33s MUU teat a ee Leta) CDM acne a Sema Ng 2. DIRTY WALK Sry UN Ue Bem tac Ua Pea) BLS Cebus Cuca See C Dun) Somer} eC Sema) Sema aT SEMIN Sema SC Ly Tg UCR ON LCA TUN at 0 Rena SECO ACSC GAC OC Tk aco 49. ICH BIN DER WELT ABHANDEN GEKOMMEN GUSTAV NAHE PON MN Ae Pee Len eee POA Aa a De OTe eo| met Antonio Sanchez 10 years ago at a sublime Pat Metheney concert in Los Angeles. Like me, Antonio is a Chilango. Unlike ‘me, Antonio is one of the best drummers in the world | became a fan and luckily a friend. At that concert, Antonio, like a human ‘octopus, played a solo that made me wonder how just four extensions of a human body could propel so many beats, emotions, sounds, ideas and extraordinary rhythms. | attempted Birdman (Or the Unexpected Virtue of Ignorance) to be experienced in one continuous and uninterrupted shot. Very ‘much as we live our lives. But not having the possibility to fragment time and space, itis almost a contradiction to the nature of Sic d DRUUUMMMMMSSS! Eureka. I thought the drums would help me to find the internal rhythm of the film and the audience will flow with it. (One week before | started the shoot in NY, Antonio Sanchez recorded, with majestic graciousness and imagination, dozens of eclectic beats based on my terrible attempts right there to explain to him with mouth rhythms (like °KA KA UG UG PA PASH’..he was generous enough to not laugh at me) the emotions of the characters and needs of each scene. Antonio provided and improvised an amazing amount of possible rhythms; each one was better than the other, It was a real joy... Those beats became Bee ue) Be Cae ee en ee na all belong to my personal favorite music geniuses but most importantly, each of these pieces were selected by our character Riggan Thomson to be played not as. Dee Or MU Rae Ae cde We all are just playing a role in it. CaO UL Tatas LULU