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Condemned Wilfredo Ma Guerrero
Condemned Wilfredo Ma Guerrero
Condemned Wilfredo Ma Guerrero
Condemned
To the Memory of Fernando Poe Sr.
CHARACTERS:
PABLO GONZALEZ
ANGELA GONZALEZ (his mother)
CRISTINA (his fiance)
TIA CHEDENG (his aunt)
ANDRES GOROSPE (an old friend)
SIMEON SERENO (another friend)
FATHER LIM (prison chaplain)
WARDEN
(WARDEN opens cell, leads PABLO out into the waiting-room, closing
rear door.)
When the curtain rises, the stage is completely dark, except for the
lighted candle. The metal rustling of heavy keys is heard. Presently,
the right door opens. FATHER LIM and the WARDEN appear. FATHER
LIM is about forty, brisk-mannered but soft-voiced. He carries a
breviary in one hand, and a small bag in another.
WARDEN: Come right in, Father. The prisoner has been waiting for
you.
PABLO: You see, Father, I could not afford to drink it beforeI got
used to the cheap ginebra and tuba. Ive always dreamt of being
able somedayto drink whiskey, a whole bottle.
(WARDEN goes out. FR. LIM sits on bench beside the table; PABLO
remains standing, staring in front of him.)
WARDEN: What I mean, Mr. Gonzalezis there any food you might
want?
FR. LIM: Take a seat. (PABLO sits down.) What were you thinking of,
my son?
FR. LIM: Be calm, Pablo. I went to see the governor for a reprieve
FR. LIM: (wondering) Now that I come to think of ityes. Her face
wasor
PABLO: Covered with too much paint?
(FR. LIM nods gravely.)
FR. LIM: Wearing earrings and bracelets.
PABLO: Thats her all right. I wonder why shes here.
FR. LIM: Dont you expect a mother to see her son?
PABLO: I dont want to see her!
FR. LIM: Pablowhat you told me a moment agothat your mother
never taught you to believe and to prayis that the reason you
dont want to see her?
PABLO: (looking at him) That, Fatherand more. But lets not talk
about it. I want to rest a little. Im tiredand a little nervous. I
hope you dont mind.
FR. LIM: No, no, of course you should he down for a while. You
want me to go?
PABLO: No, not yet, Father. Will you read me something? My heart
is so weary. Perhaps your books could give me some comfort.
FR. LIM: Ive two books here. The Confessions of St. Augustine and
ANDRES: No, dont bother him just yet. Can I ask a few questions?
(WARDEN nods.)
ANDRES: Ive just arrived from the province. All I know is from the
morning papers. I can hardly believe its true. Can you tell me why
he murdered that man?
FR. LIM: (reading aloudfrom Book One, Chapter 12) It is good for
us now and then to have some troubles and adversities; for
oftentimes they make a man enter unto himself, that he may know
that he is an exile, and place not his hopes in anything of the
world... Therefore, ought a man so firmly to establish himself in
God, as to have no need of seeking many human consolations...
Then is he weary of longer fife; and wisheth death to come, that he
may be dissolved, and be with Christ. Then also he well perceiveth,
that perfect security and full peace cannot be realized in this
world.
PABLO: That is good, Father. But my eyesthey are weary.
FR. LIM: I shall continue reading it for you, if you wish.
PABLO: Yes, yes. In my cell.
(Both exit. WARDEN enters, carrying a bottle and several glasses on
a tray which he places on a table. ANDRES GOROSPE, a childhood
friend of PABLO, also enters.)
WARDEN: The chaplain is in with him now.
ANDRES: I shall wait.
(ANDRES GOROSPE is twenty-six. He has settled down early in life.
A childhood friend of PABLO, ANDRES has never asked much from
life, his ambitions are few and modest. ANDRES has quiet manners
and speaks rather slowly. He is attired in a simple suit and wears a
tie. WARDEN is about to open the rear door.)
ANDRES: Pablo.
PABLO: (trying to remember) I dont
ANDRES: Dont you remember me, Pablo? Andreswe were
childhood friends. We used to play escondite, remember?
PABLO: (recognizing him and shaking hands) Ah, yes, I remember
now.
ANDRES: (both sit down) You used to push me into the river,
remember?whenever we played near the bridge. Have you
forgotten?
PABLO: No, Andres. I havent forgotten. I only wish we were
children again. We were happy then, werent we? (ANDRES nods
sadly, evading his gaze.) Youre the only friend who has come to see
me. The othersmy so-called friendsI havent seen them since
the trial.
ANDRES: They are probably busy.
PABLO: (laughing grimly) Yes, too busy evading me. But your
coming, Andres, is a complete surprise to me. I meanI didnt
expect you -ANDRES: I arrived from Isabela yesterdayI came to Manila on
business. I knew nothing aboutabout thisuntil I read the papers
last night.
PABLO: Im glad you came, Andres.
ANDRES: Theres a young lady outside. She should have come in
first, but when she was near the door she turned to me and told me
to go ahead. Is sheyour wife?
PABLO: Thank you, Andres. No, theres nothing you can do now.
ANDRES: Does she love you? (PABLO stares at him and nods bitterly.)
PABLO: I chose the wrong path, thats all. Tell me, are you married?
ANDRES: Yes, and with two children. I should like you to meet my
wife. (Suddenly they stare at each other, at the ironic impossibility
of the wish.)
PABLO: Maybe not nowbut latershell regret it. Why make her
the widow of a murderer?
PABLO: Thats just it. She does. Ive been very selfish all my life
PABLO: Yes, and after his death I lived with an old aunt, Tia
Chedeng but when I was fourteen I ran away.
PABLO: Yes
PABLO: (with a brief, grim laugh) Rest now? Ive all eternity to rest
in, Warden.
(SIMEON enters. Hes about twenty-five, in drab trousers and pants,
his hair is tousled. He is smoking a cigarette. PABLO doesnt see
him at first.)
SIMEON: (to WARDEN) Do you mind leaving us alone? (PABLO glares
at SIMEON resentfully.)
WARDEN: (to PABLO) You wish to see him? (PABLO doesnt answer,
but his silence is taken for consent. WARDEN leaves quietly.)
SIMEON: I read in the papers
PABLO: I didnt want to see you. Youre partly to blame for my
being here.
SIMEON: Dont be too hard on me, Pablo.
PABLO: You taught me many of the evil things I learned.
SIMEON: I regret it deeply.
PABLO: Yourregretwill it save me from the chair?
(PABLO has gone near him and has gently put his band on his
shoulder.)
SIMEON: You say I taught you many evil things. Thats true. But I too
had been taught in my younger years by other friends.
PABLO: Leprosy!
SIMEON: I am going with herthats why Ive decided to work
there, too.
PABLO: Tia Chedeng! (Leads her to a chair, be sitting beside her and
holding her bands.) I am so happy you came.
TIA CHEDENG: I did not want to come todayI told you yesterday,
but
PABLO: I wouldnt have forgiven you if you didnt come today, Tia.
TIA CHEDENG: Pablo, I failed you in everything. If only I had not let
you go years agobut then you ran away
(Hastily SIMEON breaks away and rushes out. PABLO, shaken, sits
and buries his face in his hands. WARDEN enters.)
(Suddenly TIA CHEDENG bows her bead, bites her lips, as tears roll
down her cheeks. PABLO caresses her hands. Presently she takes
something from her handkerchief.)
TIA CHEDENG: Wear this. (Gives him a small crucifix with a chain.
She puts it around his neck.)
PABLO: Thank you, Tia. How can I repay you for all your kindness?
TIA CHEDENG: Only one thing, Pablo, my dear, will make me happy.
What Ive been asking you these last few days.
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WARDEN: Very little time left, Mr. Gonzalez. The girl wants to see
you. (WARDEN goes out.)
PABLO: You mean, confession? (She nods.) I dont know, Tia. Its too
early yet
TIA CHEDENG: (rising) Thank you, I was just going. (WARDEN goes
out.)
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long pause during which they dare not look at each other.)
PABLO: (talking almost to himself) For the first time in my life I
know what real love isthe deep silent affection, the quiet
understanding, the feeling of gentle gratitude, the sense of being
alive(bitterly) yes, alive. Neither a mothers nor a womans love I
have known. Early in life I soiled my mind with unworthy thoughts
my mouth with drink and dirty languagemy heart polluted with
petty desires my hands with stealing, gamblingand now, murder!
And then you came. Cristina, you came into my sordid, lonely life
and cleansed my mind and soul and brightened my world. Until that
night
you a better futureyoull be glad you didnt marry me, that you
were free.
(She weeps quietly on his shoulders. FR. LIM appears.)
FR. LIM: Its nearly time, my son. (PABLO and CRISTINA look at each
other.)
PABLO: Fatherthis is Cristina. (FR. LIM nods to her.) Fathercould
we
FR. LIM: Yes?
PABLO: Could you marry usnow? (FR. LIM looks from one to the
other.) Its the last favor I ask of you, Father! Could you?
PABLO: When you told me the next morning how that fellow had
tried to rape you! I forgot myselfI forgot youI forgot everything!
I only knew I had to wipe away the insult
PABLO: With blood, yesbecause it was the only way. That insult
had to be wiped away with blood! If we get married nowwhat can
I offer you? Nothing. Premature widowhoodthe name of a
murderera few memories of what might have been.
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PABLO: Wait for me, dearest. I shall call you. (PABLO kisses TIA
CHEDENGs hand.) Tia, will you take care of Cristina for me? (TIA
CHEDENG nods. PABLO shakes ANDRES hand.) Stand by them, will
you, Andres? (CRISTINA supports TIA CHEDENG, and all go out,
closing door behind them. ANGELA GONZALEZ takes a few steps
forward, extreme front stage, right. PABLO stands an extreme left,
front. ANGELA is over forty-five, but is trying to retain her faded
youth and beauty by the overuse of cosmetics. There is an air of
bad taste and vulgarity about her, accentuated by her gaudy
colored dress and the use of big bracelets and earrings. Her voice is
husky.)
(PABLO gulps down his share, but suddenly throws the glass on the
floor, breaking it. He sits down and leaning on the table, breaks
down. CRISTINA goes near him and he puts his arm around her waist
briefly. WARDEN, after an awkward pause, touches PABLO on the
shoulder.)
WARDEN: Five minutes left. (Suddenly voices are beard outside.
WARDEN runs to the door. His voice is heard off stage). You cant
get in without a pass!
ANGELA: (outside) Let me in! Let me in! (Everybody looks towards
the door.)
WARDEN: (outside) Who are you?
ANGELA: (outside) I am his mother! (PABLOs reaction is to be
imagined.)
WARDEN: (outside) But you dont have a pass!
ANGELA: (outside) Hes my sonand I have the right
PABLO: (quietly) Warden, will you let her in?
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PABLO: Son! You dare call me your son! And a few months after
Fathers deathI was ten thenyou fell in love with Marcos Nable
lived with himpueh! my own mother!
ANGELA: Me!
PABLO: Yes, you! Have you ever been a mother to me? Did you ever
give me any care or attention? Isnt it true that you spent all your
time gambling while you left me with Tia Chedeng? When Father
was sick and dyingwerent you out gambling?
ANGELA: I fed you, clothed you
PABLO: And you thought you had done your duty! You thought that
in bringing me into this world your work was finished! It had only
begun!
ANGELA: What did you want me to do?
PABLO: Did you ever correct my faults? Did you care who my
companions and playmates were? Did you ever check me from
committing petty theftscorrect my bad languagemy bad
tendencies?
ANGELA: I really tried, I
PABLO: And did you ever teach me to fear God? (Pause) Tia Chedeng
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PABLO: Tears! How can your tears move me now when I drowned
my own tears in drink?
call you Mother! (Desperately.) God in heaven, why, cant I call you
Mother? (Right door opens, WARDEN comes in.)
(ANGELA slowly raises herself up. PABLO covers his face with his
hands. There is an expression of determination on ANGELAs face.
Slowly and quietly, she takes off her earrings, bracelets, rings, and
gently puts them on the table. She also tries to wipe off the
cosmetics on her face. When she speaks, her voice is low and soft.)
ANGELA: I left you in Tia Chedengs care, then. She wanted you.
When you were eleventhat was the time I met Marcos. Tia
Chedeng knew about my unhappy marriage with your father.
PABLO: She knew and never told me.
ANGELA: Ive told you everything! Now condemn me if you dare!
PABLO: If I could believe youI would ask youto take care of
Cristina for mebut no, its impossible! Too late!
ANGELA: Yes, son, let me take care of her! Ill be a real mother to
herwhat I havent been to you!
PABLO: If I could die with the word Mother on my lipsif I could
ANGELA: My son!
(PABLO looks at her with compassion in his eyes, makes a gesture of
bending towards her, but turns abruptly, and goes out through rear
door with WARDEN, closing door behind them. Bells begin to toll
outside. The door opens. CRISTINA, TIA CHEDENG, and ANDRES rush
in.)
CRISTINA: (rushing to rear door and banging it repeatedly) Pablo!
Wait! (Stage is darkened as bell continue tolling. CRISTINA breaks
down and collapses in front of rear door, a figure of utter
dejection. TIA CHEDENG sits on chair, with ANDRES behind her.
Music continues. ANGELA stands, front right, with hands folded
tightly and bead down, as if praying. TIA CHEDENG prays with a
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