Professional Documents
Culture Documents
Eclectic Goju - 1stedition
Eclectic Goju - 1stedition
Combat Karate
System
1st Edition
Randall, Cook, Myers
/2012
Table of Contents
Preface - History.................................................................................................2
About the Instructors:........................................................................................7
Hanshi Myers Instructors:...................................................................................................8
Kyoshi Randalls Instructors:...............................................................................................9
Sensei Cooks Instructors:.................................................................................................16
What Is Your Style?........................................................................................20
Promotions:...................................................................................................22
Basic Kata Set:..............................................................................................24
Sanchin:.......................................................................................................24
Martial Arts:...................................................................................................33
Trends:.........................................................................................................37
Autonomic Nervous System:............................................................................38
Art of Conflict:................................................................................................43
Purpose of Kata:............................................................................................45
The Kiai:.......................................................................................................48
Sticking Hands:..............................................................................................51
The Mystical Lady Who Rode the Golden Hog...................................................55
This document will serve as a class aid to students with the desire to learn. It is
an ever-expanding document with no limits on size, content, or number of
authors. Any authorized teacher of the Eclectic GoJu system may submit or
approve of writings to be added to the official document. This document is a
collection of knowledge and ideas. They represent only one of many valid
viewpoints to convey the same message.
Preface - History
Legends state that the Indian born (Zen Buddhist monk) Bodhidharma travelled
to Hunan province in China around 500 A.D. In which, he spent nine years in the
Shaolin temple, where after he started to teach different breathing techniques and
physical exercises to the monks of Shaolin. He also explained to the monks how to
develop their mental and spiritual strength in order to endure the demanding meditation
exercises. Bodhidharmas teachings are considered the birth of Chinese Kempo.
However, it should be known that several Chinese martial arts were practice before the
arrival of Bodhidharma. Even so, Bodhidharma still set the stage of the spreading of
Chinese Kempo and philosophy.
Eventually Kempo spread throughout China, where it was divided into two main
styles: the Northern and the Southern styles. The Northern style (The northern leg) was
characterized by straight and hard techniques while the Southern style (The southern
fist) had circular and softer techniques. It is said that these Kempo techniques were
often inherited within the family as a well-preserved secret.
The secret art of Chinese Kempo (Quan Fa) eventually made its way to Okinawa,
by Chinese officials on diplomatic missions and by the shizoku, young men of wealthy
Okinawa families that went to China to improve their studies, culture, and martial arts
skills. These young men took part in the education of the noble class. These cultural
exchanges continued up until Okinawa was invaded and taken over by Japan in 1609.
It is at this time in which Japan breaks up all diplomatic relations with China and bans
Kanryo
Higashion
na
Chojun
Miyagi
Richard
Kim
Gogen
Yamaguc
hi
Mas.
Oyama
Peter
Urban
Aaron
Banks
Robert
Jones Jr.
Earle
Victoria
William
Myers
Leanear
Randall
Jamar
Randall
Marc
Cook
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11
12
13
14
15
16
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3. Bob Bowers:
Upon arriving as a freshman at Bridgewater College I was naturally eager to
explore the small campus available to students. As I walked toward the Wellness
Center and gym on campus, a man had caught my eye through the window. A
gentleman who was very fit for his age could be seen in the middle of an aerobic room
wearing the traditional white gi of a karate practitioner. That alone could have held my
interest; however he was also wearing a worn black belt with fading colors and an
impressive display of red stripes down the hanging tip of the belt. This man was
performing katas by himself with noticeable skill and it was clear this man was an
authority on the martial arts with well-practiced techniques. After watching this man
silently from outside for a while I decided to enter the building to approach him and
waited for him to complete his kata before speaking.
I started by asking him what style it was he practiced and he smiled and
responded by saying that he was studying Kempo. Without missing a beat, the man
had understood that I must be a practitioner and in return asked me what style it was I
knew. I was glad to find out that he had also studied Goju Ryu briefly in the past. We
introduced ourselves and exchanged phone numbers agreeing to contact and train with
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Promotions:
There are only three levels of status: Masters, Black Belt Teachers and Students.
Students may hold titles as disciples and wear sashes, head students who are
responsible for class conduct and adults with tenure who will instruct class in the
absence of black belt instructors. Tenure will be awarded in class to adults. Again we
will examine our advancement system.
Ran
k
10th
English
White Belt
Number of
Stripes
0
Japanese/Okinaw
an
Ranku Shiroi
23
Status
Meaning
Sub
Foundation Belt
0
Yellow Belt
Ranku Ki
Novice
Learner Belt
Ranku Aoi
Middle
Rank
Basic Belt
Ranku Kasshoku
Ancient
Transitio
n
Intermediate
Rank
N/A
Shodan
Sempai
N/A
Nidan
1
0
Green Belt
1
2
0
Brown Belt
1
2
1st
Dan
2nd
Dan
3rd
Dan
4th
Dan
5th
Dan
6th
Dan
Novice
Sensei
N/A
Sandan
N/A
Yodan
Godan
N/A
Rokudan
7th
Dan
N/A
Shichidan
8th
Dan
N/A
Hachidan
9th
Dan
N/A
Kudan
th
10
Dan
Basic Sensei
Renshi
N/A
Black Belt
Kyoshi
Hanshi
N/A
Judan
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Advanced
Student
Instructor
Beginner
Instructor
Intermediate
Sensei
Advanced
Sensei
Executive
Sensei
Master
Executive
Sensei
Chief Executive
Sensei
Chief Master
Executive
Sensei
Grandmaster
Required GoJu
Various Additions
Weapon Forms
Taikyoku Jodan
Katas
Gekisai Dai Ichi
Empi Ha
Bo Kata
Taikyoku Chudan
Gekisai Dai Ni
Shishu No Kan
Taikyoku Gedan
Saifa
Hakutsuru
Sai Kata
Taikyoku Kake
Seiunchin
Hakkaku
Taikyoku
Shisochin
Kusanku
Mawashi
Seisan
Animal Kata
Sepai
Urban Taikyoku
Sanseru
Kata
Kururunfa
Suparinpei
Sanchin
Tensho
Sanchin:
Japanese: Sanchin
Mandarin Pinyin: Snzhn
Sanchin (
considered to be the core of several styles, the most well-known being the Goju Ryu
and Uechi Ryu styles of Karate as well as the Chinese martial arts of Fujian White
Crane, Five Ancestors, Pangai-noon and the Tiger-Crane Combination style associated
25
Light to heavy slap down on the shoulders. This checks that the shoulders are in
a natural position, yet tense.
Light to heavy strikes (generally a ridge hand) to the lats. This is to check if the
lat muscles are tight. Light trapping of the elbows with a hand or fingers check that
the karateka is holding proper form with their arms and elbows, and using full
strength to strike.
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Groin and pelvic tuck(tilt). From the front or rear, kick or raise arm to the groin. If
the karateka is in proper Sanchin stance and the pelvis is tilted, he will trap the kick
or arm with the inner thighs.
Breathing check. Light to heavy striking of the stomach. This could be a standard
punch or a ridge hand from the side. This will check for proper ibuki breathing.
Concentration check. The person performing shime should not strike in a specific
pattern, allowing the karateka to anticipate the strikes. He should strike randomly,
allowing the karateka to focus on the kata itself and not on the strikes. This may
involve occasionally "faking" a strike in view of the karateka to check that he does
not react to it. This is a portion of the "mind" part of "mind, body and spirit."
Posture. Check the strength and posture by hooking, open palmed, the wrists,
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Martial Arts:
1. Move quickly.
2. Sound, calm mind.
3. Be light in body.
4. Have a clever mind.
5. Master the basics.
Bubishi Poem: The 8 Precepts of Kempo
1. The mind is one with heaven and earth.
2. The circulatory rhythm of the body is similar to the cycle of the sun and the moon.
3. The way of inhaling and exhaling is hardness and softness.
4. Act in accordance with time and change.
5. Techniques will occur in the absence of conscious thought.
6. The feet must advance and retreat, separate and meet.
7. The eyes do not miss even the slightest change.
8. The ears listen well in all directions.
When choosing to study Goju-Ryu Karate, one should remember these words written
by OSENSEI CHOJUN MIYAGI:
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37
Trends:
Dojos operate in what we will define by equation as population equals wealth. As
the population of a dojo declines, the financial wealth declines conversely. A large
student population equals large financial growth. Dojos cost substantial financial flow
unless the teaching hall is owned and privately operated which deflects cost to the dojo
operational expenses. Smaller dojos have less operation expenses and individual
classes cost even less, which depends on the instructor. The student should never
expect to be trained without some financial commitment to the instructor. Students if not
required should offer occasional support to the chief instructor as acts of goodwill.
My issue is with those that systematically move students on a schedule based on
finances and not performance. This directly floods the market with students with limited
abilities and limited knowledge. If a student passes from high school unable to read and
earnestly attempts to gain fruitful employment he finds himself in a quandary due to lack
of skills and qualifications. His counterpart with both skills and education stands a
better chance of finding gainful employment and financial security.
Now if we re-examine the basic equation, we find that student plus dojo equals
wealth. Taking this further, more teachers directly feedback on the student populations
which diminishes and we rewrite the equation: less students plus dojo equals less
finances, which threatens the school.
Another example applicable to small schools; we find that students with no
financial commitment plus dojo equals few graduates. Students without dedication
leave due to difficult training conditions. The product is less and limited financial gain is
realized by the teacher. The teacher with few dedicated students is served far better
than many non-dedicated students. Irregular class donations are accepted but for the
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Areas where major nerves run close to the skin or are relatively unprotected.
Areas which disrupt the mechanics of major systems of the body - such as the
respiratory system or the circulatory system (the jugular notch, described below,
is an example of this)
Areas which disturb neurological activity in the brain, such as the temple.
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Areas which transmit the force of a strike directly to an internal organ, such as
the kidneys or even the heart, with maximum efficiency.
Weak areas of the body which are easily injured, such as the eyes or the
genitals.
Acupressure points which disrupt the flow of chi - not found in all systems of
pressure point fighting; only traditional oriental arts such as kung fu or karate,
these are based on the principles of traditional Chinese medicine and work in the
same way as acupuncture.
41
Art of Conflict:
As the martial spirit evolved training became more difficult both mentally and physically.
A weak nation is overcome by opposition much stronger than itself and is totally
replaced. It is neither magical nor mystical. It is as a result of a violent phenomenon.
This phenomenon continues until the opposing army, nation, or antagonist has lost their
willingness to continue. They then capitulate and accept the defeat.
During individual fighting one must only survive. That is our code of conflict; that
regardless of the odds we must only survive. A fighter must have three main qualities.
Those are speed, technique and strength and of these, speed is the most important.
Speed allows a fighter to attack particular areas of the body before they can be
defended. It becomes like a whirlwind moving and confronting anything in its path and
when coupled with strength (external or/and internal) its outcome is often favorable.
Proper techniques deliver the devastation. However, fear and pain when not curtailed
nullify the aforementioned fighting attributes.
An example places a 13 year old junior black belt with seven years of formal
martial arts training, into a predicament. His parents have supported him for years and
are proud that their son is a black belt. The student has excellent techniques and
received his black belt in four years and has also continued to train regularly. He has
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What has been instrumental in difficult situations is relying on what has been learned
during the martial journey. When reflecting on opposition one must determine the
distance and approach to use. The skills once trained will always reveal themselves
when required unless they are subdued by fear. A thought may be tenable with strong
argument; the mind and body are equally defendable with practice and confidence.
What is the correct distance that one should stand from an opponent? Who can
say? Personnel skills and knowledge of those skills are necessary requisites. One
should simply run away when possible that is the best solution but often the possibility
of meeting the opposing object resurfaces at some future time. The closer you are to
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Purpose of Kata:
In the past when literacy was rare outside of nobility, oral traditions were used to
pass down information throughout the Orient, including the martial arts. Kata were used
as methods of passing down information in an era where literacy could not be taken for
granted and open practicing of the martial arts was outlawed. Copying kata by rote or
mimicking the instructor is referred to as modeling in academia. It provided a method of
transferring physical form and function while transcending language barriers, but made
it difficult to impart deeper meaning. Entire systems have been enclosed in the kata,
with only the most privileged students taught how to correctly interpret them.
Kata can be thought of as the textbooks of a system of martial arts. Every kata
contains principles applicable to the strategy of a system. It is no coincidence that new
styles created by the past masters were merely new combinations of previously used
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48
The Kiai:
The kiai, or spirit shout, is often a misunderstood concept in the martial arts.
Its mistakenly considered by some to be a superfluous addition to the kata and sparring
of sports-related karate. The Western distortion of kiai shouts has in all likelihood been
driven by the way in which kiai shouts can be easily mimicked without credible skill or
training. This results in a general misunderstanding accompanied by a lack of effective
results in martial performance. Without results, traditional practices fade and ancient
knowledge is left unrestored. The kiai must therefore be further analyzed to determine
its role in effective fighting technique. Past and current great karate masters alike have
not omitted spirit shouts from their training for good reason. The kiai, like anything else
in the martial arts, requires extensive training to master.
The spirit shout is referred to as such to reflect upon the inherent nature of the
practice. When executed properly, a practitioner is essentially forcefully expelling their
spirit and ki in an explosive, though sometimes pinpointed, manner. To do so imply that
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Sticking Hands:
Sticking hands is a training tool in which two partners spar lightly with the wrists
of each hand continuously touching the opponents corresponding wrist. This is an
especially useful tool with students who have already developed a basic understanding
of hard Go fighting and are delving into the concepts of soft, flowing Ju techniques.
In order to excel in sticky hand fighting, a practitioner must relax and avoid tensing their
muscles beyond what is absolutely necessary. As the student develops their Ju training
they will learn to use less and less energy with their techniques, eventually reaching the
point where sticky hand fighting becomes a form of meditation. Through sticking hands,
a student will become comfortable with in-close fighting, develop sensing techniques,
utilize karate philosophies, and strengthen their focus.
Due to the close proximity between partners necessary to maintain contact
between the arms, partners become more confident with fighting an opponent up close.
A common problem with Americans that is uncovered in sparring is a hesitation to get
close to the opponent. This is a result of the distance with which we naturally converse
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