01
Time
Page02
0150
Adjusts the treble attenuation of the Sets delay output to mono or pingAdjusts the output level.
delay sound.
pong.
Knob1
Page01
Page02
0100
Time
Page01
Hold, InputMute
Knob1
Page02
Knob3
P Mix
Page01
0150
Adjusts high-pass filter cutoff frequency. Adjusts low-pass filter cutoff frequency. Adjusts the output level.
Time
Page01
0100
Page02
52
0100
Knob2
P Lower
Knob1
088 AnalogDly
Knob1
086 TapeEcho
0150
085 Delay
Knob3
P Level
Sets waveform.
084 Z-Organ
0100
101250
F.B
0100
HiDMP
Level
010
FS
Knob2
0150
Hold, InputMute
Knob3
P Bal
0100
090 MultiTapD This effect produces several delay sounds with different delay times.
Knob1
Time
Page01
091 DynaDelay
PTTRN
12500
Page02
Level
010
F.B
Sense
12000
0100
FS
Knob2
P Level
0150
Page03
FS
F.B
0150
0100
P Depth
0100
P Reso
12000
Pitch
0100
-1212
P Tone
TimeL
Knob3
P Mix
010
TimeR
11000
LchFB
FS
InputMute
Knob3
11000
Mix
0100
0100
P RchFB
0100
P Level
0150
Adjusts delay feedback of left channel. Adjusts delay feedback of right channel. Adjusts the output level.
LchLv
0100
P RchLv
12000
150
0100
FS
Knob2
F.B
0100
4 STG, 8 STG,
inv 4, inv 8
Level
Knob1
Time
101000
0150
FS
Knob2
Duty
0100
InputMute
Knob3
P Mix
096 TrgHldDly This delay samples and holds using picking as the trigger.
Page02
0150
Adjusts delay time of left channel Adjusts delay time of right channel Adjusts the amount of effected sound
that is mixed with the original sound.
delay.
delay.
Time
Page01
Knob2
Knob1
Page02
0100
Level
Page01
InputMute
Sets volume of pitch shift applied to Adjusts the amount of effected sound
that is mixed with the original sound.
delayed sound.
FS
Knob2
Knob1
Page03
This stereo delay allows the left and right delay times to be
set separately.
Page02
010
Time
Page01
Knob1
Page02
0100
Page01
InputMute
Knob3
P Mix
Knob2
12000
150
0100
InputMute
Knob3
P Mix
Time
094 StereoDly
0150
Knob1
Page02
Tone
Page01
0100
Sets the tap pattern, which varies from Adjusts the amount of effected sound
rhythmical to random patterns.
that is mixed with the original sound.
Time
093 PitchDly
Mix
Knob1
092 FilterDly
Knob3
18
Page01
InputMute
Page02
FS
Knob2
InputMute
Knob3
25100
Mix
0100
Sets the time that the sample-and- Adjusts the amount of effected sound
that is mixed with the original sound.
hold sound is produced.
THRSH
Level
030
0150
NEXT
53
FS
Knob1
Decay
Page01
Page02
098 Hall
0100
Knob2
Tone
Mix
PreD
Level
1200
HPF
010
130
FS
Knob2
P Tone
Mix
1100
Level
0150
130
FS
Knob2
P Tone
1100
Level
0150
Mix
Decay
130
P Tone
1100
Level
Decay
Mix
130
FS
Knob2
P Tone
1100
Level
0150
InputMute
Knob3
010
Mix
0100
130
1100
FS
Knob2
P Tone
Level
0150
InputMute
Knob3
010
Mix
0100
Page02
0100
5IJTFGGFDUSFQSPEVDFTPOMZUIFFBSMZSFnFDUJPOTPGSFWFSC
Knob1
Decay
Page01
Page02
54
Knob3
010
0150
InputMute
Knob1
103 EarlyRef
FS
Knob2
Page01
102 Arena
0100
Knob1
Page02
InputMute
Knob3
010
100 TiledRoom This reverb effect simulates the acoustics of a tiled room.
Page01
101 Spring
0100
Decay
Page02
InputMute
Knob1
Page01
Knob3
010
Page02
0150
PreD
Page01
Decay
Page02
0100
Knob1
099 Room
Knob3
010
Page01
InputMute
130
Knob2
Shape
-1010
Tone
Level
010
0150
Knob3
P Mix
0100
104 Air
Tone
Knob3
010
Mix
0150
0100
Comp
Knob2
010
Gain
0100
Knob3
P Level
0150
0100
Page02
Comp
Knob2
010
Rate
150
Knob3
P Level
0150
4 STG, 8 STG,
inv 4, inv 8
Ref
Page02
Knob2
1100
108 Cho+Dly
Comp
Knob2
010
Sense
010
0150
Knob1
Page02
ChoRt
150
Knob2
P ChoMx
0100
0100
Knob3
P DlyTm
0100
12000
0150
110 Cho+Rev
Knob3
P Level
109 Dly+Rev
-10-1, 110
DlyTm
Knob2
DlyMx
11500
0100
0100
Knob3
P RevMx
0150
0100
ChoRt
150
Knob2
P ChoMx
0150
0100
Knob3
P RevMx
0100
FlgDp
0100
"EKVTUTnBOHFSEFQUI
ChoRt
150
Knob2
P FlgRt
050
Knob3
P ChoMx
"EKVTUTnBOHFSSBUF
P Level
0150
0100
NEXT
55
Freq
150
Knob2
P DryMX
0100
Knob3
P Level
0150
Adjusts the mix with the unaffected sound. Adjusts the output level.
Page02
113 PedalCry
Freq
150
Knob2
P DryMX
0100
Knob3
P Level
0150
Adjusts the mix with the unaffected sound. Adjusts the output level.
Page02
114 TheVibe
Speed
050
0100
Knob2
P Depth
0100
Knob3
P Bias
0100
VIBRT, CHORS
Level
0150
115 PDL Pitch Use an expression pedal to change the pitch in real time with this effect.
Knob1
Color
Page01
Knob2
Tone
Bend
Up, Down
Level
0150
0100
This is a pitch shifter specially for monophonic sound (single-note playing), which allows
the pitch to be shifted in real time with the expression pedal.
Knob1
Color
Page01
19
(See Table 3)
Knob2
Tone
Knob3
010
Bend
Page02
56
Knob3
010
Page02
19
(See Table 3)
Up, Down
Level
0150
0100
Table 1
Type
DELUXE-R 1X12
FD VIBRO 2x10
US BLUES 4x10
VX COMBO 2x12
VX JMI 2x12
Early model British combo amp cabinet with 2x12-inch Celestion Alnico speakers
BG CRUNCH 1x12
MATCH 30 2x12
TW ROCK 1x12
HW STACK 4x12
TANGERINE 4x12
B-BREAKER 2x12
MS CRUNCH 4x12
MS 1959 4x12
MS DRIVE 4x12
BG DRIVE 4x12
DZ DRIVE 4x12
ALIEN 4x12
REVO-1 4x12
OFF
No cabinet used.
FD COMBO 2x12
Table 2
Setting
Interval
Setting
Scale used
6th down
5th down
4th down
3rd down
Major
4
3
m
Minor
Scale used
Interval
3rd up
Major
4th up
5th up
6th up
3rd down
3rd up
Table 3
Color
Pedal min
Pedal max
Color
Pedal min
Pedal max
0 cent
+1 octave
-1 octave + original
+1 octave + original
0 cent
+2 octaves
0 cent
-100 cents
Doubling
Detuned + original
0 cent
-2 octave
- (0 Hz) + original
+1 octave + original
0 cent
57
Troubleshooting
The unit will not turn ON
Troubleshooting
USB cable.
bypassed (P10).
(P18).
t"EKVTUUIFFYQSFTTJPOQFEBM P37).
t"EKVTUUIFQBUDIMFWFM P16).
t"EKVTUUIFNBTUFSMFWFM P20).
tW he n a d ju s tin g the vo lu m e w i th an
expression pedal, make sure that a suitable
volume setting has been set with the
pedal.
t$POGJSN UIBU VOJU JT OPU JO NVUF NPEF
(P26).
t$IFDLTIJFMEFEDBCMFTGPSEFGFDUT
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operation.
(P5).
58
tI f t h e ef fe c t p ro c e s s i n g c a p a c i t y i s
Specifications
Effect types
Number of simultaneous effects
Number of user banks/patches
Sampling frequency
A/D conversion
D/A conversion
Signal processing
Frequency characteristics
Display
Input
116 types
6
10 patches x 10 banks
44.1kHz
24-bit with 128x oversampling
24-bit with 128x oversampling
CJUnPBUJOHQPJOUCJUmYFEQPJOU
20-20 kHz +1 dB, -3 dB (10 k load)
LCD x 3
Standard monaural phone jack
Rated input level
-20dBm
Input impedance
1M
ACTIVE/PASSIVE (switch selectable)
Output R
Standard monaural phone jack
Maximum output level:
Line: +5 dBm (with output load impedance of 10 k or more)
L/MONO/PHONES
Standard stereo phone jack (line/headphones)
Maximum output level:
Line: +5 dBm (with output load impedance of 10 k or more)
Headphones: 20 mW + 20 mW (into 32 load)
BALANCED OUTPUT XLR connector
Output impedance
100 (HOT-GND, COLD-GND), 200 (HOT-COLD)
PRE/POST (switch selectable)
GND LIFT (switch selectable)
Control input
For FP01/FP02/FS01
Power
AC adapter
DC9V (center minus plug), 500 mA (ZOOM AD-16)
Batteries
6 hours of continuous operation using 4 AA
alkaline batteries
USB
Bus power
Dimensions
G3 170mm(D) x 234mm(W) x 54mm(H)
G3X 175mm(D) x 323mm(W) x 66mm(H)
USB
USB Audio
Weight
G3 1.2kg
G3X 1.6kg
Options
FP01/FP02 expression pedal and FS01 foot switch
tE#N7SNT
Rhythm List
#
1
2
3
4
5
6
7
8
9
10
11
12
13
14
PatternName
GUIDE
8Beat1
8Beat2
8Beat3
8SHFFL
16Beat1
16Beat2
16SHFFL
Rock
Hard
Metal1
Metal2
Thrash
Punk
TimSig
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
#
15
16
17
18
19
20
21
22
23
24
25
26
27
28
PatternName
DnB
Funk1
Funk2
Hiphop
R'nR
Pop1
Pop2
Pop3
Dance1
Dance2
Dance3
Dance4
3Per4
6Per8
TimSig
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
4/4
3/4
3/4
#
29
30
31
32
33
34
35
36
37
38
39
40
41
PatternName
5Per4_1
5Per4_2
Latin
Ballad1
Ballad2
Blues1
Blues2
Jazz1
Jazz2
Metro3
Metro4
Metro5
Metro
TimSig
5/4
5/4
4/4
4/4
3/4
4/4
3/4
4/4
3/4
3/4
4/4
5/4
59
Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective owners and do not
indicate any affiliation with ZOOM CORPORATION.
All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product.
COMMENT
COMMENT
WAH BGN
This drive sound uses the BGN DRIVE effect. Press the expression pedal down to use pedal wah.
XtremeWah
TREM FD
This uses FD COMBO for a clean sound. Use the expression pedal to control the Tremolo effect.
HeavyMedal This very saturated distortion sound is great for heavy metal and rock, as well as rhythm and lead playing.
DZ Bend
MetaSynCor Synth octaves and a lush delay make this tone huge. The expression pedal controls the synth.
Movejet
The expression pedal controls the Resonance of the Flanger in this simple flanger sound.
FunkyWah
MS Echo
MultiMod
This rich modulation sound with a wide stereo feel is created by a combination of DuoPhase and StereoChorus effects.
ShuffleAT
Using the Slicer, this patch automatically generates a shuffle backing pattern.
DriveA-Wah
Mike Orlando
This is a spacious and distorted auto wah sound. The expression pedal controls the delay feedback.
StackedUp
This is a classic British rock tone. The expression pedal controls the delay.
AngelFaze
This patch adds a tone that sound like an acoustic sound with a beautiful phase effect. The expression pedal controls the FilterDly Mix.
MrGovenor
This uses the Governor effect to produce an overdrive sound good for rock. Use the expression pedal to control the Delay Mix.
PitchedOut
This insane pitch transposition sound is great for tricky solos. The expression pedal controls the HPS Mix.
Open Wah!
This cry effect is great for soloing and chord playing. The expression pedal controls the delay of DLY+Reverb.
Combining a nice drive sound with auto-wah, this patch sings in response to dynamics with both single note lines and chords.
CrunchCore
Chorus adds width to this big rock sound. Use the expression pedal to control the StereoCho Mix.
Taste-AC
You don't need to change your axe in the middle of a show. This patch uses the acoustic simulator for a tone with a lot of air.
DreamScape With this clean filter effect the notes seem to take off in a pitch-changing delay. This is great for special effects and unaccompanied moments.
GoodFuzz
With this patch, you can get a great fuzz sound no matter what the volume setting of the guitar. The clear sound when the volume is around 2 is really great!
FD COMBO
This is the clean sound of the FD COMBO. Press the expression pedal down to turn PedalVx ON.
Jazz
DELUXE-R
This crunch sound uses the DELUXE-R effect. Turn the HotBox ON to boost it even more.
Fripper
This ambient ReverseDelay sound uses a spacious loop. Use the expression pedal to control the ReverseDelay.
FD VIBRO
This crunch sound uses the FD VIBRO model. Use the expression pedal to add Tremolo.
This crunch sound uses the US BLUES model. Use the expression pedal to add TapeEcho.
This is a funky pedal wah sound. Turn the compressor and phaser ON for a perfect tone for single-note muted backing lines.
Use the expression pedal with this 70s Marshall sound to control the TapeEcho Mix.
Horn
Short reflections from the Air effect make this patch sound like a wind instrument. This is great for playing sax-style phrases.
US BLUES
Clean FLNG
Instead of chorus, this clean sound is modulated by a flanger effect. Suits a retro atmosphere.
VX COMBO
DST&VIBRO
VX JMI
Fast Filt
This filter sound responds quickly to picking dynamics. Single note lines work best with this effect.
BG CRUNCH
CRY&BLUES
This crunch sound uses the B-BREAKER effect. Use the expression pedal to assign PedalCry.
MATCH 30
This clean sound uses the MATCH30 model and gets more width from the Air effect.
BoostCity
CAR DRIVE
This crunch sound uses CAR DRIVE and features resonance characteristic of a small amp.
Heaven
TW ROCK
This crunch sound uses the TW ROCK model. Reverberations from the PhaseDly stand out.
StereoFunk
This auto-wah sound is cool and funky. The Air effect creates wide stereo imaging.
TONE CITY
This crunch sound uses the TONE CITY model. Use the expression pedal to add Flanger.
Tele ClnRW
A wide stereo chorus and hard compression create a clean sound for backing parts.
HW STACK
This clean sound uses the HW STACK model and gives the sound a 3D feeling with a combination of EarlyRef and Air effects.
410BlsSolo
Delay and reverb are added to the US BLUES 4x10 combo sound. Hit an open chord, let it ring and check the sustain!
TANGERINE
This crunch sound uses the TANGERINE effect. Try turning the Phaser ON.
Str Cln LD
This combines chorus and delay in a tone with aggressive compression. The tone is clean, but suitable when you want to solo through a high gain amp.
B-BREAKER
This crunch sound uses the B-Breaker model. The open tone is characteristic of an open-back amp.
Trem Clean
This clean sound has a vintage feel. Use the expression pedal to control the tremolo.
MS CRUNCH
This solo sound combines MS CRUNCH and T Scream and features ping-pong Delay.
Elec Rhyth
This rhythm sound for classic hard rock uses a little EarlyRef. Remember the shorts and the backpack?
MS 1959
This is the MS 1959 crunch. The Vibe is ready to be activated at the head of the chain.
Washed Out
The CAR DRIVE, Cho+Dly and Comp in this patch create a big overdriven tone that sounds like multiple layered guitars.
MS DRIVE
This drive sound uses the MS DRIVE model. Turn Comp ON to get a clean sound.
BigFatFlng
This dirty, big-bottomed flanged guitar sound transforms a clean amp into a fat rocking sound!
BGN DRIVE
This drive sound is based on the BGN DRIVE effect. Use the expression pedal to control the StereoDly Mix.
Robo Funk
M Comp, RndmFLTR, and ParaEQ create a sick funk sound best for quick staccato single-note lines.
BG DRIVE
This is the high-gain sound of the BG DRIVE model. Move the expression pedal to raise the pitch by 2 octaves!
Fool Frnds
This emulates the sound of an acoustic guitar plugged directly into an amp. Reverb is optional.
DZ DRIVE
This high-gain sound uses DZ DRIVE and features a crisp, tight tone.
MatchVibe
This classic rock tone uses MATCH 30. Turn OverDrive on for leads or TheVibe on for backing.
ALIEN
Revolving
This heavy sound with a beautiful low end is great for riffs. Boost and delay can also be added in this patch that is great for modern metal style solos.
REVO-1
This drive sound uses the TONE CITY effect. Turn the Booster ON for an even more powerful sound.
This patch creates a chord sound that will make you feel like you are in Heaven. This is recommended for long chord backing parts.
Amp Modeling
This crunch sound uses the VX COMBO model. Use the expression pedal to add Ensemble.
This crunch sound uses VX JMI. Turn the Booster ON for solos.
This crunch sound uses the BG CRUNCH model. EarlyRef provides the secret ingredient.
This high-gain sound uses the ALIEN effect. This monstrous tone features a fat low-end.
This high-gain sound uses REVO-1. The NoiseGate shuts out noise.
Livid
This clean sound uses a chorus and two delays to create width perfect for arpeggios and chords.
JB Crunch
ValleyRock
Add flanger and delay to this 80s Heavy Rock sound for a Van Halen flavor.
BrianDL
This patch was inspired by the sound used by Queen's Brian May in Brighton Rock. The delay flying left and right every two beats is the key.
IndieDrive
This indie rock patch has two types of delays that can be used independently or simultaneously.
Smooth
This smooth distortion sound is inspired by Eric Johnson's performance of Cliffs of Dover.
MetallicCh
Hendrix
Press down on the pedal to turn PedalVx ON in this Jimi Hendrix sound. Use the expression pedal to control wah and The Vibe.
Progressng
This prog metal solo tone for fast picking has an effective modulated ping-pong delay.
MetalKirk
Enfermo
This heavy rock tone uses the Booster to maximize lead sounds.
U2
This dotted-eighth-note delay that bounces left and right was popularized by U2s guitarist The Edge.
7 mirrors
E.V.H
This captures the crisp riffing sound of Van Halens You Really Got Me.
HolyShift
This sound features pitch shifting and is great for solos. Use the expression pedal to control the HPS Mix.
Beatle AC
Honeydrip
This is a very usable sound for single note lines and lead playing.
J.Page
This is the sound used by Jimmy Page live at Madison Square Garden. Turn the wah ON to get it!
It's Alive
This killer sound for solos has a vocal quality depending on the guitar note pitch.
Layla
This tone can be heard in Eric Clapton's eternal hit Layla. Enjoy it with a Strat in a between pickup setting.
Tropicana
Mr.Moore
Thrash Em
M.S-Wah
Everyone has tried Michael Schenkers half-cocked wah sound once, right?
Zipper
This really obnoxious fuzzed-out sound has some depth added by the Air effect.
JazzFusion
John Scofield inspired this crunch with chorus sound. This patch is perfect for funky jazz fusion.
Solottery
Using BG CRUNCH, this smooth and squashed solo sound adds nice warmth with AnalogDly.
Step Chord
Use the tap button to match the tempo of the song that you play and strum a power cord just once to create a new arrangement.
FilterCLN
The M-Filter responds slowly to picking dynamics for a clean sound. This effect is good for cutting, arpeggios and other chord playing.
Theremin
This patch simulates the strange sound of a Theremin using the MonoSynth effect. Use your arm to change the pitch in large increments for a more convincing performance.
Atom
DreamSeq
Creeper
Heavy D
This heavy tone that uses Z Bottom and BG DRIVE was designed with drop D tuning in mind.
Classic
This patch has a very Classic Rock feel to it and is great with an amp.
Wood
This sound uses Governor, M Comp and DELUXE-R for a woody drive tone. The Cry effect adds the feeling of a human voice.
Guitar Legend
SFX
Rob Caggiano
Kiko Loureiro
Richie Kotzen
Demo
This long reverb sound is ideal for emotional performances like when Jeff Beck plays Amazing Grace.
This modeled Mesa Boogie Dual Rectifier sound is perfect for riffs with the right amount of gain. Use the expression pedal to turn wah ON.
This is the characteristic thick crunch sound used by The Beatles in their early days.
This hall sound is created by setting the pitch delay interval to two.
This special effect sound uses Z Dream and SeqFLTR effects. Use the expression pedal to control the StereoDly Mix.
G3/G3X Patch List - 1